Cold silence, forced distance. No Visits is a hard techno testimony shaped by absence, injustice, and inner rage. Its pounding kick, distorted textures, and relentless rhythm echo the pain of being cut off—from truth, from love, from your own blood. This is not just a track—it’s a cry in the dark rave, where sound becomes memory and beat becomes resistance.

✦ Genres: Hard Techno · Industrial Techno · Emotional Rave · Dark Electronic
✦ Moods: Angry · Isolated · Powerful · Heavy · Emotional · Confrontational · Haunting
✦ Tempo: 134 BPM
✦ Best for: emotional peaks in DJ sets · cathartic raves · post-apocalyptic visuals · warehouse moments with depth

🎚 Produced by Chris Engelbert
📍 A track born from personal injustice. For those denied presence, but never silenced.

"They took away the visits. So I made noise they couldn’t ignore."
#HardTechno #EmotionalTechno #NoVisits #ChrisEngelbert #UndergroundRave #DarkBeat #WarehouseMusic #FamilySeparation #SoundAsProtest #134BPM #IndustrialPulse




No visits

Forget all the sappy tearjerkers. This is a fearless,genre-bending banger that amplifies the chaos and intensity of punk for a new era.

Stop Government interference

Blake Judd's home mixes of the "Blight Privilege' LP, 2024, prior to sending it to Ken Sorceron for mixing at his professional studio (with his professional skill set applied).   Blake Judd engineered the majority of 'Blight Privilege' and tracked all his guitars, bass, synths and vocals by himself, edited them and prepped the stems for proper mixing (as he's untrained in this area of recording at this stage in the game).  However, that didn't stop him  from making his own reference mixes for Ken to use as a guide of what the band wanted it to sound like in terms of where everything sat within the mix, vocal effects, etc.   

Quite remarkable what a difference some of the tracks have.   We hear this (as the band), as the more feral and honest sounding of the two versions.   No disrespect to the actual albums mix, this was a standard set by prior Nachtmystium recordings that we were expected to live up to.  However, being fans of raw black metal our entire lives more or less, we felt it necessary to put this out for fans and as a testament to the first album in 25 years that Blake Judd engineered and recorded 90% of entirely alone.   

https://nachtmystium.band to purchase a digital download ($5!) or a cassette (available soon)

Broke Privilege: The House in the Desert MIxes

Blind Spot (Blake Judd mix)

Buy digital

5 - Blind Spot

Banished (Blake Judd mix)

8 - Banished *bonus track

Broke Privilege: The House in the Desert Mixes

A Slow Decay

3 - A Slow Decay

Blight Privilege (Blake Judd mix)

7 - Blight Privilege

Predator Phoenix (Blake Judd mix)

2 - Predator Phoenix

Survivor's Remorse (Blake Judd mix)

1 - Survivors Remorse

The Arduous March (Blake Judd mix)

6 - The Arduous March

Conquistador (Blake Judd mix)

4 - Conquistador

With a melodic snarl and driving guitars, the male-led “Mercy Twice” delivers justice with hooks and heat. Equal parts alt-rock and poetic takedown, it hits hard and fast.

License/Purchase

Mercy Twice (Male Post-Punk)

🔥 He built dynasties. He broke rules. But he ain't the ghost.
🏀 Three legends. One throne. The case is closed.

GOAT ALONE delivers a blistering final word in the greatest debate in basketball history. Set over a menacing trap/drill beat, this lyrical sledgehammer dissects the legacies of LeBron, Kobe, and Jordan — then cements the crown with six rings of cold truth. The flow is sharp, the punches personal, and the message unmistakable: this isn’t about hype, it’s about legacy.

With cinematic samples (court squeaks, buzzer echoes, record scratches) layered into hard-hitting 808s and reverse piano loops, the track feels like the soundtrack to a verbal knockout. Perfect for hoopers, hip-hop heads, and anyone tired of the noise — this is the final argument, signed, sealed, and scorched into history.

Fans of Drake, J. Cole, Joyner Lucas, and Denzel Curry will love the fusion of lyrical venom and viral momentum.

GOAT ALONE

We are communally linked in complicated ways that involve the rules and regulations of empathy, whether everyone likes it or not. Della House brings original poetry to life through songs written by hand and performed with the help of AI-generated music.

The House of Rising Charity

Just another freestyle I cooked up. This one is pretty raw I hope you like it. I had a lot of fun with this one. Non-for-profit.

March of One

Welcome to "Kiss Kiss, Bitch!" – a boundary-pushing sonic fusion. Live vocals flow through dreamy, lo-fi modulated layers. Shimmering guitars meet dubby basslines with soft rock ease, as a pulsing Detroit techno beat morphs into salsa, then flips to doom-laced black metal breaks. Expect jazzy chords, chiptune bleeps, delta blues riffage, and industrial edges clashing with gospel choirs, Afrobeat grooves, vaporwave pads, and frantic jungle turns. This all washes out into a lush future bass outro fusing pop, krautrock, and starlit yacht rock expansiveness.

Kiss Kiss Bitch!

