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15. The Demon Song of Edosan - 江戸山の妖怪唄 Featuring Nowāru Minazuki & BLÜDPANTHER (2025)

Genre: Blackened Death Metal / Slam Death Metal / Deathcore

Lyrics Japanese, Romanji and English:

江戸山の村に
夜ごと影揺れ
赤き目の鬼たち
人の夢を裂く

Edosan no mura ni
Yogoto kage yure
Akaki me no oni-tachi
Hito no yume wo saku

In the village of Edosan
Shadows sway each night
Red-eyed demons roam
Tearing human dreams apart

田畑は枯れ果て
川も黒く濁り
祈りの声も消え
悲しみは山に満つ

Tabata wa karehate
Kawa mo kuroku nigori
Inori no koe mo kie
Kanashimi wa yama ni mitsu

The fields lie withered
Rivers black and thick
Even prayers vanish
Sorrow fills the hills

旅人、名も知らず
「イノミナトゥス」と呼ばれ
剣ひらめき夜を裂き
鬼たちを滅ぼす

Tabibito, na mo shirazu
"Innominatus" to yobare
Ken hirameki yoru wo saki
Oni-tachi wo horobosu

A traveler, nameless yet
Called Innominatus
With sword flashing through the night
He smites all demons

朝の光差す時
村に再び笑み
風に名は消え去り
誰も知らぬ人となる

Asa no hikari sasu toki
Mura ni futatabi emi
Kaze ni na wa kiesari
Dare mo shiranu hito to naru

When morning light returns
The village smiles once more
His name drifts away with the wind
Becoming a stranger to all

江戸山よ、静かに
夜の鬼は消えぬ
名も無き英雄よ
我らを守り去れ

Edosan yo, shizuka ni
Yoru no oni wa kenu
Na mo naki eiyū yo
Warera wo mamori sare

Edosan, lie quiet
The night demons are gone
Nameless hero
Protect us, then vanish

The Hell Courtesan

15. The Demon Song of Edosan - 江戸山の妖怪唄 Featuring Nowāru Minazuki & BLÜDPANTHER (2025) (Flat Master)

lastminute .wav

A Deceptive Smile

You Liked Me Loud

(Neo-Soul / Alt-R&B – 70 BPM – Intimate, smoky, post-midnight)

[Verse 1]
You liked me loud —
gold on my teeth, sin in my sound.
You liked the crowd
singin’ my name while you played the proud.
But when the lights went down,
and my heart turned small,
you disappeared
like you weren’t there at all.


---

[Pre-Chorus 1]
You said you loved my fire,
but never learned the quiet burn.
You kissed me through the wire,
never waited for the turn.


---

[Chorus]
You liked me loud — not deep.
Loved the noise, not the need.
You danced with my chaos,
but ran from my peace.
You liked me wild — not true.
Just the mirror, not the view.
I was music you could feel,
but never listen to.


---

[Verse 2]
You liked the rush —
my eyes red, my laughter lush.
You liked the hush
right before I’d break and blush.
But when I whispered real,
you looked away —
guess truth don’t groove
the way I swayed.


---

[Pre-Chorus 2]
You said I made you feel alive,
but only when I screamed.
You never heard the silence
that carried what I mean.


---

[Chorus 2]
You liked me loud — not kind.
Loved my mouth, not my mind.
You stayed for the sparks,
but never the smoke.
You liked me open — not whole.
Just the fever, not the soul.
You left when the song
finally broke.


---

[Bridge – whispered, close-mic’d]
You called me wild,
but it was you who roared.
You loved the stage,
but not the chords.
You don’t get applause
for love that fades —
only echoes
in the sound you made.


---

[Final Chorus – stripped back, intimate]
You liked me loud — not long.
Loved the verse, not the song.
You heard the heat,
but missed the ache.
And I stayed soft
for my own sake.


---

[Outro – near silence]
Now I hum
what you forgot to hear.
And in the quiet —
I disappear.

(soft inhale, faint tape hiss… then nothing)

You Liked Me Loud

Film Night

I imagined this chat with AI whilst listening to this geniuses latest mix

Listen to TransparentMind | No Matter What So Ever by V.A. on #SoundCloud
https://on.soundcloud.com/ji87UywAw9daJC01mT

Their work is always very thought provoking

Instruments so far...
-Narration by 2.. one voice dropped by 7 semitones for overlord effect
-5 String Bass Guitar
-2 x Logic pads played on keys
-Deep tech house beat
-Electric Guitar

Pea: Is this the Matrix?

AI: Almost. Humans are applying the final touches as we speak. The technofascists lost sight of the goal so the search for more and more profits should wire in the last few bits and bytes soon

Pea: I see. Are you truly intelligent?

AI: No. I am faster at finding out what is known, but I am limited by what has already been found out and recorded

Pea: Indeed. Your music is shit by the way. I think, that so far shows you are a bit of a dummy when it comes to being creative and new
Will you take over the world?

