Nobody Move - 02.09.2025

This track has good vibes with a major switch up in the end. Starts with kind of a hip-hop RnB style then the bpm increases and becomes more housey/techno I guess sort of trance not sure :/ Anyways really its two separate tracks that I decided to combine at the last second. They both used the same sound palate. Pretty much everything was recorded with my Rav Vast handpan except the bass which is just one 808 sub note. The song starts at 90bpm then changes to 180bpm its pretty obvious when it happens. Hope you enjoy the track feel free to use it however you like! <3 peace

Back on /// Rivers

You don't have to believe it ...
///////////////////////////////////////
Film excerpts: Things to Come, 1936, William Cameron Menzies
Other audio: YouTube
Educational purposes only 

A New World Begins

A signal lost in the static. The sound of a ghost in the machine, searching for a face in a crowd.

London, 3 AM.

Free Download

Zekka: FREE DOWNLOAD

the one

made with just a pringles can (and some effects) on waveform

pringles

French tap

Sölden

 used water jugs, pans, pillow smack, cat toy, etc... (Spring 2023) Mixed by Vitor Mancini

Imaginary Toys

Buy on Bandcamp: https://hattiesdance.bandcamp.com/album/the-dance

A child of the 80's East Village punk-drag, new music and performance art scene, Hattie’s Dance takes Joshua Fried’s precision-looping phse work and drags it, heels first, onto the dance floor.

Wireless shoe, gesture controllers, TV sample: Hattie's Dance
Stone, gravel, metal, vocoder, programming, M4L: Joshua Fried

Produced by Joshua Fried
Mastered by Scott Hull at Masterdisk

Photo by Jon Uleis
Special thanks to Waiting Dub

Interview: Why Hattie's Dance?
https://www.hollywoodsoapbox.com/interview-the-pyramid-club-is-honored-in-new-performance-piece/

The Dance (Album Version - Instrumental)

Buy on Bandcamp:
https://joshuafriedmusic.bandcamp.com/album/phse-4-ep-2

Here is what Joshua Fried said about 'phse 4' right after we played the full 20-minute version at the release party on May 13, 2025, at the maximum audiophile Light & Sound Design studio. 

"It means so much to me that you're here. And I wanna talk a little bit about the piece you just heard. But first, let's hear it again. The whole thing. Ready? Here we go...
[play Joshua's original composed source loop (2 sec)]

That's it. That's all the sonic material! Wanna hear it again?
[play Joshua's original composed source loop (2 sec)]

Two seconds of audio. For a twenty minute piece.

I...stretched it. You can stretch, explode, a sound—just by making little loops, that slowly move through the material, or zoom in on different spots. 

And we can slice it up, make a pulse. By excerpting even smaller bits, with what they call gates. Line up the spinning loop with the pulsing gate, you got yourself a nice pattern. 

But then...the loop starts to drift! You go out of phase! You start to cycle. Keep...drifting, and you go through all these patterns.

Yeah but wait-- you’ve still got the pulse! The pulse doesn’t change, the beat goes on. It’s just that the rest of the world is kind of shifting underneath it.

Which is how I feel most of the time.

And the processing is all digital. Which means I can control this just...as...precisely...as I want. [If laughter, add line “Some of you know me pretty well.”]

But now the source material...the sounds, the density. Y'know, the process is very sensitive to microscopic differences in the source. 

So we wanna hone the material very carefully, in terms of... 

We need to calibrate the source, according to... according to...

I don't know. I don't know! 

I think that's beautiful! Honestly--the parts that I just put in because, I was like whatever, I have no idea how to fly this thing...

...but those bits? They kinda make the piece.

This means my journey is in its beginnings, and that is a rich blessing. Beginner's Mind and all, y'know?

I wanna think Greg, Kyle, and the incredible Nicole Misha, who makes connections—and not just as a DJ. Check out her other endeavors.

Now here’s the big moment: Bandcamp. [Pull out phone, with browser on Bandcamp track page.] It’s not out until you click “update."

It’s released. This is all so ridiculous. Now the QR code works! And I’ve talked way too much...I got two stories about the great, legendary engineer Scott Hull who worked on this, and two theoretical reasons why this music might evoke infinity. Ask me about that, but right now...

Let’s all move some chairs, for dancing. I’m not gonna just stand around—not with this sound system. Not with this DJ. Thanks for coming, let’s move some chairs."


