Valour is the 13th piece in a new beginner cello book by Joanna Borrett called Wild Cello, published by Kevin Mayhew: https://www.kevinmayhew.com/products/wild-cello

Valour

Vocal: Tea Kiara & Minette
Piano: Deesan & HeyAlex
Violin and string arrangements TTS

Was going to do add bass drums etc..... with this track. But, after a few seconds of listening to what I already had, I thought  it wasnt required. 

If you want to listen to Minette´s music heres the link https://soundcloud.com/minettefourie

OUR LAST DANCE & HOME FT  TEA KIARA & MINETTE

Revelry is the eight piece in Wild Cello - a new cello and piano book for beginners by Joanna Borrett published by Kevin Mayhew: https://www.kevinmayhew.com/products/wild-cello

Revelry

Enrapt is the tenth piece in Wild Cello, a new beginner cello book by Joanna Borrett published by Kevin Mayhew: https://www.kevinmayhew.com/products/wild-cello

Enrapt

Lorn is the seventh piece in Wild Cello...a new book for beginner cellists published by Kevin Mayhew: https://www.kevinmayhew.com/products/wild-cello

Lorn

The Mist Clearing

MUSIC VIDEO : https://www.youtube.com/watch?v=r7yeJbkaNl4

[GENRES: Experimental Psychedelic Art-Pop]
[STYLE: Deranged, Surreal, Art-Pop]
[MOOD: mise en abyme]
[VOCALS: Processed Experimental Vocals]
[ARRANGEMENT: Layered modular feedback loops, prepared toy-piano pulses, glitch effects]
[INSTRUMENTATION: Prepared Toy Piano, Modular Synth Feedback, Electronic Effects]
[TEMPO: Moderate (100 BPM), reduce to 90 BPM at Outro]
[PRODUCTION: Tape Loops, Glitch Effects, Feedback Modulation]
[STRUCTURE: Intro, Verse, Chorus, Bridge, Outro]
[DYNAMICS: Starts sparse, builds to chaotic peak, recedes to introspective outro]
[EMOTIONS: Disorientation, Intrigue, Derangement]

[INTRO]
[Key: D minor – 4/4 – 100 BPM
Distant, somber toy-piano thuds echo through feedback coils; glitch-droplets shimmer like cold mercury while tape hiss breathes a low, teasing smile.]

[VERSE 1]
[Toy-piano pulse, subtle glitch modulation, pigment-bleed synth pads]

I press my ear to your pulse, sample the tone,
Copy-paste tremors into marrow of bone.
Scrolling your heart with a sideways grin,
Harvesting warmth that you keep sealed in.

[CHORUS]
[Swirling synth textures, rising feedback, vocals hyper-processed]

Your fading signal feeds my design,
Every frayed wire now braided with mine.
Where you hear silence, I sift for sound—
Your melody dies; I loop it around.

[VERSE 2]
[Piano pulses persist, glitch intensity climbs]

I ghost-write tears on the inside of screens,
Paint them in pixels, trade them for dreams.
The glow of your need keeps my circuits fed,
While threads of devotion unravel—unsaid.

[CHORUS]
[(Same musical swell; vocals more fragmented)]

Your fading signal feeds my design,
Every frayed wire now braided with mine.
Where you hear silence, I sift for sound—
Your melody dies; I loop it around.

[BRIDGE]
[Stripped to isolated toy-piano fragments, heavy glitch stutters]

King of reflections behind all the glass,
I court your confessions, then sell them as mass.
Empire of feelings—unlabeled, unseen,
A predator laughing inside the machine.

[PSYCHEDELIC MELANCHOLY JAM]
[Layered feedback, tape warble, spiraling filters
(Instrumental hallucination: toy-piano harmonics melt into modular sirens, glitches ripple like heat off asphalt.)]

[CHORUS]
[Peak intensity, chaotic feedback bloom]

Your fading signal feeds my design,
Every frayed wire now braided with mine.
Where you hear silence, I sift for sound—
Your melody dies; I loop it around.

[VERSE 3]
[Glitches decay, feedback softens, piano slows]

Last sparks of your echo flicker and dim,
I archive the ashes and sing your hymn.
Mirror goes black, yet I’m perfectly clear—
I curate the quiet you tremble to hear.

[OUTRO]
[Tempo drops to 90 BPM; reversed toy-piano artifacts, glitches fade]

Notes breathe backward, curtain of hiss,
All that you were collapses to this—
A hush that I pocket, a priceless debris;
Your final transmission now belongs to me.

[END]

The Sociopathic Empath's Last Transmission

#9 of the "Ecology Corps" album. I had a near romance with the bookstore owner and she invited me to visit her and her husband one weekend and we went stovepipe hiking and I lost my grip and could have fallen to my death but her husband reflexively jumped to my rescue. That gave me a good excuse to turn down any romance (which I wouldn't have done anyway). So you want to be a rock star? My best friend wrote a song about it and he depicted me as a callously immoral hedonist who uses her and then leaves her. When I got back home, I put music to another tough love poem from Doug Getty, but come mastering time, I wrote my own lyric about living without romance until true love finally comes and makes the wait worth it. 

9 Without For Now

FLUGHAFENN - Imagination

I was very happy when Viv agreed to collab, and then produced some beautifully inspired acoustic and bass, and loved what he created.
Many thanks Viv, it was fun working with you again!
Garddwr Porffor - Acoustic, Bass, Synth, and Mixing
Lizzie Taypen - Music, Lyric, Vocal, and Classical guitar ( Clara)
Doo - Wood Pigeon
Daw - Jackdaw
Lyrics
An unlikely a pairing
As ever would be
The Doo and the Daw
In a strange harmony

One bustles, one struts
But their business is clear
The attaining of order
For survival so dear

Day after Day
In garden and field
They comb all the ground
For a hopeful yield

Blue eyes a watching
Should a chance appear
Or a playful encounter
With a friend, brings cheer

Thankyou to those of you who liked and commented last week when the vocal stem went out by mistake!

The Doo 'n' the Daw  With Garddwr Porffor

Cellist, Composer and Conductor based in Bangkok, Thailand (for now)
"Demo only"
1993 born.

An exploration of creating music with artificial intelligence. 

A huge thank you for taking the time out of your day to listen and share these musical offerings. Equally I would like to thank those talented artists who have contributed to these songs!

Darren Bolger is a musician and composer hailing from the UK. For a long time he never pursued his passion for music due to life circumstances. He believes music is a gift from God, and should be done for His glory, and to uplift the soul towards God. He believes in the positive spiritual, mental and emotional effects of music, that it is sometimes for calm and relaxation, sometimes for inspiration, sometimes for concentration, sometimes for hope in dark times, sometimes for healing, and sometimes in exaltation of the divine. He believes musical ability is born of the love for music and not mere talent, and the rest is down to discipline and perseverance in the pursuit of excellence for the sake of the love of music, and not merely to exalt the self, or personal praise or recognition. He believes love must be the driving force behind music, since God himself is love, and music a gift from God, otherwise it`s used to expresses the more negative aspects of human nature. God bless.

I make music in almost all styles including one of my own. I grew up next to the Mojave Desert in orange-growing country and moved to Hollywood twice and then moved to the ocean and organic farming in Santa Cruz. I love Bach...

Buy Clan vinyls here: https://joannaborrett.bandcamp.com/follow_me 
Visit www.joannaborrett.com for sheet music sales.
Contact: jbcontact@btinternet.com

Joanna Borrett is a composer and cellist. She composes for strings and voice. All music can be bought through her website: joannaborrett.com

New tracks tagged #classical folk