A few months ago, we had the chance to play at an event in Brooklyn, part of a small “Oslated gathering.” The lineup included our own Aspetuck and Moon Patrol, along with Vice City making her NYC debut, and event organizers - Buusto, co-founder of Club Dub Radio, and Maharam, a resident of Club Dub and organizer of Final Passage events. The night brought together a close-knit crowd and a shared love for deep and dub techno. For us, one of the highlights was connecting with Justin (Buusto), Avi (Maharam), and Nathan (Apok), the minds behind the event they aptly named Drift. Buusto and Maharam brought their passion and skill to the decks, making the night something special. We’re especially excited to feature Maharam’s set as part of our “Delayed with…” series.

Maharam opened the night, and it's not a secret that we're big believers in the art of a proper opening set. Maharam delivered one of the best we've heard in a long time. Despite its brevity at just 60 minutes, the set was a masterclass in pacing and mood. Creating a journey within such a limited timeframe takes real skill, and Maharam made every moment count. He explored the deeper end of the spectrum, guiding us through dubby textures, breakbeats, and bass-heavy grooves—perfectly setting the stage for what came next. If we had to choose, we couldn't imagine a better way to kick off the night.

It's always inspiring to connect with emerging talent in our scene who gravitate toward the more refined side of electronic music. Maharam and Buusto are both names to watch, and we're sure this is just the beginning of what they'll bring to the table. Keep an ear out for more from them—we certainly will.

https://soundcloud.com/maharam-sound
https://www.instagram.com/___maharam/
https://www.instagram.com/finalpassage/


https://soundcloud.com/club_dub
https://www.instagram.com/club__dub

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Delayed with... Maharam

Astral Industries has been quietly shaping a corner of music that feels uniquely its own for over ten years. Based in London, the label has become a refuge for sounds that don't play by the rules—drone, ambient, dub, deep techno—all delivered with a sense of purpose and personality that's hard to find elsewhere. At the center of it all is Ario, the visionary behind the label’s distinct identity. To start 2025 in style, we're excited to share his mix as part of our "Delayed with…" series.

Ario's approach to music isn't about the obvious or the easy. His selections often veer into the experimental, finding connections in places others might overlook. Whether it's a drone, techno, or something that sits in the cracks between genres, he has a way of uncovering sounds that feel fresh and unpredictable. That instinct has made him a fixture at festivals like Paral.lel, Mostra, Moment, and La Nature just to name a few, where his sets are as much about exploration as they are about enjoyment.

This mix is a live recording of Ario’s set at La Nature Festival, nestled deep in a Belgian forest. Over two hours in the Hypnose Room, he built something that felt both strange and welcoming—layers of murk and mystery balanced by flashes of warmth and light. Tracks rise and fall like moments in a story, some tense and introspective, others breaking through with fractured grooves or shimmering synths that catch you off guard. What makes this mix so compelling is its sense of space—it feels expansive and intimate at the same time. There's a timeless quality to it as if it could belong as much to the future as the past. But it's never pretentious or overthought. Ario lets the music breathe, letting you take from it what you will.

Whether you're in the thick of the Hypnose Room or just sitting at home with a pair of good headphones, this set has a way of pulling you in if you let it. Hats off to Ario and La Nature Festival for creating something that feels real and alive, a reminder that originality still matters.

https://soundcloud.com/astralindustries
https://www.instagram.com/ariofarah/
https://astralindustries.bandcamp.com/

La Nature Festival - https://www.lanature.be

Write up by @gilleswasserman

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Delayed with... Ario (at La Nature Festival 2024)

This week on “Delayed with…”, we’re featuring matsssiii, a Zurich-based DJ and one of the core members of the Project Indigo collective and label. Project Indigo isn’t just another name in the scene—it’s a group we’ve grown to know and respect, built on shared nights (and days) on the dancefloor and a commitment to music that prioritizes feeling and quality over fleeting trends.
matsssiii’s mix has a rare versatility, fitting seamlessly into all kinds of settings. It’s deep and well-paced, with a lightness that never drifts into the shallow. Somehow, it strikes that perfect balance—grounded yet weightless, soothing yet never dull. Whether zoning in on a task or gazing at a sunset, this mix feels like it was made for the moment.
The music unfolds like a quiet narrative, with grooves that pull you in and atmospheric layers that let your mind wander. The rhythms feel tactile and earthy, while the melodies have a spacious, dreamlike quality that’s hard to pin down. It’s the kind of sound that doesn’t just accompany your day—it subtly transforms it.
At Delayed, this is exactly what we look for: music that lingers in your mind, carrying its energy well beyond the final track. It’s a deep, dubby house that feels timeless—not because it’s chasing permanence, but because it’s rooted in something genuine.


