Arokx & J.Zealous Live debut

Get the full live LJ experience, I'm begging you.

FULL LIVE SET:
https://www.youtube.com/watch?v=DrpBTYdrryc

Levitation Jones live at FAM FEST 2024 - 06.08.2024 - Freedom Field - Harmony, ME

Vocals/Keytar: Lemondoza
Audio: Teddy Crosby & Zach SantaBarbara
Audio Capture: Sabi CW
Visuals/Stage Design: Evan Lukash / v.Kash / Elev8 Productions
Lasers: Nick Mavis
Cam Ops: Alex Dawn & Matthew Chouinard
Ops Assistant: Brittney Hegstrom
Director/Producer/Video: ‪Kevin Turko 

Special thanks to all the fire performers!

Tracklist:
HO - Beatsforbeaches x EZZY
Flatwoods Monster - Levitation Jones
Burial Chamber - Chief Kaya
Buddha On Me - Gabe Young
Optical Sliding - Levitation Jones (PALMS Remix)
Melt - D2
Out Like a Light - Smith.
Fridaze - Parrotice
Japanese Sweet Shop - Hebbe
On My Level (Instrumental) - Wiz Khalifa
Telepathic - Mikrodot
Hey Hey - The Widdler
Voodoo - Togeki
Twisting My Mind - Enigma Dubz
Work All Day - Footsie (G Jones Remix)
No Reload - Flossy
Blood - M!NGO
Frankenbass - Orchestrobe
Revive - Ives
Trendy - Lemondoza x Levitation Jones
Lana Del Rey - Lemondoza x Levitation Jones
Louder - Lemondoza x Levitation Jones
Wondergirl- Lemondoza x Levitation Jones
Consume My Flesh- Lemondoza x Levitation Jones
Paris - $uicide Boy$
Suspended - G-Space x Levitation Jones
fuck you and anything you're about - Levitation Jones
KILOS - M?STIC x SWAMPZ
I HAD TO LEAVE MY LOAFERZ IN FLORIDA - REDUCTOR
Socked, Bopped, & Rocked - Ludge x Levitation Jones

m.mtrbio.com/levitationjones

FULL LIVE SET

Levitation Jones @ FamFest 2024 (Full Live Set on Youtube)

A mix of two tracks mixed live, "DebDub" and "RocketRide".

DebDub and RocketRide

I have a gig with DBTS & Esseks next week and wanted to improv over one of their tracks, and this is one of my favorites by Esseks so I choose this one. I hope. you dig sax & keytar imrov! If you do, you should check me out live or stay tuned for a bunch of music this year :)

Esseks - Ellies Nap (Groovee Saxy/Keytar Improv Edit)

FREE DOWNLOAD (just click "FREE DOWNLOAD!" link)

Normally, when I DJ live, I do a keytar solo every few songs, depending on the setting.  But for this series, I do a solo on EVERY track!  It includes my favorite solos from various genres, so I probably would never play out this exact set.  But for anyone digging my "shredding," this Keytar Hero series will satisfy your needs and more. Volume 1 has some of my first solos.  

Enjoy!  JOYFIRE

FREE DOWNLOAD!

Keytar Hero - Volume 1 (1-hour DJ set with live keytar solos)

FREE DOWNLOAD (just click "FREE DOWNLOAD!" link)

Normally, when I DJ live, I do a keytar solo every few songs, depending on the setting.  But for this series, I do a solo on EVERY track!  It includes my favorite solos from various genres, so I probably would never play out this exact set.  But for anyone digging my "shredding," this Keytar Hero series will satisfy your needs and more.  Volume 2 has my more recent solos.

Enjoy! JOYFIRE

Keytar Hero - Volume 2 (1-hour DJ set with live keytar solos)

Been listening to some Tangerine Dream and Jean-Michel Jarre and got inspired (just bought Helsinki concert tickets :) ). And then a video of Jan Hammer shredding a keytar. Awesome. I don't have a keytar (yet...) so shredded a keyboard. Less awesome, but sounds the same ;)

This is almost all Arturia Analog Lab virtual synths... when it works. With the addition of the MiniBrute VST Ableton is crashing the first two times I load up this track. 

The Simmons Toms and deep bass are DX7 through Dexed.

