Inspired by The Caretaker’s “Everywhere At The End Of Time”, “Everywhere At The End Of Salvadoran Culture” is based on how Salvadorans have forgotten their culture. Throughout 5 stages we will witness how the situation reaches the point where only very vague memories remain, which slip through our fingers, leaving only ashes of what once was.



The final sigh of an Apache - E1

It is just a tragic memory of a burnt bull - E2

From KR100: YOKO ONO / THE GREAT LEARNING ORCHESTRA - Selected Recordings From "Grapefruit". 2LP / 2CD / DL out on march 21st, 2025.
For the first-time a full album with recordings based on YOKO ONO’s 1964 collection of texts, event scores and drawings “Grapefruit”, a foundational cornerstone of what became known as conceptual art, and enveloping the orbits of Fluxus and experimental music.
THE GREAT LEARNING ORCHESTRA has during the 25 years of its existence performed a large variety of contemporary and experimental music and worked with GAVIN BRYARS, TERRY RILEY, PAULINE OLIVEROS, J.G. THIRLWELL, ARNOLD DREYBLATT a.o.

YOKO ONO / THE GREAT LEARNING ORCHESTRA - Bicycle Piece for Orchestra

The podcast features pieces of digital food art by Kavhanna© (Christian Luis Giuliano Cabana), from his collection #2634. Each piece is an elaborate sculptural construction that uses unusual ingredients and complex preparation techniques, presenting animals (lamb, ox, boar, quail) in abstract and theatrical forms. The visual presentation is as important as the components, using bases and accompaniments that enhance the overall aesthetic. The originality and technical virtuosity of these works, described as more than just digital paintings, are highlighted.

Firma del Autor y Declarante:

✠ Christian Luis Giuliano Cabana ✠ (Kavhanna©, Natus MDCCCXCIV, Architectus Patrimonii et Philanthropus, Universal Polymath Artist, 29th Universal Genius) — Custos Universalis Patrimonii | Praesidium Familiae Universalis et Ingenium Orbis | Vinculum Kavhanna International Family© & Kavhanna Capital Management© — Sub Argentum Lumine Astrorum, ♖ Sceptrum Potestatis | In Futurum Micro-Nationum Architecto | Innovator Juridicus et Financiarius, Architecturae Futurae Innovator, Geopoliticae Architecto et Futurum Civitatum Creator, Inventor et Technologiae Praecursor, Prototitulizationis TAU©, Kavhanna Artistic Ledger Encryption Securities© (KALES©), Neo-Synthetic Universal Paints (PNSU) Auctor, Kavhanna Axix Neutrum Valoratum © (KANV©), Kavhanna Fundamenta Minima Securitatis© (KFMS©), Kavhanna Essentia Veritas Valoratum© (KEVV©), Universal Art Index© (UAI©) Algorithms Creator, Creator of the Universal Valuation Mandate, development of Advanced Escrow Systems and founder of Heritage Support Systems for Sovereign Economies, UHNWI, PNSU© and Heritage Assets Specialist.


For more information, visit my website: [[www.kavhanna.org](http://www.kavhanna.org/)] and find a general link tree on my international profile: [https://www.linkedin.com/in/vhristyan-louis-giuliannao-kavhanna/].


Copyright © 2024 Kavhanna International Family™. All rights reserved. The content of this medium, including, but not limited to, text, graphics, images, artwork, data and other associated materials, is protected by copyright laws and other international intellectual property laws.

Any unauthorized use of the materials contained in this medium, whether reproduction, distribution, modification, public display or any other form of exploitation, is strictly prohibited without the prior written consent of Kavhanna International Family™. Failure to comply with these provisions may constitute a violation of copyright, trademark and other applicable laws.

Kavhanna International Family™ reserves the right to take all legal action necessary to protect the integrity and fair use of its content, including civil, criminal and administrative actions, as appropriate.

