L'ère de l'Impérialisme : L'Humanité est massacré par une poignée d'exploiteurs rentiers.....!!!!

The Age of Imperialism : Humanity is murdered by a handful of exploiters annuitants....!!!!

https://www.facebook.com/khalid.izri

Yiwed .....

Róisín Murphy speaks about some of her favourite electronic records.

BBC RADIO 6 - An Extended Evening with Róisín Murphy

Immerse yourself in this haunting and powerful song, inspired by the darkest corners of human suffering. This Evanescence-style track delves into the horrors of human trafficking, where innocent lives are shattered by exploitation and abuse. With soaring vocals, and a driving rhythm, this song conveys the desperation, fear, and resilience of those trapped in this modern-day slavery. Let the music move you to awareness and action, as we shine a light on the darkest secrets and demand justice for the voiceless.


LYRICS:

[Verse 1]  
Shadows crawl beneath the veil, unseen,  
Chains of silence bind the broken dream.  
Eyes wide open, yet they cannot see,  
A stolen life, lost in captivity.  

[Chorus]  
Scream into the void, let the echoes rise,  
Break the chains that hold the skies.  
Through the darkness, let the light ignite,  
A voice for the voiceless in endless night.  

[Verse 2]  
Whispers haunt where innocence once lay,  
A fractured soul fades further each day.  
The world turns blind to their muted cries,  
While hope flickers like a flame that dies.  

[Chorus]  
Scream into the void, let the echoes rise,  
Break the chains that hold the skies.  
Through the darkness, let the light ignite,  
A voice for the voiceless in endless night.  

[Bridge]  
Rise up from despair's abyss,  
Feel their pain; it’s not remiss.  
Together we can tear apart,  
The walls that cage a beating heart.  

[Chorus]  
Scream into the void, let the echoes rise,  
Break the chains that hold the skies.  
Through the darkness, let the light ignite,  
A voice for the voiceless in endless night.  

[Verse 3]  
The storm will break; their truth will be known,  
Each shattered piece will find its home.  
Through every tear and every fight,  
We’ll forge a path to reclaim their light.  

[Chorus]  
Scream into the void, let the echoes rise,  
Break the chains that hold the skies.  
Through the darkness, let the light ignite,  
A voice for the voiceless in endless night.  

[Outro]  
So scream into the void; don’t let it fade,  
For every soul that fear betrayed.  
Through shadows deep and skies of gray,  
We’ll bring them back to the light of day.

Break The Chains

Róisín Murphy Live at the 2015 Berlin Festival
℗ 2015 Roisin Murphy under exclusive license to Play It Again Sam

Róisín Murphy - Royal T [Live at the Berlin Festival]

Hi! 🖖 I am so thrilled to share my first music video, featuring Oregon waterfalls! 🎵 #rottingbounty #oregonwaterfalls #singersongwriter #protestsong #immigration #labor #agriculture🎵❤️

Rotting Bounty

🎧 Description SoundCloud – "Swipe dans le noir"
Une trance-pop nocturne et engagée, où les écrans deviennent des néons et les profils des marchandises.

"Swipe dans le noir" est un single électro-pop à 128 BPM, en La mineur, qui explore l’aliénation numérique et les réseaux cachés derrière les applis de rencontre. Porté par des vocal hooks puissants, des stabs mélodiques et une basse pulsative, le morceau alterne entre tension digitale et appel à la lumière. La production stéréo large laisse place à une extension Dolby Atmos possible.

🎙️ Thèmes : marchandisation des corps, exploitation LGBTQ+, résistance numérique 
🎛️ Mix : stéréo large, -14 LUFS, limiteur à -0.3 dB 
🎼 Influences : The Weeknd, Gesaffelstein, Years & Years 
📍 Fixation : septembre 2025 | Durée : 3:00 
🔗 MusicBrainz | AcoustID

Swipe dans le noir

From Worldwide Gore Vol.2, a B-movie themed Halloween compilation on Deepthroat Records

You can listen to the rest of the compilation or buy the CD at:
deepthroatrecords.bandcamp.com/album/worldwide-gore-vol-2

Kirril - Into The Night (VA- Worldwide Gore Vol.2)

Groupe punk parisien, avec des membres entre autres de La Fraction et de Pekatralatak/Division Ruine