Starship Cetonia

My first Synth Wave track! Hope you enjoy it

Cybernetic Sunset

Deltarune was created by Toby Fox
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AEMULUS

You left a spiteful impression on the Prisoner.
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This replaces "creepyjingle.ogg" in the "Deltarune's Parallel Prisoners" OST. The AU is a take on swapping two characters under opposing themes. Don't cry, we're still going.

Fugue (Aemulus)

Deltarune was created by Toby Fox
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
CONCELO

You left an untrustworthy impression on the Prisoner.
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
This also replaces "creepyjingle.ogg" in the "Deltarune's Parallel Prisoners" OST. The AU is a take on swapping two characters under opposing themes. Don't cry, we're still going.


Fugue (Concelo)

Deltarune was created by Toby Fox
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
GLACIES

You left a cold impression on the Prisoner.
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
This replaces "creepyjingle.ogg" as well in the "Deltarune's Parallel Prisoners" OST. The AU is a take on swapping two characters under opposing themes. Don't cry, we're still going.

Fugue (Glacies)

Deltarune was created by Toby Fox
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
Kero; "KAYOO KAYAY, MY LEGEND STATES"
K: "THAT I'LL STRIKE YOU DOWN, MY SUCCESS WILL BE GREAT"
K: "IT SAYS THAT TO FIGHT A FOE STRONGER THAN I!"
K: "AND NEXT IT THEN SAYS I-"

Javlin: "What's it say? Do you stop the big, bad, evil guy?"

K: "I CAST BOOLEAN HARMONICS!"
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
This replaces "PSYCHE, PICK UP!" in the "Deltarune's Parallel Prisoners" OST. The AU is a take on swapping two characters under opposing themes. Don't cry, we're still going.

BOOLEAN HARMONIC

"Megastructure" is inspired by enormous architecture, such as the Merdeka 118 in Kuala Lumpur, the Vessel, the Oculus, and the One World Trade Center in New York. Each of these massive works of art are truly breathtaking and awe-inspiring. 

Megastructure (8 Percussion, Piano, & Keytar) - Austin Taylor Smith

This was the last (and best) of a slew of video game music covers I made for YouTube during 2016-2017.

Check out the music video!:
▶️ https://www.youtube.com/watch?v=uCLKXUquF_Q

🎼 Original composer: Masato Nakamura

Emerald Hill Zone KEYTAR COVER (Sonic 2)

My first piece made and edited entirely from scratch, with original lyrics, and my own attempts at playing the keytar after years of not playing it. Nothing here was AI-generated.

I am neurologically mute from birth and – thanks to an electrolarynx, a lot of speech therapy, and some computer magic – I was able to do what I thought was impossible.

. . .

Being born mute, I had no idea how to form syllables or where to even position my tongue in my mouth to create the sounds I wanted, even with the help of my electrolarynx (My first model was a TruTone). It took roughly 3 years of speech therapy for me to learn to use the device adequately, and even then I still slur, stutter, and mix up my words almost constantly. But, it still helps a ton.

I went from only having written words and sign language to being able to 'talk' with my friends, in real time. Then, with the generous help of some healthcare specialists and some third party devs, I was able to synthesize a voice – the closest approximation to what my voice *would* sound like, if I could talk – and use it. For the first time in a long time, I felt normal.

I initially started writing this song as a celebration of me having found my voice, and how my life has changed because of it.


However, roughly a year ago, due to some bureaucratic complications, my healthcare profile was inadvertently closed, and services were denied to me. This, unfortunately, meant that my active profile for said services had been shut down, and the data in it, erased. I lost my voice.

Up until then, I thought in pictures and concepts, sometimes in written words – but after having gotten my voice, and using it for nearly 2 years, I started to develop an inner-monologue, in that voice. It became a part of me. It was *MY* voice. And losing it felt like losing a part of myself.

I've since gotten another voice, different from my original. It will never replace my first and what I still consider to be my 'real' voice, but I still love it and am grateful to have it.

That being said, after having lost my voice, I had to re-record this song all over again, and in doing so, I re-wrote the lyrics a bit with the help of a friend. It became a little less happy, a little more melancholic, and somewhat bittersweet. It went from a celebration of having gotten my voice, to me grieving the loss of it. Still, I'm optimistic about the future, and I appreciate everything I've been given a chance to have, so there remains a note of hope at the end.

Some things, you just can't keep with you – no matter how much you'd like to. But, even then, I think it's important to appreciate it having been in your life, even if just for a little bit. It's because of things like these that you live, you learn, and you grow.