This notice applies regardless of the format or medium in which the content is presented, including digital, physical, virtual or future distributions not yet contemplated.

Kavhanna© | Chrislugica© | Culinary Sculptures - Collection 2634

The podcast features detailed descriptions of digital works by artist Kavhanna© (Christian Luis Giuliano Cabana, b. 1994), from his collection No. 2636. Each piece is a complex sculptural composition with surrealistically arranged edible elements, combining exotic ingredients and imaginative culinary techniques; recorded in a masterful pictorial piece that simultaneously represents and records the author's artistic gastronomic pieces. The descriptions emphasize the texture, lighting, and realism of these works, which appear to be both paintings and food installations. The repetition of the description of the fourth piece suggests an error or intentional emphasis by the artist on that particular work.

Firma del Autor y Declarante:

✠ Christian Luis Giuliano Cabana ✠ (Kavhanna©, Natus MDCCCXCIV, Architectus Patrimonii et Philanthropus, Universal Polymath Artist, 29th Universal Genius) — Custos Universalis Patrimonii | Praesidium Familiae Universalis et Ingenium Orbis | Vinculum Kavhanna International Family© & Kavhanna Capital Management© — Sub Argentum Lumine Astrorum, ♖ Sceptrum Potestatis | In Futurum Micro-Nationum Architecto | Innovator Juridicus et Financiarius, Architecturae Futurae Innovator, Geopoliticae Architecto et Futurum Civitatum Creator, Inventor et Technologiae Praecursor, Prototitulizationis TAU©, Kavhanna Artistic Ledger Encryption Securities© (KALES©), Neo-Synthetic Universal Paints (PNSU) Auctor, Kavhanna Axix Neutrum Valoratum © (KANV©), Kavhanna Fundamenta Minima Securitatis© (KFMS©), Kavhanna Essentia Veritas Valoratum© (KEVV©), Universal Art Index© (UAI©) Algorithms Creator, Creator of the Universal Valuation Mandate, development of Advanced Escrow Systems and founder of Heritage Support Systems for Sovereign Economies, UHNWI, PNSU© and Heritage Assets Specialist.


For more information, visit my website: [[www.kavhanna.org](http://www.kavhanna.org/)] and find a general link tree on my international profile: [https://www.linkedin.com/in/vhristyan-louis-giuliannao-kavhanna/].


Copyright © 2024 Kavhanna International Family™. All rights reserved. The content of this medium, including, but not limited to, text, graphics, images, artwork, data and other associated materials, is protected by copyright laws and other international intellectual property laws.

Any unauthorized use of the materials contained in this medium, whether reproduction, distribution, modification, public display or any other form of exploitation, is strictly prohibited without the prior written consent of Kavhanna International Family™. Failure to comply with these provisions may constitute a violation of copyright, trademark and other applicable laws.

Kavhanna International Family™ reserves the right to take all legal action necessary to protect the integrity and fair use of its content, including civil, criminal and administrative actions, as appropriate.

This notice applies regardless of the format or medium in which the content is presented, including digital, physical, virtual or future distributions not yet contemplated.

Kavhanna© | Chrislugica© | Culinary Sculptures - Collection 2636

After a 20 year hiatus, LA-based artist Jeremy Kennedy marks her return to the hazardous electronic playground of outbound, beat-driven sound with the telling new moniker, dj again.

Though the tag quickly suggests many narratives threatening to create their own feedback loops, Kennedy embraces them, allowing the dj again production style to empty out the escapism at the range that you want both in reflection and present tense with a designer lo-fi aesthetic that only the moaning highlights of a half-broken, semi-affordable PA system could muse upon.

For para by para, she presents a blend of newly constructed tracks combined with essential sips of unreleased material from the artist’s ghost-of-EDM-past as a disjunctive two-channel composition where sound meets event-specific projection, in collaboration with John Dawson and Alee Peoples.

