Panotune- Third Eye

Circuits in '69 is a story about a boy building electronic instruments in his room parallel to the evolution of computers and space travel 

Circuits in '69

An electrical musical commemoration of the Aberfan disaster in 1966

Aberfan

"The Troubles" in Northern Ireland that lasted for about 30 years from the late 1960s to 1998

The Troubles

Legends Of The Electronic Soundscape (feat. Liesel)

Hypnotic synth, field recording electronica inspired by Boards of Canada and American Hauntology such as Twin Peaks and Silent Hill.

Douglas Firs

TELEVISTA EP SOON!
Happy Holidays

- yaego

GLASSJAW

VIP! Slowed + Chopped
Original Full Length: 

GLASSJAW (VIP)

00:00 Bruce Haack - Blow Job (1978)
03:20 Анатолий Фомин - И грустно и смешно (1981)
05:58 Станислав Крейчи - Интермеццо (АНС синтезатор, 1969)
08:11 Bruce Haack - Incantation (1970)
10:55 White Noise - Love Without Sound (1969)
13:42 Pegasus - Perseguido por el Rayo (1983)
17:33 Юрий Морозов - Неизъяснимое 4 (1978)
20:37 Юрий Морозов - Неизъяснимое 2 (1978)
23:06 Dominique Guiot - La Danse Des Méduses (1978)
25:52 Silver Apples - Lovefingers (1968)
29:44 Tom Dissevelt - Orbit Aurora (1958)
32:43 Tom Dissevelt - Song of the Second Moon (1957)
34:56 Родион Александров, Михаил Козаков, Зиновий Гердт - Рабочая комната Фауста (отрывок, 1985)
36:42 Piero Umiliani - Goodmorning Sun (1973)
41:03 Инна Пиварс и Гистрионы - Звездочка (2017)
45:55 White Noise - Firebird (1969)

кролик из Vib-Ribbon бежит под старую электронную музыку

ID63

That cassette bop

PLANET BIRO

I Watched You Dance, With Him

Directionless is the sound of giving up quietly. No rage, no drama, just the slow realisation that nothing means anything and the future isn’t coming. 

The heart still beats out of habit, the signal never arrives, and the sky stays empty no matter how long you stare at it. 

This isn’t sadness, it’s the numb stretch after sadness, when memories feel like lies, and hope is something that happens to other people. 

105bpm

Buy on Bandcamp

Directionless (No Real Plans for the Future)

Track was part of Spooky Synthwave Contest by UJAM. I tried to compose the track inspired by retro synthwave sound of Stranger Things series OST

Back In Eleven´s Arms

good mourning
mourning glory
morn to youth


if u ever want 2 use my shit. just do it

I love writing and producing music.I am currently writing sync music for film and T.v. Also completing a new album for my band,Welshmans Hill.

🦎New Wave/Synthpop retro hybrid with AuDHD themes ♾️ Professional mammal. Mostly human. 🎛️

Cassette-dream pop for neon nights and teenage memories.

info@theprozacmarios.com

The Prozac Marios is a forthcoming project from Hal Ritson (The Young Punx), the producer behind over 25 billion streams and credits with artists like Duke Dumont, Katy Perry, and The Chemical Brothers. Their sound blends New Romantic atmosphere, neon-lit synthwave, pixel-hued chiptune, and slowed+reverb melancholy into songs steeped in longing and memory, all delivered with a bold, vintage tape aesthetic that makes every track feel like it is playing from a half-worn mixtape cassette as the batteries run out.

The project builds on Hal’s work co-producing some of the most iconic 80s-influenced records of recent decades, from Duke Dumont’s Ocean Drive and Supermode’s Tell Me Why to Eric Prydz’s Call On Me, Kavinsky’s Nightcall era, and Casisdead’s Famous Last Words. With The Prozac Marios, Hal channels that legacy into something both cinematic and immediate: music that sounds instantly familiar yet unavoidably new.

Tracks posted to SC currently are just some sonic tests not the full releases!

Gwyddion Flint: British interdisciplinary artist, writer and electronic musician performing under the name Xanadüüm. Please view my Bandcamp page for Official Releases. Link below.

Recently reviewed by Electronic Sound Magazine for the album: inverted Terrain, and featured on DJ Lola Haro's Kiosk Radio liveset from Brussels.

Back in 2013 Gwyddion Flint collaborated with David Tibet from the experimental band ‘Current 93’ in creating a sound installation at the Eastbourne's Redoubt for the exhibition: Archive Fever in the South of England.

The film ‘Brutalist’, a contemporary dance, electronic music and spoken word film was created in conjunction with ‘Collabs’, a London-based platform (headed by producer Dan Lowenstein) for arts collaboration of all kinds, utilising Gwyddion's poem ‘In the City of My Body’ to create an experimental film and dance work in 2018 utilising electronic music. (Can be viewed on  YouTube and Vimeo) 

Gwyddion has exhibited his visual artwork nationally in the U.K. and is now beginning to exhibit internationally, along with his poetry and other writing currently available through Amazon (under the title: A Hymn to Proteus) and publishing platform Medium.

His artwork is heavily influenced by Buddhism, philosophy, psychology and future technologies. Previous works have included psycho-geographical and hoax art elements, such as the Hopwas Project, where he buried two copper plates and other occult artifacts in a Staffordshire woodland that were later found and written about in local newspapers and online, sparking an interest into the woodland’s past that became international.

Despite some of the more elaborate artworks and installations that he has created he always comes back to pencil drawing, poetry and prose as his main source of inspiration. 

His poetry is primarily created as spoken word works to be accompanied by synth soundscapes and imagery, both live and recorded initially encouraged by a chance meeting with Alan Moore.

He is a qualified yoga instructor and practices and teaches vipassana meditation which he studied while living in various monasteries for a year and a half as a Buddhist monk and later while living and traveling in South East Asia and India.

I love electronic music in every genre - synth pop, EBM, ambient, dark ambient, hard electro, industrial, gothic rock, post-punk, new wave, dark wave, etc. 

Insta @panotune
My music is on all platforms

New tracks tagged #Retro Electronica