Morning Meditation Song (Guitar And Synth Version)

A brooding Eastern song - instrumental - a mixture of electronica and acoustic instruments

East West

method: slippery slopes on the pitch-bend joystick of the reface dx, the internal looping function of the dx, voice through vt 4, zoom r20 for recording as well as some eqing and compression, no post production
narration: spaces in between are special
image: copyright jo richter

poem / copyright jo richter
(as published in Auslegpapier):

even
though humidity
might take its toll
honouring each whim of entropy,
there is stolid persistence
adjucated by attachment,
by clinging to
the moments of
doubt.

bricks belong
and heed their master's
each and every indulgence:
dear, sweet, homely gravity!
while mere mortar may
dissolve and crumble

it won't be long.
it never is. ask the nymphs
and fauns and watcher spirits that
last. neural uniformity goes first
as mosses, fungi, viral, vital cells
demand their share and shed humility:
minerals to feed the masses, yearning
to be free. ugh, structures long
to breathe through the
gaps left by
mortar

mortar

method: sound sources (field recording, reface dx, voice) and recording and morphing devices (zoom H2, zoom r20. audacity, samplitude)
narration: the cycle ON PRINTING deals with projection and the like. it consists of six poems: rubble - horse - relic - spawn - banner- offset. this poem sonified is rubble and rubble alone.
image: copyright jo richter

Poem (as published in
A Single Loop of Fortunes) /
copyright jo richter:

once I stood, Pygmalion said
on a pile of rubble, all
of which was not-she

to surface, Pygmalion said
is a destructive endeavour
as the chisel precludes the sculpture

now I drink, Pygmalion said
entangled drafts of air, all
of which is not-she

and craftsmanship, Pygmalion said
oh, craftsmanship engenders the
sanding of the soul

rubble

rubble - on printing 1/6

those interested in a traditional recording of a Blake original, please be directed here: https://soundcloud.com/nadiaselvaggi/and-did-those-feet-april-3-5-20242 

method: sound sources (reface dx, voice, boss dr01s, vintage lemon drop) and recording and morphing devices (roland vt 4, hotone soulpress II, nux amp academy, zoom r20); intentionally no post production, raw
narration: the cycle ON PRINTING deals with projection, representation, pattern recognition, the energy of awareness and the like. it consists of six poems: rubble - horse - relic - spawn - banner- offset. this poem sonified is spawn and spawn spawns.
image: copyright jo richter

poem (as published in
A Single Loop of Fortunes) /
copyright jo richter: 

infernal energies, blake said
are unleashed in printing,
etching their way to Jerusalem

once I slept, Blake said
on a mountain and the heavens
weighed down on me, hard

now I drink, Blake said
the deep-sea ink of the valleys,
saturating every fibre in me

as for relief, Blake said,
the relief must spawn, for who wants
to make do without colours and copies

spawn

spawn - on printing 4/6

method: crave, voice, vt 4, reface dx, voice, r20, samplitude ... it's more or less in b locrian, I guess ... a fitting mode.
Narration: the original title is ‘70s synthesizer‘ in the cycle SONIC CASCADES (as published in A SINGLE LOOP OF FORTUNES). imagine a family in Western Germany. it‘s the 1970s and  conforming to strict norms is the latest rage wherever the youth invasion (o for the horrors of the 'gammler'!!!!) had to be fought off. I spent the decade (and more) going to school and trying to cope with fellow human beings …. and there still was this all encompassing being …..  the best mode of survival (at that age, at any age) was identification ….. 
Image: copyright jo richter. it all started out with a portrait of my vt4 ;-) we're all robots anyways, aren't we? (still, no AI involved, - i'm just gimping my way to jerusalem!)

poem / copyright jo richter:

she steps in 
from the balcony
steps in to soothe
the tan on her skin

OH, WHAT A FIRE
MIGHT BE LIT
TO SMOKE OUT, TO BURN OUT
THIS SCENT IN HER HAIR

so many days
in her infancy
days she was told
to stop fidgeting

OH, WHAT A NOISE 
MIGHT BE MADE
TO FORCE OUT, TO DRIVE OUT
THE WEEDS, THE WEEDS

she spells out the spells
on her rosary
spices and herbs
flown in from the south

OH, WHAT A TIME
MIGHT BE HAD
JUST FIND OUT, JUST TURN IN
THE PLACE TO BE

so many veils
of dependency
too many veils
untangling within

OH, WHAT A SELF
MIGHT BE CUT
FROM STENCILS, FROM SHAPES
THAT WITHER WITHOUT

she sits down
in the living room
this is the room
where she lives

memory effect variation

Dynamic evolving ambient song with a techno prog centre...

Electric Jungle

Ethereal melodic song with acoustic guitar and electronics...

Country Girl (Version with Guitar and Synths)

Totally chilled out zzzzleepy track to relax with...

Zzzzleep

method: a reface dx was mostly instrumental in creating this, apart from: voice, VT-04, Y8, fx 600, r20 hardware and samplitude software
narration: as unconsciously as uncautiously delving into ruptures in rational reality
image: copyright jo richter

poem / copyright jo richter:

schwarzschild linings
fashioned to measure
the lake is too deep
to reveal ancient treasure

quick fixes good
for a lifetime and more
soiled gold and soot
alchemical ore

these are the vigils
held for immortals
widows and virgins
clawed into morals

morbus kant

method: most of the pre-takes done with a reface dx and oyayo toy drums, later stretches in audacity, voice in balabolka and rearrangement and editing in samplitude (also adding bubbling bass voice, clicks and further elements)
Narration: it is the evening of the day …. the serenity of the song by the Stones, coupled with recollectioms of events, i.e. exploring tensions, delayed dis- and resonances and so on and so forth
image: guests at my doorstep, copyright jo richter

sip /copyright jo richter:

drinking patient sap
from a fragile cup
he salvaged today's silence

Lovely chilled electronic music - this is a cool one!

mellowdark

Tagged this as ambient but it's more like 'psychedelic classical'.  Very laid back, but hopefully inspiring.  One to listen to in an 'altered state' whilst watching the sun go down...

Unfolding

Totally laidback instrumental to sooth your cares away.  All made up on a tiny little Reface DX synth... 

Celestial Traveller

Inspired by Hiroshi Yoshimura.

Performed on a yamaha reface dx.

arboreal

Easy Groove 2 Days to Brew. That's the great Ray Parker Jr. in the pic with me, but he didn't play on this. Maybe I'll be luckier next time!

Funky  Loop

I put the new music I'm making here. Hope you like

hi

booking / general inquiries
djkrucialmusic@gmail.com

I am overjoyed to partake in sounds beautiful:
https://youtu.be/1TnalFltP_Q?si=VidMVZ9VDKGZiNUm  by Dan and
https://stonerjazz.bandcamp.com/album/up-up-out by Jeff.

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

New tracks tagged #REFACE DX