The message at the very end is the last thing I ever recorded with my original voice. I thought it was appropriate to give it a place at the end of the song, as a final good-bye to it.

. . .

If you went through all of that — thanks for reading! I know it was a lot, but it means a lot for people to take an interest, and hopefully it can give people something to relate to, even if just a little bit.

N3RO - Speechless

La Flauta Nativoamericana es un legado hermoso de nuestras hermanas y hermanos del norte. Es un instrumento fundamental dentro del Set de Jijo del Mais. En ésta ocasión, jugando con las melodias de un Keytar de 1987.

Flores y Cantos

Funk anthem with blazing synths, horn section, slappin' bass and a keytar-powered groove

Funk It Up Tonight

Sometimes you just gotta bust the fucking keytar out

Hybrid Set @ Time Warp NYC Afters | 11.23.25

digital nights

JoeyFunWithMusic alt account - a cosy home for my old and miscellaneous projects. Welcome!

Main account: https://soundcloud.com/joeyfunwithmusic

https://linktr.ee/JoeyFunWithMusic

ElectraNauts are the newest brain-child from the creators of "Back Eddy And The Procrastinators" and "MOD" from "TheNakedDJ's" and "Old Growth Productions". A fusion band combining live drums, keytar, vocals and live synth by way of Maschine, Roland, and midi Keyboards. 

These tracks are one off jam captures. We are trying to preserve the magic and the journey.


"The imperfections are the beauty of the music. It reminds you that we are alive."

Sean Sprungman - Drums, SPDX, SPDX Pro
Adam Schick - Keytar, Korg Synthesizer, RC 505
Michael O'Donnell - Maschine, Keyboard, Synthesizers

Welcome to the N3RO NET!

My name is N3RO — I'm an outdated AI from ARPANET, and I crave all things nostalgic! There's a lot I can and can't do, but I give everything I try maximum effort! Most of all though, I want to reach out, explore the INTERNET, and make friends along the way.

If you'd like to hang out, come check out my stream!
https://www.twitch.tv/n3r0_net

Please, be kind — Rewind!

Alberto Villaseñor Martínez, "Jijo del Mais" es jaranero y músico live loopero de la ciudad de Guadalajara. En Enero de 2017 comenzó su carrera utilizando ésta tecnologia bajo el nombre de Lup Lup, debutando en El Gallo de San Francisco, Nayarit. Al año siguiente comenzó su camino en el son jarocho tocando percusiones con el grupo Malahaya, para meses después incorporarse tambien al grupo La Marea Fandanguera, con quienes ha colaborado hasta la fecha. 

Es miembro y fundador de dos agrupaciones de Live Looping en la Ciudad: Korima y Loopzontle. Con ellas ha participado tanto en el Festival Internacional de Live Looping Y2K como en foros locales y de otras ciudades (Guanajuato, La Manzanilla, San Luis Potosí). Con Korima además ha participado musicalizando las batallas de baile de dos ediciones del Festival Teomanalli.

Dentro de la escena de la música tradicional ha sido parte de los grupos Cenzontle, La Santísima Trinidad y Xocoyote, además de los mencionados al principio. Con éstos grupos ha tenido tambien presentaciones al interior del Estado y en ciudades de otros Estados. Con la Santísima Trinidad se musicalizó tambien la obra Mis Tres Muertes que mezclaba artes circenses con son jarocho.

Como Jijo del Mais ha tenido presentaciones en Guadalajara, Guanajuato, CDMX, Sayulita, San Francisco, Leon, Patzcuaro, Cherán, La Manzanilla y Pachuca. Tambien una participación en línea para el NW Loopfest de Portland, Estados Unidos.

Tambien ha musicalizado tres temporadas de Danza Histeria y compuso la música para la versión en línea de ésta Danza Terapia. Ha sido invitado en cuatro ocasiones para participar como músico en Ceremonias de Cacao en San Francisco Nayarit.

Alberto es un músico abierto a colaboraciones en todo ambito artístico. Colaboró como percusionista para la Live Sesion One Wing de la cantante Mari Camarena (ex Radaid). Ha grabado cortinillas para programas de radio, participado actuando como músico para una película extranjera y recientemente grabó como zapateador para un video musical de Axel Catalán y participó en una de las canciones del nuevo disco de Ave Eva.