https://soundcloud.com/matsssiii
https://www.instagram.com/matsssiii/
https://projindigo.bandcamp.com

Write up by @gilleswasserman

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Delayed with... matsssiii

You know that feeling when you find a good mix? That little hit of satisfaction, like, yeah, that was time well spent. But then there are the rare ones—the mixes that hit just right, that feel like stumbling upon a new friend you just know you’ll be spending a lot of time with. That’s exactly what happened when we heard the latest Delayed with… mix from Toxido Mask.

Toxido has been on our radar for a while, and for good reason. She’s one of those artists who doesn’t just play music—she builds entire worlds with it. From weightless ambient to brain-twisting halftime to relentless techno, she moves through sounds with the precision of someone who truly gets it. Every mix, every track she touches feels like it was put together with care, with intention. You don’t just listen—you experience it.

And this mix? You’re gonna want to sit with this one. Or better yet, stand up—because the moment you hit play, you won’t be sitting for long. It’s DJing at its finest: sharp, fluid, and impossible to ignore. The flow is effortless, the energy is undeniable. One minute, you’re locked into a hypnotic halftime groove; the next, you’re riding a wave of rolling techno that hits in all the right places. It never loses its grip. You won’t want it to.

It’s no surprise Toxido Mask holds down a residency at Tresor—she plays like she was born for it. But she’s not just shaping dancefloors; she’s shaping the scene itself, overseeing the artistic direction of OMM Transmission, the evolution of the Catharsis series.

Some mixes are good. Some are great. And then there are the ones that stay with you. This is one of those.

https://soundcloud.com/toxido-mask
https://soundcloud.com/sisrahtac
https://www.instagram.com/toxicmassk/
https://bandcamp.com/toxidomask

Write up by @gilleswasserman 

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Delayed with... Toxido Mask

In the latest edition of our Delayed with… series, we feature Ksenia Kamikaza, the founder of Under Fest and Platz Für Tanz label, a key figure in Latvia’s underground music scene. We first crossed paths with Ksenia a few years back in Barcelona, which she now calls home. As a DJ and producer, her deep knowledge of electronic music comes through in every set, blending together a wide range of styles and influences.

For this mix, Ksenia drew inspiration from the late David Lynch, exploring themes of life and death. Much like Mulholland Drive, where Lynch blurs the lines between dreams and reality, Ksenia’s mix pulls you into familiar territory before pulling the rug out from under you. She opens with Röyksopp’s beautifully haunting vocal track - We Remain Hidden / Consolation, creating a sense of calm and ease. But that comfort is fleeting. The beats start to fracture, melodies twist, and suddenly you find yourself swept into an unpredictable flow of shifting moods and subtle misdirection.

This isn’t a straightforward journey from one sound to the next—it’s more like a Möbius strip, looping back on itself in unexpected ways. Just when you think you’ve settled into a groove, the rhythm shifts, leaving you wondering if the high point you hit was the climax—or just a prelude to something else entirely. Ksenia’s mix is layered, unpredictable, and keeps you guessing until the very end.

Röyksopp, Pixx - We Remain Hidden / Consolation
Corrado Maria De Santis - Can't Find a Place
Marine - Eden
Salvatore Mercatante - How Many Hands
Toki Fuko - Strontium
Château Flight - Elastigum
Nuboid - Ode2TS
Javier Marimon - Ns/Nc Db
Purl - Himmelsandar
Sei A - Bites
Toki Fuko - Pirahan
Pulso - Hipervínculo
UFO95 - Burned
Sepehr - Queen of Demons
Snufmumriko - Skärgårdskväde (Moss Covered Technology Remix)
Alva Noto - Xerrox Sans Repit
Void Stasis - Epilogue from the Unsettling Silence

https://soundcloud.com/ksenia_kamikaza
https://www.instagram.com/kamikaza/


Write up by @gilleswasserman

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Delayed  with... Ksenia Kamikaza

Trust is the secret ingredient that makes an event more than just a night out. Whether it’s a party or a festival, knowing that the people behind it are genuine music devotees changes everything. Mostra Festival has built that trust over time, and for a good reason—they’re music nerds through and through. For this week's mix on "Delayed with..." series, one of Mostra’s core members steps up to the decks at Barcelona’s beloved Laut, debuting a new alias: Corsair, the latest incarnation of Josh Hoppen.

