Back That Fact

Re-envisioned an older song that I wasn't too fond of.

FORGOTTEN SON '23

Heat

Danny Day - Killer Miami

5. Marteau Ensorceleur

4. Va Savoir

3. Le Chant Des Boucles

2. Euphorie Ephémère

1. Premier Elan

Tracklist

01. Imprints - Trial
02. Darren Harper - Patina
03. Ambalek - Coast
04. The Humble Bee - Flakes of rust fill my palm
05. Hummingbird - Slo
06. Fields We Found - Parallels
07. Landtitles - Nightbirds and static flight
08. Moskitoo - Night Hike
09. This Valley Of Old Mountains - Yvy
10. Tomotsugu Nakamura - Library
11. Tsone - Instruments of an ecstatic cult

353. Sleepy Sunday Podcast (Elm Records)

AVAILABLE FROM 24th of November 2023
https://pippocorvino.bandcamp.com/album/in-traverse

Music composed & arranged by Pippo Corvino
Additional music composed & arranged by Balázs Balogh and Pippo Corvino

Music edited, mixed and produced by Pippo Corvino at
The BURROW Studio (Vienna, winter 2021–winter 2022)

Music mastered by Bobo Stanišić at Adrenalin Studio
(Podgorica, spring 2023)

Artwork and design by Daniel Domig

Sponsored by SKE (www.ske-fonds.at)

© 2023 Pippo Corvino Music
Unauthorised copying, hiring, lending, public performance and broadcasting of this record prohibited

In Traverse (2023) Album Teaser

Music for the fist cutscene of the 2D platformer game, Rainbow Boy

Synopsis // Mistery of Aether Planet

Original version "Subwaves" 2017 made with IOS Garage band, now remixed and mastered in Logic and Ozone.

Aquator 2024 (part 2)

What if Dracula got himself a synth guitar? And Dr. Frankenstein got a Moog. And his monster found some REALLY BIG DRUMS? Do you dare to find out?

Crashing pipe organ and wailing synth guitar DOOM behind dark castle walls (wait for it - The Monster needs to warm up). Inspired by the The Castle of Sanguine Blight by Sorchi Games. And perhaps one day featuring in the digital rendition of of the game...

Cover art by The Great Carl-Erik Engqvist.

Organ and synths are in Arturia Analog V and the drums are Ableton's Borella kit with some nasty effects on the top. 'Mastered' with Ozone.

Death behind cold stone walls

Been listening to some Tangerine Dream and Jean-Michel Jarre and got inspired (just bought Helsinki concert tickets :) ). And then a video of Jan Hammer shredding a keytar. Awesome. I don't have a keytar (yet...) so shredded a keyboard. Less awesome, but sounds the same ;)

This is almost all Arturia Analog Lab virtual synths... when it works. With the addition of the MiniBrute VST Ableton is crashing the first two times I load up this track. 

The Simmons Toms and deep bass are DX7 through Dexed.

Starship Cetonia

Original Soundtrack for the Tower of the Ice Lich game (available on Steam at https://store.steampowered.com/app/3087730/Tower_of_the_Ice_Lich/ and as a card game elsewhere). 

So you survived? No more shall the tyranny of the Lich instill fear in the... and all that. Well done anyway. You still can't play guitar very well. But at least the arpeggio is automated. A mix of modern and retro synth strings for the tension in the victor who feels compassion for the evil thusly slain. And a waily slightly overdriven guitar. Mike Oldfield would have nightmares.

13 Just a Flesh Wound

I'm a guy in his twenties who's been passionate about music for a long, long, time. Dreams of actually making it myself didn't necessarily come to fruition the way I expected them to, but I'm very, very, touched that I managed to achieve it nonetheless in the methods I have.

It was in early 2011 that I discovered a music program from a friend. He gave me a swift run through of how it essentially worked, without going into terrible depth, and in that instance I had to actually self teach myself. I'm not a man who favors tutorials and instead experimented.

Years later, I'm still not perfect, but I do enjoy the music I create. I'm not an actual DJ, I don't play instruments, use keyboards, or whatnot. I work via plugins and sound samples. At least I don't consider myself a true DJ. The name just came about when I initially began as a name holder and it just stuck. SD was the abbreviation of the Band I'd always wanted to become if I'd ever learnt to play guitar. Sweet D'eceit. The apostrophe borrowed from a Japanese band I was very fond of, and still am despite their breakup.

I'm certain that's all I really have to offer. I've no professional experience with any of this. I can't even read or write music. I do everything by ear best I can. I appreciate any and all feedback I receive, though. Thank you, truly, to the ones who listen.

Creating Rainbow Boy, a solo project for a fast-paced 2D platforming  videogame with a science fiction adventure story.

(NOT WILLING TO PROMOTE THE SOUNDTRACK UNTIL THE GAME OR AT LEAST THE TRAILER COMES OUT)

Pippo Corvino is a wanderer in music, as he is in life. Born in the former Yugoslavia, he studied classical guitar until, having outgrown the limitations imposed on him by his teachers, he found his way to Graz and studied jazz at the University for Music and Performing Arts. He has lived in Vienna since 2016. 

Corvino’s music is built largely on jazz, rock, and classical music but also embraces influences as diverse as 80s fusion, 90s pop, folk, and country. Over time, he has integrated these elements into a timeless, border-transcending music entirely his own—notably on solo albums like 2018’s "Another World". He is also an avid collaborator: his work with bassist Morten Ramsbøl led to the intimate 2016 trio album "How Far Is The Moon", with pianist Anıl Bilgen; his ongoing partnership with singer Ángela Tröndle has resulted in the albums "Getting Out of the Envelopes" (2017) and "Distilled" (2021). 

His talents as an arranger are showcased on the album "Forgotten Tales" (2021), with percussionist Balázs Balogh and cellist/vocalist Judit Bonyár, and in his duo with the Bosnian/Viennese singer Nataša Mirković, which both feature his reworkings of Eastern European folk music. He is also an accomplished producer and recording engineer; nearly all of the above-mentioned albums—and his latest release, the solo album "In Traverse"—were created in his studio, “The BURROW”.

Written by Philip Yaeger

Kraftkabel is the artist name of Philip I. Buckland. I am a musical scientist in a parallel universe living in a studio flat orbiting Jupiter. My keyboards are suspended in gravity nets, and my mixer is controlled by the power of the mind. My cosmic sequencing software masters through the power of emotion, and my keyboards are simultaneously both retro and new.
My music originates from the point of divergence of these universes - the mid-late 1980's, but is spliced by genre splicing interludes. I use a time machine and dimensional portal to get to work.
For the other nerds out there:
Hardware synths: 
Moog Subsequent 37; Roland Jupiter X, JD-Xi, VR-09, S-1; Korg Prologue, NTS-1, Monotron Duo; Sequential Take5; Yamaha DX7; Akai PRO MiniAK; Novation Mininova; Arturia MiniFreak; Modal SkulptsynthSE; Teenage Engineering PO-20.
Main software: Ableton, Arturia Analog Pro, InSidious, random free stuff from the interweb and Dexed to program the DX7. Audacity. All played through Arturia Keylab and Keystep (which has a better arpreggiator).
Plus some guitars that I can't really play very well. And an mbira, tin whistle and an alien head-shaped ukulele.

Elm Records is an independent record label specialising in ambient and experimental music.

Hi,
I am an engineer that is in love with music and a fan of the 70th progressive rock and electronic music.
Thank you all for listening !

New tracks tagged #Synth guitar