Commissioned by the AHRC research project, ORDERED UNIVERSE, led by Prof. Giles Gasper (Durham University) and Dr Hannah Smithson (University of Oxford), Napa Lighted Art Festival (U.S) and Light Up Poole (UK)

Exhibited at Napa Lighted Art Festival (U.S) and Light Up Poole (UK)
It was seen by 40,000 people in Napa, California and another 40,000 in Poole, Dorset in the UK.

‘Horizon’ follows the journey of humankind through time, how we have discovered our place in the universe through what we see, and how that view has changed as we go beyond the limit of our horizon.

Beginning with the scientific teachings of the English medieval polymath Robert Grosseteste and journeying to 21st century satellite explorations at the Jet Propulsion Laboratories, NASA, we see how our knowledge is shaped by the horizon of our viewpoint, by what is visible and invisible to us, and how we still seek answers on how we should live.

Karen worked with scientists from JPL-NASA involved with climate investigations, particularly on water availability for plant life and the threat of rising sea levels creating scripts and storyboards that connected their work with Grosseteste's theories. Through the partnership with the Ordered Universe team members, Karen recorded also the fruits of their own research as well as carrying out further research of her own to weave the potent narrative.

In Poole, she presented a talk on creatively working with the group at the event’s light art symposium.

vimeo.com/1098724883
youtu.be/wbTCJnxf8mk?si=lYvO45ufNYf5IIx2

RESULTS:
“ I found listening to the digital artists talk about their work during the light art symposium absolutely fascinating.” - G. Aldred, artist

“Saw this last night - Spectacular!!” - Twitter (US exhibition)

“This was amazing! It was so beautiful I watched it live twice” - Instagram (US exhibition)

Horizon

Horizon (Sphere - excerpt)

My Math (feat. MC ?Ugud?)

mr. geometry dash

It is too beautiful to eat, 
knife crumbles it from gold to dark. 
Out keenest edge cannot stay sharp, 
white in out walls, which seemed so strong, 
damp murmurs with the evenling sleet. 
I wonder if I live too long

How many doors on a honey house?

 Sweet little city in a golden grid,
 wax-walled windows where the soft light hid.
 Angles like angels in a circle’s kiss,
 six small reasons why the world says “this.”

 Cell after cell after cell in line,
 snap into place like a rhyme in time.
 Finger to palm, I can almost see, 
 love has a lattice like a patient bee.

 Hold it to morning, tilt it to night,
 honeycomb geometry, pockets of light.

 Honeycomb, honeyhome, sweet symmetry.
 Sides like sighs in a soft liturgy.
 Count it: one-two-three, four-five-six,
 love tessellates where kindness sticks.

 Gold in the middle where the sorrows meet,
 two open hands hold bitter + sweet.
 I keep the sting and the sugar apart,
 space is a shelter I build with my heart.

 Mercy’s a measure, a gentle degree,
 between what I wanted and what came to be.
 I turn the frame and I learn to see,
 the hex of a blessing, the grace of a bee.

 Breath like a bellows, patience like wax,
 warm it with listening, soften the cracks.

Honeycomb, honeyhome, sweet symmetry.
 Six quiet doorways into empathy.
 Count it round my open palms:
 one-two-three, four-five, psalms.

 One for the sweetness shared,
 two for the tears we dared,
 three for the breath we spare,
 four for the steady care,
 five for the hands that mend,
 six for the love we send.

 Sun in a cell turns labor to gold,
 salt on my brow, little stories told.
 Sulfur of laughter, mercury rain,
 alchemical comfort for ordinary pain.

 I hold the comb to my ear and hear,
 hum of a hymn saying “I am here.”
 Honey is memory, warm and slow;
 compass of kindness tells me where to go.

 If sadness is heavy and joy is light,
 we balance the scales with how we hold tight.

 Honeycomb, honeyhome, sweet symmetry.
 Pattern of mercy under everything.
 Six-fold prayer in a golden ring,
 love is the shape we’re practicing.

 one… two… three… four… five… six…

but then I taste the honeycomb,
it waxen white upon my teeth,
its liquid sun which hides beneath. 
Small deities, of wind or moon, 
behold me. In my shabby room.
I am a god, I lick the spoon.

honeycomb geometry

Made in FL studio using Serum mainly. Hope you enjoy it.

