Created with with Canadian poet Gary Barwin, this collaboration is part of an international compilation of recordings titled (drowned out by traffic noise): a, A Novel. It is a response to Canadian Poet Derek Beaulieu's erasure text "a, A Novel". The track began as a .gif animation of the first 10 pages of Beaulieu's book. The raw code language of the .gif was then loaded into sound processing software which "read" the code of the .gif file and generated a sound translation of the .gif animation. This file was then re-mixed/processed by Gary Barwin and myself.. 

For more information on Beaulieu's publication and this sound project visit:
https://derekbeaulieu.ca/2018/09/17/drowned-out-by-traffic-noise-a-a-novel/

My .gif animation response to Beaulieu's publication may be viewed here:
http://aureolestudios.com/aAgain2.gif

Texture : Code : Sound

This is my first attempt at extracting audio from a recording device found within the vicinity of the ruins of an unknown facility. So far only one audio recording could be preserved, and even then there's a lot of artifacts. The most I can make out of it is someone took upon the task of investigating the aftermath a possibly cataclysmic event within the area. According to the metadata, this is the 3rd audio log made on May 2nd, 2X20, 3 days after the event.

I'm not sure why, but I have been feeling a steady increase in uneasiness as I was tinkering with the device in the past weeks or so. I've been waking up in cold sweats and have been feeling chills throughout the day. However when I went to the nearby clinic, they've said everything looked pretty much normal.

Here's the thing: I'm not an anxious person by any means, or so I currently believe. I'd say I've been rather well off for most of my life and haven't faced anything that left me with the internal turmoil that a significant portion of the population face nowadays. I'm just really not sure what could be different this time where I actually felt a sense of impending doom. I will not let that stop me however, because I truly wanna get as much information as I can as much as whoever made these audio logs wanted to.

- Unknown, Jan 1, 2X24

ogc 2024 // @wearenova

https://vulpeox.bandcamp.com/track/05022x20-003

05022X20_003

Assembling An Alien Earring.

Released with Endogenic Noise Records. CDs available as well. Full Album Available Here: endogenicnoise.bandcamp.com/album/--18

中国の騒音の万里の長城

最後の銀杏の木は灰になってしまいます

And Now It's a Little Late, Isn't It?

Released with Endogenic Noise Records. Full Album Available Here: endogenicnoise.bandcamp.com/album/--20

不可解な電気の神々

どこでもドア

prologue comic ost
art + music by me
glip samples
https://jakelstest.tumblr.com/

PROLOGUE, OPEN TEST

TechNEUROcrat

Break Pulse Anomaly

Dwau durghadutudhuradutuDwau

I found the code on my old MAC (which exploded with heat) with which I composed this track, I played it for the first time at MUTEK MX in 2017 , love ya

See Y<3u

ARCHIVE ACCOUNT / SOME STUFF WILL BE OUTDATED, go to active account for more current info, etc. / GO TO MY BANDCAMP AND/OR YOUTUBE CHANNELS FOR FULL CATALOGUE, etc. 

musician / artist / producer / vocalist / etc. 

an entity hidden above the stars / oolonoui 

me picking "album" or "ep" on my stuff doesn't make it that, I define all my records as "project" but that isn't on here lol.

I produce everything here unless it has a producer tag (that isn't me obv) in the
song title 

my music youtube channel: https://www.youtube.com/@konnerlp/featured

my experimental noise and harsh noise music youtube channel and soundcloud: https://www.youtube.com/@glitchingunicorns
https://soundcloud.com/glitchingunicorns

main and only active account: https://soundcloud.com/oolonoui_and_their_aar

I'm a Canadian multi-media artist and am keen on musical and sound experimentation. I'm interested in art that cuts across borders and boundaries between visual, sound and literary/text practices. While the majority of my career has been based in visual practice my interests have widened greatly in the last decade to include musical and sound excursions. This page is an effort to share the results of these efforts more widely.

do not reupload my music
@lemonmeat-vesties <- old acc (every song ive posted publicly is reposted on there)
song that got taken down: https://www.youtube.com/watch?v=BdGJApvuHWw
multi-genre artist. i mostly like to make experimental, ambient, and surreal tracks, but i sometimes like to do other stuff like breakcore or speedcore too. sampling is fun
all music is composed by me (and a friend if stated in the desc)
i only do music for fun or for art. i do not want money from my music

Naturaiz  (BRA)
Metacortex Rec. (USA)

Side project: VvV - VuGa,Vutt'un and VallaK

VuGa iniciou suas primeiras produçoes em 2019. Hoje acredita que esta desenvolvendo uma caracterista unica dentro dos dois estilos que gosta, VuGa é hoje uma mistura de dois estilos diferentes mas que se certa forma se completam. O “Rebolation”, apelidado por ele, com grooves dançantes e envolventes, e uma abordagem muito divertida e alegre com BPMs mais baixos. e seu outro lado mais serio e experimental, buscando desconstruir conceitos tradicionais com um conjunto de elementos que criam uma experiência sonora única a cada apresentação e totalmente imprevisível.
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VuGa started his first productions in 2019. Today he believes he is developing a unique characteristic within the two styles he likes. VuGa is today a mix of two different styles that complement each other in a way. The “Rebolation”, as he nicknames it, with danceable and engaging grooves, and a very fun and cheerful approach with lower BPMs. and his other more serious and experimental side, seeking to deconstruct traditional concepts with a set of elements that create a unique and totally unpredictable sound experience with each presentation.

CNDSD {* _ *} Creative Technologist, Audiovisual Artist and Electronic Music Producer from Mexico City, develops soundscapes with a post-cinematic approach. Her music immerses herself in the vast electronic universe, skillfully fusing a variety of subgenres to offer a unique listening experience.
From Deconstructed Club, Glitch, IDM, Footwork to Sound Collages, through composition and algorithmic execution, CNDSD challenges the limits of hearing and stimulates dance, creating profound audiovisual experiences that have left a trail in the live coding community.
With a career spanning international stages, CNDSD has presented live audiovisual performances at festivals such as Sonart Shanghai, MUTEK in Mexico, Japan, Argentina, Spain and Montreal, as well as at the International Symposium of Electronic Art (ISEA) in Korea and Montreal in 2019, Medialab Prado and Medialab Matadero,  Center for Art and Media | ZKM, the International Live Coding Conference, Aural Festival, Vorspiel and Transmediale in Berlin, ADAF in Athens, and more.

CNDSD's compositions are an amalgamation of organic and synthetic elements, creating a dynamic and expressive atmosphere that invites introspection and also explosion. With a master's degree in sound design for immersive experiences and video games and a propensity for experimentation with unusual rhythms and soundscapes, CNDSD embarks on technological eclecticism in the contemporary electronic music panorama.

Repository Perspective. Art within Error.

Profile Image: @hey-holokin

New tracks tagged #experimental glitch