Recorded live with Bitwig.
Microsound: arbhar into zagrzeb.
Bass: USTA sequence; Cš-L and Tš-L mixed into I-ō47 with cnōc and cèis envelopes
SaxLead: Metropolix sequence; Brenso into QPAS with Falistri envelopes; Sealegs echo and reverb.
Melodic: Performed on Push2; RYK Algo into LXd with Delta-V envelope.
Modulation from Sapèl, Batumi, øchd and Pamela.
Pad: Waldorf Microwave 1
Beats performed on Push2 using Klevgrand Skaka and Slammer; Softube Heartbeat and RolandCloud TR-808.
Effects: ValhallaDSP and Eventide.
Bus compression: Valley People Dyna-mite, Empirical Distressor and Purple Audio MC-77.
Mastered with Vertigo VSM3, SPL Passeq, Ampex ATR-102, and AMEK Mastering Compressor.

20241004 Keep Yourself Busy (making Time Pass)

Highlight on my INSTRUō voice....
Bitwig arpeggiator sequence; Two-VCO with LFO modulator using Cš-l and Tš-L mixed into I-ō47 with cnōc and cèis envelopes.
Modulation from Pamela and Batumi.
Beats: RolandCloud TR-808 with Klevgrand Skaka and Ting.
Drone: arbhar into Zagrzeb through Propellerheads Alligator sequenced triple-filtered gate.
Reverb: Eventide Blackhole Immersive.

20241012 At The Checkout

Layers of polymeter arpeggios using my 5 favourite modular synth voice structures.
v1: USTA Sequence; RYK Algo into Make Noise LXd (stereo) with Cosmotronic Delta-V envelopes
v2: USTA Sequence; Cš-L and Tš-L (3 VCOs) into I-ō47 with ceis and cnōc envelopes
v3: Metropolix sequence; Dixie2+/Rubicon2 into Bifold and Korgasmatron II (Stereo) with Quadrax and Tangrams envelopes
v4: USTA Sequence; Brenso into Blades with Falistri envelopes
v5: USTA Sequence; Sofia into Belgrad with Radar envelopes
Modulation: Sapèl, Batumi, øchd, Pamela
Pad: UDO Super 6
Beats: Klevgrand and RolandCloud TR-808

20241012 One Thousand Ways I Can Touch You

Drone: USTA Sequence; Rings into Fumana with Morphagene spectral modulation, into Beads
Arp: USTA Sequence; Brenso into NaturalGate
Bass: Metropolix sequence; Cš-L into I-ō47 with ceis and cnōc envelopes
Pad: Oberheim OB-X into Eventide Blackhole Immersive
Effects: SSL, Eventide, ValhallaDSP and Lexicon.
Mastered with Vertigo VSM-3, SPL Passeq and AMEK Mastering Compressor

20241123 Slow Intense Sensations

technight (live)

Composer and musician Yann Tiersen talks to William Stokes about his love of modular synthesis, the joys and challenges of touring and performing and how he found himself unexpectedly involved in film composition, followed by an exclusive performance using five selected modules.

Chapters
00:00 - Introduction
01:26 - An Accidental Film Composer
05:44 - Recording And Mixing Process
11:38 - Visiting Erica Synths
13:21 - Trans Musicale Festival In Rennes
18:47 - Eskal Studio On Ouessant Island
21:00 - Module 1: Serge New Timbral Oscillator
25:51 - Module 2: Instruō Lúbadh
31:06 - Module 3: Mutable Instruments Beads
32:58 - Module 4: Erica Synths Black Stereo Delay
37:21 - Module 5: TouellSkouarn Ar Merc'het Brao
41:30 - Yann Tiersen Performance

https://www.soundonsound.com/people/yann-tiersen-my-life-modules-sos-podcast

Yann Tiersen Biog
Yann Tiersen is a French composer and multi-instrumentalist whose work spans classical, electronic, and experimental music. He gained international recognition in 2001 for his soundtrack to Le Fabuleux Destin d'Amélie Poulain (Amélie), following the success of his 1998 album Le Phare, which achieved gold status in France.

Since then, Tiersen has released numerous studio albums and has performed extensively across Europe, North America and Asia. His discography includes collaborations with artists such as Jane Birkin, Elizabeth Fraser and Matt Elliott. His work has been featured in films, theatre productions and contemporary art installations.

Tiersen's compositions have appeared in a range of films beyond Amélie, including Good Bye, Lenin! (2003), Alice et Martin (1998) and Tabarly (2008), as well as various short films and documentaries. His music is frequently used for its emotive and atmospheric qualities, particularly in European cinema.