Hex ~ "Bloodshed"

Sevvend clubstep x Gazan - Tung Tung Tung sahur

>>> SOLaR RaDIaNCE ETERNaLLy <<<

↕↕↕𒅌 Honestly I'm rlly proud of dis one. It sounds so funky like a pixilated video game or smth idk 𒅌↕↕↕

꧁☬⚰︎ 𝔑𝔬𝔠𝔱𝔲𝔯𝔫𝔞𝔩 𝒱𝒶𝓂𝓅𝒾𝓇ℯ 𓉸☬꧂
🧛🎃 🕚𝟏𝟏:𝟏𝟏🕦 🥀⚰️

SOLaR RaDIaNCE ETERNaLLy

𒅌↕↕↕ รѻɭคɼ ɼคɗٱคกƈﻉ ﻉՇﻉɼกคɭɭץ ↕↕↕𒅌

artist : BERTHELOT
title : Ouverture des anecdotes polyedriques en fracture cosmique
album : Les Anecdotes Polyedriques
earS084 / 2016
https://archive.org/details/earsheltering084
A propos des Anecdotes polyédriques :

Comme son nom l'indique plus ou moins directement, cet album est un ensemble d'anecdotes sonores à géométrie variable, une suite d'anecdotes agglutinées les unes aux autres pour former des histoires vraisemblablement plausibles.
Anecdote de trente secondes ou anecdote de deux minutes, elle doit trouver sa place dans la trame intemporelle de l'histoire en devenir (je dis intemporelle car la rigueur métrique et métronomique n'a pas sa place ici), et surtout donner à entendre une sorte de cohérence dans le collage sonore.
Décrire toutes ces infimes anecdotes reviendrait à faire un inventaire à la Prévert, et, vu le temps magnifique, je n'ai pas le désir de le faire, la promenade me tentant plus que tout état des lieux phonique.

De retour de vadrouille, je reviens à mes anecdotes qui, pour simplifier à l'extrême, sont forgées de sons de percussions et des bruits d'un piano disloqué (oui, de bruits, car l'état de l'instrument déglingué ne permet plus la restitution de sons harmonieux; ça ne me dérange pas, j'aime bien les bruits).
Pour s'extraire de la schématisation extrême susnommée, on trouve aussi des anecdotes électroniques saupoudrées de voix improbables, et des anecdotes humides de par leur nature "field recordings" (ou "enregistrements de terrain", mais ça sonne moins bien).
Le plus délicat, et c'est là qu'intervient la glu, a été de transformer cette accumulation de sons hétérogènes en un polyèdre gracieux découpé en six anecdotes substantielles.
Mais, n'hésitons pas une seconde à effacer ce texte anecdotique pour nous concentrer plutôt sur ces sons et la musique en résultant, de préférence avec un casque audio de bonne qualité.

Album enregistré par temps clair en Eure-et-Loir (Juillet 2016).
Peinture par Hieronymus Bosch; détail anecdotique de l'Enfer, partie droite du triptyque "Le Jardin des délices" (1504).
Photo par Ironside. Design par Graph'Hypnotic.

BERTHELOT_-_Ouverture des anecdotes polyedriques en fracture cosmique

INSPIRED BY ISPYWITHMYLITTLEEYE on geometry dash!


original song by @tangermusic


https://soundcloud.com/tangermusic/bike-1


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BIKE Dist remix

GEOMETRY BLEOOOD TYPE SHI YUR

Message to collab for free 🌸 Lmao, capybaras can't type. Ballin', but at what cost? Eclectic #lofi #hip-hop and other stuff 🧐

Check out my alt for AI slop @shodaminh-daylight

°❀⋆.ೃ࿔*:･°❀⋆.ೃ࿔*:･ 𝕴'𝖒 𝖏𝖚𝖘𝖙 𝖍𝖊𝖗𝖊...𝕮𝖍𝖎𝖑𝖑𝖎𝖓 𝖎𝖓 𝖒𝖞 𝖛𝖆𝖒𝖕𝖎𝖗𝖊 𝖈𝖔𝖋𝖋𝖎𝖓 ⚰️🦇 °❀⋆.ೃ࿔*:･°❀⋆.ೃ࿔*:･
꧁☬⚰︎ 𝔑𝔬𝔠𝔱𝔲𝔯𝔫𝔞𝔩 𝒱𝒶𝓂𝓅𝒾𝓇ℯ 𓉸☬꧂ ✌️🧛⚰️🥀