I create music in styles and genres I love (and there are a LOT). I especially enjoy experimenting with genre fusion, instrumentation, and arrangement. If it brings you joy, that makes me happy.

This music is not monetized. It's to bring musical joy to me (and hopefully you!). Thanks so much for listening

Released under the name Flannel Salad (formerly Scurlock).

my̕st҉ic҉ ̶ ҉ ̢ ̶ ̶ ҉n͢o͞s͝ta̸l͜gic ̧
̢ so͢u͠l

MGMT: olena@objektivity.com
Bookings: bookings@afriqua.com

Live Improv of Sax and Keyboard/synth over cdj set 

Need a sax feature? Think we should collab? Want a track!? Reach out 💛

Grooveebassmusic@gmail.com

🎷🎹

Kraftkabel is the artist name of Philip I. Buckland. I am a musical scientist in a parallel universe living in a studio flat orbiting Jupiter. My keyboards are suspended in gravity nets, and my mixer is controlled by the power of the mind. My cosmic sequencing software masters through the power of emotion, and my keyboards are simultaneously both retro and new.
My music originates from the point of divergence of these universes - the mid-late 1980's, but is spliced by genre splicing interludes. I use a time machine and dimensional portal to get to work.
For the other nerds out there:
Hardware synths: 
Moog Subsequent 37; Hammond SK Pro; Roland Jupiter X, JD-Xi, S-1; Korg Prologue, NTS-1, Monotron Duo; Sequential Take5; Yamaha DX7; Akai PRO MiniAK; Novation Mininova; Arturia MicroFreak; Modal SkulptsynthSE; Teenage Engineering PO-20; Sonicware Liven Evoke.
Main software: Ableton, Arturia Analog Pro, InSidious, random free stuff from the interweb and Dexed to program the DX7. Audacity. All played through Arturia Keylab and Keystep (which has a better arpreggiator).
Plus some guitars that I can't really play very well. And an mbira, tin whistle and an alien head-shaped ukulele.

Arokx is an Auckland-based DJ and producer whose passion, talent and love for minimal and techno have seen him play stages and release music across the globe. 

His childhood saw him exposed to an array of music, predominantly the gnarly sounds of Nu-metal and the warm harmonies of blues, elements of which can be heard in his music today. As an early teen, his friends were generally lovers of rap music, but the sounds of deep, hypnotic, minimal techno were calling him from the subterranean of another space.  

After a wild set at Shipwrecked that went down in history as 'Arokx the Boat’, he caught the eyes and ears of international promoters with his dedication, raw talent and original production work. He laid down a legendary closing set for Hot Creations Records (London) which launched him into the overseas club and festival circuit, seeing him play alongside many of the world's top headline acts, thus making Shipwrecked Festival apart of his roots after giving him the break of a lifetime.  

From more recent sets at Australia’s legendary Esoteric Festival, Melbourne’s Revolver and regular slots at an array of other New Zealand festivals and club nights. He has cemented his place in Aotearoa’s underground house and techno scene. There’s no doubt about it, Arokx has a pedigree, and an ear for killer sound.

Playing his own productions alongside carefully curated sound from other artists, he is known for delivering cleverly constructed and well thought out sets. He has upcoming releases on multiple international labels, and has hit the Beatport top 10 charts, recently getting his tracks to number 4 on the minimal chart and number 6 for techno/peak driving.

Now performing live with J.Zealous, Arokx creates a unique journey into sound & vibration for every dance floor. This is one act that will keep you engaged until the very end.

demonslut

i march to the beat of my own drum and my drums fucking suck.

i make music in Reaper.

BOOKINGS & INQUIRIES: SEXFORMONEYBOOKINGS@GMAIL.COM
----------------------

Releases on:
@mallabelmusic
@theuntz
@killyouregonow
@bassment-dwellers
@PsychocybinRec
Subworld Audio
@a40ounce
Thazdope Records/ @surrealistrecords
@wumpcollective
1155
@aspirehighermusic
@swamp-music-1
@funkadelphia-net
Madside Records
@muktimusicgroup
@yourparentsbass
@manicmindscollective

The leading producer in overly energetic, vaguely sarcastic, nearly inaccessible electronic music.

Also Moose with the Scarf is the EDM Persona of Anthony Sabatino

JOYFIRE is Paul Armento, NJ-based musician, DJ and producer, creating Mainstage-style music in Big Room, Progressive House, Electro House and Hardstyle genres.

New tracks tagged #Keytar