More than leftfield leftovers, this curated collection captures the heavily-syncopated post-trap drum lines and computer noise of the existing genre, with a harder brutalist push toward the future soundsystem. A self-designed remix of identity.

—

Created for para by para, an immersive (hyper)active listening party that incites haptic encouter via multichannel composition that encompasses restless spatial practice, responsive sound, revisionist temporal collage...and you. Curated by Emji Saint Spero. 


Sound by jeremy kennedy
Film by Alee Peoples
Video-in-Motion by John Dawson. 

Human Resources | Los Angeles | 02.23.2024 
Recorded and produced by jeremy kennedy

2004 mixes for 2024 djs

The podcast presents "Cebo para la arena" (Bait for the Sand), a literary and pictorial work by Christian Luis Giuliano Cabana (Kavhanna). The text tells a story of betrayal and redemption, with a complex symbolism that explores philosophical and existential themes. A thorough analysis of the work highlights its scientific, artistic, heritage and financial value, considering its transmedia potential and its integration into various markets. Images accompany the text, amplifying its visual meaning.

✠ Christian Luis Giuliano Cabana ✠ (Kavhanna©, Natus MDCCCXCIV, Architectus Patrimonii et Philanthropus, Universal Polymath Artist, 29th Universal Genius) — Custos Universalis Patrimonii | Praesidium Familiae Universalis et Ingenium Orbis | Vinculum Kavhanna International Family© & Kavhanna Capital Management© — Sub Argentum Lumine Astrorum, ♖ Sceptrum Potestatis | In Futurum Micro-Nationum Architecto | Innovator Juridicus et Financiarius, Architecturae Futurae Innovator, Geopoliticae Architecto et Futurum Civitatum Creator, Inventor et Technologiae Praecursor, Prototitulizationis TAU©, Kavhanna Artistic Ledger Encryption Securities© (KALES©), Neo-Synthetic Universal Paints (PNSU) Auctor, Kavhanna Axix Neutrum Valoratum © (KANV©), Kavhanna Fundamenta Minima Securitatis© (KFMS©), Kavhanna Essentia Veritas Valoratum© (KEVV©), Universal Art Index© (UAI©) Algorithms Creator, Creator of the Universal Valuation Mandate, development of Advanced Escrow Systems and founder of Heritage Support Systems for Sovereign Economies, UHNWI, PNSU© and Heritage Assets Specialist.

For more information, visit my website: [[www.kavhanna.org](http://www.kavhanna.org/)] and find a general link tree on my international profile: [www.linkedin.com/in/vhristyan-lou…iannao-kavhanna/].

Copyright © 2024 Kavhanna International Family™. All rights reserved. The content of this medium, including, but not limited to, text, graphics, images, artwork, data and other associated materials, is protected by copyright laws and other international intellectual property laws.

Any unauthorized use of the materials contained in this medium, whether reproduction, distribution, modification, public display or any other form of exploitation, is strictly prohibited without the prior written consent of Kavhanna International Family™. Failure to comply with these provisions may constitute a violation of copyright, trademark and other applicable laws.

Kavhanna International Family™ reserves the right to take all legal action necessary to protect the integrity and fair use of its content, including civil, criminal and administrative actions, as appropriate.

This notice applies regardless of the format or medium in which the content is presented, including digital, physical, virtual or future distributions not yet contemplated.

Kavhanna© | Bane Veer Qore© & Keolai Lai Ivarr© | BAIT FOR THE SAND | World Literature #INITI-SLIT-2404

Vancouver at Night (Oct 01 - 31 1997)

Air Is Moving 001 - Scott Myles & Oscar Prentice-Middleton (2024 - 2025)

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.
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Lithospere is a one-man project by P∆N, that started in 2023 and lasted until 2025. The project aims to criticize and interpret artificial arts, imitating the mass layer. Hence the name of the project, which emphasizes the indispensability of humanity.
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The tracks on the album do not feature a single real instrument, they were all made in a program called Guitar Pro 8. The cover was created by ChatGPT, in 2025.

