wonderful feeling of space in the synths ,great job Phillip ,thank you

Gloaming Way

stillness:
the sound of petals
sifting down together.

by: Miura Chora

Phase Out Tenfolds - Naviarhaiku571

https://github.com/tonpatt/compositions/tree/master/o4%20(a%201995%20study)

o4 (a 1995 study)

Visualizer youtube: https://www.youtube.com/shorts/zyTyoFnLOmg

“Egress”, a piano-driven piece set against a soothing lo-fi atmosphere. This song was created to provide listeners with a serene and intimate listening experience, blending the timeless elegance of piano melodies with the relaxed, textured ambiance characteristic of lo-fi production.
The composition invites listeners to pause and immerse themselves in a soundscape that evokes tranquility and introspection. The subtle imperfections and organic elements woven into the track mirror life’s quiet beauty, creating a warm and nostalgic mood that resonates deeply.  “Egress” offers a balance between minimalist simplicity and emotional depth.
The production emphasizes gentle dynamics and layered textures, allowing the piano to remain at the forefront while ambient sounds provide a supportive backdrop.

Bandcamp

Egress (Visualizer on description)

Piano Ghost

Luminara

here and there
upon scorched fields
wild violets

by: Arii Shokyu-Ni
Picture by A C

here upon wild - naviarhaiku582

Been listening to some Tangerine Dream and Jean-Michel Jarre and got inspired (just bought Helsinki concert tickets :) ). And then a video of Jan Hammer shredding a keytar. Awesome. I don't have a keytar (yet...) so shredded a keyboard. Less awesome, but sounds the same ;)

This is almost all Arturia Analog Lab virtual synths... when it works. With the addition of the MiniBrute VST Ableton is crashing the first two times I load up this track. 

The Simmons Toms and deep bass are DX7 through Dexed.

Starship Cetonia

zbu  dole San 2

I dot not own the song.
Check out my Synthwave playlist : https://soundcloud.com/flavienclvz/sets/synthwave

憂鬱 - Slow

憂鬱 - Sun

Kraftkabel is the artist name of Philip I. Buckland. I am a musical scientist in a parallel universe living in a studio flat orbiting Jupiter. My keyboards are suspended in gravity nets, and my mixer is controlled by the power of the mind. My cosmic sequencing software masters through the power of emotion, and my keyboards are simultaneously both retro and new.
My music originates from the point of divergence of these universes - the mid-late 1980's, but is spliced by genre splicing interludes. I use a time machine and dimensional portal to get to work.
For the other nerds out there:
Hardware synths: 
Moog Subsequent 37; Roland Jupiter X, JD-Xi, VR-09, S-1; Korg Prologue, NTS-1, Monotron Duo; Sequential Take5; Yamaha DX7; Akai PRO MiniAK; Novation Mininova; Arturia MiniFreak; Modal SkulptsynthSE; Teenage Engineering PO-20.
Main software: Ableton, Arturia Analog Pro, InSidious, random free stuff from the interweb and Dexed to program the DX7. Audacity. All played through Arturia Keylab and Keystep (which has a better arpreggiator).
Plus some guitars that I can't really play very well. And an mbira, tin whistle and an alien head-shaped ukulele.

Starship Cetonia

Kraftkabel

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