Infinity Void

2AGR3 x GLVZ - Big Freeze

Our latest track......still working on the vocals.
youtube.com/@agnosticonmusicofficial
Instagram: @agnosticonmusic

Maybe, Maybe Not

SERP I MOROK - Зламати червону машину

Jan Gonzalez - Embrace Your Stardust (With Morbidity Studios)

/lyrics 

[Verse 1]
You’re so distinguished, pursuing dreams, achieving goals
While I’m fighting all the demons in my soul, have you ever felt the blood within your throat?
Where do you hide, my tutelar?
Ribs are sticking out, I’m swallowing my tongue
Lips are as cold as tile, hemispheres explode
Crossed the meridian and passed the rubicon
Reality is distorted, expectations break on my reflection
I savor the shame and disgrace
Can’t put words together, anyone, just save me
Save me from returning to this place

[Chorus]
Never felt more consumed
How illusory, a few moments ago I was still great
While taking the rusty nails out of my palms, covered in sweat
I hope you drag all of your lies on a hump to your grave
To your grave

[Verse 2]
The world echoed through your empty eyes
Each galaxy, its endless stars
I put you on a pedestal
Projection of my buried, cultivated scars
Fed my illusions to stay sane, assimilation and regress
A gradual collapse
Just save me from returning to this place

[Chorus]
Never felt more consumed
How illusory, a few moments ago I was still great
While taking the rusty nails out of my palms, covered in sweat
I hope you drag all of your lies on a hump to your grave

[Breakdown]
👺👺👺

TO YOUR GRAVE (Single)

nothing else but pure darkness upon the whole universe

[BLACK SANS - OST] RUSWAXEK

“I am the Hole” is a descent into erotic madness – a dark ritual of self-destruction, obsession, and lust.
It’s about losing yourself in toxic love, drowning in liquor, flesh, and the hunger for a demon you begged to be possessed by.
This isn’t human anymore. This is need. This is emptiness. This is the hole.

Not made to be heard. Made to be felt.

🔞 Explicit. Dark. Erotic. 

I am the Hole

A sonic essay on flesh, faith, and failure in the age of synthetic salvation.

What remains of the self when identity becomes a product and the body a curated brand?
"Plastic Messiah" explores the psychosexual rituals of a culture addicted to image—where divinity is filtered, pain is monetized, and validation is the new sacrament.

This track is a hyper-stylized prayer screamed through autotune and noise—erotic, hollow, and cruel.
It reflects a post-truth society where beauty is performance, trauma is content, and the soul dissolves into metrics.

The Messiah of plastic is not a savior, but a mirror:
a god shaped by surgery, consumption, and loneliness.

Plastic Messiah

“Gods of Madness” is a descent into the sacred chaos of the mind — a hymn for those who worship their own fragmentation.

This track explores a world where reason has collapsed, and mental illness becomes divine. The voices inside are no longer symptoms — they are deities. Pain becomes a ritual. Delusion becomes doctrine.

What happens when we stop fighting the madness — and start kneeling to it?

“They don’t whisper – they preach.”
“We built altars out of our screams.”
“The gods we fear… are inside.”

Gods of Madness

“Infection of Mind” is a sonic descent into psychological decay — a slow, sickening spiral where thoughts rot and reality fractures.

This track explores the concept of mental contamination: intrusive thoughts as parasites, trauma as a virus, and obsession as a spreading disease. It's not just about losing your mind — it's about watching it corrode from the inside, while you're still awake inside the wreckage.

This song is heavy, claustrophobic, and disturbingly intimate. Every beat is a pulse of infection. Every whisper is a symptom.

“My thoughts aren’t mine anymore.”
“I breathe in silence — and exhale static.”
“The virus speaks in my own voice.”

Infection of Mind

Psycho Killer I Made Her Mine

From the mind of the killer.
He calls it love — but it’s obsession, control, and madness dressed up as fate.
This is the inner monologue of someone who thinks affection can be forced, earned through fear, or taken when denied.
The track drags you into a twisted sense of intimacy, where violence becomes devotion and choice is a lie.
It’s not just horror — it’s the logic of someone who believes he's the victim of rejection, and therefore justified.



Psycho Killer I Made Her Mine-Part I

Psycho Killer I Never Left

This time, it’s her voice.
She’s not alive in the way she was — but she’s not silent either.
This is the echo of a girl who survived something unspeakable, even if she didn’t walk away whole.
It’s about what stays after the violence, the confusion, the cold grip of memory, the feeling of being watched even when you’re alone.
She tells her truth in fragments, like someone remembering through smoke.
This isn’t a ghost story. This is what it feels like when trauma refuses to die.

Psycho Killer I Never Left Part II

I love making electro, metal, sometimes retro music.

"repeating phrases sound less judicious. new phrases are forgein" - ATRELLXX

metalcore/melo metalcore/death/groove metal, based in Vienna


https://www.instagram.com/_ziparchive?igsh=MWllejJpcDRxdWwydA%3D%3D&utm_source=qr

https://t.me/evihcrapiz

https://music.youtube.com/channel/UCWUxAMKc3NFoqGyxwzF8gag?si=Fl7brdtSP-hmP31z

We are NeON dEVIL – a dark fusion of Trap, Metalcore, Black Metal, Darkwave, and occult classical music.
Our sound is ritualistic, raw, poetic, and unsettling – a feverish hallucination of lust, madness, and damnation.

This is your first glimpse into our world:
Tracks that whisper like demons and echo like broken prayers.
Listen now – let yourself be seduced.

Yet beneath the surface of distortion and desire, much of what we create is deliberately satirical, infused with dark humor, and framed by a sharp lens of social and systemic critique.
Even in our most explicit expressions, we do not glorify violence or sexuality – rather, we expose and question the very ways they are distorted, repressed, or exploited by society.

Featuring

Vocals: Sascha Häusler, Lisa Lex, Raphaela Hartmann, Andy Green
Guitar: Andy Green, Sascha Häusler, Lisa Lex
Synths, Programming & Drums Raphaela Hartmann
Bass: Thomas Kaiser
Concept & Lyrics: Sascha Häusler

https://agnosticonmusic.com/
https://www.youtube.com/@Agnosticonmusicofficial
Agnøsticøn is: Sigmund SixtySix & Becklion
We now release music under the artist named:
SIG 66  @sig-66-494643564
and
LOVE HATE SEX MACHINE  @love-hate-sex-machine

Agnøsticøn began as a Darkwave / Industrial duo in Los Angeles California 2021.  We have grown from a band into the recording label "Agnosticon Music". Our true passion is creating music and videos. We thank everyone for their likes, follows, and all of the amazing support helping us continue on this path of pursuing our dream! 

Please Subscribe to our video channel and watch us here : https://www.youtube.com/@Agnosticonmusicofficial 
All of our music can be found HERE:
https://open.spotify.com/artist/7ssngPQgDDTAa4INStqPRE?si=cxsgKWtfTRaIJ7f66m3uGA
https://music.apple.com/us/artist/agnosticon/1667164419

Interested in music for Video/Film/Game-Soundtrack-Licensing, or needing video creation?  Please contact us 
Agnosticonmusic@gmail.com

All tracks written, and produced by Agnøsticøn
artwork, logos & cover art by: Sigmund SixtySix of Agnøsticøn

Booking: booking@cursedweb.com

https://cursedweb.com
Cult to Dissonance
Distortion Sekt
Teknological Rituals

New tracks tagged #blackcore