- TRAICERE, ORIGINAL MIX - Zwoen -

- GREENLAND, ORIGINAL MIX - Emancipator -

- ORIENTAL TALES, ORIGINAL MIX - Rapossa - 

- NISHIHARA, ORIGINAL MIX - Akito San - 

- TRANCE IS PSY, ORIGINAL MIX - Arutani, AVEM -

- BELONG, ORIGINAL MIX - Viken Arman - (Sample) - INTRO, ORIGINAL MIX - Manuel Garcia - 

- OUTRO, ORIGINAL MIX - Manuel Garcia -

- NAPAUKEN FEAT. FRUITERAMA, ORIGINAL MIX - Shkoon -

- DESERTA, ORIGINAL MIX - Regardo Blasto - 

- ISOPANISAD, ORIGINAL MIX - Jean Vayat -

- RED LOTUS, FEAT. SHAWNI, ZUMA DIONYS REMIX - Sabo, Dandara -

- ALGERIAN RESURRECTION, ORIGINAL MIX - KONI -

- AROMA, ORIGINAL MIX - Tamer ElDerini -

- NEVADA, ORIGINAL MIX - Kerala Dust -

- BUSURMAN, GERMAN BRIGANTE REMIX - Zuma Dionys -

- CANAAN, ORIGINAL MIX - Jean Vayat - 

- YANG, ORIGINAL MIX - Iorie, Coss - (Sample) - 三 FEAT. COBY SEY, AKIHIDE MONNA, OLIVIA SALVADORI - GAISTER -

356. - Ändern -

Use Code JAIANMUSIC for 30% off: https://lese.io/
Artwork by: https://linktr.ee/goprokyo
Anime Anthems Volume 4: https://push.fm/fl/n72ddkuo
Follow Mike: https://linktr.ee/mikehgmusic
Follow my music: https://linktr.ee/jaianmusic
Website: http://bit.ly/1e3mx9f Discord Server: https://discord.gg/esnXAGX
FB Page: http://bit.ly/2cVbBQl Twitter: http://bit.ly/1JVKaRc 
Spotify: https://spoti.fi/2SEPJL5  FB Group: http://bit.ly/2w9drHM
Tiktok: https://bit.ly/3umT8kj Insta: http://bit.ly/3btisLt
Soundcloud: http://bit.ly/NpJaav

Welcome to JaianMusic Notes, the ultimate podcast for anime music enthusiasts! This is a show where I, review and dissect my anime song covers, break down original anime soundtracks. Get ready for in-depth analyses, behind-the-scenes stories, and fascinating trivia about your favorite anime tunes. Plus, don't miss out on interviews with fellow composers and industry insiders. Join me for all things anime music!

Inside Anime Anthems Vol. 4 – My Creative Process EXPLAINED!

This one feels like a voice memo from purgatory — intimate, looped, and left slightly unfinished on purpose. “Project 12” leans into the tension of space, turning repetition into ritual. It’s for when you don’t want a song — you want a room to sit in.  Lo-fi mantra energy. Anti-pop, but still a love song.  RIYL: Hiding songs in your notes app, early Slauson Malone, Frank Ocean demos, demos that should’ve stayed demos but you love them more.

Plastic Halo

Ok, les comparto una ídea. Considero que aún no debería estár haciendo esto <3 Loveu so much. Si para ti también preciosa. Nos vemos en Noruega prima.

I'll probably delete this in a while, maybe not.

IDEA  222 CLOSE TO YOU. Idea creada en 10 minutos. Idea no terminada

When he was five years old, Max Pollak had a moment. Sitting in front of a black-and-white television in suburban Vienna, he saw Fred Astaire tap dancing for the first time. “I was so spellbound by his elegance and his effortless swinging persona that I immediately decided I have to learn how to do that,” he remembers. He didn’t understand the cultural context or the language, but he knew that whatever was happening on that screen — the rhythm, the movement, the magic — was something he had to pursue. That moment sparked a lifelong journey that would take him from Austria to Harlem to Havana and back again. Here, Max Pollak tells the remarkable story of how he taught himself to dance in a place where no formal tap training existed. Early on, improvisation wasn’t just part of his style — it was the only way forward. That instinctive relationship with rhythm would become the foundation of his unique voice as an artist. At 14, Pollak met his first mentor: Carnell Lyons, a master tap dancer from Kansas City who had relocated to Europe during the civil rights era. Lyons had grown up alongside Charlie Parker and had performed with jazz legends. He passed on not only the technical language of tap, but a deep awareness of the art form’s Black American roots. That relationship shaped the way Max approached dance — not just as choreography, but as culture. After moving to New York, Max began studying drums and enrolled in Bobby Sanabria’s Afro-Cuban ensemble at The New School. It was there that he was asked the question that would redefine his artistic path: Do you want to tap dance to Cuban music — or do you want to tap dance Cuban music? Inspired by that challenge, Pollak dove into Afro-Cuban music, learning the language of clave and fusing it with tap, body percussion, and voice. The result was RumbaTap — a groundbreaking synthesis of traditions that bridges continents and cultures. When members of the legendary Los Muñequitos de Matanzas saw Max perform, they asked him to teach them. That moment affirmed the authenticity of his approach and led to collaborations in Cuba that brought him closer to the source of the music he had been drawn to for so long. Today, Max Pollak is widely recognized as one of the most innovative tap dancers in the world. His contributions to the language of tap, particularly in blending it with Afro-Cuban music and body percussion, have earned him international recognition — including the rare honor of having his image featured on a United States postage stamp. He’s also a vocalist, drummer, composer, and storyteller. This week, he celebrates the 25th anniversary of RumbaTap with a special performance at 92NY, featuring members of Los Muñequitos. This episode came together unexpectedly, sparked by a tip from bassist and composer Alexis Cuadrado, who sent me the press release for the 92NY concert. I reached out to Max for a short interview — and the conversation turned out to be so rich and wide-ranging that I decided to share it in full. We talk about lineage, improvisation, spirituality, and what happens when you follow the rhythm only you can hear.

