From our latest ep Daily Quest this song talks about men and their inner, unsolvable struggle between Good and Evil

Daily Quest

Sorrow

01 - Fab and The Good Ones - Sorrow.mp3

Version with new perspectives in Riders On The Storm - The Doors

RidersOnTheStorm

HELLO I LOVE YOU

Velvet Petals present "Razor Edge Symphony," a high-intensity narrative journey blending spoken-word poetry with explosive hard rock. The track unfolds a gritty urban tale of madness, transformation, and dancing on the edge, driven by heavy guitar riffs and a relentless rhythm. It's a cinematic experience where a "reptile soul" sheds its skin to a raw and unapologetic beat. #VelvetPetals #RazorEdgeSymphony #SpokenWordRock #AlternativeRock #NarrativeMusic #Intense

Razor Edge Symphony | Alternative Rock

nobody else

Artist: The Doors
Album: "L.A. Woman"
Original Release Date: 1971

I do NOT own the rights to this material, nor do I claim to do so. Copyrights belong to their owners. We only spread their work, without any commercial spirit.
Thank you and enjoy it!

To learn more material from this DJ/Producer, I invite you to activate the # Alex Vilela tab.

The Doors - Riders On The Storm (Alex Vilela Remix)

Love Me Two Times (Studio Session, Ottobre 2024) – FACTORY (Mark III)

Nella stessa sessione in cui i FACTORY Mark III hanno reinterpretato Soul Kitchen, la band si è avventurata anche tra le pieghe sensuali e scattanti di Love Me Two Times, altro gioiello del repertorio doorsiano. E lo ha fatto con eleganza e impeto, dimostrando ancora una volta una profonda comprensione stilistica e una forte coesione musicale.
Antonio Miscali alla voce è magnetico: riesce a coniugare la teatralità tipica di Morrison con un piglio più moderno, quasi sfrontato, restituendo al brano la sua natura ambigua e carnale. La sua interpretazione è viscerale, ma mai sopra le righe, bilanciata tra desiderio e malinconia.
Sergio Virdis è protagonista assoluto alla chitarra: il suo tocco è secco, deciso, perfetto nel replicare quella dimensione quasi da blues da saloon del pezzo originale. Ma ci mette del suo, con inserti raffinati, tremolo e delay, gusto per la dinamica e un’elegante libertà nel fraseggio.
Chris Pain e Luca Monaco formano una sezione ritmica solida e pulsante, che gioca tra swing e sensualità con equilibrio millimetrico. Il basso cammina deciso, la batteria accentua, guida, colora. E poi c’è Silvio Vinci: l’Hammond ruggisce, respira, danza attorno agli altri strumenti, come una spirale ipnotica che avvolge tutto. Cameo con Il VOX per un solo centrale come recita l'originale dei Doors , su "Strange Days".
Una versione che profuma di fumo e legno, registrata in presa diretta, dove ogni musicista si ascolta e dialoga. Love Me Two Times dei FACTORY non è solo un tributo, è una dichiarazione d’amore per il groove, il blues e la libertà creativa.

Love Me Two times - #2  studio session 23 -10-24 REMASTERED 2025


She’s rhyming reasons why
No clouds up in the sky
Feels better when it rains
Washes her tears away 

The starlings dance and sing
But she can’t feel a thing
Dreams without wings can’t fly
Hearts without dreams,
Hearts without dreams can die

She fogs the windowpane
Then draws a smiling face
Puts herself in its place
Then she DRAWS the window shade
I’d rather take your fall
Then watch you walk away from it all 
If the rain is where you hide
I’ll be waiting outside

Eden seems so far away

Reached out to touch the sun
On fire, burning wings are gone
Fall burning just to be
Between the sky and sea

Some cast in molds cracked and broke
While others tempered and gold
Some lost in a gaze
While others burn and fade

She fogs the windowpane
Then draws a smiling face
Puts herself in its place
Then she draws the window shade
I’d rather take your fall
Than watch you walk away from it all
If the rain is where you hide
I’ll be waiting outside


When it Rains

dont stop (cant stop)

Soul Kitchen (Rehearsal, 18 Nov 2024) – FACTORY (Mark III)

Durante la seduta in sala prove del 18 novembre 2024, i FACTORY -Mark III -hanno reinterpretato “Soul Kitchen”, il celebre brano dei Doors del 1967. Originale e innovativo, il pezzo fonde il blues-rock crudo e il funky tipico della versione originale con un tocco personale e contemporaneo.

