Soft Like Me (AVAIL ON SPOTIFY)

Grafenberg’s debut full-length No Saints, No Proof is a hallucinatory collision of Anatolian psychedelia, dark electronic ritual, and surf-noir energy.
Ten tracks unravel like a midnight drive through shifting mirages: fuzz-saturated strings, trembling synths, hypnotic motorik drums, and a deep female voice bending between whispers and fire.

It is an album about memory and resistance — how glitches, ghosts, and fractured signals can become sacred. Ritual mantras (“Order Eats the Sun”, “Loom of Wires”) sit alongside spectral ballads (“Tape Ghost Mirage”, “VHS Desert Prayer”) and driving nocturnal anthems (“Motor Moon Communion”).

The sound is tactile, imperfect, and alive: warm compression, tape-delay halos, lo-fi grain.
For listeners of Gaye Su Akyol, Altın Gün, Tame Impala, and anyone seeking a darker, cinematic edge to psychedelic electronic music.

Order Eats the Sun

Intimate.  Addictive. This is the darkness you can’t resist.

We’ve been working on this record for almost two years – and now it’s finally here: “Devil” has been born.
But this album is nothing like anything we’ve done before. Dark, cryptic, yet strangely catchy – a sound that mixes our roots with pop culture fragments, hypnotic songwriting, and a touch of madness.

It’s by far our most experimental project, maybe even the most mainstream thing we’ve ever created. And still, it’s undeniably us – raw, uncompromising, layered, like a mirror of the darkness in our time.

This album is more than just music. It’s an invitation:
A dance between desire and downfall, a ritual between shadow and light, a voice pulling you into the unknown.

And here’s the best part: “Devil” is only dropping on SoundCloud. Nowhere else. No streaming platforms, no physical release. Just here.
It’s our little gift to the community that’s been with us all along.

We hope you’ll love it as much as we do.
Because for us, this isn’t just another chapter –
it might just be the best thing we’ve ever done.

Let yourself be tempted. Step inside.

Black Halo

An album about the first generation born fully inside the machine.
Children of the Algorithm moves from analogue childhood into the soft glow of the digital age, capturing the moment the world changed without anyone noticing. Twelve glitch-folk songs explore memory offloading, infinite scroll lullabies, baby’s first prompt, and the quiet way technology becomes home before we learn what “home” means.
A warm, eerie journey from the weight of a word to the logic of the feed — human voices dissolving into signal, then returning.

Did you come here to pass the time?

This is an album about possibility — and what it costs to finally choose.
Decoherence follows the long arc from childhood superposition (when every future feels open) through the quiet collapses of adulthood: love, loss, commitment, parenthood, identity, and the versions of yourself you leave behind.

Across sixteen tracks — from the shimmering youth of Superposition to the painful endings of Collapse #2, through the parallel-universe fragments of the interludes, and into the quiet clarity of Coherence — the album maps the emotional physics of a life taking shape.

It’s a soundtrack for anyone who has ever been told they could do anything, struggled to choose something, lived too long in open tabs, feared commitment, chased potential, or held on to unrealised futures long after they faded.

Blending post-folk electronica, glitch-soul, double bass, analog warmth, and intimate vocal layers, Decoherence sits between science and soul — a concept album about learning to land.
About collapsing the wave on purpose.
About the one life you choose when the moment comes.

COHERENCE

Um álbum-conceito dividido em três atos que atravessa fama, manipulação, tecnologia, colapso emocional e, finalmente, verdade. Entre beats eletrônicos cinematográficos, pop teatral e atmosferas distópicas, a artista desmonta a ilusão construída ao seu redor e revela o que existe por trás da imagem perfeita.

Cada faixa é um fragmento de uma narrativa intensa: o espetáculo midiático, o sistema que corrói, e a queda que liberta.
Misturando dark pop, hyperpop, electro rock e pianos confessionais, “EXPOSED” é provocador, político, íntimo e visual. Uma obra que fala sobre identidade, dor, reconstrução — e a coragem necessária para mostrar a própria verdade num mundo que consome máscaras.

É um álbum para quem vive entre o caos digital e a busca por autenticidade. Uma catarse moderna. Um manifesto.
A era da Fênix começou.