ʸᵉˢ ⁱᵏ ᵐʸ ⁿᵃᵐᵉ ⁱˢ ᶜᵒʳⁿʸ 😒 ᴰᵒ ᴵ ᶜᵃʳᵉ? ᴺᵒ, ⁿᵒᵗ ʳˡˡʸ 🤷‍♂️

-ˋˏ✄┈┈┈┈×⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘
 
 ᴹʸ ᵐᵘˢⁱᶜ ⁱˢⁿ'ᵗ ᵃ ˢᵉʳⁱᵒᵘˢ ᶜᵃʳᵉᵉʳ ᶠᵒʳ ᵐᵉ ᵃⁿᵈ ᴵ'ᵐ ⁿᵒᵗ ᵗʳʸⁿᵃ ᵐᵃᵏᵉ ⁱᵗ ᵒⁿᵉ 🤷‍♂️ ᴵ'ᵐ ʲᵘˢᵗ ˢⁱᵐᵖˡʸ ᵈᵒⁱⁿ ⁱᵗ ᵇᵉᶜᵘᶻ ᴵ ʳˡˡʸ ˡᵒᵛᵉ ᵐᵘˢⁱᶜ ⁿ ᵐᵃᵏⁱⁿᵍ ᵇᵉᵃᵗˢ ⁱˢ ᶠᵘⁿ 😋 ʸᵉᵃʰ ᴵ ᵐⁱᵍʰᵗ ᵇᵉ ᵗᵉʳʳⁱᵇˡᵉ ᵃᵗ ⁱᵗ ᵇᵘᵗ ⁿᵒ ᵒⁿᵉ ˢᵗᵃʳᵗˢ ᵒᶠᶠ ᵃ ᵖʳᵒ 😭 ⁱᵐᵐᵃ ʲᵘˢᵗ ᵏᵉᵉᵖ ᵖᵘˢʰⁱⁿ ⁱᵗ 'ᵗⁱˡˡ ᴵ'ᵐ ᵍᵒᵒᵈ ᶠʳ 🙏
⋆˚✿˖°°❀⋆.ೃ࿔*:･°❀⋆.ೃ࿔*:･⋆˚✿˖°°❀⋆.ೃ࿔*:･°❀⋆.ೃ࿔*:･⋆˚✿˖°°❀⋆.ೃ࿔*:･°❀⋆.ೃ࿔*:･⋆˚✿˖°°❀⋆.ೃ
×🌸𝙽𝚊𝚖𝚎𝚜: 𝙲𝚊𝚕𝚕 𝚖𝚎 𝚠𝚑𝚊𝚝𝚎𝚟' 𝚌𝚞𝚣 𝙸'𝚖 𝚕𝚘𝚠𝚔 𝚌𝚑𝚒𝚕𝚕 𝚕𝚒𝚔𝚎 𝚍𝚊𝚝' 😔🫶 𝚊𝚜 𝚕𝚘𝚗𝚐 𝚊𝚜 𝚒𝚝'𝚜 🚫 𝚗𝚘𝚝 rude👍 [𝙷𝚎𝚡𝚡/𝙷𝟹𝚡𝚡/𝙷𝚎𝚡/𝚁𝚊𝚝/𝙲𝚞𝚋𝚋𝚢𝚁𝚊𝚝🩷/𝙲𝚞𝚋𝚋𝚢(❤️) 𝙻𝚊𝚜𝚎𝚛/𝙻𝟺𝚜𝚎𝚛/𝙻@𝚜𝟹𝚛/𝙻@𝚜𝟹𝚛𝙼𝚎𝙿𝚞𝚙/𝙻𝚊𝚜𝚎𝚛𝚖𝚎𝚙𝚞𝚙]🌸 ★𝚁𝚘𝚋𝚕𝚘𝚡: 𝙲𝚞𝚋𝚋𝚢𝚁𝚊𝚝★