This mix is a dispatch from the front lines of ExtraMostra, an international celebration of Mostra’s ethos that recently touched down on home turf in Barcelona featuring Josh Hoppen aka Corsair, Muted, and Memory Palace. Corsair brought the raw energy of UK breaks straight to a dancefloor that knew exactly what it wanted. And it’s clear from the first beat that Corsair knows how to deliver.
The set showcases Hoppen’s encyclopedic music knowledge in a natural and unforced way. It’s all about tension and release, powered by an ever-evolving array of broken grooves. If you’re the type who likes to label things, you’ll catch hints of halftime, jungle, drum and bass, dub, techno and even a touch of trance—genres that weave in and out like old friends at a reunion. But Corsair’s magic lies in how he blends them into a seamless journey, always keeping the dancefloor on its toes.

This mix celebrates bass in all its glorious forms, propelling the crowd into a state of relentless energy. It’s the kind of low-end therapy that shakes you to the core—literally. Sharp percussions slice through the air, riding atop liquid synth lines, while the grooves shift and adapt like a chameleon changing colors under the strobe lights.
No excess, no pretense—just a set that hits hard and stays with you. Moments like this show why Mostra keeps us coming back.
Play it loud. Let Corsair guide you through the heavy basslines and restless rhythms. Well done, Josh. Here’s to whatever comes next. Long live Corsair.

https://soundcloud.com/joshhoppen
https://www.instagram.com/joshhoppen/

https://www.mostra.barcelona

Write by @gilleswasserman


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Delayed with... Corsair

This week’s Delayed with… mix shines a light on the Milanese crew behind Techno Space Bar and one of their resident DJs, DJ Church. Techno Space Bar is a cozy party that’s brought in some familiar names from our orbit, like Orion, Alex Albrecht, and Noc:turne, alongside a solid lineup of local talent. They’ve got some interesting plans in the works, so if you’re into deep, thoughtful electronic music, give them a follow.

For this mix, DJ Church delivers a warm and atmospheric trip through a deep and melodic house. It’s the kind of set that works best in the daytime - relaxed, immersive, and just what you need when the world feels a little too heavy. An hour to unplug, breathe, and float. And as one of the tracks in the mix reminds us—do easy.

DJ Church shared a few words about the mix:
“I recorded this mix alone at home, drinking some nice red wine, cradled by melancholy and hope. Thinking about all the beautiful memories of special people I’ve met at parties around the world—smiling, dancing, sharing everything, the highs and the lows.
These moments, even the challenging ones, make life worth it. Thanks to all my friends who share their lives with me on the dancefloor. Hope we can all dance together again—maybe in Milan at one of our cozy Techno Space Bar nights, or wherever there’s light in the world. And if there isn’t any, we’ll bring it.”

https://soundcloud.com/technospacebar
https://www.instagram.com/__t_s_b__/

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Delayed with... DJ Church

Sarah Wreath has spent years moving through different corners of electronic music, sharpening her craft in deliberate yet effortless ways. Ambient, sound baths, live sets, techno, halftime—she doesn’t just dabble; she inhabits these spaces fully, shaping them with a deep understanding of sound and rhythm. Her range is what sets her apart, allowing her to move between intimate, meditative settings and full-throttle dance floors without missing a step.

Last year was a big one. Her debut album on The Bunker NY hit the right people in the right way, opening doors that led to a standout set at The Bunker party in Brooklyn alongside Nobu, Patrick Russell, and Doltz, a tour through Japan, and a string of upcoming EPs—including one for the legendary Sandwell District, set to drop in just a few weeks.

This time last year, we featured Sarah in our Sundays Are For… series with a beautifully haunting set. Today, she flips the perspective. Her Delayed with… mix isn’t just about atmosphere—it’s about movement. The sound is weighty but fluid, shifting between tightly wound rhythms and wide-open space. There’s a physicality to it, driven by thick, rolling low-end and textures that hover between sharp and submerged. It’s techno built for full immersion, the kind that keeps pulling you in without ever demanding too much.

Sarah Wreath is one of those artists who make techno feel limitless. And if this mix is any indication, she’s only just getting started.

https://soundcloud.com/sarahwreath
https://www.instagram.com/sarahhwreath

Photo by: https://www.instagram.com/kenneth.scott1/

Text by @gilleswasserman

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Delayed with... Sarah Wreath

Ten years of On Board Music—it speaks for itself. We’ve been collaborating with them almost since the beginning, watching them grow steadily while staying true to their values—thoughtful curation, long-term relationships, and a real commitment to the artists they work with. Reaching a decade in this industry without compromising is something worth celebrating.

