Generative ambient drone.
low: Cš-L with linear FM from Brenso, and Tš-L, mixed and crossfaded with dualXfade  into I-ō47 with Tangrams pulse generator and envelope
high: Sofia into Belgrad with random pitch and gates from Sapèl, Falistri envelope
Modulation from Batumi, øchd, Marbles and Tides
Reverbs: Eventide Blackhole Immersive
Mastered with Vertigo and SPL

20240529 Two Loads

This is about as simple a patch as can be made.

2 operators from the Humble Audio Quad Operator > Bard VTG (tube lpg), enveloped by CalSynth Changes (MI Stages). The envelopes are being triggered by Xaoc Devices Batumi II. The shape of the 2 operators are slowly being modulated by Triple Sloths. The v/Oct comes from the Bindubba, while the Ratio of the second operator is being modulated by a CV output from Stochaos (both via Quantermain). The output of the VTG > stereo matrix mixer.

This is being sent to the Olivia Arts Modular Time Machine for some fancy multi-tap echo, which is creating the rhythm of the patch. The Time Machine does most of the heavy lifting in the patch. The melody itself is rather sparse and pretty boring. The delay makes it interesting, especially with moderately high feedback. The delay output goes to the matrix mixer.

From there the delay goes to Panharmonium, set at Xfaded sines, -1 octave, a little blur and glide. It has a tap tempo that is roughly the same as the melody.

This is also sent to the Bizarre Jezabel Mimosa for some serious destruction that gradually comes in then fades away.

Time Machine First Patch

Just another little downtempo modular jam. Noise Engineering BIA is doing most of the work. Mutable Instruments Plaits is taking care of the pad. Reverb/delay from Electus Versio.

Downtempo Modular Jam #011

microsound: Morphagene into QPAS
bass: USTA sequence; Brenso into Belgrad with Falistri envelopes
swell: UDO Super6
arp: Metropolix sequence; Sofia into Zagrzeb  with Quadrax envelopes; drive, reverb and tape echo with Sealegs
pad: Metropolix sequence; Rings into Blades into Beads with Quadrax envelopes
poly: Sequential Prophet Rev2
Modular modulation from Sapèl, øchd, Batumi, Marbles and Krait
Beats performed on Push2 with Ableton kits; RolandCloud TR808 and TR909.
Mastered with AMEK EQ200 and Mastering Compressor.

20240625 How Can I Let You Alone?

microsoundA: Morphagene into QPAS
microsoundB: arbhar into Zagrzeb
voice: USTA sequence; Brenso into Natural Gate with Falistri envelopes into Sealegs
Modulation from Batumi, Sapel, øchd
Delays and Reverbs: Eventide, Valhalla and Lexicon

20240701 Black Machines

v1: Metropolix sequence; Sofia into Blades with Quadigy envelopes
v2: USTA sequence; Brenso into Natural Gate
bass: USTA sequence; Tš-L into I-ō47 with cnōc and cèis envelopes
modulation from øchd, Sapèl
p1: Prophet Rev2 into Lexicon Vortex
p2: Super6
Beats: RolandCloud TR-808
Effects: Eventide Blackhole Immersive and Valhalla

20240707 I Only Wanted To Share Your Sunlight

Microsound1: Morphagene into Fumana with Falistri envelope and slew limiter
Microsound2: Arbhar into Zagrzeb
Pulse: USTA sequence; Brenso into Belgrad with Quadrax envelopes
Modulation from Batumi, Sapèl, øchd and Krait
Pad: Super6 with Valhalla
Reverbs: Valhalla SuperMassive and Eventide Blackhole Immersive
Mastered on SPL Passeq and AMEK Mastering Compressor

20240921 Shelter In Place

Recorded live with Bitwig.
Microsound: arbhar into zagrzeb.
Bass: USTA sequence; Cš-L and Tš-L mixed into I-ō47 with cnōc and cèis envelopes
SaxLead: Metropolix sequence; Brenso into QPAS with Falistri envelopes; Sealegs echo and reverb.
Melodic: Performed on Push2; RYK Algo into LXd with Delta-V envelope.
Modulation from Sapèl, Batumi, øchd and Pamela.
Pad: Waldorf Microwave 1
Beats performed on Push2 using Klevgrand Skaka and Slammer; Softube Heartbeat and RolandCloud TR-808.
Effects: ValhallaDSP and Eventide.
Bus compression: Valley People Dyna-mite, Empirical Distressor and Purple Audio MC-77.
Mastered with Vertigo VSM3, SPL Passeq, Ampex ATR-102, and AMEK Mastering Compressor.

20241004 Keep Yourself Busy (making Time Pass)

Layers of polymeter arpeggios using my 5 favourite modular synth voice structures.
v1: USTA Sequence; RYK Algo into Make Noise LXd (stereo) with Cosmotronic Delta-V envelopes
v2: USTA Sequence; Cš-L and Tš-L (3 VCOs) into I-ō47 with ceis and cnōc envelopes
v3: Metropolix sequence; Dixie2+/Rubicon2 into Bifold and Korgasmatron II (Stereo) with Quadrax and Tangrams envelopes
v4: USTA Sequence; Brenso into Blades with Falistri envelopes
v5: USTA Sequence; Sofia into Belgrad with Radar envelopes
Modulation: Sapèl, Batumi, øchd, Pamela
Pad: UDO Super 6
Beats: Klevgrand and RolandCloud TR-808

20241012 One Thousand Ways I Can Touch You

Zur Molle

I'm a lab-rat. gear-head. Composer of sonic explorations. Seeker of tone and frequency. Patcher of modules. Twiddler of knobs. Bender of strings. Programmer of sequences. Lover of all things that oscillate, resonate and reverberate.

My main instrument is a Eurorack Modular synthesizer comprised of approximately 70 modules. My favourites include modules from Frap Tools Instruō, Intellijel, and Xaoc Devices. I use a 16-channel Line converter from nw2s to get modular signals into my DAW.
My main polysynths are an UDO Super6 and a Sequential Prophet Rev2.
Production tools are Bitwig with an Ableton Push 2, with two Universal Audio and Focusrite AD converters; and plugins from GForce/Oberheim, Waldorf, UAD, Valhalla DSP, Plugin Alliance, Eventide, Softube, and Roland.
I also compose with electric guitars and basses, Toontrack Superior Drummer, and various Brazilian samba percussion.

New tracks tagged #XaocDevices