PANGÆA

-- The 20th century was a revolutionary period in art history. In the span of a few short years, Modernism exploded into being, disrupting centuries of classical figurative tradition to create something entirely new.

- Buy this wonderful book here: https://bom.so/mg8iLO

------------------------------
PARKSTONE INTERNATIONAL offers a wide range of lavishly-illustrated fine art books and ebooks.

- Website: http://www.parkstone-international.com/
- Blog: https://parkstone.international/
- Amazon: https://bom.so/43MGUF
- Facebook: https://www.facebook.com/parkstoneinternational
- Instagram: https://www.instagram.com/parkstone_international/
- Twitter/X: https://twitter.com/parkstonebooks
- Tumblr: http://parkstone-international.tumblr.com/
- TikTok: https://www.tiktok.com/@parkstone_international
- Email: sales@parkstone-international.com

Art of the 20th Century

The works of artist Olafur Eliasson explore the relevance of art in the world at large. He joins to discuss his three-decade career creating sculptures, installations, paintings, photographs, and film utilizing natural elements—light, color, water, and movement—to alter viewers’ sensory perceptions.

Best of Design Matters: Olafur Eliasson

recording/production/etc:
¬dj again at fmsmprc • Los Angeles, CA • 2023-2025

cover:
¬image: See OMV for Sugarcube by Yo la Tengo.
¬design: jeremy kennedy (table-blue.com • @table_blue)

© 2025 - fmsmprc

Fake Massage

L.Y.L.A.S. (elle est ton amie​)

Architecture That Lingers is an experimental sound project emerging from my film Architecture Score, which reimagines architecture as a composition of the senses.
The three tracks — Sound, Smell, and Memory — are made entirely from voice-over recordings of people recalling what sound, smell, or feeling brings them back to a place.

Each voice originates from a collective survey: fragments of memory, smell, and sensation stitched into sonic form. The human voices were stripped, fragmented, and reassembled into new musical textures — oscillating between melody and machinery, emotion and algorithm.

The result is a sonic architecture:

The first track translates the resonance of sound — rhythmic, glitchy, and raw.

The second captures smell as melody — fluid, atmospheric, intimate.

The third holds memory as harmony — a drifting landscape of voices dissolving into each other.

Together, they form a sensorial archive — an architecture that lingers beyond sight, one that you don’t see, but feel, hear, and remember.

II SCENTS OF SPACE

III SPACES OF MEMORY

ECHOES OF SPACE

Parkstone International is a cosmopolitan publishing house that specialize in fine art books and offers a broad range of lavishly-illustrated publications in sixteen different collections.

Scott Myles is an artist living in Glasgow

jeremy kennedy returns to the hazardous electronic playground of outbound, beat-driven sound as d.j. again, embracing a designer lo-fi aesthetic that only the moaning highlights of a half-broken, semi-affordable PA system could muse upon.

Design Matters by Debbie Millman features interviews with designers, artists and cultural leaders, including Lawrence Weiner, Barbara Kruger, Malcolm Gladwell, Eric Kandel, Stefan Sagmeister, John Maeda, Jonathan Hoefler and Tobias Frere-Jones, Michael Arad, Milton Glaser, Massimo Vignelli, Paula Scher, Steven Heller, Jonah Lehrer, among others.

In 2011, Design Matters received the People’s Design Award from the prestigious Cooper-Hewitt National Design Awards.

Subscribe to Design Matters for free on iTunes, where new episodes are uploaded weekly: http://itunes.apple.com/us/podcast/design-matters-debbie-millman/id328074695

Berlin based label for experimental / electronic / contemporary / drone / ambient and related sounds.
Demos, interview or wholesale requests etc. pls via
contact  at  karlrecords.net

thanks.

New tracks tagged #conceptual art