🌟 Line-up e ruoli
	•	Antonio Miscali – voce solista
	•	Sergio Virdis – chitarra elettrica
	•	Silvio Vinci – piano & Hammond
	•	Chris Pain – basso
	•	Luca Monaco – batteria

Antonio Miscali tratteggia un cantato caldo e potente, intessendo con cura i versi narrativi di Morrison. La sua interpretazione flirta con il mood di Jim, ma senza scimmiottarlo, offrendo una sensibilità moderna che sottolinea il senso di “rifugio notturno” scritto da Morrison  ￼ ￼.
Sergio Virdis sceglie un tono spesso ma definito, mantenendosi fedele al groove originale. Il suo fraseggio è deciso e incisivo, richiamando la sottile intensità di Robby Krieger, ma inserendo spunti più personali e graffianti.
Silvio Vinci fa da ponte tra soul e rock con i suoi interventi all’Hammond, rievocando le atmosfere della prima incisione The Doors, caratterizzate da “funk nitido”  ￼. Il suo Vox Continental aggiunge calore e risalto durante i passaggi iniziali e poi più intimi.
Chris Pain e Luca Monaco forniscono una base solida ed elegante: il basso rotondo e melodico e la batteria dritta ma swingante mantengono il groove alla John Densmore / Doors, senza strafare. Ne risulta una ritmica densa, pulsante, ideale per sostenere i momenti più intensi del brano.
I Factory mantengono la struttura originale – riff principali, andamento blues/rock e atmosfera funk – ma la loro interpretazione non è una semplice cover: c’è personalità e determinazione, con una resa sonora più asciutta e moderna, ma sempre rispettosa dell’essenza del brano.
Il risultato è una versione che sembra esanime ma ruggente, perfettamente in grado di “far salire” come osservava il critico Crawdaddy! sulla versione originale  ￼.
La loro “Soul Kitchen” è un raffinato omaggio al pezzo dei Doors, anche se con una propria personalità: intima e sincera, vivace e trascinante. Una prova convincente che dimostra come i Factory sappiano onorare un classico senza mai tradirlo — mantenendo l’energia, l’atmosfera sospesa tra blues, soul e rock che l’ha reso un inno del 196

Soul Kitchen -Studio Session- 18 nov 2024

So I fused my instrumental composition from 10 years ago into lyrics I wrote for it this year and yes, this song was inspired by The Doors 


Open Doors Lyrics 

Where have you gone?
It’s time to right the wrong  
With some fun

Why keep me waiting 
We’re here jumping 
Culture’s merging 
To this beat 
See you boppin’
Watch those feet 
There’s no stoppin’
This new click 
Dominoes fall 
It’s going quick 
And a new wave  
Is rising  
Things are changin’

Join us now 
Let it be  
Invite the misfits 
To take the lead

Open doors  
A new dawn is felt 
With the courage
To be yourself
Open doors 

(It will never be the same) 
(It will never be the same) 
(It will never be the same) 
(It will never be the same) 

The wild inherit the freedom 
They decide what the future brings 
They will do whatever they like 
They will fight for what is right 
And whatever comes their way
They will meet face to face  

Join us now 
Let it be  
Invite the misfits 
To take the lead

Open doors  
A new dawn’s felt 
With the courage
To be yourself

The heart is racing 
For the many
Breaking walls 
Sharing stories 
Of what can be 
Of what can be

The heart is racing 
For the many
Breaking walls 
Sharing stories 
Of what can be 
Of what can be

Open doors  
A new dawn is here
And it’s time to get clear 
With the world at our feet 
No time left to lose
We fell, now we rise 
Not a backward step
For the truth minders   

Living it
We’re living it 
We are becoming 
What to be   

Living it
We’re living it 
We are becoming 
What to be   

Living it
We’re living it 
We are becoming 
What to be 

Living it
We’re living it 
We are becoming 
What to be 

The wild inherit the freedom 
They decide what the future brings 
They will do whatever they like 
They will fight for what is right 
And whatever comes their way
They will meet face to face  

