A lost rider and a singing companion are swept into the oldest story ever told.

After a desperate ride through a midnight storm, Buck Ramble and his faithful tenor companion arrive on the outskirts of Bethlehem just as the angel appears to the shepherds. They were never meant to be there—yet somehow they are. Their arrival shifts the story, and the angel turns to confront them. If they want the world to remain whole, they must remain and make it right.

What follows is a sacred western journey seen through the eyes of a man and his horse who never expected to witness a miracle. They follow the angel’s command to Jerusalem, where the Festival of Lights fills the Temple with fire and song. There, in the arms of an old man named Simeon, they behold the Child who would someday call Himself the Light of the World.

The encounter changes everything. They ride back not with answers but with peace—carrying a quiet flame that was never theirs to earn. The final songs are not about what happened, but what remains: light for the weary, mercy for the broken, and peace for every stranger still out on the road.

Part Christmas album, part biblical epic, part sacred western myth, Festival of Lights is the story of men who stumbled into prophecy by accident—and stayed long enough to be transformed.

Summary Themes:

Doubt & faith

Accident & providence

Smallness & glory

Light carried through darkness

The gentleness of redemption

The way God works in ordinary men

Tone:

Cinematic, reverent, frontier, mid-century hymn, sacred Americana, biblical poetry, quiet emotional catharsis.

This isn’t just a Christmas album.
It’s a pilgrimage.
And somewhere in its journey, the listener finds themselves in the story too.

When the Light Looked Back at Us

A lost rider and a singing companion are swept into the oldest story ever told.

After a desperate ride through a midnight storm, Buck Ramble and his faithful tenor companion arrive on the outskirts of Bethlehem just as the angel appears to the shepherds. They were never meant to be there—yet somehow they are. Their arrival shifts the story, and the angel turns to confront them. If they want the world to remain whole, they must remain and make it right.

What follows is a sacred western journey seen through the eyes of two men who never expected to witness a miracle. They follow the angel’s command to Jerusalem, where the Festival of Lights fills the Temple with fire and song. There, in the arms of an old man named Simeon, they behold the Child who would someday call Himself the Light of the World.

The encounter changes everything. They ride back not with answers but with peace—carrying a quiet flame that was never theirs to earn. The final songs are not about what happened, but what remains: light for the weary, mercy for the broken, and peace for every stranger still out on the road.

Part Christmas album, part biblical epic, part sacred western myth, Festival of Lights is the story of men who stumbled into prophecy by accident—and stayed long enough to be transformed.

Summary Themes:

Doubt & faith

Accident & providence

Smallness & glory

Light carried through darkness

The gentleness of redemption

The way God works in ordinary men

Tone:

Cinematic, reverent, frontier, mid-century hymn, sacred Americana, biblical poetry, quiet emotional catharsis.

This isn’t just a Christmas album.
It’s a pilgrimage.
And somewhere in its journey, the listener finds themselves in the story too.

We Rode Back Through the Wind

Festival of Lights

Toward the Temple

Peace to Every Stranger

When the Wind Stood Still

Some Hearts Believe Before They See

A Light Left Burning

Fear Not

Volant Records is a story-driven label and shared universe: cinematic concept albums, stutter-house, western sagas, haunted pop, and hymn-like instrumentals. Home to Jupiter Morrow, Avaline Ingels, Shadow Face, Buck Ramble, Choralith and more. All Worlds Reserved®.

New tracks tagged #Frontier Hymns