submitted to Battle of the Bits Winter Chip XVIII https://battleofthebits.com/arena/Entry/Cabin+by+the+Lake/58724/

artwork by kilowatt64 also submitted to WCXVIII https://battleofthebits.com/arena/Entry/Campfire/57470/

Cabin by the Lake [MT-32]

Fleur De Lis

Луч солнца золотого

Some jazz for your soul. :)
Sequenced in Jazz++, Rendered in Munt

Art: "Winter Chip XVIII: Winter Graffiti Poster" by rui kaj

Winter Chip XVIII

Leland

Arc To Arcturus, Spike To Spica

Minotaur

Roland MT-32 track inspired by PC-98 Eroge soundtracks.

Meet And Fuck

Roland MT-32 MIDI written for BotB Spring Tracks XIII https://battleofthebits.com/arena/Entry/The+End+of+Spring/67582/

artwork by mirageofher also submitted to Spring Tracks XIII https://battleofthebits.com/arena/Entry/tracks/67373/

The End of Spring

in "Jazzologies", projet électro de 1993 enregistré pas-à-pas sur séquenceur interne Korg M1, transféré dans Notator dans Atari STE  vers 1996, traité en MIDI et via console analogique Tascam 24-pistes, enregistré sur K7 audio en Dolby C dans 4-pistes Teczon 4x4 (4 in/4 out - punch in/out avec télécommande par pédale-interrupteur clav/guit), utilisation intensive de ma première réverbe: Nanoverb.
Remixé en studio DAD avec traitement FX supplémentaires 2023 puis 2024, version présentée ici 03 janvier 2024. INEDIT.
2ème mix [drums edit] à paraître très bientôt, avec piste batterie,  traitement MIDI, sons d'usine et sons travaillés, sons personnels/fonctions mathématiques personnelles, ... supplémentaires.
MPSKMNMCRDMKMP2FXM2VAAP, Nirmel Mouchiquel-Marcillac TIndé TNS PL CCNEAC non-US Individual territorialité française européenne Dijon depuis (au moins) 1996 - Tous Droits réservés, en France et à l'Etranger, Sociétés de Gestion du D.A.

NotYaBaby (FreeEdit)

I'm working on creating a soundtrack for a mystery-detective game using MT-32 sounds.

Hotel Room Mystery MT 32 Synth

Hey ho, here it is! My first foray into the legendary MT-32! More like legend-arily bullshit amirite hehehh. Discovering this part of Roland's History has been pretty cool, seeing its stock sounds, and a light dabbling in patch editing was quite fun, and a pretty interesting break from what I'm used to with the Sound Canvas boxes, particularly the 88Pro.

Its drums are delightfully 80s, and its sounds, while perhaps not as natural as a Sound Canvas, have their own synthetic charm, it's kinda halfway between a ROMpler and a more traditional synth, which makes sense, given the way the MT-32 works. But, as fun as it can be, this cover felt more like a chore than something fun and explorative like the ones I make with the Sound Canvas, or even MSGS. Mainly patch editing, despite being one of its primary features, trying to get the thing to register the SysEx you've sent, at least in my experience, was a nightmare.

Good lord, between having to fuck about with multiple programs to even get FL to talk to MUNT (MT-32 emulator), and then getting the patch editing tools to talk to MUNT, and then getting that to work only to learn that changing parameters doesn't change the sound immediately so you have to go and click a button to send the changes and even then MUNT doesn't register them immediately so you have to pause and play the music again, then there's a chance you'll hear your changes if neither MUNT or your MIDI-routing software crashed aaaaaaAAAAAAAA

Tbh, idk what in the chain is causing this, whether it's FL Studio, MUNT, my MIDI-routing software (Falcosoft MIDI Player 5), or the patch-editing program (MT32Edit), though I suspect it's one of the latter two. MP5 won't let FL talk to MUNT unless I play a MIDI from it first, then MT32Edit introduces stuttering when it's just connected to MUNT, not even sending data to it. So I have pretty little faith in either of them, but perhaps the MT-32 is just like this, idk.