Fake Justice

Plastic Religion

404: Humanity Not Found

исповедь о комнате, которое тебя и спасает, и ломает. ханирум не просто клуб, а живая сущность: шумная, тёмная, липкая, веселая, но на самом деле высасывающая жизнь. ты любишь его энергию, свет, за возможность раствориться в толпе, секс, тревогу, грязь.
когда ты подходишь к окну, к холодному стеклу, где город честный и без игр - гудит импульс сбежать, вдохнуть воздух, улететь отсюда. холод там - честнее, чем тепло внутри. это символ свободы, это символ настоящего полёта, которого так не хватает

wings & windows (i don’t want to go to Honeyroom)

ROADRUNNER
the title track from ROADRUNNER

I wrote ROADRUNNER for the moment when the whole chase finally collapses. It is that brutal, clarifying realization that the thing you have been sprinting from — the fear, the ache, the version of you you did not want to meet — has been running inside your own body the entire time. This is where the truth lands: you cannot outrun your own feet. And maybe you never needed to.

In the world of ROADRUNNER, this is the breakthrough. It is the penultimate moment. It is the instant where agency stops being theoretical and becomes lived. The runner stops looking over their shoulder and finally looks inward, seeing that the monster in the dark was only a confused and exhausted version of themselves asking to be acknowledged. This track represents the thesis in motion, acceptance as rebellion, and self-recognition as the finish line you did not realize you were racing toward.

Sonically, it should feel like running downhill too fast to stop until the moment clarity hits and you realize the only thing guiding you home is your own pulse.

(from the album ROADRUNNER, a spiritual pop experimental collection about ego death, emotional reckoning, and the long sprint toward self-acceptance.)

ROADRUNNER - demo

Soft Like Me is now on spotify! Check it out 
Dreya Veløura · cinematic sound for memory + emotion

Royalty-free ambient cues for visual creators, editors, & storytellers.

🎧 Listen · 🎬 License · 💌 Contact
→ dreyaveloura@gmail.com
Instagram: Dreya.Vel > https://www.instagram.com/dreya.vel/ - cinematic music meet surreal visuals

We are NeON dEVIL — a renewed project with a fresh lineup and a clear direction forward.

Our music isn’t tied to one style.
We enjoy experimenting and combining different ideas, sounds, and influences.
if it inspires us, we use it.

We’re here to create without limitations.
To try new things.
To grow, explore, and see where each idea leads.
No rules. No expectations. Just music.

Featuring 

Sascha Häusler
Astrid Andersson
Raphaela Hartmann
Thomas Kaiser
Ella Park
Anna Weiss
Tina Park
Nero


Concept & Lyrics

Sascha Häusler 
Astrid Andersson
Raphaela Hartmann
Thomas Kaiser
Ella Park
Anna Weiss
Tina Park
Nero

Blaine Beam presents DBX in ROADRUNNER: Director's Cut. OUT NOW! Experience the full story with no interruptions. 

Making music for bots since 2021. 

☁️🛸☁️

BEAM.radio: The channeled messages of the ongoing saga of BEAMEROS. 

Consisting of the Books of Beam
Chapter 1: VOL 1: The Shell Transmissions
Chapter 2: The Lonely Lover Presents Beam.Radio
Chapter 3: THE LOST FILES:// PC_personal_crisis
Chapter 4: BEAMEROS PRESENTS: The Arrival
Chapter 5: DBX in ROADRUNNER
_____________________
• experimental pop vibes •
• DIY demos •

Grafenberg is a sonic explorer whose path spans from the DJ booth to the edges of contemporary electronic storytelling.
After two decades of collecting and spinning techno, minimal and deep underground records, he transformed that passion into a personal language of textures, contrasts, and emotion.

His debut EP on Traumwelten marked the foundation of this identity — a bridge between analog warmth and cinematic melancholy.
In 2025, Grafenberg released his first full-length album, No Saints, No Proof, a conceptual work that blurred the line between the dancefloor and introspection, exploring faith, illusion, and human contradiction through sound.

A month later, he unveiled Circuits in Silence, a standalone single that expanded his universe into Cosmic Slow Techno — a meditative, hypnotic reflection on memory, loss, and the human pulse within the digital void.

Grafenberg is now preparing Erebion’s Dominion, a forthcoming album set for late 2025 or early 2026. Conceived as an immersive narrative between cosmic darkness and redemptive light, it continues his exploration of emotion beyond genre — where analog synthesis meets metaphysical storytelling.

Forever chasing innovation and raw emotion, Grafenberg bridges the legacy of techno with uncharted horizons, where every note carries a fragment of dream, decay, or transcendence.

Ever feel like you've been playing quantum leap in your own life?

Popular tracks tagged #experimental pop