🎧 Listen to "Battlefield" everywhere: idm.fm/battlefield
🎧 Listen to all Violet Crown releases: linktr.ee/violetcrownreleases

👉 Follow MADSUN
@madsun-music
instagram.com/madsun_music
tiktok.com/@madsunmusic

👉 Follow Violet Crown
@itsvioletcrown
sptfy.com/violetcrown
instagram.com/itsvioletcrown
tiktok.com/@itsvioletcrown

✍️ LYRICS ✍️

I just touched down 
The boy is back in town 
She got a hundred thousand reasons why she want me now
Looking back on it, I wish the old me saw me now 
I’m making good on all my promises 
You would be proud

I just put twenty thousand dollars in a big safe 
I made my life one hundred-ex off of a mixtape 
I couldn’t play it safe, I gotta get it now 
They wanted me to wait  
But boy, I’m too impatient , that’s why I love my baby 
She was sticking by my side even when I drove her crazy 
I never had no doubts 
I knew that we would make it 
When this shit was getting wild, she brought us back to safety

Life is a battlefield 
And I fight the battles for you 
When we go to war, I take ‘em on with you

Life can be damaging 
But we dish it back, times two
When we go to war, I take ‘em on for you

I got clear liquor over big rocks for my darkest days 
All that bad energy that come from them, I make fadeaway 
And when the odds bad, we don’t give up, we make a way 
Yea, we make a way, and we return to our safe place

And we never let them dumb down our greatness 
You tell me I got this, and I tell you, say less 
It’s cause I’m too advanced 
I keep getting bigger bands 
I keep being the bigger man 
And we keep getting stronger 
We keep moving on 
You keep staying on the high road, when they choose drama 
I don’t need no one 
As long as I got you 
And you know that’s true 
You do

Life is a battlefield 
And I fight the battles for you 
When we go to war, I take ‘em on with you

Life can be damaging
But we dish it back, times two 
When we go to war, I take ‘em on for you

Battlefield

🎧 Stream/Buy

Perfect for fans of battle rap, drill, and modern diss culture, this track blends heavy bass with dark energy and clever wordplay — a straight-up lyrical knockout.

Prod 1:  [prod. checkerman x mlodyhubson]
Prod 2: [Prod. Bapekash]

Eye of Agamotto, Belt of Justice - [prod.  checkerman, mlodyhubson,  Bapekash ]

Written in the abyss of the George Floyd tragedy, this song laments the targeting of black and brown skin people by law enforcement.

Whitey

On every screen, on every stage,
Your face is ugly, can’t turn the page.

Sébastien Lecornu speaks in vain,
Empty words repeat again.
Behind the desk, behind the plan,
We see the mask, not the man.

Your face is ugly, Sébastien,
No filter hides it, no master plan.
Your face is ugly, can’t you see?
Ugly truth on live TV.

Ugly, ugly, ugly

Paris watches, eyes grown tired,
Every promise backfired.
You wear the crown but not the grace,
All they remember is your face.

[Chorus]
Your face is ugly, Sébastien,
No filter hides it, no master plan.
Your face is ugly, can’t you see?
Ugly truth on live TV.

Ugly, ugly, ugly

It’s not the lines, it’s not the years,
It’s the hollow echo people hear.
No disguise can make it right,
Ugly power fades tonight.

Your face is ugly! (SO FUCKING UGLY)
Sébastien, ugly! (OMG HE'S FUCKING UGLY)
Your face is ugly! (I CAN'T WATCH THIS MESS)
Everyone sees, everyone sees!

Your face is ugly, Sébastien,
No filter hides it, no master plan.
Your face is ugly, can’t you see?
Ugly truth on live TV.
Your face is ugly, it won’t fade,
That’s the mark your reign has made.

Your face is ugly, Sébastien…
That’s the song they’ll sing when you’re gone.

Sébastien Lecornu, Your face is Ugly

The entire sound is in my hands. I write cyber poetry, produce, and compose every track — only in Immersive 3D. Every beat is crafted for spatial and next-gen headphones.
Intimate lyrics, total immersion, every track.

For 30 years I kept unfinished demos to myself, never letting them out. Now I finish what I start and release it the moment it’s alive.

Ever heard of Athens' violet crown?
Feel it through our music 🔮☀️
https://linktr.ee/itsvioletcrown

Della House is an AI-generated singer and guitarist, with human-written song lyrics. This is a poetry project brought to life with funky, folky, rootsy guitar-driven music. Tight and fragile folk and alt-rock song experiments that groove on their own, wrapped around introspective lyrics like a loose sweater on a cold day.

Like, follow, comment, share. There's more coming. Always.

See phrases.pub for lyrics, licensing, and a full, searchable catalog.

Phrases and Phases Publishing is a one-man label, archive, and reality-refraction field. Founded by J. Adam Walters - lawyer-turned lyricist, satirist, and architectural dropout from polite society - it's the home for songs that shouldn't exist, poems that go to far, and fictional universes with better paperwork than the Library of Congress. 

From folk elegies to parody rap to theocratic cartoon trauma epics, everything here is written by a human who uses AI as a collaborator and instrument rather than an outsourced brain, and finished only when it reaches a space where laughing hurts, or hurting laughs.

Immersive soundscapes that blend trap, hip-hop, electronic, and experimental genres. Fuses cultural commentary with unforgettable rhythm.

mBaileyz

Your true enemy.  The official Nachtmystium / Blake Judd Sound Cloud page.

TOUCH2SOUL
i make music that touches the soul :-)

Whilst the balladeers are pouring
out whimsical tears of heart wrenching 
emotional torment, King Julian is 
busy re-imagining the energy of 
rebellion. With his Irreverent thought
provoking lyrics set to a frenetic but 
dancable beat, he presents an 
unfiltered, unchartered but 
distinctive new London sound.

King Julian, a former member of
London Ska unit, the Skammers
has shared a stage with some
of the biggest names in the business.
He is very much part of the scene and
now set to take the spirit of punk
to a whole new level.

I make what I like and what feels right to me.

New tracks tagged #confrontational