Lundi matin l'coeur un peu gros, tu mates les gens dans le métro,
Des gueules cassées des gueules brisées, en déroute pour l'boulot
T'accuses le coup mais tu tiens le choc,
Un peu d'frime et beaucoup d'déprime,
Tu descends d'là la tête haute, et tu franchis la porte de l'usine,

C'est parti pour huit heures à faire ces gestes que tu hais tant,
Odeurs de souffre, odeurs de merde, y parait qu'c'est le printemps
Le petit chef est venu gueuler les cadences n'sont pas respectées
Et tu t'actives sur la machine

Est-ce que c'est sans fin ? Travail et chagrin
t'y retournes demain, et puis demain et puis demain...

Et du lundi au vendredi, toutes les semaines, toute la vie
A l'atelier tu fermes les yeux et tu rêves de crédits
Rachid s'est blessé aujourd'hui, Henri s'est suicidé hier
Le patron compte ses bénéfices, toi tu noies ta rage dans la bière

Dans un film la classe ouvrière s'en va au paradis
Toi tu bouffes des pâtes et tu parades dans les boites de nuit
Tu t'dis qu'ce serait p't'être mieux si t'étais amoureux
Mais putain comment font-ils dans les pub
Pour avoir l'air heureux ?

Tu repenses à tout c'que t'as pas fait, à tout c'que t'as envie de faire,
Dès l'école ils t'ont dirigé, formation pour taf de misère
T'embrouilles les riches avec tes potes, parfois tu t'demandes bien
Jusqu'à quand cette vie de merde sera ton quotidien...

Lundi matin l'coeur un peu gros, tu mates les gens dans le métro,
Des gueules cassées des gueules brisées, en déroute pour l'boulot
T'accuses le coup mais tu tiens le choc,
Un peu d'frime et beaucoup d'déprime,
Et tu t'actives sur la machine

Est-ce que c'est sans fin ? Travail et chagrin
t'y retournes demain, et puis demain et puis demain
Est-ce que t'as le choix, bienvenu au syndicat
Car t'es pas né dans la bonne classe,
Mais le week-end, t'as trop la classe,
T'es pas né dans la bonne classe, mais le week-end, 
T'as trop la classe...

Bière Sociale - toutes les semaines

New track from the second album! Get hammered.

Hammered

Trouble In Paradise

The City That Made You Sick (feat Lydia Lunch) (prod Drrty Pharms)

Philippe Joumard (Auteur-compositeur indépendant basé à Cers)
Pays: France
IPI : 1306604973
IPI : 1306604875
COAD : 2048595
ISNI: 0000 0005 2826 9914

Songwriting has been a lifelong passion for me, dating back to elementary school when I first began crafting stories, poems, and eventually lyrics. As a former drummer in various bands, I always relied on others to bring my words to life musically. However, after a long hiatus from drumming, I decided to take the leap and learn to compose music to accompany my lyrics. Through classes and dedication, I've embarked on a new journey, breathing fresh life into old lyrics and penning new ones. You'll find a mix of older and newer works here. Especially for some of the lyrics. 

Music has been a part of me for as long as I can remember. One of my earliest memories is being completely entranced by 'The Little Drummer Boy' as a very young child. There was something about the rhythm and the melody that just captivated me. I must have played it a thousand times, wearing the record out, and from that moment on, I was hooked. I knew I wanted to be a drummer and to create that magic for others. 

But I was too young then, and of course, I couldn't afford a drum set just yet. So, I turned to writing as a way to express myself. As I mentioned above, I started with stories, then poems, and eventually, lyrics. I found that writing was not only a way to tap into my creativity, but also a way to process my emotions and experiences. 

As I grew older, my love for music only deepened. I realized that music has this incredible power to transport us to different times and places, to evoke emotions and memories that we thought were long forgotten. It's a universal language that can bring people together like nothing else can. 

For me, writing lyrics is a cathartic experience. It's a way for me to tap into my emotions, to process the world around me, and to create something that I hope will resonate with others. And when I hear my words come to life in a song, it's truly magical. It's a feeling that never gets old, and it's what keeps me coming back to music time and time again. 

I love many genres of music and artists of many genres. And if you listen to some of my songs, you will find that I like to make songs of different genres as well as mix different genres into each song. One of my all-time favorite bands is Evanescence, and I have made a lot of songs where I have tried my best to emulate that sound. 

