I finally got to play at Garbicz, and it was everything I expected.
Thanks to everyone who danced with me — see you soon :)

incl. tracks from nuah , manti , vite, Miganova , Peve , Imanol Igoa , Alican , Amensol , Tomper, Highlite , Maori , among others.

Listen, Share, Repeat.

+ info: solo.to/loscabra
www.instagram.com/loscabramusic/

Los Cabra -  Garbicz (2025)

This is my live set from Garbicz Festival 2025 on the Pleasure Island Floor. I had an amazing time playing there. Thank you so much for the invite, you are the best! You can also download the set for better quality.

I’m planning to share some live playthrough videos of these tracks on Instagram in the coming weeks. Make sure to check it out!

DJGEL live @ Garbicz Festival 2025 – Pleasure Island Floor

Sides B, C, and D feature five exclusive studio originals, written and produced specifically for this night. On ‘Counting’, Britta and Sasha unfold their brand of stripped darkness and rolling groove work, while ‘Reformer’ teeters on taut coils of suspended synths. With ‘NGVMT’, the energy bursts open—a radiant block-party roller with throbbing staccato swagger and clanking metallic arpeggios. ‘Beam’ lifts off into pure cosmic wonder, its fluttering, airy themes spiralling skyward. ‘Good Life’ rolls the credits with a beautifully introspective soliloquy, tender and reflective beneath gentle waves of aspirating piano chords. 

Bandcamp

Counting

Reformer

NGVMT (Sascha Cawa & Britta Arnold Remix)

Beam

I recorded a special set to celebrate our 10th wedding anniversary. Wifey, you are marvelous. Expect a mix of oriental, afro, and progressive tunes to close out the summer. 🔥 Enjoy!

#30 Pausa Pranzo Electronic Music Podcast by Lukasz Sibiga

Recorded at JUICY Floor during GARBICZ Festival 2025 in Poland.

GARBICZ Festival 2025



KaterCast 93 diesmal von und mit Franca in der Kiosk ID showcase at Kater Birthday Edition !!!
Enjoy !!!

SC: https://soundcloud.com/francaplays
FB: https://www.facebook.com/Francaplay/
IG: https://www.instagram.com/franca_plays/?hl=de
Beatport: https://www.beatport.com/artist/franca/395606
Spotify: https://open.spotify.com/intl-de/artist/0T9mocL0H8qcDBnmJVc1gC?si=9YcPc-GJS369up04K95zhQ&dl_branch=1&nd=1&dlsi=1843a028a2fc4d0a



Katercast 093 - Franca - Kiosk ID showcase at Kater Birthday 2025 Edition

The set was recorded at the famous katerclub in Berlin during our Kiosk ID showcase at Kater Birthday 22.08.2025

Peter Schumann:
SC: @peter-schumann
FB: www.facebook.com/PeterSchumannMusic/
Beatport: www.beatport.com/artist/peter-schumann/8886
Spotify: open.spotify.com/intl-de/artist/5…BCaTHEXSrFFnup3I
IG: www.instagram.com/peter_schumann_kater

@ Kiosk ID showcase @ Kater Birthday

If you were to ask, DADADISCO wouldn't name a single specific source of their inspiration. These two french gourmands take in and digest pretty much everything, from hard rocks and heavy metals to synthetics and ambience... That means you can expect anything from Denis and Guillaume but cliché. Design, art, cinema and fashion are just as important to them as music. And it all comes through in their sets. 
These gents are very much the products of the "promiscuous and omnivorous" disco mayhem, forever imprinted in the collective memory of club culture as Bar25. It was through this jolly demonic mill, fumes and flames, thick and thin, that this combo blazed their way onto Berlin's raucous music scene. Veritable performers, their epic endless sets were somewhat of a cross between music and circus.
When it closed for good, DADADISCO went global, spreading their retro-futuristic sound along with their overtly surrealist attitude. "Dada" in their name refers, of course, to a movement that in the mid-20th century famously repudiated and mocked all sorts of artistic conventions while emphasising the illogical and absurd. DADADISCO keeps experimenting with genres and influences to discover and deliver their own unique blend of sexy electronica, always favouring spontaneity over etiquette. The name sticks on all of these counts.