For their anniversary compilation, they brought together a group of artists who reflect that spirit. Among them is Jin Synth, whose track Self Navigation adds a spacious, introspective layer to the release. We first met Jin at Mostra Festival a few years ago and have been following her work since—whether through her releases, her live performances, or the way she approaches sound as something deeply hands-on. She also contributed a guest mix to our series, offering another glimpse into her precise, layered style.

In this conversation with Theresa Bäumel, Jin shares more about her background in sound art, her process of building custom instruments, and how she stays grounded in a constantly shifting scene.

Read the interview: https://www.delayed.nyc/delayed-blog/artist-of-the-moment-jin-synth

https://www.jinsynth.com
https://soundcloud.com/jinsynth
https://www.instagram.com/jinsynth/

Buy the "On Board 10" compilation: https://onboardmusic.bandcamp.com/album/on-board-10

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Interview + Tracklist

Delayed with... Jin Synth

With Mostra Festival just over a week away, we’re wrapping up our editorial run with a conversation and a mix from Peter Van Hoesen. His work has always sat slightly outside the frame: techno, ambient, experimental, but never quite typical of any. Instead of chasing momentum, he’s built a practice around attention to sound, to context, and to the possibilities of performance.

At Mostra, he’ll step into a rare DJ role, playing a drum & bass set shaped by years of quietly following the genre’s more experimental edges. In this exchange with Griff and Zach, he reflects on what still draws him to that sound, how his relationship to playing out has shifted, and why intention matters more than ever. The mix he’s shared alongside the interview follows that same line — precise, considered, and wide open. A final entry before we gather next Thursday at Fabra i Coats in Barcelona.

The interview: https://www.delayed.nyc/delayed-blog/artist-of-the-moment-peter-van-hoesen-delayed-x-mostra

https://soundcloud.com/petervanhoesen
https://www.instagram.com/petervanhoesen
https://www.patreon.com/petervanhoesen
https://petervanhoesen.com

https://www.mostra.barcelona 
https://www.instagram.com/mostrabcn/
https://soundcloud.com/mostrabcn

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Interview

Delayed x Mostra: Peter Van Hoesen

Octo Åeterna is a producer and DJ deeply embedded in the darker edges of electronic music. With roots in South America's underground, he's spent years fine-tuning a sonic identity that draws on mathematical structures, probability, and organic chaos. His work, solo and through his Technologia Organica label, explores textured psychedelia, often grounded in nature's strange logic. Releases on Danza Nativa and his imprint showcase a careful but adventurous mind, balancing abstract sound design with dancefloor weight. Whether curating Noctambula nights or crafting vinyl releases, Octo's aesthetic is precise, immersive, and alive with intent.

His "Delayed with…" mix is a live recording from Berlin's legendary Tresor that happened in June 2023, and it plays like a transmission from a parallel biome. It begins in murky waters, ambient textures that ripple and curl like oil on a dark tide, then gradually locks into a loose-limbed, halftime pulse. Octo leans into polyrhythmic percussion and deep, sticky synths, shifting between grooves with surgical control. As the set evolves, four-to-the-floor rhythms rise like tectonic plates, grinding under a thick atmosphere. By the end, he cracks the structure open with broken beats and UK-leaning breaks, closing on a haunting and strangely euphoric note. It's a mix that mutates without losing shape, like watching an alien ecosystem reorganize in real time.

https://soundcloud.com/octoaeterna
https://www.instagram.com/octoaeterna
https://technologiaorganica.bandcamp.com

write up by @gilleswasserman


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Delayed with... Octo Åeterna

The internet gave us wild ways to connect, but it still can’t beat the real thing - meeting people in real life. A few months ago, we found ourselves in our beloved Barn deep in the Catskills, surrounded by trees, friends, and a four-day blur of heavy tunes and strange magic. That’s where we met Verena, aka Ena B. We connected through mutual friends and a shared pull toward deeper, dubbier, stranger sounds, and just like that, a new link was made.

Her “Delayed with…” mix is a slow-burner in the best way. It moves with intention, breaky, heady, and atmospheric, full of space and subtle pressure. There’s a patience to her selections, a confidence in the flow. Ena B may be new to the fold, but she speaks the language fluently. Expect more transmissions soon. 