I was looking for another routing solution, but my old standby, loopMIDI, uses a kernel driver that doesn't work in WINE, and any of the other ones either costed money, or couldn't open their config menus. So in terms of alternatives, I'm shit outta luck atm.

So it's for all these reasons that I probably won't make another MT-32 cover any time soon. Its been a fun nut to crack, but when it came to actually sitting down to make the cover, I couldn't just sit down and get lost in the creation of sounds. In fact, once I'd so much as made minor tweaks to the Slap Bass and E. Piano sounds, I couldn't be bothered with patch editing anymore, and just stuck to stock sounds for everything else.

The thing also has some annoying limitations, reverb parameters are quite limited, it only has one drum kit, you only have 32 voices, which sounds good until you consider that just one patch can use up to 4, leaving potentially only 8 notes to play with, it often stretches one low-quality sample beyond its range, it has no easily-accessible cutoff/resonance knob, and did I mention it just ignores SysEx and crashes half the time? I don't think I did!!!! :)))))))) Plus, on a personal note, there's no convincing electric guitars and the acoustic piano sounds are not acoustic in the slightest.

I might return later on, just as a challenge, see how far I can push the thing and make it do a little more. I know I've done that time and time again with Sound Canvas boxes, and now consider them serious pieces of electronic music production kit. Plus, it's the MT-32, for all its faults, its got such a lovely, charming sound, and it brought about a seismic paradigm shift in how people make music on their computers within the walls of their own houses. To have something like this in 1987 would've been nothing short of incredible. It's also kinda funny to think that the games with the highest-production-quality music at the time weren't namco or SEGA scaler games with their fancy PCM chips, but rather Sierra Point-and-Click adventure games lol

[MT-32] - Thunder Blade (Arcade): "Burning Point" MIDI Cover

Basically the same as my other upload but cut for those who dont want all the extra fluff after the main bit

Cut Main Theme - Space Quest III The Pirates Of Pestulon - Dos - Foobar Supermunt GM (MT-32) - HD

a title for a forthcoming album made exclusively for the Roland MT-32 sound module. Composed by Nostronaut and Garvalf

Nuages d'acier

Tristan Burfield-Skeleton Krew (2025)

Tristan_Burfield-Upon High Seas (2025)

I like old microprocessors and ancient deities.

All musics published here are my own, unless otherwise specified. 

My playlist with all my musics on soundcloud is: https://soundcloud.com/garvalf/sets/garvalf-music

Interested in: #chiptunes, #chipmusic, #1-bit, #8-bit, #retrocomputing, #metal, #classical, #folk, #baroque, #dungeon_synth, #SID6581, #SID8580, #AY-3-8910, #YM2149, #Z80


Most pictures illustrating my music are from British Library's Flickr account: https://www.flickr.com/photos/britishlibrary

Hey ho there, I make the chippy and non-chippy bois!!/??1/

Avi: @KayllaCat on Twitter

Chippy Toolz:
Furnace
FamiTracker 0.4.6
FastTracker II (FT2 Clone)
Milkytracker
OctaMED Sound Studio 1.03c (OctaMED V7)
OctaMED V4

Non-chippy toolz:
FL Studio 21
Renoise

Hi!
This is where I post my recent stuff.

----------------------------------------------------------------------------
I like writing tunes for these chips:
-YAMAHA YM2151 (OPM)
-YAMAHA YMF262 (OPL3)
-TI SN76489
-GI AY-3-8910
-ATARI POKEY
-ATARI TIA
-MOS Technology SID 6581/8580
-MOS Technology VIC-I
-----------------------------------------------------------------------------------
Here are some sound chips I hope to learn more about:

-YAMAHA YM3526 (OPL)
-YAMAHA YM2413 (OPLL)
-YAMAHA YM2203 (OPN)

Tristan Burfield has been described by a new band a day as a modern day electro "polymath". His music often incorporates lo-fi elements such as videogames, toys, junk, glitches and noise.

