a sunday evening disc selection at amager's lovely wine-bar, Josephine. rich flavours.. leaning deep, to the left with a few wildcards in between. 

tak for besøg! :)

spatial sound 'reunion mix' live @ josephine vinhandel

Courtney Conkling, flute

Artwork: Paul Klee, "In der Strömung sechs Schwellen" (1929)

„Can you feel a breeze against your cheek?“

Cracked Magma Flows

the thing is that it is about an intent on changing myself from normal trumpet to this cornette of two valves *not a uper pro anyways but im trying) so i can have fun rather focusing on the gestural aspect of the performance....breaking it a little, .. so i can use that as a sort of random sort of more orgnic and expressive response to that gesturing.....?? since the project is to mix both puredata, the sofware (language) and whatever expertise and all that i could have gathered from my years of serious study of the normal trumpet ...

the idea is to have fun and maybe show few cool ways on how anyone could really do this at whichver stage they are at their instrument growth

i have another maller cut of a take of this same day on youtube facebook and tiktok.
the joke is that the tittle is about me playing alongside with this broken street lamp.....

moth vs light

Continued exploration of this newly discovered Buchla Music Easel patch...

Surfing the Uncertainty

Just getting to learn this amazing system from Ryan Gaston: Gaston Nonlinear Dynamics -- so amazing. Checkout more on my Youtube https://youtu.be/zkeT0nmVUVg

Nonlinear Gestures

the truth is that I have been a music monk and foster house for street animals, and a non professional street skateboarder
for the last 10 years, (practically all my youth has been invested into this).
Naturally, now, as it couldnt be otherwise I guess, i kind of became a proper composer for animals
(actually never been anything else, even though it did remind subconsciously.
Or well, a street composer for street animals...anyway...xdd

I have done it in the most alternative and self taught way that has been on my might.

Using the most reasonable kind of references that I could make myself responsible on the process.

Its interesting that I happily went out there to occupy houses using renewable energy.
A house-cave in sacramonte, granada, in which I put a wall piano inside,
a hundred years old house in Barcelona...

Never against anyone, but rather filling spaces legitimately as I went on.

And some other things on that line.

Traveling along the coast of my beloved Mediterranean see of Spain,
learning old techniques of what I considered universal and free music.
first flamenco, on the guitar, like in first person learning, i had the honour some local lejends kind adopted me in Jerez and Cadiz.
then Sevilla, and then Granada which i began with some generic jazz with my trumpet and finally computer music in Barcelona,
when I first know about Pure Data

I did all kinds of researches, just seeking what really motivated me, getting from here and there.

Never taking for granted the old or the new. Never fitting actually,
but I always knew what I was kind of solving.
I have been interested about certain specific dynamics, some gestual, some just about textures, harmonies,
a lot of melodies have been seed in my mind to heart. Everything is a code for me since I have memory.

I can say Im also a songwritter and a facebook writter.
I do feel myself as a poet, none that knows me well enough end up thinking otherwise. however it may sound right now...

Bandcamp, youtube, facebook, twitter, I reached 3k on views on my blogger, but kind of forbidden to like (too much too protest im afraid)but Im an actual redditor. Its all under Mauro amilibia, the latest is within the wur notant mlb. I produce very appealing images from time to time, but I really do music as my lifetime artistic career

Im not sure if I will upload here which content exactly. I want to show my raw recordings but also my very finished work.
I guess Ill end up doing a bit of everything as always xdd

composer, performer, lecturer and analog synthesist who is endlessly fascinated by and exploring sound...

Cameron Randall is a multidisciplinary artist, field recordist, and DJ based in London.

'livin' trife'



2024
jun  08      Cafe FREDA's, oxford st. 19.oo

2023
oct  22      Dub In The Park, petersham park, sydney 12.oo (noon)
oct  07      FREDA's, oxford st. darlinghurst, sydney 21.oo
aug 04      BIRD, listening bar. gl. kongevej 102, københavn 20.oo
aug 02      JOLENE, flæsketorvet 81-85, københavn 20.oo-22.oo
juli  30      JOSEPHINE vin bar, frankrigsgade 15, københavn
jun  29      {SPATIAL SOUND} w/ Command D, Jie + djM74 @ Jolene, København

2022
jul  29      BLYSJÖN festival, Värmland. Sverige. (29-31)
jul  09      BIRD, listening bar. gl. kongevej 102
jun 04     {SPATIAL SOUND} @ søhesten  TBA
jun 02     distortion x søhesten. sønder boulevard 53 w/ varme rytmer
maj 07    {SPATIAL SOUND} @ søhesten  MCHL all night long
apr  21  BIRD, listening bar. gl. kongevej 102
apr  09   {SPATIAL SOUND} @ søhesten MCHL x MARTINEZ x CALUM
mar 05  premiere {SPATIAL SOUND} @ søhesten CALUM x YUPA
feb  19    basement enhavevej. bliss.

2021 
dec 04  søhesten, mchl, all night long. for OSCO
oct  15  JOY, griffenfeldsgade. b2b med iakovos
oct  09 basement enhavevej. bliss. 
sep 18 fredericksgade 11, vermland arkitekter (3 days of design)
sep 16 bird på gl. kongevej 102         
aug 12 nikolajs kunsthal københavn
jul    23 supertwo (superglue) amager

Amelia Brey's music has been described as possessing “haunting beauty” and a "deep, disquieting power” (National Sawdust Log). Her works have been performed by Ensemble Dal Niente, Ensemble Connect, and The Juilliard Orchestra, and commissioned by Project eGALitarian, Music City Trombones, HUP! Productions, Zenith Winds, and the Nebraska Chamber Music Institute. Hailing from Tallahassee, Florida, Brey is a graduate of Vanderbilt University and is currently a C.V. Starr Doctoral Fellow at the Juilliard School.

New tracks tagged #gestural