The heart is racing 
For the many
Breaking walls 
Sharing stories 
Of what can be 
Of what can be

Join us now 
Let it be  
Invite the misfits 
To take the lead

Open doors  
A new dawn’s felt 
With the courage
To be yourself

(It will never be the same) 
(It will never be the same) 
(It will never be the same) 
(It will never be the same) 
(It will never be the same) 
(It will never be the same) 
(It will never be the same) 
(It will never be the same) 


Open Doors

Remix/Bootlag do light my fire do the doors feito por mim Lucas Manduré AKA MAROFA

House on fire - Marofa

The Trick

Cover version of Lunar Camel from Siouxsie and the Banshees by Jeremy Jay in its debut EP Airwalker

Jeremy Jay - Lunar Camel

1993 - comedown stoner tune with that Doors sample...  "Out here in the perimiter there are no stars..... out here we are stoned... Imaculate..." Jim Morrison

The Groove Corporation - Stoned (Gold Seal Mix)

“Bloodloop” is raw garage-psych: a looped riff, dirty slide, ritual toms, thick bass, and Julien’s voice caught between a spoken cut and a scream. It plays like a repeated dose—you call it dance; the body learns it’s a cage. The guitar bleeds from the amp, the spell swells, and just when release is coming—it cuts. The echo stays inside.

Bloodloop

“Nuit Verte” doesn’t happen awake. It’s memory cut into fragments of sound: clocks that don’t keep time, a voice vanishing into its own echo, guitars flaring and dissolving like mirages. A love that lives only between sleep and waking—and punishes both.


Nuit Verte

"𝑴𝒖𝒔𝒊𝒄 𝒊𝒔 𝒔𝒊𝒎𝒑𝒍𝒆𝒓 𝒕𝒉𝒂𝒏 𝒘𝒐𝒓𝒅𝒔" 🎶


🎼 ENGLISH : In this site, you'll find new remixes and reworks of 70's, 80's and 90's classics. And some  surprises about new music! 🎵
The idea is to show the work of talented DJ's and independent producers of all over the world 🌎
We upload content weekly, hope you enjoy it! 🎧

♬ - - - - - - - - - - - - - - - - - - - - - - - - - ♬

"𝑳𝒂 𝒎𝒖́𝒔𝒊𝒄𝒂 𝒆𝒔 𝒎𝒂́𝒔 𝒔𝒊𝒎𝒑𝒍𝒆 𝒒𝒖𝒆 𝒍𝒂𝒔 𝒑𝒂𝒍𝒂𝒃𝒓𝒂𝒔" 🎶

🎼 ESPAÑOL : En este sitio encontrarás nuevos remixes y reelaboraciones de clásicos de los 70, 80 y 90. ¡Y algunas sorpresas sobre nueva música! 🎵
La idea es mostrar el trabajo de talentosos DJ's y productores independientes de todo el mundo 🌎
Subimos contenido semanalmente, ¡esperamos que lo disfrutes! 🎧

www.instagram.com/fabandthegoodonesband

www.facebook.com/fabandthegoodones

Kimpituy – meaning roughly “butterfly” in Quechua – is the creative nest where music and literature take flight. We proudly present a diverse roster of musical acts:

Groove with the German Soul and Pop sounds of Samtblüten.
Rock out with the Alternative and Indiepop vibes of Velvet Petals.
Get lost in the Club, Trip-Hop, and Electronic landscapes of Calalga Beats.
Move to the Brazil Funk and Afrobeat grooves of Téo Fortes — music born between Paraty and Spain’s Costa Blanca, blending protest, passion, and rhythm.
Dive into dark urban drift with Tyranny Drift — haunting Phonk and dystopian beats for the night.
Feel the fire of Latin EDM with Nayrix, bold, sensual, and unapologetically catchy.
Float in expansive ambient soundscapes with Lemmon A6, where stillness and motion meet.

New Signings:
Kimpituy proudly welcomes Nayrix and Lemmon A6 to the family — two unique sonic identities: one born for the dancefloor, the other for inner space.

Beyond our core bands, discover unique projects like the official soundtrack for Oliver Stahmann’s book, “Der Faulosoph”.

