Pinned At The Top is trap RnB about being the favorite secret but never the real choice. You are the thread that stays pinned at the top of their phone, the photos they save, the messages they reread when the room is dark, but you never make it into the group photos or the close friends list.

The lyrics live inside the notification bar. Muted calls, saved pics, blue text threads that hold your whole heart. It is frustration, clarity and finally a quiet decision to unpin yourself and walk away. Smooth vocals ride over guitar and 808s, keeping it moody and melodic while the story does the damage.

This one belongs with the rest of the ViceLane catalog as the digital heartbreak chapter, sitting between late night flex records and full on noir scenes.

Pinned at the Top

Last Exit Call is dark RnB for the moment you finally take the exit instead of doing another lap through the same story. Empty highway, sodium lights, phone lighting up on the dash and one decision that changes everything.

The track follows a quiet escape from a toxic pull. Blue lights in the rearview, a name still flashing on the screen, and that scoreboard line in your head: me one, you zero. It is not about crashing for someone else anymore. It is about leaving their storyline and living your own.

Guitars, pads and 808s sit under a controlled vocal that feels more like an internal monologue than a flex. Built for late nights, long roads and people who finally chose themselves.

Last Exit Call

“FuckFromMe” is an unapologetic anthem for anybody done dealing with disrespect, old situations, and toxic energy. This track is all attitude, confidence, and reclaiming your peace.
I made this one for the people who finally choose themselves.
If they didn’t value you then, tell ’em get the F*ck From You.
🔥 Stream, repost, comment, and let me know how it made you feel.
🔥 Follow me for more R&B, hip-hop, and Martian energy.
💽 Upcoming album loading…
Let’s run these numbers up, Martians 🚀
#FuckFromMe

FuckFromMe - Single

FuckFromMe

JaeMar - FuckFromMe

Bad Reception is Trap RnB about somebody who always has four bars on their phone and zero bars for you. The calls only come from the back of the club, the excuses are always “no service,” and every serious conversation mysteriously starts breaking up.

The verses live in all the little lies. Lock screens, stories still going, new crowds, “tower must be down” when the DMs show otherwise. The hook flips it into a mantra: you got bad reception when it come to my heart, full bars for the world but you drop my calls. By the last chorus it turns into a clean cutoff, airplane mode and silence instead of chasing signal.

This one sits next to Pinned At The Top and Last Exit Call as part of the phone games arc. Three ways to realize the problem is not the service, it is the person holding the phone. Built for late night listening, scrolling through old messages and finally letting them go.

Bad Reception

Third song in the Toxic Lust arc. Her answer to his track “Last Exit Call.”

“Missed Your Exit” is late-night Dark R&B / Trap told from the woman’s side of the story. She’s racing across the city in heels, phone blowing up, trying to catch one man while drowning in everyone else’s attention. One red light, one wrong turn, one missed text – and he takes the last exit off her highway for good.

Warm female vocal, close-mic verses and big cinematic choruses, deep 808s, rainy-highway guitars and a hook built around the line “You took the last exit and I missed your exit.” This sits in the same ViceLane universe as Bad Reception, Pinned at the Top, Last Exit Call and I Deleted Your Number, but from her POV: not heartless, just overwhelmed, trying to survive the night and save the one connection that actually mattered.

Listen with “Last Exit Call” for the full dual-perspective story.

Missed Your Exit

digitvl sn0w is a trap ballad about finding warmth in the static. When the city lights go dark, your signal is the only thing bringing me back to life.

digitvl sn0w

M  .  i  .  A

Unreleased, controversial track about modern dating, double standards, and the clash between men, women, and “boss babe” culture.
More attitude than politics – this is storytelling, not a TED Talk.
If the lyrics hit a nerve, it was probably meant to. 😈
Full release coming soon through CD Baby.

Feminists

Dark pop meets trap R&B.
A track about betrayal, independence, and taking your power back.
Unreleased single — full version coming soon.

Glock 27

“Preacher’s Girl” dives head-first into the controversy — the power, the secrecy, and the undeniable chemistry that erupts when authority and desire collide. It’s raw, fearless, and unapologetically taboo… just like the story it tells.

Preacher's Girl

slept on. 
someone sign me.
soul for sale.
——————
@theweeknd @partynextdoor @aftertheparty @russ 
@yeat @xxxtentacion @lilpeep @juicewrld @theneighbourhood @checru @brysontiller @elisostre @drake
——————
#alt-rnb #darknb #xotwod #trending #billboard #upcomingartist #florida #twizzy #vr #theweeknd #abel #trilogy #brentfaiyaz #drake #travisscott #yeat #liltecca #richamiri #brysontiller #trapsoul #playboicarti #opium #67 #666 #999 #G59 #greygorrilaz #greygodz #suicideboys #southside

KANTIBUS is an American producer/songwriter who has been creating songs since 1990.

It is a portmanteau of his first initial and last name. 

KANTIBUS started creating what would eventually become known as Drill or Trap Music, demonstrating expertise in both genres. 

As such, he is a pioneer of the "violent real life criminal" styles that exist still in the underground today. 

IG/Snapchat/Twitter: @JaeMartian

Jaemar N. S. Thomas, staged as "JaeMar", born on March 28, 1989, began his entertainment career as a dancer and became a YouTube sensation almost overnight by emulating the choreography to the latest dance stylings from a few of his favorite, iconic artists...one being his idol, Ciara Harris (Ciara).

"JaeMar", began to put his feelings toward the game on paper and wrote a variety of songs ranging genres from pop to rock, R&B and everything in between; and in doing so, grabbed the attention of many underground and indie label artists all over.

In doing so he embarked on writing, producing and marketing his first solo project; his virgin album entitled, 'Came To Win' which has a few features, one being on the title song, "Came To Win" in which he takes a dance production and adds a hip hop flare to the track to set fire to the dance floor.

The high anticipation from his fan base has already catapulted him on the underground charts and on local radios...and now the heightened growth from his debut single has the fans wanting more...

Young uk based singer looking to be heard by anyone who takes to my music, for BLKpride its about what the song does for you and what memories it creates for you. for me its enough that you listen and appreciate my work. thank you for hearing me out also visit and subscribe to my other social channels.
Background:
origin: Zimbabwe 
current base: Milton keynes 
vocal ranges: when it comes to tone falsetto to bass i am capable of achieving, the above and ranges in-between. 
other genre : Afro beat classic, gospel, garage, zimdancehall, soul trap, trap hooks,

New tracks tagged #TRAPRNB