292: Max Pollak

Subtlety (Extended)

Thanks to NASA's space program, we enjoy innovations like memory foam mattresses, originally developed to cushion astronauts during liftoff. Almost a century ago, Alexander Fleming’s accidentally contaminated petri dish led to the discovery and development of penicillin, a powerful antibiotic. Building upon the theme of unexpected outcomes, a new finding explores how unforeseen elements contribute to scientific discovery. The big question is do we benefit from unexpected research?

Question Your World - Has research brought us any unexpected benefits?

numba 1team prod mag

When Arturo O’Farrill was 19 years old, playing piano in a bar in upstate New York, he was spotted by Carla Bley—who promptly invited him to join her band. At the time, he was doing everything he could to distance himself from the legacy of his father, the legendary Cuban composer Chico O’Farrill. He avoided anything labeled “Latin” like his life depended on it. But as he tells it, the real turning point came when bassist Andy Gonzalez sat him down and played him the history of Afro Latin music. Arturo realized that the music he’d rejected might actually be his greatest treasure—and more complex and profound than he’d ever imagined. Since then, Arturo has built an extraordinary body of work as a composer, bandleader, educator, and activist. From founding the Afro Latin Jazz Orchestra to creating his nonprofit Belongo—now building a major cultural center in Harlem—he’s dedicated his life to music that carries meaning. Not just swing, but sting. “You can pretend that music is pretty noise,” he says, “or you can think it’s only to soothe. But I don’t believe that’s the purpose of art.” In our conversation, Arturo opens up about identity, legacy, faith, creativity, and the urgent role of art in a broken world. Sometimes a conversation doesn’t just explore a person’s life—it opens a window into their soul. This was one of those.

293: Arturo O'Farrill

FELT LIKE SHARING SOME SKETCHES I MADE DURING THE LAST 3 YEARS WHILE STUDYING AT RMC <3 MIXTAPE OF MERCY. MADE WITH USE OF INTUITION AND CARE. WRITTEN AND PRODUCED BY ME MERCEDES. WITHOUT OVERTHINKING. ENJOY. PERFECTION IS AN ILLUSION.

mixtape of mercy

Process *Mitchxy*

Legendary singer-songwriter Suzanne Vega looks back at her remarkable career — and forward to her new album, Flying with Angels, her first collection of original songs in nearly a decade. From the moment she emerged in the 1980s with her self-titled debut and follow-up Solitude Standing, Vega has occupied a singular space in popular music. Known for her literate lyrics, calm delivery, and understated innovation, she became an unlikely pop star with songs like “Luka” — a devastating portrait of abuse — and “Tom’s Diner,” which began as an a cappella sketch and became a surprise dance hit, later used in the development of the MP3 format. Vega discusses how those early hits shaped her identity, and how she’s maintained a relationship with her past work while continuing to evolve as an artist. She shares stories behind her biggest songs, her longtime collaborations (including with producer and ex-husband Mitchell Froom), and her connection to a vibrant downtown New York songwriting community that included figures like Jack Hardy and Fast Folk magazine. She also reflects on the new material, including the haunting “Mariaupol,” inspired by the war in Ukraine, and “Rats,” inspired during the lockdown in New York. These songs mark a subtle shift for Vega: from her usual allegorical storytelling to more direct commentary and bearing witness to events in real time. Along the way, the conversation touches on Lou Reed, Leonard Cohen, Bob Dylan, motherhood, stagecraft, artistic responsibility, and the strange alchemy of simplicity and resonance. Vega shares anecdotes from her life on tour, her early performances (including a childhood appearance at Pete Seeger’s feet), and her unexpected intersections with technology and culture.

