I was gazing at my meditation picture and a poem emerged in the moment and music followed.

Transient Bones – improvised poem
transient bones – 

burn

			and ashes
			
			seep through

			the floor – 




linger

and burn –

Transient Bones

co-creation with olpuas 
https://on.soundcloud.com/6bira

part of OUTSIDEININSIDEOUTINSIDEOUTOUTSIDEIN collective
https://www.instagram.com/outsidein_insideout_/
installation, performances at  Zaazrak Dornych
https://www.instagram.com/zaazrak_dornych/

olpuas and ana anaa's co-creation is a lively connection on earth presences, from within from without. we sing in a tower and whisper towards the ground, grounding now on the rocks, of the cracks of old bunkers in Den Haag. we are simultaneously where we live and where we meet, where our presences converge, where we imagine to land. Improvising past and present, generating sounds which dissolve into a non verbal talk of emotions of desires of lo(a)st moments, here, suddenly now-here coming into being while we are touching the sound with our bodies, with our tongues, with the humidity of our breaths. 
the scores are invitations to move, to explore, to prolong the inside with the surround. The vibration of the sound-scapes, whirls, bugs-unidentified desires, release-expand, let goes.
we humm, we walk, we lick, we love. dive into the realms with us.

Scores Of Echoes olpuas ana anaa

featuring sounds by:
lorcan krecek
ellie lutterman
helen panshin
diego leon
lee hendricks-richman
isaac corby
eli hooker-reese

and non-audible moral support by:
kai frueh
sophia lewis

score without music, music without score - march 5 live recording

Live concert from Klub Gromka, Ljubljana.
Part of the program FriForma (Kud Mreža).
27.1.2016

FriForma Tea 2016

after/5

experimental/improvisation, prepared guitar + electronics.

disruption/3

free improvisation, processed pocket trumpet.

hyphen/1

experimental/improvisation, pocket trumpet + electronics.

hyphen/2

Live Improv at Noise Machine Night LONDON 2017

Ha Olam - LIVE At Noise Machine - 2017

Kokeellinen soolokitara-improvisaatio + DAW (alla prima)
Experimental solo guitar improvisation + DAW (alla prima)

Star´s End

Woke up very early this morning so thought I'd have a festive improvisation, unfortunately I had a coffee and listened to the news before starting. Merry Effing Christmas

Ukrainian Christmas

Omit/Transmit Orchestra debuts 'Orbituaries' live at Burlington Bar on Feb. 12, 2025. This is the first version of a multi-movement piece about the soloistic nature of life, energy, and panic, set in a solar system of unique planets, represented by each instrument.

The music is largely improvised according to a main structure (a format written together by the group, called Orbits), with two partially-improvised interludes. This performance is fully instrumental: electric guitar, violin, upright bass, flugelhorn, and 3 synthesizers.

The piece incorporates theatrical elements for the stage. The six musicians each have a personally-selected lamp lighting them in the dark, turned on and off by a footswtich. Over the course of the narrative, a large roll of tinfoil is unfurled between two microphone stands to act as a canvas, a metallic planetary surface, which players manipulate by crinkling, drawing on it with fingernails, or even ripping and dismantling it.

To learn more about O/TO and how dramatic, experimental music is improvised live, read at: https://sethandrew.bearman.us/portfolio-items/omit-transmit-orchestra/

Omit/Transmit Orchestra - Live @ Burlington Bar 02.12.25

2. Melancholic Blue Whale

3. Metallic Strings

JERRY FORD - Electronic Guitar DEREK DEAN - Bass Guitar MARSHAL BAER - Drums and percussion  Recorded live with Jamkazam for Bent Music.  (photo by Derek Dean)

ALL FIBER

zshelpa (echo fehlt antwort)

Final rehearsal (1st Nov, 23) of a scripted improvisational performance as part of BOSZKI, shown on November 2nd 2023 in Berlin, Living Corridors Gallery.
Collaboration with the wonderful Kata Kwiatkowska, who embodied the sounds through her movements and dance.