An uncomprimising rebel, Tristan's music is a thorn in the side of the local Norwich scene, his sound refuses genre and rejects the lazy and outmoded cliches that his contemporaries seem to adorn with abandon.

Tristan has played shows throughout the UK, and is becoming a regular staple on the festival circuit (Bring Yourself Fest, Toiletronica, Bristol Ashton Court Festival and Cambridge Outdoor fest). His music has recieved airplay on mainstream Radio (Radio 1, XFM, Resonance FM).

Recently his projects have been enhanced by the encorporation of visual elements, his music has been used as an accompliament to a silent surrealist film [Blood of a poet], combined with small format film [Shimmies in Super-8] and has been juxtaposed against found manipulated material [Shadow Pictures]. The visual strand of his work has been strengthened via a series of Photographic exhibitions shown in galleries such as Colchester slackspace and Norwich Art Centre. Tristan has a split floppy disc release on Quagga Curios Sounds and a forthcoming full length tape in the new year, he released music via Net labels such as Monkey Love Records and continues to release music through his own label.


help me my account is under attack by bots, if you see a high listen count and see bots just count them away because they are not real. I have no idea how to stop them but it makes me sad seeing whatever I really put hard work in just getting fake views

My name is Alexey, and I'm a composer. I believe that compassion is the truest form of understanding, and for the past 20 years, I've been crafting sounds that awaken this feeling in both myself and my listeners.

What you'll find here:

Daily Sketches - My musical thoughts and experiments, posted every day as I work to become a better composer

Weekly Compositions - Complete works released every week

I'm passionate about projects that create something truly touching, work that evokes deep emotional responses and connects us through shared feelings.

🎯 My Goal:  I share my compositions here to connect with creators who are equally passionate about stirring profound feelings through art. If you're working on something that aspires to move people, I'd love to be part of bringing that vision to life.