294: Suzanne Vega

Bandcamp/tracklisting:
https://warmlightcoldhands.bandcamp.com/album/many-year-process

Thank you dearly for listening.

Many Year Process

Join host Doug Glenn as he converses with Katelyn Kirsch, a metallurgical engineer with extensive experience in the heat treating industry. Katelyn discusses her career journey, including roles at Huron Casting, Federal Screw Works, and Moeller Aerospace. This episode highlights integrating new equipment and processes, managing thermal processing, and setting up a metallurgical lab. Katelyn also shares insights on the challenges of implementing new processes, the importance of hands-on experience, and the benefits of bringing processes in-house for improved turnaround times. The episode provides valuable perspectives for professionals in the heat treating field.

Watch | Listen | Learn
Full transcript, audio, and video to this episode is located here: https://heattreattoday.com/radio


Equipment and Process Insights from a Rising Metallurgical Engineer

Trump administration violated court order by deporting eight convicted migrants to South Sudan without due process, forcing new legal safeguards and highlighting immigration law challenges for African and diaspora communities.

Trump's Unjust South Sudan Deportation Ruling Exposed

For this episode, I spoke with Dr. Darren Pulsipher (@darrenpulsipher), the Chief Solution Architect for Public Sector at Intel, on the details of digital transformation through the lens of people, process, and technology, featuring a six-pillar framework and strategies for organizational success.

You can find more information about my guest on my blog at https://buckleyplanet.com/2025/05/collabtalk-podcast-episode-175-with-darren-pulsipher/  

Episode 175 | Aligning People, Process, & Technology for Business Transformation with Darren Pulsipher

f the outcome

Prepare to be transported! This month on TMM Podcast, we welcome Process, the Buenos Aires artist who's a true sonic architect. He creates stunning, immersive soundscapes by masterfully blending techno, ambient textures, and sci-fi design. In this episode, Process breaks down his artistic vision, shares his influences, and reveals his methods. Listen now!

Tracklist: 
Jonas Kopp - LIM 3A
Genderless Groove - 20 de Diciembre (Zisko Remix)
Kaiser - I See The Blue Lights
Innmenal - Inire
Pyramidal Decode - Shimmer
Aaron Schwarz - Midnight Noises
Process - Symbols 
Linear System - Dimensions
Bruno Ledesma - Venenoso
Lakej - Scattered Matrix
Process - Circular Movement (Unreleased)
Diego Amura - Flow
Bidoben - Hyperblue
Linear System - Cytosine
Process - Signals
Pyramidal Decode - Corrosione
Lakej - Tethered
Eric Fetcher - Commender
Jonas Kopp - LIM 8E
PTTRNRCRRNT - Resolution
Zadig - The Stellar Hunter

TMM Podcast 017 - Process

Hey!! I am JaianMusic a one man band from Canada. I cover and remix songs from a variety of Anime series, I also podcast about Anime and make original rap music. Welcome to my Soundcloud I hope you enjoy yourself. 

Artwork by: GoProkyo

business 📨: ilymbeats@gmail.com
🌍🔨
ilym aka lil m
dm for feat. 📥
trust the process 
God above all 
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Synthesist | Sound Designer | Audio Engineer

Drip Cult is the sound of synthetic emotion breaking through digital decay. Blurring the lines between alt-electronic, glitchpop, and dreamwave, the project crafts immersive, slow-burning tracks that feel like memories corrupted by compression artifacts. Lo-fi textures meet glassy synths and muted vocals, building an aesthetic rooted in mood over melody — equal parts intimacy and distortion.

With titles like Plastic Halo, Guilt HD, and DRKMODE, Drip Cult’s universe is hazy, minimal, and wired with emotional static. It’s music for late-night browsers, soft crashes, and quiet intensity — a soundtrack for digital ghosts.

• Physical •
• Creator •
• Colour •
• Sound •

contact: saturnsoulja@gmail.com
Ig: Saturn.soulja
https://x.com/murderousmantra

The Third story is a weekly podcast featuring long-form interviews with creative people of all types, hosted by me, Leo Sidran. Their stories of discovery, loss, ambition, identity, improvisation, risk, and reward are deeply moving and compelling for all of us as we embark on our own creative journeys.

A technology-focused podcast exploring the business value and practical application of the latest advances in collaboration, productivity, artificial intelligence, and social network science.

TMM Recordings, founded in 2006, is a highly esteemed record label known for its remarkable contributions to the techno music industry and a prominent force in the world of techno music with Its unwavering commitment to quality, and ability to spot and nurture talents. 

Operated by Vegim and Flekitza, the label is known for its brilliant & forward-thinking futuristic Techno music and its unique brand identity have all contributed to its continued success.  

Demos: info@tmmrecords.com

New tracks tagged #Process