Tout est DADA, DADA est partout.

Creator of the podcast and event series Pausa Pranzo.
"I don't limit myself to one particular genre, which allows me to choose best tunes and mix them together making sure that it is not just 'playing songs thing', but storytelling. I just play what I love and feel, paying particular attention to consistency and remarkable selection.
Growing up with the beginning of the electronic scene in Poland shaped my musical character. For over 20 years, I have been traveling to festivals around the world from where I draws my inspiration. I can describe myself as a 100% music lover.
Consistency in searching for the best and most interesting numbers and taking care to prepare the set as a whole, not just selected pieces, is my recipe for success. In my music, I combine sounds from deep, melodic, tech, house and techno genres, mixing them in the best formula."

Artist: DPAZ
Title: Manifest EP
Buy Link: www.kioskid.bandcamp.com
Label: Kiosk I.D.
Catalogue number: Kiosk I.D. 041
Release Date: September 19, 2025

Follow & Support: 
Kiosk I.D. 
SC: @kioskid  
FB: facebook.com/KioskIDMusic 
Bandcamp: kioskid.bandcamp.com/releases  
Beatport: beatport.com/label/kiosk-id/80379  
IG: instagram.com/kiosk.id

DPAZ
SC: @dpazmusic
FB: www.facebook.com/dpazmusic
Beatport: www.beatport.com/artist/dpaz/781752
Spotify:open.spotify.com/artist/3Xs5Ht5qajnLJQFGmy3h4C
IG:www.instagram.com/dpazmusic/

About:  
Following his beatific downtempo debut Cosmos on Kiosk ID, Spanish producer DPAZ returns with ‘Manifest’—an interstellar voyage that accelerates his cosmic signature into higher realms of tempo and intensity. Across five razor-sharp cuts, Manifest charts a high-energy journey through spaced-out synth work, stripped drum structures, and strobing, atmospheric nebulae.

Opening track ‘Clarity’ delivers an urgent, brooding transmission shrouded in darkly oscillating saws. Deconstructed sound fragments arc across a stripped beat, as DPAZ unfolds a shadowy cosmos of menacing staccato synth work that consumes the dancefloor in grayscale flashes.

‘Experience’ brightens the atmosphere while sharpening DPAZ’s focus on sonic detail. Fluttering drums, delicate pads, and cinematic keys are weightlessly suspended, blending sci-fi sound design with emotional nuance. Angelic stabs shimmer through mangled feedback like warped transmissions—soothing yet alien, and intimately moving.

On ‘Humanize,’ DPAZ injects his deep-space psychedelia with percussive urgency. Jarring white-noise bursts and choppy rhythms lend a raw physical edge, while a melancholic motif pulses beneath, warm and radiant amid the technical grit. Tactile and rich in feeling, Humanize beautifully balances raw energy with emotional depth.

The title cut, ‘Manifest,’ threads the needle between dubby atmospheres and sub-heavy propulsion. Playful chirps and brilliantly bright synths revolve around a deep, throbbing core, conjuring a ghostly, jazz-inflected trip. Ethereal yet grounded, Manifest radiates DPAZ’s singular, spectral charm.

Closing track ‘Twelve Dimensions’ pairs an acid-laced lead with a punchy rhythm section. Blippy arpeggios anchor the momentum as chord shifts open up worlds of melodic intensity.

With Manifest, DPAZ transcends his downtempo roots, stepping confidently into a celestial synthesis of synth-crazed, drum-driven psychedelia. The result is a sci-fi club odyssey across five distinct interstellar fragments—bleeding-edge, anthemic, and laser-focused on the floor.