I will keep on being the same man I was on 12th of March, 1975: I refuse Universal studios linked to Tbilisi radio (Bieloru, Georgi ex-USSR etc), and majors as Sony, Warner, BMG, EMI, etc, since I am birthed for I don't make noise and baseness. I have soon told this. I act my thought decisions, to be independant.
Vous remarquerez que cette page est une preuve de plus que je n'ai pas le temps de m'occuper du bruit, et ce, depuis un temps phénoménal: je ne sais quasiment rien de la laideur et ne veux pas y mettre le nez.
Now you know this, you can notice you are in the good page for my musical works: I have no identitary problem, as the schize of metis peoples does not exist.
Then, you know I am who I have decided to be, and you identify me very well: I am not an Alien in New-York, I am a self-made man in Dijon-Europa, and I don't care about propagandae and hawkings.
Je ne suis ni un label, ni un studio d'enregistrement public, ni une multinationale, ne suis pas franchisé: je ne produis que moi-même et n'édite que moi-même (auto-production et auto-édition).
Je tiens à préciser que lorsque je fais des citations de certaines musiques pré-existantes, je n'en ai fait que des citations dans des compositions personnelles et ai déclarées lesdites citations à la SACEM lors de mon dépôt légal en tant qu'Auteur-Compositeur adhérent à la SACEM depuis 1996 (de mémoire), ainsi les Droits d'Auteur.e afférents à d'autres Auteur.e.s-Compositeur.trice.s et Sociétés d'Edition(s) éventuelles sont respectés tel que dans les Bulletins de Déclaration titre par titre afférents et efférents, répartis directement à qui de Droit par la SACEM. Tout ce que je fais est légal et déclaré, et je suis ce que l'on peut dire, un "self-made man à la française" ou "à l'européenne". Je tiens à le préciser ici pour que personne ne puisse prétendre avoir pris exemple sur moi en diffusant des musiques et/ou textes sans en avoir le ou les Droits puisque ce n'est pas mon cas: je le redis, tout ce que je fais est légal et déclaré (SACEM/SACD/SGDL/SDRM/ADAGP/etc).
http://crdmuka.studio/C.V._nirmel-mouchiquel.html
Nirmel M: plus de 500 concerts entre 1992 et 2012 (Take Five, Mozg, Ratatouille Quintet, Bilbokets Ska-jazz Band, Orchestre Philharmonique de Dijon, Grave De Jazz, Cobra Jazz Dance, renforts classiques dans divers orchestres, etc) dont un concert dans le groupe 'Take Five' le 31 mars 1994 au Théâtre de Beaune (BFC) retransmis par RCF-Radio Parabole; a été deux années Président de l'Orchestre Philharmonique de Dijon; plus de 300 compositions, pratique les musiques classique, contemporaine, rock progressif, jazz et ska-jazz à la clarinette et la clarinette basse; 2° Prix à l'Unanimité du Jury au Concours International de l'Union des Femmes Artistes Musiciennes en 1993; numéro 2 des charts aux USA dans les domaines de la musique classique et du jazz pendant 4 ans dans Internet;
en auto-édition et auto-production; poète, philosophe, acousticien;
21 disques produits et auto-produits dont "la Fin de Satan";
a inventé le style de musique "électrométis" à base de deux découvertes mathématiques solfégiques; travaille sur NirML, projet de microprocesseur sans semi-conducteurs et sur SoundLine, projet de logiciel audio fait pour des compositeurs.trices et pour les  sciences de l'acoustique, sans limite en précision de calculs; a inventé en mars 2024 la Fugue vidéo et le contrepoint vidéo;
Travailleur  Indépendant;
ne prend pas de commandes.
Outre les auto-produits, l'on peut citer dans les auto-éditions MNM Editions:
- Tome 1 "Traité d'Acoustique"
- Tome 2 "Traité d'Acoustique"
- Tome 3 "Esthétique"
et le Tome 4 à paraître contenant de nouveaux inédits.
Merlin Productions/Studio Karnatic'/MNM Editions (Entreprise Individuelle - Travailleur Indépendant) existe depuis octobre 1996, CRDMuKa en est une première partie extensive depuis octobre 2022, mp2f[x] / mp2fx.quest en est une deuxième partie extensive depuis novembre 2023.
https://muziquemagazine.com/nirmel-mouchiquel-talks-about-his-craft-sense-of-style-and-more/ ;
https://www.fashionpani.online/2023/03/nirmel-mouchiquel-a-talented-artist.html#
https://www.blackbirdnews.com/nirmel-mouchiquel-marcillac-video-clips-in-classical-and-eletrometis-music/
RSS link for 'feeder' application for Google Chrome: https://feeds.soundcloud.com/users/soundcloud:users:45725880/sounds.rss ;
https://goo.gl/maps/hvUuxCUz1L4sB6kWA ;
contemporary dance on a mine fugua FIRST DANCE ACT WITH ELECTRoMETIS-CLASSIC STYLE:
https://www.tiktok.com/@babyk1tti3/video/7280114202797149473?_r=1&_t=8fn01bmW3A8 ;
Electrometis Dance and Music with 1ST VIDEO CONTRAPUNCTUS IN VIDEO-CLIP in co-production with @BabyK1tti3 Jessica Spagnuolo mars 2024: 
https://https://www.dailymotion.com/video/x8w21j0 ;
1er CLIP-VIDEO SUR DE LA MUSIQUE CLASSIQUE DANS L'HISTOIRE DE L'ART ET DU CINEMA: https://ventsmagazine.com/2023/05/07/nirmel-mouchiquel-marcillac-electromusic-jazz-and-classical-style-a-new-added-activity/ .

⚡glitch composer & experimentalist - vgm, chiptune, digital fusion
🌱 open for work! portfolio + contact: https://samplemance.rs

New tracks tagged #MT-32