His latest release, Rathlin from a Distance | The Liquid Hour (2024), is a double album where the first part comprises eight solo piano pieces written during a 2023 sailing trip, each linked to a specific location. The second part shifts to electronic production, incorporating modular synths, samples and rhythmic textures, created following a night at sea near Belfast. The project reflects Tiersen’s ongoing interest in location-based composition and the integration of acoustic and electronic elements.

Tiersen records at his studio on the island of Ushant, off the coast of Brittany and continues to tour internationally.

https://www.yanntiersen.com/
https://www.instagram.com/yanntiersen
https://www.facebook.com/yanntiersen.official
https://www.youtube.com/yanntiersen

William Stokes Biog
William Stokes is a producer, writer and artist in three-piece avant-psych band Voka Gentle. As well as being a critic and columnist for Sound On Sound, conceiving the popular Talkback column and heading up the Modular column, he has also written on music and music technology for The Guardian, MOJO, The Financial Times, Electronic Sound and more. 

As an artist in Voka Gentle he has made records with producers from Gareth Jones (Depeche Mode, Grizzly Bear, Nick Cave) to Sam Petts-Davies (Radiohead, The Smile, Roger Waters), has had songs featured on franchises from FIFA Football to The Sims and has toured across the UK, Europe and the USA, playing festivals from Pitchfork Avant-Garde in Paris to SXSW in Austin, Texas. He has collaborated with artists including the Flaming Lips’ Wayne Coyne, Morcheeba, Panda Bear and Sonic Boom. 

Full biog at https://www.soundonsound.com/people/yann-tiersen-my-life-modules-sos-podcast

https://www.vokagentle.com/

Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Electronic Music

Yann Tiersen - My Life In Modules

Show Notes

Yann Tiersen - My Life In Modules | Podcast

Trying out a midi sequence from Scion to a Pigments patch.

Scion Pigments - Scott Moon

1st attempt at sequencing Plasmonic with Scion.

Scion Plasmonic 1 - Scott Moon

Got the Pocket Scion and connected it to a leaf from some random weed on my patio. The dropoff around 2:45 is what I presume is the leaf dying. The last pieces of sound, I assume, are from when I reconnected the Scion's electrodes and got the last dying gasps of the damn weed. Picture unrelated. 

Weeds

Good Morning Drone - Scott Moon

I've decided to release all the music here as free downloads. The Lunar Asylum is a loose accumulation of musicians that have been playing together for the last 50 years. Almost all of our music is completely improvised. All communication is telepathic by nature. We seldom crawl out in public.

<b>SOUND ON SOUND is the world's premier music recording technology magazine</b> - available in 5 formats: Paper, Web Sub, Replica, Full Issue PDF download or Tablet/Mobile apps. Based in Cambridge, England; independently-owned and continually published since 1985).&#13;
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Every month our UK and USA editions deliver consistently more pages than any competing title, packed full of in-depth product tests of Recording Systems, Music Software, DAWs, Virtual Instruments, Plug-ins, Synthesizers, Keyboards & Rack Modules, Music Computers, Samplers, Audio Interfaces/Soundcards, Mixing Consoles, Effects & Signal Processors — and not forgetting studio essentials like Microphones and Monitors.&#13;
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Plus the best Musician/Mix Engineer/Record Producer interviews you'll read anywhere. &#13;
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Our regular DAW techniques and practical 'how to' Tutorials offer no-nonsense advice for beginners and professionals alike, helping our global readership gain the most from their studio equipment.

I'm a lab-rat. gear-head. Composer of sonic explorations. Seeker of tone and frequency. Patcher of modules. Twiddler of knobs. Bender of strings. Programmer of sequences. Lover of all things that oscillate, resonate and reverberate.

My main instrument is a Eurorack Modular synthesizer comprised of approximately 70 modules. My favourites include modules from Frap Tools Instruō, Intellijel, and Xaoc Devices. I use a 16-channel Line converter from nw2s to get modular signals into my DAW.
My main polysynths are an UDO Super6 and a Sequential Prophet Rev2.
Production tools are Bitwig with an Ableton Push 2, with two Universal Audio and Focusrite AD converters; and plugins from GForce/Oberheim, Waldorf, UAD, Valhalla DSP, Plugin Alliance, Eventide, Softube, and Roland.
I also compose with electric guitars and basses, Toontrack Superior Drummer, and various Brazilian samba percussion.

New tracks tagged #INSTRUō