Peter Schumann:
SC: https://soundcloud.com/peter-schumann 
FB: https://www.facebook.com/PeterSchumannMusic/
Beatport: https://www.beatport.com/artist/peter-schumann/8886
Spotify: https://open.spotify.com/intl-de/artist/53xUjVBCaTHEXSrFFnup3I
IG: https://www.instagram.com/peter_schumann_kater

BIOGRAPHY:

The Schumann resonances (SR) are a set of spectrum peaks in the extremely low frequency (ELF) portion of the Earth's electromagnetic field spectrum. Schumann resonances are global electromagnetic resonances, generated and excited by lightning discharges in the cavity formed by the Earth's surface and the ionosphere.

Lightning discharges are considered to be the primary natural source of Schumann resonance excitation; lightning channels behave like huge antennas that radiate electromagnetic energy at frequencies below about 100 kHz. These signals are very weak at large distances from the lightning source, but the Earth–ionosphere waveguide behaves like a resonator at ELF frequencies and amplifies the spectral signals from lightning at the resonance frequencies.

The real Earth–ionosphere waveguide is not a perfect electromagnetic resonant cavity. Losses due to finite ionosphere electrical conductivity lower the propagation speed of electromagnetic signals in the cavity, resulting in a resonance frequency that is lower than would be expected in an ideal case, and the observed peaks are wide. In addition, there are a number of horizontal asymmetries – day-night difference in the height of the ionosphere, latitudinal changes in the Earth's magnetic field, sudden ionospheric disturbances, polar cap absorption, variation in the Earth radius of ± 11 km from equator to geographic poles, etc. that produce other effects in the Schumann resonance power spectra.
̸
Ausgewählte Diskographie
2002 - "Claire" as Audiomat with Marcus Martinez (3d-Records) 
2004 - "Permanent Initio EP" with Benjamin Fehr (Catenaccio) 
2005 - "Ric" - Intercontinental 4 (Traumschallplatten)
2005 - "Delicate Issue" EP (Elster Records)
2005 - "Klartext" Datapunk Rockstars (Datapunk-Ltd.)
2009 - "Mokka" 5 years Stock5 Compilation (Stock5)
2009 - "Up & Away" P.Schumann's Blofeld Edit (Elster-Digital)
2010 - "Limasoul"-MS Elster Rmx (Elster-Digital)
2010 - "Delete One Day Of Your Life! EP (Platte-International)
2010 - "Pink Pills For Pale People" EP (Platte-International)
2011 - "French Monkey" Rmx (Kurzstrecken-Musik)
2012 - "Schoolyard" w/ Benjamin Fehr Rmx (Bluecode)
2013 - "Toulouse Lotrack" w/ Kareem (Katermukke)
2013 - "Bastard Child of House" (Platte-International)
2014 - "Drifting & Afternoon Island" RMX Zuckermann (Lebensfreude) 
2014 - "Dolphins In The Space Caravan" RMX Matt John (Bar25) 
2014 - "Illusions" RMX Ed Ed (Moodmusic)
2018 - "Super G" (Platte International)
2018 - "This place is gone" by Breger (Peter Schumann Remix)  (Copycat)
2019 - "North Scapes" by Bardia Salour ( Peter Schumann's LSD25 Restyle) (Bunte Kuh)
2019 - "Rigel" by Lilly & Kazan (Peter Schumann Restyle)(no one's lost)
2020 - "Rise" (Kiosk-I.D.)
2020 - "Noah" EP w/ M.A. (highway records)
2020 - "Roman IV" (Kiosk I.D.)
2022 - "Deeper Conversations"EP (Sound Of Berlin)
2023 - "Lipstick"EP w/ M.A. (Sit down recordings)
2023 - "Baba EP" w/ Coss incl. Audiojack Remix (Kiosk I.D.)
2024 - "Hippie Trippy" w/ Coss (Betonstrand)
2024 - "Baiocchi" w/ Coss (Betonstrand)
2024 - "The Islands" Abum w/ Coss (Kiosk I.D.)
2024 - "Crown Call" w/ Coss (Neongrau)