While our SoundCloud focuses on audio, Kimpituy also publishes books including The Philoslother, Benny the Dancing Dog, The Green Sky, and many more by writers like Oliver Stahmann, Max Stargard, Lilia Alba, or Oscar Sullivan.

Follow Kimpituy to stay updated on all our musical journeys. If you are interested in recording or covering one of the songs, please reach out.

P.S.: No interest in Cover Art or Video Art offers.

Formed in 2013. Dissolved in silence. Reopened only in fragments.

Morrigan’s Howl was a French-Breton band led by Julien Moreau — singer, writer, shadow. Known for their haunting lyrics, analog aesthetics, and theatrical performances, the group released only four official albums before withdrawing from the public eye.

Their sound was a blend of psychedelic folk rock, 70’s ballads, and distorted intimacy. Every song felt like a lost letter. Every show, a ritual.

Rumors say they never truly split. Just vanished.

These releases are part of the surviving archive.
Curated by those who still remember.

tastierista 
1988-92- HIGHWAY 69
1993-96- MEDICINE MEN
1995-96- AMANITA 
1999-2000- MONEDA
2001-2002- KOSMEN
2006-2012- RAILROAD BLUES BAND
2012- COSMICK CHARLIE
dal 2013- FACTORY

SEE YOU AT THE SONICTHEMEPARK™️ 💫 Visit SonicThemePark™️🛸✨ Radio 1 on SoundCloud Now for more --- or Listen to my Original music on Spotify/Apple Music NOW!!!! @ag.creative on insta!

If you enjoy our music, please let us know and repost! 
Count on our support as well.

Big thanks to you all!!

I create music as a hobby and as a therapy and provide workshops for others to do that too, using AI to help produce tracks. I also create empowerment systems to help people at scale increase their confidence and resilience by engaging their adaptive nature and work towards living a purposeful life. While all my song lyrics are written by me, and some tracks come from my personal compositions including instrumentals that I add lyrics to, I use AI to merge these with songs I share with you here. It really makes you realise how important your own words are in a song.

Hello! I’m Lucas Manduré, the new leading DJ and music producer hailing from Brazil (SP). 🌍🎶

Dive into my profile and experience the magic of my latest release. 🎧✨

Master of Tech House and Melodic Techno, I set the stage for unforgettable nights. 🎵💃

Follow me on Instagram @Mandure420 and connect via email at Lmandure98@gmail.com.

🇧🇷
Olá! Eu sou Lucas Manduré, o novo DJ e produtor musical do Brasil (SP). 🌍🎶

Mergulhe no meu perfil e experimente a magia do meu último lançamento. 🎧✨

Mestre de Tech House e Melodic Techno, preparei o palco para noites inesquecíveis. 🎵💃

Siga-me no Instagram @Mandure420 e conecte-se por e-mail em Lmandure98@gmail.com.

Prophet of End Times is not a name — it’s a diagnosis. A statement of intent. A trigger. A warning.

For those paying close attention, this project began long before the music arrived. Long before the signals were transmitted. Long before the world tilted past its breaking point and pretended it hadn’t noticed.

This isn’t performance. It’s process. It’s prophecy by distortion, melody through the ruins, dissonance weaponized. A mosaic of failed systems and burned timelines, rebuilt in layers of noise and silence.

You’re hearing architecture. You’re listening to strategy. Every frequency, every glitch, every warped harmony carries data. Every lyric is a crack in the wall.

Somewhere in the signal:
a map.
a message.
a matchstick.

You are not expected to understand immediately. You are expected to pay attention.

Because nothing here is arbitrary.
Not the song titles. Not the sound choices. Not the silences.
Not even this bio.

There are people who will find this. Who will feel something they can’t name. Who will know where to dig.

Not all puzzles look like puzzles.
Not all transmissions arrive decoded.
Not all prophets wear robes.

Some wear scars.
Some wear static.
Some just press “upload.”

𓂀
Class: Classified
Genre: Post-industrial occult pop / strategic subversion / experimental prophecy
Mood: Unsettling / revelatory / confrontational
File under: surveillance bait, musical sigil, metaphysical warfare
𓁹

For entertainment purposes only.
All coincidences are intentional.
You were warned.

Artifacts: BGlueYml0Lmx5LzJ0aGVzc2Fsb25pYW5zMngxLTEy

New tracks tagged #The Doors