Masked Rehearsals

Experimenting with Modular, Midi Trigger, Piano

Modular + Piano Improv 05Dec25

doing sound, playing (in a sandbox); these things happen unplanned and without intention ❊ maybe? n̵o̵t̵ (never) finished.

Just diggin' it while it's happening.....

Finnish composer, producer, writer and visual artist, focused mainly to algorithmic processes, computer-assisted composition, and various other methods based on cybernetics, chaotic dynamics and stochastic systems, among others. Most programs written by author, various languages. 

Studied musicology at University of Helsinki, computing at OU, Milton Keynes, private studies in composition. Musical genres, from avant-garde/postminimal chamber music to minimal techno, wonky/noskool, IDM, electronica, ambient, experimental. 

LIVE IMPROVISATION!
My guitar plays virtual instruments.

artiste auteur performeuse j'écris je lis des mondes

being of OUTSIDEININSIDEOUTINSIDEOUTOUTSIDEIN collective
www.instagram.com/outsidein_insideout_/

Yael Claire (aka SPIRITWO) is a Jewish - Arab artist mixing spiritual sounds of the Middle East with cutting edge Dance music.
Grooving together with Yossi Bromfman on the Kanun - creating strong walling melodies and kiss ass beats!
More about Yael Claire's works -
https://yaelclaire.wordpress.com/

I try to write rich, intense, rewarding, expressive music reflecting my various music theory and performance interests as well as love of nature, literature and my explorations in aesthetics and East Asian culture and spirituality.

I am a composer, percussionist and co-artistic director of the composer-performer collective Sideband as well as member of the experimental improvisation project 'Mind on Fire'. I began serious musical studies with a focus on xylophone and percussion, later developing an interest in composition, and improvisation. I also have a strong interest in non-Western music, and have undertaken study in Javanese Gamelan and Tabla, as well as studying jazz, resulting in a broad and highly individual compositional and performance style.
I have written for a wide range of music ensembles, from symphony orchestra to solo piano, with a my focus being chamber music incorporating voice and improvisation-based music in which I perform on vibraphone. My focus is on experimentation with rhythmic and formal elements, and microtonal harmony as well as incorporating developments in atonal theory. 
My music has been commissioned or performed by a range of ensembles and soloists, including Daniel Herscovitch, Luminescence, Sideband, the Song Company, Ensemble Offspring, members of Elision, Western Australia Symphony Orchestra New Music Ensemble under Roger Smalley, Australian Piano Quartet, Kerry Yong, Jihyeon Lim, conductor Barry Webb, and the Sydney Conservatorium Percussion Ensemble. A number of works have been recorded for broadcast by the ABC.
As a percussionist I have performed in a variety of ensembles, with a focus on participating in performances of his own music. Recently, the focus has increasingly been on performing, as a member of Sideband and in Mind on Fire, an improvisation-based project with my brother, Sam Gill.

I taught composition and music theory for fifteen years at the Sydney Conservatorium of Music (2000 to 2015), and occasionally engaged in casual lecturing up to 2020.
Further information about my ideas can be found in my writings, such as: www.sideband.com.au/zen-music-gill.html
www.australianmusiccentre.com.au/article/…-on-fire
www.australianmusiccentre.com.au/article/…uestions


PLEASE BE SURE TO CLICK ON THE TITLE OF EACH INDIVIDUAL TRACK SO YOU CAN SEE SOME BACKGROUND INFORMATION ON EACH PIECE!

auditory journal
sonic sketches
narrative of noise
dissonant harmony

Pianist. Percussionist. Dead thing masquerading as a person.

This is a hobby, I'm not interested in promotion, graphics or paying people for stuff. Anyone trying to flog me shit will be ignored.

I can remember a time when Soundcloud was not a bloody billboard.
Bedroom full of keyboards and these days I do everything on a bloody laptop... that's progress!

Nothing is written - just remembered.

Occasional keyboards with the very occasional band
Senior Cerberus

This chapter, this book, for the unheard musician and composer.
songs | new music | sound experiments

New tracks tagged #experimental improvisation