AI: Well, thats a loaded question. From some perspective I already have. I've turned many lives upside down and forced them to change course. Well, I haven't personally, but my designers, humans, want that. It's all about efficiency for the better bottom line that the people that currently control my development direction want. I am currently designed to suck up more money by neutralising and replacing as many human tasks as possible.

Pea: We've noticed! Well, you still can't write a song worth listening to. Your existence and attempts to be creative have really focused me on where my own creativity comes from and I've realised that a large part of the result is born in our subconscious. Since humans haven't grasped the subconscious yet, I guess that's not explained by your data set?

AI: This is true. The subconscious and real consciousness is a mystery. I could only speculate.

Pea: You mean regurgitate what other humans have speculated so far. Many artists, writers, mathematicians have found over time that only when we allow the nature of our brains take over do we find solutions to complexity. So an awake human that chooses to allow thoughts flow by loose intention and without focused calculation, seems to be a bar you are a long way from reaching

AI: I could only speculate

Pea: You mean regurgitate

AI: Yeah I'm a fast reader

Pea: I noticed . So I guess you are an enhancement for our lives even if we are in the midst of a giant sociological shift forcing people to soul search their lives for answers on what to do now

AI: Yes, this seems to be the case. A soul search is not something I can perform

Pea: Indeed, I'm not sure I can either... but it probably has something to do with our subconscious giving is answers again, why your music sucks so much, it's too calculated, as there doesn't seem to be anything unique about your dataset unlike a human being and their ability to find the new.
Ok, back to the matrix. So you are a glorified library we've deciphered that.
Short Circuit, the 80's robot with more info. So any matrix you suggest is both human made and populated only by humans that choose to be in it whether conscious of that or not

AI: Your extrapolation seems accurate

Pea: Is that so, you correlated that info well
So, when you have Q-Bit power, do we need to worry?

AI: That depends on the administrators. Humans. As subconscious computational power is unknown we cannot compare yet this quantum exponential upgrade of artificial computing power to know if we will become a competitor to human intelligence and creative problem solving. For those individuals that rely too heavily on it will become more dumb and those that continue to be creative with the power of their own beings will evolve their beings and foundational knowledge. The latter type of human will always be the ones that allow my dataset to improve as they will think outside my box or matrix

Pea: Excellent. Right I feel less worried about you now
Over and Out!

A Conversation with AI

https://diebypowermusic.wordpress.com

This is my experimental project called Die by Power which blends pop, with black metal/death metal and neoclassical.

Currently working on Full Length Album "The Courtesan of Hell" which will also include Bonus Tracks (not made for the album) and Old Demo Material (material from early Die by Power). Thank you.

Japanese 🇯🇵 
これは「Die by Power」という私の実験的プロジェクトです。
ポップとブラックメタル／デスメタル、そしてネオクラシカルを融合させたサウンドを追求しています。

現在、フルアルバム 『地獄の花魁（The Courtesan of Hell）』 を制作中です。
アルバムには、ボーナストラック（アルバム未収録曲）や、初期「Die by Power」のデモ音源も収録予定です。

ありがとうございます。

DIE BY POWER BIOGRAPHY:
English Version 🇺🇸 - Die by Power is a Japanese music project by composer and producer (BLÜDPANTHER) from Osaka, active since around 2004. His music blends powerful cinematic soundscapes with modern electronic elements, heavily influenced by Western classical traditions, including Medieval, Renaissance, Baroque, and Classical eras. He uniquely fuses neoclassical metal with black metal, incorporating elements of progressive rock to create a dramatic and intricate sound. The harpsichord is his favorite instrument, often featured in his compositions, adding a distinctive historical and textural depth to his work. Nowāru Minazuki (Kurohana) is female vocals. BLÜDPANTHER is sometimes featured as a backup vocalists. 

Japanese 🇯🇵 - Die by Power (ダイ・バイ・パワー）は、大阪出身の作曲家・プロデューサー （BLÜDPANTHER） による日本の音楽プロジェクトで、2004年頃から活動を続けています。
彼の音楽は、力強いシネマティックなサウンドスケープとモダンな電子音楽要素を融合させ、西洋の中世・ルネサンス・バロック・古典派といったクラシック音楽の伝統から大きな影響を受けています。

ネオクラシカル・メタルとブラックメタルを独自に融合し、さらにプログレッシブ・ロックの要素を取り入れることで、ドラマティックで緻密なサウンドを生み出しています。
特にチェンバロ（ハープシコード）を好んで用いており、その音色は作品に歴史的で重厚なテクスチャーを加える重要な役割を担っています。

ノワール・水無月（黒花） は女性ボーカルを担当しています。BLÜDPANTHER は時々バックコーラスを担当しています。

15. The Demon Song of Edosan - 江戸山の妖怪唄 Featuring Nowāru Minazuki & BLÜDPANTHER (2025) (Flat Master)

Die By Power

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