theme from pbs - public broadcasting service
deep In a dream - jonny trunk
cruisin' for sentient beings - land of the loops
starter kit - land of the loops
the fucking moon - the evolution control committee
clarence in wonderland - gong
true love will find you In the end - daniel johnston
imagine - v/vm
a clear yarn warning - the advisory circle
belly dance - broadcast
we'll meet again - alien porno midgets
lazy day - spanky and our gang
bonus track
the race for space - public service broadcasting

mixes are time capsules of sound. each capturing a moment in time that will not be repeated the same way. each mix is meant to transport the listener in their own time machine to their own destination. these are soundtracks for daily living..."music gives a soul to the universe, wings to the mind, flight to the imagination and life to everything"
no copyright infringement is intended. (CC)

public control committee - pretty crazy show

Music video on Youtube: https://youtu.be/OENmK2hkaaQ?feature=shared

Synth track inspired by the story of Robert Falcon Scott as told in 'Scott of the Antarctic', also inspired by musicians  Vangelis, Tangerine Dream and Enigma.

Xanadüüm

I May Be Some Time

Electronica music produced by Paul Ayers (Jarinoe)

Archive audio used from the Bell Labs Computer Research film, 'The Incredible Machine' (1968), found on the Prelinger Archive. 
Synths and electric guitars, inspired by the band Public Service Broadcasting.

Speech and Sound

Speech And Sound

Wingdings translation: "How to Improve the World (You Will Only Make Matters Worse)"

Buy on Bandcamp!

good books

Rules For Space Travel (demo)

atypical stereo type.

B-Side 1-1 is Alex Sitze + Ian Holland-Fry.

Gwyddion Flint: British interdisciplinary artist, writer and electronic musician performing under the name Xanadüüm. Please view my Bandcamp page for Official Releases. Link below.

Recently reviewed by Electronic Sound Magazine for the album: inverted Terrain, and featured on DJ Lola Haro's Kiosk Radio liveset from Brussels.

Back in 2013 Gwyddion Flint collaborated with David Tibet from the experimental band ‘Current 93’ in creating a sound installation at the Eastbourne's Redoubt for the exhibition: Archive Fever in the South of England.

The film ‘Brutalist’, a contemporary dance, electronic music and spoken word film was created in conjunction with ‘Collabs’, a London-based platform (headed by producer Dan Lowenstein) for arts collaboration of all kinds, utilising Gwyddion's poem ‘In the City of My Body’ to create an experimental film and dance work in 2018 utilising electronic music. (Can be viewed on  YouTube and Vimeo) 

Gwyddion has exhibited his visual artwork nationally in the U.K. and is now beginning to exhibit internationally, along with his poetry and other writing currently available through Amazon (under the title: A Hymn to Proteus) and publishing platform Medium.

His artwork is heavily influenced by Buddhism, philosophy, psychology and future technologies. Previous works have included psycho-geographical and hoax art elements, such as the Hopwas Project, where he buried two copper plates and other occult artifacts in a Staffordshire woodland that were later found and written about in local newspapers and online, sparking an interest into the woodland’s past that became international.

Despite some of the more elaborate artworks and installations that he has created he always comes back to pencil drawing, poetry and prose as his main source of inspiration. 

His poetry is primarily created as spoken word works to be accompanied by synth soundscapes and imagery, both live and recorded initially encouraged by a chance meeting with Alan Moore.

He is a qualified yoga instructor and practices and teaches vipassana meditation which he studied while living in various monasteries for a year and a half as a Buddhist monk and later while living and traveling in South East Asia and India.

mixes are time capsules of sound. each capturing a moment in time that will not be repeated the same way. each mix is meant to transport the listener in their own time machine to their own destination. these are soundtracks for daily living..."music gives a soul to the universe, wings to the mind, flight to the imagination and life to everything"

Jarinoe is the project name of Bristol based singer, songwriter and musician, Paul Ayers. ‘The Wanderer’ is his debut album, recorded at Ty Drwg studio in Cardiff with Frank Naughton as engineer, co-producer and bass player. Drums and additional vocals come from Cardiff-based multi-instrumentalist Andy Fung (Derrero, Cymbient, No Thee No Ess). Ayers and Fung met in the early 90s at Art college in Falmouth, Cornwall, forming an Indie band whilst studying Fine Art.

The Wanderer’s indie folk/alternative rock fusions layer tremolo reverb guitars over acoustic rhythms, sometimes with ethereal keys from Naughton’s Rhodes Piano put through ‘Teaching Machines’ beautiful ‘Wellspring’ analogue spring reverb system (designed by Naughton).

The Wanderer - “I feel like I'm somewhere in late 1968. It's the end of summer. The autumn's coming. It's sad. But everything will be okay. The wine will pour again. The haze will appear amid the branches. High windows will glint with evening promise...” (Chris Hope – Lost Sound Club).


Hello there! I’m a songwriter from Sheffield. This is a space where I can share songs I’ve been working on, to see what people think. 

This is the start of a journey and further along the line I’d like to have these demoes professionally produced and shared with the world. For now though, it’s just me and you. So I hope you like them!

New tracks tagged #Public Service Broadcasting