.˚⊹. ࣪𓉸 ࣪⊹˚.⚰️⚰.˚⊹. ࣪𓉸 ࣪⊹˚.⚰️⚰.˚⊹. ࣪𓉸 ࣪⊹˚.⚰️⚰.˚⊹. ࣪𓉸 ࣪⊹˚.⚰️⚰.˚⊹. ࣪𓉸 ࣪⊹˚.⚰️⚰.˚⊹. ࣪𓉸 ࣪⊹˚.⚰️⚰.˚⊹. 
𝐒𝐨𝐦𝐞 𝐬𝐭𝐮𝐟𝐟 𝐚𝐛𝐭 𝐦𝐞 𝐈 𝐠𝐮𝐞𝐬𝐬:

𝐏𝐑𝐎𝐍𝐎𝐔𝐍𝐒: 𝐒𝐇𝐄 / 𝐇𝐄𝐑 ( 𝚰'ꭑ α 𝗀𝗂𝗋ᥣ ᑲυ𝗍 𝚰ᑯ𝗋𝖼 𝗂𝖿 υ 𝖼αᥣᥣ ⱺ𝗋 𝖼ⱺ𐓣𝖿υ𝗌𝖾 ꭑ𝖾 𝖿ⱺ𝗋 α ᑯυᑯ𝖾 )
𝙿𝙴𝚁𝚂𝙾𝙽𝙰𝙻𝙸𝚃𝚈: 𝙸'𝚖 𝚙𝚛𝚎𝚝𝚝𝚢 𝚌𝚑𝚒𝚕𝚕 𝚋𝚞𝚝 𝙸 𝚑𝚢𝚙𝚎 𝚛𝚊𝚗𝚍𝚘𝚖 𝚜𝚝𝚞𝚏𝚏 𝚞𝚙 𝚏𝚘𝚛 𝚗𝚘 𝚛𝚎𝚊𝚜𝚘𝚗 😭

*ᴵᵐ ʳᵃⁱˢᵉᵈ ᶜʰʳⁱˢᵗⁱᵃⁿ ᵇᵘᵗ ᴵ ˡᵒᵛᵉ ˡᵉᵃʳⁿⁱⁿᵍ ᵃᵇᵒᵘᵗ ᵈⁱᶠᶠᵉʳᵉⁿᵗ ʳᵉˡⁱᵍⁱᵒⁿˢ ˢᵒ ᴵ ʳᵉˢᵖᵉᶜᵗ ᵃˡˡ ʳᵉˡⁱᵍⁱᵒⁿˢ✮!! ⁻ᴵ'ᵐ ⁿᵒᵗ ᵃ ʰᵃᵗᵉʳ
*ᴵ ˡᵒᵛᵉ ᶜᵘᵗᵉ ˢᵗᵘᶠᶠ, ᶜʳᵉᵉᵖʸ ˢᵗᵘᶠᶠ, ᵃⁿᵈ ᴵ ʳˡˡʸ ˡᵒᵛᵉ ᵃᵉˢᵗʰᵉᵗⁱᶜˢ 😌 ᴬⁿᵈ ʸᵉˢ ᴵ ᵗʸᵖᵉ ⁿᵘᵐᵇᵉʳˢ ᵃˢ ˡ³ᵗᵗ³ʳˢ ˢᵒᵐᵉᵗⁱᵐᵉˢ 🙄 ⁱᵈᵏ ᴵ ᵗʰⁱⁿᵏ ⁱᵗ'ˢ ʲᵘˢᵗ ᶜᵒᵒˡ ✌️
☆If ʸᵒᵘ ˢᵉᵉ `¹¹¹ `𝟏𝟏:𝟏𝟏 `¹¹¹¹ ᵗʰᵉⁿ ⁱᵗ'ˢ ᵇᵉᶜᵘᶻ ¹¹¹ ⁱˢ ᵐʸ ᵃⁿᵍᵉˡ ⁿᵘᵐᵇᵉʳ ⁽ᴵ ˡᵘᵛ ᵃⁿᵍᵉˡ ⁿᵘᵐˢ ⁿ ᴵ ᵃˡˢᵒ ᵘˢᵉ `²²² `⁷⁷⁷ & `⁴⁴⁴⁾. I luv 𝟏𝟏:𝟏𝟏 ~✨️
-𝙸'𝚖 𝙰𝚕𝚝𝚎𝚛𝚗𝚊𝚝𝚒𝚟𝚎 𝚋𝚞𝚝 𝙸 𝚋𝚘𝚞𝚗𝚌𝚎 𝚋𝚊𝚌𝚔 𝚗 4𝚝𝚑 𝚋𝚎𝚝𝚠𝚎𝚎𝚗 𝚜𝚌𝚎𝚗𝚎\𝚌𝚘𝚛𝚎, 𝚐𝚘𝚝𝚑𝚒𝚌, 𝚐𝚛𝚞𝚗𝚐𝚎 𝚊𝚗𝚍 𝚜𝚕𝚒𝚐𝚑𝚝𝚕𝚢 𝙴𝚖𝚘