Tracklist: 
Wata Igarashi – Searching (Original Mix)
Feral – Kykeon (Original Mix)
Donato Dozzy, Anna Caragnano – Fraledune (Original Mix)
Martin Schulte – Walk (Original Mix)
Steevio – Mŵg Drŵg
Luigi Tozzi, NTOGN – Wsjr (Orphx Mix)
RDS – Onvoorwaardelijk
Vril – Terraformink (Original Mix)
Buttechno – P-L (Original Mix)
J.S. Zeiter – Granular (Original Mix)
Hidolas, Quitula – Missing Element (Original Mix)
Artificial Drm – Anatolian (Original Mix)
Error Etica – Hologram Universe (Estrato Aurora Remix)

https://soundcloud.com/enabofficial
https://www.instagram.com/enabofficial//

Write up by @gilleswasserman

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Delayed with... ena b.

This week we land in Valencia and spend a moment with Ilayruni, a 19-year-old with an ear for rhythm and space, still shaping his sound but already showing a feel for nuance. Earlier this year, he released Mountain Flyers EP on Sungate, a label with which we’ve worked closely over the years, known for its focus on various shades of techno and a taste for forward-thinking sounds.

His hour-long set is made entirely from his own material, and it leans into the shadows. It starts slow and murky, with a dense, eerie atmosphere that unfolds with intent. The progression is subtle but steady, each track steps a little deeper into the fog, each rhythm adds a sharper edge. There’s tension in the way it builds, but no drama.

There’s a clear affection for polyrhythms and off-center grooves, and a careful balance between control and drift. The textures shift, the pace grows, but the mood stays intact, claustrophobic at times, even hypnotic. It’s not polished to perfection, and that’s part of the charm. You hear someone exploring, reaching, figuring it out in real time. A young producer following instinct, not trends. We’re curious where that path leads.

https://soundcloud.com/ilayruni
https://www.instagram.com/ilayruni/

Write up by @gilleswasserman

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Delayed with... Ilayruni (live)

Our Belgian connection runs deep, built on shared moments, mutual admiration, and a steady stream of talent that never seems to dry up. The latest to surface is Ben Kamal: Brussels-based DJ, promoter, and soon-to-be label boss. In recent years, Ben has been a staple in clubs like C12, Fuse, and Funke, as well as festivals like Paradise City and Horst. He’s carved out a sound that’s both precise and personal, equal parts deep, minimal, and melancholic. As a resident of Lola Haro’s Small Steps series and curator of nights at bis.club, he’s been steadily shaping a mood, a narrative, a space. And with the first release on his new label ov guidance about to drop, featuring a.brehme and signall kommt (aka z@p), that space is about to get even more defined.

Listening to the mix Ben made for us feels like watching dusk fold into night in slow motion. The arc is patient, but the details are razor-sharp: fluttering hats, muted basslines, strange shadows between the kick and the silence. There’s movement, but it’s not linear. It loops, it lingers, it pulls you inward. It’s not about big moments, it’s about micro-decisions that add up to something more enduring. Call it dusk-lake energy. Call it perfect for the other side.

https://soundcloud.com/benkamal
https://www.instagram.com/benkamal__/


Write up by: @gilleswasserman


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Delayed with... Ben Kamal

The haze of Paral·lel festival has barely lifted, but we’re rewinding to another moment worth lingering on, February in Granada, at the Moonback club. There, under the warm glow of the Extramostra banner, Mostra linked up with the Klub Collective for a night that balanced local soul with an international touch. The lineup reads like a heads-only dream: Timnah, Antonio Vázquez, Refracted, and a solid core of Klub Collective residents including Fran Acosta, Kaizen, and Utopian. The kind of night that reminded us why the first slot matters more than most people admit. It’s the architectural role: shaping the night’s flow from zero.

Utopian did just that. His set unfolds like a slow exhale, dub-laced ambient that creeps, swells, and gradually transforms into chugging, low-slung techno hypnosis. It’s a patient climb: syncopated, restrained, precise. Not a single cheap move, just deep focus and floor logic, the kind that sets the table without stealing the meal. But make no mistake, this was a statement. A warm-up that didn’t just support the night, but elevated it.