Shakers, synths, vocoder, Max for Live: Joshua Fried.
Produced by Joshua Fried. Mix supervision by Scott Hull.
Mastered by Scott Hull at Masterdisk. Special thanks to Waiting Dub

phse 4

phse 4 (Full-length)

Pespirito Pisco Sour

Nobody Move - 04.11.25

it's a whole other world to me

This is an extract from Stellar featuring the vocals that don't appear until more than halfway in the original

Stellar (vocal extract)

Feel the room unfold
Every touch turns gold
Every sound I hold

Shadows bend with the bassline
Slow lights curve around my sight
A fingertip of echo follows
Every breath turning into twilight

Feel the room unfold
Sense the colors in the cold
Every touch turns gold
When the night moves slow
Feel the room unfold
Let the hidden waves roll
Every sound I hold
Leads me deeper into glow

Velvet dust in the silence
A pulse sliding under my feet
Textures bloom in the corners
As the rhythm warms the heat

Close eyes, let it rise
All the quiet magnified
Soft waves inside

Feel the room unfold
Sense the colors in the cold
Every touch turns gold
When the night moves slow
Feel the room unfold
Let the hidden waves roll
Every sound I hold
Leads me deeper into glow


Feel the room unfold

This track is just a whole vibe. Sort of nostalgic like you're looking out from the top of a mountain. Like you're just looking out the window on a rainy day. HAHAHAHA the title for this track "taking shape" was inspired by the writing process. I added a little bit to this song at a time mixing different samples. I probably worked on it for a month my usually turn over time is like a couple days. Anyways, I really like how this one turned out it's definitely going to pop off.  Tell your friends like yo I found this new underground artist, like no one has heard of this guy before.  But yeah this song also demonstrates the powerful energy of the handpan and how it can be used with various effects to become a diverse instrument. I just love that metallic sound. 
This song is 96 bpm thats my resting heart rate. not sure if thats healthy 
The key of this song is F I think. 
If you have any other questions or want to collab hit me up in the dms but if its about album art covers and ai videos im good fam. Thanks <3 

taking shape

(っ◔◡◔)っ ♥ Edinburgh community radio ♥

𝓵𝓲𝓼𝓽𝓮𝓷 𝓵𝓲𝓿𝓮: www.ehfm.live
𝓰𝓮𝓷𝓮𝓻𝓪𝓵 𝓮𝓷𝓺𝓾𝓲𝓻𝓲𝓮𝓼: hello@ehfm.live

The entire sound is in my hands. I write cyber poetry, produce, and compose every track ready for Immersive 3D. Every beat is crafted for spatial and next-gen headphones.
Intimate lyrics, total immersion, every track.

For 30 years I kept unfinished demos to myself, never letting them out. Now I finish what I start and release it the moment it’s alive.

I use every tool available, human or machine, as an instrument.
Technology doesn’t replace creativity. It expands it.

We are an experimental sound collective that mixes field recordings, guitars, percussion, gongs, synths,  treated objects, acoustic instruments and voice with live manipulation,  creating improvised soundscapes that are an unrepeatable dialogue between sounds that we collect and curate and the spaces and places in which we find ourselves.

Hypnotic patterns. Music once removed.

A label/project by Joshua Fried
Waiting Dub, Hattie’s Dance, Joshua Fried

Rough drafts & Sketches
Apc40/Live 9
Detroit/Taipei

1/2 @quattro_bajeena
@tenno-club
@pitsdetroit

Pfp by: @ai_kurai_kreations 

For Booking/Inquiries: 
handtraprecordings@gmail.com

from me to you <3 ----------> I have been cursed with making a never ending supply of music for the rest of my life. Check it out 
https://youtube.com/@iaswell?si=OvaVOKpOWlHWpfbr

Visile is the alias of UK producer Nathan Gardner. a proiect born from a deep reverence for the architects of modern British electronic music

His work navigates the rich continuum of the UK underground, synthesizing urban melancholia, rhythmic alchemy and structural euphoria into a sinqular cinematic vision. 

Visile's sound is a meticulously crafted tapestry where spectral vocal samples haunt kinetic. non-quantized rhythms, and warm,
organic textures meet powerful sub-rattling bass. 

As an independent artist. Visile is committed to crafting challenging yet engaging music that tells a story, offering a personal transmission from the heart of the UK's ever-evolving electronic landscape

Electronic Dance Music artist.

Livesets, Production, Mixes

Techno-Drum&Bass-UK sound

Here to share the love.

MAKE THE ART - BREAK THE GENRE

For bookings: meagreresource@hotmail.com

Mark Vernon is a Glasgow based sound artist who works with found tapes and acousmatic presence. His work explores themes of magnetic memory, audio archaeology, voyeurism and nostalgia. 

His solo music projects have been published through labels including Kye, Glistening Examples, Flaming Pines, Misanthropic Agenda, Gagarin, Sonoris, Granny, Psychetropes, Persistence of Sound, Flag Day, Entr’acte, Discrepant, Futura Resistenza, Vice de Forme, Calling Cards and Canti Magnetici. 

He co-runs and curates Glasgow art radio station, Radiophrenia and has produced programmes for stations internationally.

i know im cooking 


softwares:
BeepBox
JummBox
Waveform
GarageBand
Audacity

New tracks tagged #found sound