💤✨️(ᴗ˳ᴗ)ᶻ𝗓𐰁 .ᐟ"( – ⌓ – )  ᶻ 𝘇 𐰁🛌🏾💘💤✨️(ᴗ˳ᴗ)ᶻ𝗓𐰁 .ᐟ"( – ⌓ – )  ᶻ 𝘇 𐰁🛌🏾💘💤✨️(ᴗ˳ᴗ)ᶻ𝗓𐰁 .ᐟ"
𝗙𝗮𝘃𝗼𝗿𝗶𝘁𝗲 𝗦𝘁𝘂𝗳𝗳:
●𝙲𝚘𝚕𝚘𝚛: 𝟷. 𝙱𝚕𝚞𝚎, 𝟸. 𝙶𝚛𝚎𝚎𝚗, 𝟹. 𝙿𝚞𝚛𝚙𝚕𝚎
●𝙵𝚛𝚊𝚗𝚌𝚑𝚒𝚜𝚎: 𝙿𝚛𝚘𝚋𝚊𝚋𝚕𝚢 𝙱𝚊𝚝𝚖𝚊𝚗//𝙳𝙲 𝚜𝚝𝚞𝚏𝚏
●𝙰𝚗𝚒𝚖𝚊𝚕: 𝙹𝚎𝚕𝚕𝚢𝚏𝚒𝚜𝚑
𝙵𝚊𝚟 𝙶𝚎𝚗𝚛𝚎𝚜: ˢⁱᵍⁱˡᵏᵒʳᵉ ⁽ˢᵒ ᵐᵘᶜʰ, #¹ ᶠᵃᵛ⁾, ᴷᴿᵁˢᴴᶜᴸᵁᴮ ⁽²ⁿᵈ ᶠᵃᵛ⁾, ᴰᵃʳᵏ ᴾᵒᵖ ⁽³ʳᵈ⁾, ⁱⁿᵈⁱᵉ ʳᵒᶜᵏ ⁽ᴱˢᴾᴱᶜᴵᴬᴸᴸʸ ᵗʰᵉ ˢᴬᴰ ᵒⁿᵉˢ 😈⁾
༉‧₊˚🕯️🖤❀༉‧₊˚.༉‧₊˚🕯️🖤❀༉‧₊˚.༉‧₊˚🕯️🖤❀༉‧₊˚.༉‧₊˚🕯️🖤❀༉‧₊˚.༉‧₊˚🕯️🖤❀༉‧₊˚.༉‧₊˚🕯️🖤❀༉‧₊˚.
𝕴 𝖑𝖔𝖛𝖊 𝖕𝖔𝖘𝖘𝖊𝖘𝖘𝖎𝖔𝖓 𝕳𝖔𝖗𝖗𝖔𝖗 𝖒𝖔𝖛𝖎𝖊𝖘 😈
◯ ☽ ◑ ● ◐ ❨ ◯˚˖𓍢ִ໋ 🦇 ✧˚.🔮⋆◯ ☽ ◑ ● ◐ ❨ ◯˚˖𓍢ִ໋ 🦇 ✧˚.🔮⋆◯ ☽ ◑ ● ◐ ❨ ◯˚˖𓍢ִ໋ 🦇 ✧˚.🔮⋆
𝑰 𝒕𝒉𝒊𝒏𝒌 𝒊𝒇 𝑰 𝒘𝒆𝒓𝒆 𝒂 𝒎𝒐𝒏𝒔𝒕𝒆𝒓 𝑰'𝒅 𝒃𝒆 𝒂 𝑾𝒆𝒓𝒆𝑷𝒊𝒓𝒆 ( 𝑾𝒆𝒓𝒆𝒘𝒐𝒍𝒇 𝒙 𝑽𝒂𝒎𝒑𝒊𝒓𝒆 )🐺🦇
𝟏𝟏:𝟏𝟏👻𝟏𝟏:𝟏𝟏👻𝟏𝟏:𝟏𝟏👻𝟏𝟏:𝟏𝟏👻𝟏𝟏:𝟏𝟏👻𝟏𝟏:𝟏𝟏👻𝟏𝟏:𝟏𝟏👻𝟏𝟏:𝟏𝟏👻𝟏𝟏:𝟏𝟏👻𝟏𝟏:𝟏𝟏👻𝟏𝟏:𝟏𝟏👻𝟏𝟏:𝟏𝟏