@utopian_dj
www.instagram.com/isidrobolivar_utopian

Write up by: @gilleswasserman

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Delayed with... Utopian

Some DJs treat genre boundaries like walls; others see them as doors. Craig Gonzalez belongs firmly to the latter camp. A staple of Detroit’s underground and a resident DJ at Paxahau’s Third Thursday monthly, he has long been drawn to what happens when techno’s linear propulsion collides with the restless syncopation of drum & bass. That liminal space, the “grey area” between the two, has become one of the most fertile playgrounds in electronic music over the past decade, and Gonzalez shows why. In this mix, recorded as the opening set on the Movement main stage, he handles tempo as a fluid variable, shifting gears without friction and letting polyrhythms function as the connective tissue. It’s the kind of approach that resists the obvious peak and instead builds a topology of groove, a groove that bends but doesn’t break, carrying dancers across time signatures almost without them noticing. 

And while opening a stage that would later host Deepchord, Sama’ Abdulhadi, Octave One, and Jeff Mills could be seen as a daunting warm-up role, Gonzalez treats it less as preparation and more as architecture. Across ninety minutes, he layers patterns with patience, calibrating intensity so that tension rises and releases without tipping into spectacle. The set moves like a conversation that shifts from whispers to declarations, never overstated but always persuasive. It’s a reminder that flow is not just sequencing but narrative logic, and that true mastery lies not in domination of a dancefloor but in shaping the conditions for everything that comes after.

@craig-gonzalez
http://instagram.com/cgonz313

Write up by @gilleswasserman

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Delayed with... Craig Gonzalez (@ Movement, Detroit, May 24th, 2025)

Hagva began in 2022 as a shared experiment between CP1 and Not Mass, artists closely tied to Milan’s Evolvere collective and Stagno Records. What started as a dialogue has grown into a practice of dismantling rhythm and building it back stronger, threading techno through post-club ruptures, industrial grit, and deep ambient undertones. From Evolvere’s underground nights in Milan to RSO Berlin, Module CPH, Buka Milano, Tempovìa, and Zurich’s D.A.S., their sets have carried the same uncompromising edge: a refusal to settle into comfort, constantly pulling dancers into new terrain.

The mix we present today is a three-hour live recording from their set at D.A.S. in Zürich earlier this year, capturing Hagva in full flight. There’s no easing in, it’s a straight leap onto a fast-moving train, powered by relentless percussion and groove, with sudden swerves that snap the floor awake. Heavy, urgent, and unpredictable yet always precise, it’s a reminder that energy doesn’t need excess to be overwhelming. For those hearing them for the first time, it’s the perfect entry point; for those who already know, it’s another layer of proof. With their debut EP arriving September 15 on Stagno Records, this set stands as a clear statement of intent.


https://soundcloud.com/cipppo
https://soundcloud.com/serpen7
https://soundcloud.com/stagno-records
https://www.instagram.com/hagva_________________________/
https://www.instagram.com/stagnorecords/


Write up by @gilleswasserman

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Delayed with... Hagva

The first thing you notice in Beau Beaumont’s Delayed with mix isn’t aggression or volume, but control. Each layer slots into place with a clarity that leaves no room for drift. It’s techno in high resolution - grooves stretched to their limit, shifts measured with care, a ride that never collapses under its own weight.

That clarity comes from experience. Years spent running one of the UK’s most forward-thinking parties, building an independent label Meine Nacht, and diving into modular synthesis have sharpened Beau’s ear for pacing and design. Her work ranges from NTS residencies to commissions for Nike and the WDR Studio for Electronic Music. Still, it’s this same multidisciplinary edge that you hear here, surgical mixing, grooves that never stagnate, and a sense of movement that feels both human and machine. This is propulsion without fatigue: a set built to carry you, wherever you are.

https://soundcloud.com/beausoundart
https://www.instagram.com/beausoundart

Write up by @gilleswasserman

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Delayed with... Beau Beaumont

Kyoto-based DJ and producer Yuddy Ash has been steadily finding his voice over the past few years. Following a series of online appearances and a collaboration with silkscreen. on GIFKIKKER, he now joins the Delayed with series with a mix that favors movement through restraint, using rhythm as a thread rather than a tool of impact.

Across sixty-one minutes, it unfolds with a steady pulse, subtle shifts, and a lightness in tone. It’s a late-night listen that moves from deep low-end flow to airy percussion. The transitions are soft, almost invisible, yet the direction remains clear, a quiet reminder that less can still move plenty.

https://soundcloud.com/yuddyash
https://www.instagram.com/yuddyash/

Write up by @gilleswasserman

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Delayed with... Yuddy Ash

Delayed is a source of deep, minimal, and micro house, techno, ambient and beyond. Follow us for new mixes, fresh releases, and exclusive interviews with distinguished and rising artists.

Founded in Brooklyn and run by a team of music producers, DJs, and perpetual music addicts.

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