Artist: DPAZ
Title: Manifest EP
Buy Link: https://kioskid.bandcamp.com  
Label: Kiosk I.D.
Catalogue number: Kiosk I.D. 041
Release Date: September 19, 2025

Follow & Support: 
Kiosk I.D. 
SC: @kioskid  
FB: facebook.com/KioskIDMusic 
Bandcamp: kioskid.bandcamp.com/releases  
Beatport: beatport.com/label/kiosk-id/80379  
IG: instagram.com/kiosk.id  

DPAZ
SC: https://soundcloud.com/dpazmusic
FB: https://www.facebook.com/dpazmusic
Beatport: https://www.beatport.com/artist/dpaz/781752
Spotify:https://open.spotify.com/artist/3Xs5Ht5qajnLJQFGmy3h4C
IG:https://www.instagram.com/dpazmusic/

About:  
Following his beatific downtempo debut Cosmos on Kiosk ID, Spanish producer DPAZ returns with ‘Manifest’—an interstellar voyage that accelerates his cosmic signature into higher realms of tempo and intensity. Across five razor-sharp cuts, Manifest charts a high-energy journey through spaced-out synth work, stripped drum structures, and strobing, atmospheric nebulae. 

Opening track ‘Clarity’ delivers an urgent, brooding transmission shrouded in darkly oscillating saws. Deconstructed sound fragments arc across a stripped beat, as DPAZ unfolds a shadowy cosmos of menacing staccato synth work that consumes the dancefloor in grayscale flashes. 

‘Experience’ brightens the atmosphere while sharpening DPAZ’s focus on sonic detail. Fluttering drums, delicate pads, and cinematic keys are weightlessly suspended, blending sci-fi sound design with emotional nuance. Angelic stabs shimmer through mangled feedback like warped transmissions—soothing yet alien, and intimately moving. 

On ‘Humanize,’ DPAZ injects his deep-space psychedelia with percussive urgency. Jarring white-noise bursts and choppy rhythms lend a raw physical edge, while a melancholic motif pulses beneath, warm and radiant amid the technical grit. Tactile and rich in feeling, Humanize beautifully balances raw energy with emotional depth. 

The title cut, ‘Manifest,’ threads the needle between dubby atmospheres and sub-heavy propulsion. Playful chirps and brilliantly bright synths revolve around a deep, throbbing core, conjuring a ghostly, jazz-inflected trip. Ethereal yet grounded, Manifest radiates DPAZ’s singular, spectral charm. 

Closing track ‘Twelve Dimensions’ pairs an acid-laced lead with a punchy rhythm section. Blippy arpeggios anchor the momentum as chord shifts open up worlds of melodic intensity. 

With Manifest, DPAZ transcends his downtempo roots, stepping confidently into a celestial synthesis of synth-crazed, drum-driven psychedelia. The result is a sci-fi club odyssey across five distinct interstellar fragments—bleeding-edge, anthemic, and laser-focused on the floor.

BOOKING CONTACT: 
christloscabra@gmail.com

Check all my info on:  www.solo.to/loscabra

When reviewing Los Cabra (Christ Burstein) musical merits at this point in time, it shows that most of
it took shape off the beaten path. Be it the conditions that
sparked his DJ career. Be it his approach of
DJing itself or be it his artistic progression, manifested in his productions.
The Berlin-based live act, Dj & producer combines melancholic, organic soundscapes and a distinct percussive touch in his unique perception.
The result is an intimate listening experience, which hovers between melodic introspection and his Latin roots.
  
Artists like Hernan Cattaneo, Benjamin Frohlich, Niko Schwind,
Elfenberg, Bebetta, Jamiie, Ivan Masa, Pezzner, Kollektiv Ost, Britta
Arnold are just a few names that already remixed him.
 
That’s where he is right now. There’s no scene-dictated tunnel view in his activities, there is only a pointed emphasis on style, on
groove and sophistication. 
Granted: What Christ is laying his hands o
n might have its place within the parameters of House and
Techno, but it’s always more than that. It’s his style.

New tracks tagged #garbicz