Now, I have recently started experimenting with new sounds. I never heard of glitch beats before I took music classes, and now I'm fascinated with the sound, so I have been experimenting with glitch beats recently. 

I hope you enjoy some of my songs. And thanks so much to everyone who has been listening so far. I truly appreciate it. I welcome constructive feedback to help me grow as an artist, and I appreciate your support. ❤️

BTW if you follow me, I will ALWAYS follow back. If I like your music, I will follow you, but if you don't follow me back within a week or so I will probably unfollow. The same goes for when I see someone listening to my music, I WILL follow, however, if they don't follow me back within a week or so, I'll unfollow, because I'm at my limit of follows and I want to follow back everyone who follows me. Did not know that SoundCloud limits us to following only 2000. 😢

*******************
VickStiX's Artist Manifesto
*******************

I am the static between truth and noise.
A pulse that cracks the silence open.
When the world forgets its conscience,
I remind it — one beat, one lyric, one spark.

I don’t shout to divide; I sing to awaken.
I don’t chase fame; I chase clarity.
My art is not a weapon — it’s a flare in the dark.
A signal to every soul that still believes in better.

Let the trolls rage, let the cowards hide.
They can’t drown out a voice that’s tuned to truth.
I will paint their lies in sound and light
until justice has a melody again.

Because protest is not anger — it’s hope with a megaphone.
And I was born to be loud.

🎶 VickStiX — Truth. Rhythm. Revolution.












inquiries: kirrilschreiber@gmail.com

Kirril - II [TAR187] Official Video
https://www.youtube.com/watch?v=EXm694fPo0M

https://hatredmeanswarzine.blogspot.com/2022/02/kirril-interview.html

The singer and composer KHALID IZRI was born in the Rif ( Morocco ) , Berber land along the Mediterranean. His music has its roots in the Berber traditions (Amazigh ) while remaining modern . It is characterized by its rhythmic and melodic variations, the diversity of its tunes and its moods : A special and rich style .

With its splendid Contre -tenor voice KHALID IZRi reveals considerable technical skill and an enormous capacity for vocal performance that made him a staple in the Amazigh song.

Man of conviction and compromise with noble causes since his youth , KHALID IZR , denounces injustice, claim the right of peoples to enjoy their cultural identity , call for the rapprochement of cultures and denounces racism and xenophobia , honors the earth , love and freedom .

Khalid Izri lives in Europe. Exile has strengthened his qualities as an artist. With his warm voice , it keeps vibrating squares and theaters.

80's synth music

'Murder Disco' -CD available here: https://www.recordshopx.com/artist/megahammer/murder_disco_ep/#527907

Contact: megahammer666@gmail.com

'Hit Parade', released 08 September 2023 on Ninja Tune: https://roisin-murphy.lnk.to/hit-paradeSo

Róisín Murphy is a pioneering force in electronic pop. With a career spanning three decades, she fearlessly pushes boundaries and captivates audiences with her unique artistic vision. Taking inspiration from her early years in the Irish town of Arklow and immersing herself in the vibrant club scenes of Manchester and Sheffield, Murphy’s discography is a hypnotic blend of diverse sounds and genres. From her early days in Moloko, known for the hit “Sing It Back” to her critically acclaimed solo albums like Róisín Machine, Murphy consistently surprises and delights listeners. Now signed to Ninja Tune, Róisín is collaborating with DJ Koze on her forthcoming album Hit Parade. With notable tracks like “CooCool” and “The Universe”, the album invites listeners to explore a hyper modern record that melds disco, soul, house, and techno. Murphy continues to surf her own musical waves with utter aplomb, as she’s done throughout her entire career. Renowned for her enigmatic stage presence and show-stopping wardrobe, Murphy is ready to captivate audiences with her electrifying live performances at upcoming shows, including Blue Dot, Melt Festival, Secret Garden Party, and more. Later this fall Murphy’s live reputation is set to soar even higher, as she will embark on a series of US dates, including shows at Terminal 5, The Wiltern, and the eagerly anticipated Portola Festival. In February 2024, Róisín will captivate London’s legendary Alexandra Palace, renowned for monumental performances.

Popular tracks tagged #exploitation