🐺 𝙈𝙮 𝙢𝙪𝙨𝙞𝙘 𝙞𝙨 (𝙃𝙀𝘼𝙑𝙄𝙇𝙔) 𝙞𝙣𝙨𝙥𝙞𝙧𝙚𝙙 𝙗𝙮: 𝑨𝒙𝒙𝒕𝒖𝒓𝒆𝒍, 𝑲𝒂𝒚𝒔𝒕𝒓𝒖𝒆𝒏𝒐, 𝒔𝒊𝒈𝒊𝒍𝒌𝒐𝒓𝒆 𝒊𝒏 𝒈𝒆𝒏𝒆𝒓𝒂𝒍, 𝑶𝒅𝒆𝒕𝒂𝒓𝒊/𝑶𝒅𝒆𝒄𝒐𝒓𝒆, 𝒆𝒍𝒆𝒄𝒕𝒓𝒐𝒏𝒊𝒄 𝒔𝒕𝒖𝒇𝒇 𝒊𝒏 𝒈𝒆𝒏𝒆𝒓𝒂𝒍,  𝒏 #𝒑𝒓𝒆𝒕𝒕𝒚𝒎𝒖𝒔𝒊𝒌𝒌 (maplekore too)
°❀⋆.ೃ࿔*:･°❀⋆.ೃ࿔*:･𝟏𝟏:𝟏𝟏♪𝄞⨾𓍢ִ໋°❀⋆.ೃ࿔*:･°❀⋆.ೃ࿔*:･𝟏𝟏:𝟏𝟏♪𝄞⨾𓍢ִ໋°❀⋆.ೃ࿔*:･°❀⋆.ೃ࿔*:･𝟏𝟏:𝟏𝟏♪𝄞⨾𓍢ִ໋
★"𝕴 𝖏𝖚𝖘𝖙 𝖑𝖔𝖛𝖊 𝕵𝖊𝖜𝖊𝖑𝖘" -𝕵𝖊𝖜𝖊𝖑𝖝𝖝𝖊𝖙 
°❀⋆.ೃ࿔*:･°❀⋆.ೃ࿔*:･𝟏𝟏:𝟏𝟏♪𝄞⨾𓍢ִ໋°❀⋆.ೃ࿔*:･°❀⋆.ೃ࿔*:･𝟏𝟏:𝟏𝟏♪𝄞⨾𓍢ִ໋°❀⋆.ೃ࿔*:･°❀⋆.ೃ࿔*:･𝟏𝟏:𝟏𝟏♪𝄞⨾
🦇##𝙴𝚇𝚃𝚎𝚁𝙽𝚊𝙻𝚇🧛‍♂️ ♾️𒅌¹¹¹

♪𝄞⨾𓍢ִ໋

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Karen Monid is a UK sound artist and projection specialist who has created award-winning sound art pieces and son et lumière works worldwide. Her work is regularly presented at arts festivals and large scale public events.

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