Lil Peep Mix

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ZAH1DE - Ballert auf lautlos

Song Title: Good Vibes
Genre: Indie Pop / Acoustic
Instrumentation: Ukulele-led, light percussion, soft backing vocals

Description:
“Good Vibes” by 21 forever and ENTEL is a breezy, feel-good tune wrapped in the warmth of gentle ukulele strums and sunny optimism. With its laid-back rhythm and beachy charm, the song captures the essence of carefree afternoons and spontaneous smiles. The ukulele takes center stage, providing a light, rhythmic bounce that perfectly complements the song’s message of positivity, peace, and presence. Minimal percussion and subtle harmonies round out the soundscape, making this track an easygoing anthem for letting go and living in the moment.

Whether you're cruising with the windows down or daydreaming on a lazy Sunday, “Good Vibes” delivers just what the title promises — easy, uplifting energy in every note.

GOOD VIBES

I’m Not Crazy, Just Got PTSD” is a defiant anthem by AusticZone — a voice from the workbench, the welding shed, and the storm.

This is not a breakdown. This is a rise.

Fueled by scars, steel, and self-trust, the song calls out stigma, rewires pain into poetry, and redefines survival as strength.

Built from the bones of lived experience.
No fixing needed. No pity required.

Free to record your own version. Just credit AusticZone as songwriter.

#ImNotCrazyJustGotPTSD #AusticZone #PTSDVoices #TraumaTruth  
#CountryPunk #DefiantPoetry #MentalHealthMatters  
#NotBroken #OpenCollab #WiredTight #CreativeResistance  
#RawArt #WorkingClassPoetry #StrongFemaleVoice #Songwriter

I'm Not Crazy - Just Got PTSD

FREEBASE

Apple Music/Spotify

@THIRTY6KEALO X FREEBASE

Victor Davis Hanson argues that the best way to upend insular elites is to relocate political institutions out of cosmopolitan settings.

Ricochet.com

Rethinking the Geography of Power

Universal Records / SRC / Studio 43 artist "Marky" from Washington, DC does his rendition on the club banger by Baltimore native DJ Class with Kanye West.

DJ Class - Im The Shit  (DC Mix)  f. Kanye West   Marky

Plié 2  (3/4)

Plié 3  (4/4)

«Ballet Class» – Piano Suite by Eugene Kazantsev. 
This set of piano compositions designed to accompany classical ballet exercises.
 «Ballet Class» – Piano Suite  by Eugene Kazantsev is Perfect Piano music to Classical Ballet Barre and centre exercises:  
Plié, Battement tendu, Rond de jambe á terre,  Fondu with balance, Frappé, Adagio, Grand battement . 

Hello, my name is Eugene Kazantsev I’m a professional musician and composer, thank you for visiting my YouTube Chanel  
You are welcome to use these piano compositions in your classes! 

You can order the sheet music or license the music for commercial use and YouTube by this e-mail: kazantsevmusic@gmail.com 
or https://www.facebook.com/eugene.kazantsev  

To order exclusive piano music from me (Eugene Kazantsev)  follow this link: 
www.bit.ly/composepiano 

Thank you for sharing this video!!!

Ballet Class Piano Suite

Elegy - «Ballet Class» Piano Suite

youtube - https://youtube.com/channel/UCpVmJJyCz75SBVV4_X-ZzSQ
vk https://vk.com/buzzzbuzzzbuzzz

Autistic Adult writing lyrics for songs for healing from PTSD, Domestic Violence, and Coercive Control and Trauma Informed Care For Front Liners. All my songs are FREE, I invite artists in Australia to record my songs as long as words not changed and attribution given to AusticZone. Still building this platform so please be patient while I organise things. Bless you

Hello,  my name is Eugene Kazantsev – I’m a classically educated professional musician, composer, audio designer and music producer.  I play and record live acoustic balalika, mandoline, ukulele and piano. In my portfolio you can find Russian folk music, Ukrainian folk music, music for advertising and TV production. http://audiojungle.net/user/eugene-kazantsev

inspiring singer song writer beat producer mostly trap music
I'm not signed!

Behind every blog is a purpose, we hope. And so it is here, at Ill Vibes. There's no format, no organization, no agenda - simply a cornucopia of thoughts we hope to memorialize in this Internet medium. What common ground you may find is the interests shared among the administrators, four university students whose passions for music (especially the state of hip hop), art, travel, philosophy, comedy, dance, politics, pop culture, fashion, and - quite frankly - the good life have brought them together to share their essentials of cool. From reviewing the latest CD or introducing the world to the next incredible artist to documenting various travels or criticizing a latest concert, you'll find it all here and more! So enjoy, and definitely leave comments. Not only do we love to express ourselves, but one of our greatest traits lies in our listening to other people expressing themselves.

Contact Info: Email :illvibes.dmv@gmail.com

everything legal.
instagram: thirty6kealo
spotify: thirty6kealo
apple music: thirty6kealo
contact: servinkealos@gmail.com

Louis Romanos studied percussion under Idris Muhammad, Johnny Vidacovich and Art Perretta. At nineteen he moved from Connecticut to New Orleans, the birthplace of Jazz, to study music and philosophy. Louis has since performed and recorded with a number of renowned musicians including Tommy James (Director of the Duke Ellington Orchestra), Gene Bertoncini, Steve Masakowski, Chuck Leavell, Keith Richards, John Mayer, Charles and Cyril Neville, Al Hirt, Dave Easley of Brian Blade’s Fellowship band, Charlie Miller of Dr. John’s band, Jazz Legend Earl Turbinton, Tricia Boutte, Marva Wright, Dave Anderson of the Louisiana Philharmonic and many, many more.

As a Dance accompanist and composer, Mr. Romanos has worked with many wonderful dancers and dance companies including CORE, Red Dance, Risa Steinberg, Rachael Burman, Jackie Bugelici, Miguel Lopez, and Alvin Ailey School,

As a Composer, Louis writes for live bands, dance, TV, video games, indie movies and multimedia. Louis’s commissioned works include 5 works for the Confederacy of Dances performance in New Orleans at the Contemporary Arts Center, Take Me There, for the University of Monroe guitar ensemble and Baltic Blues for the Mirari Brass Quintet. Louis wrote Light Waves for visual artist and Chicago producer, Nancy Bechtol, and together they have a work on Culture T.V. Louis also composed about a dozen pieces for C-E-N-T-E-R, a collaborative project between visual artists and composers, in Los Angeles, California. Additionally, his composition, Tyco at the Gates was licensed to the major motion picture, Cool It.

Recent composer credits include a dystopian futuristic score for the short movie, Odessa, an action score for Fira’s Game, and an uplifting score for feature documentary, Pink and Blue: the colors of hereditary cancer. Louis scored live theater The Bakkhai, video games The Dark Ages of Titan, Corpse Wagon, the modern ballet piece Interior Borders by choreographer, Joan Buttram, at University of Georgia. Mr. Romanos recorded drums on the theme song for the Squidbillies on Cartoon network.

Currently, Mr. Romanos leads and writes for his own quartet, The Louis Romanos Quartet (www.louisromanosquartet.com), which released its debut album, Take Me There, in 2015 and Serenity in 2017. His quartet performs concerts and clinics in the mainland USA, Hawaii and Europe. Mr. Romanos recently developed a workshop for Brenau University Dance Department teaching dancers basic music and communications skills need for cross discipline collaboration. Mr. Romanos is currently scoring the full length feature film, Above the Fruited Plains. Website: http://sonamormusic.com/works/,

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