Gлiтch

Ambient/Experimental/Acoustic track from Swan Song, finished September 22nd 2014.
Featuring Damien Jarry (violoncellos)

DD: Acoustic piano, Upright bass, Hang (spacedrum), treatments and radio interferences. (Includes speeches by Neil Amstrong, Juan Domingo Peron and Albert Einstein)

Full streaming here: 
https://danieldiaz.bandcamp.com/album/swan-song

Info:
http://dedeland.com/swan-song/

Harold's Lake (excerpt)

Three drum beats, chopped, cut and mutilated with different manual methods and an automated plugin (tweaked in real time) + a synth track, also cut and skidded and finally a glitch I captured and entered on a sampler, played rhythmically with pads.
Created Thursday Sep26th by DD.

https://llllllll.co/t/disquiet-junto-project-0665-clicks-cuts-music-factory

Cut That Click (disquiet0665)

Solo electric bass performance with real time treatments and cut&paste structure alterations.
Every note and every noise here are sourced from a live-in-the-studio performance on my Drake DiazCustom5 electric bass:
http://www.drakecustombass.com/gallery/diaz-custom-5/
Fx used: reverb, echo, reverse delay, wah-wah delay, overdrive, distortion.
www.dedeland.com


Outside Juarez

Nightwatch IV: Something's Broken.
Solo electric bass performance by d.d, 
treatments: reverb, tremolos, chopper, vibrolo,  granulator, wah-wah

photo:
Nightwatch series / copyright (c) Sabine Pigalle 
www.sabinepigalle.com

music recorded Friday 31st march 2017 at the pleasure dome.

Recorded fro DD's ongoing series Film Noir/NightWatch and for
Diquiet junto project 0274

Nightwatch is a trilogy performed on mostly electric basses , it's a trilogy but today I recorded a 4th part for this junto, a solo bass performance, and then "broke" the low notes that populate the pauses with extreme tremolos, chopper, skidder and regular tremolos at hard settings (square wave, loads of drive and saturation)
I love the way those tremolos, used in this "chop down" way, break the decay of the notes and make the soft vanish of music sound beautifully wrong.

Added huge reverbs and wah wah on the reverb.
Broken ambient bass.

4th part of a trilogy.
More here: 
https://soundcloud.com/daniel-diaz/nightwatch-i-the-walk-through
https://soundcloud.com/daniel-diaz/nightwatch-ii-the-dark-side
https://soundcloud.com/daniel-diaz/nightwatch-iii-nocturnal-still-life

More on this 274th weekly Disquiet Junto project — “Broken Sound: Record a piece of music in the genre called ‘broken sound’” — at:

http://disquiet.com/0274/

More on the Disquiet Junto at:
http://disquiet.com/junto/

Subscribe to project announcements here:
http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:
http://llllllll.co/t/the-genre-of-broken-sound-disquiet-junto-project-0274/

Nightwatch IV: something is broken (disquiet0274)

I realize that my contributions so far are note quite adequate; I’m not leaving any room for a 3rd party to get in. 

So, to build a track that leaves some room for a third part, I started on @disconcert_1 ‘s:

https://soundcloud.com/disconcert_1/left-side-disquiet0315

And added a rhodes piano improv and some back beat loops.
Nothing really happens besides the acid mantra like groove so there’s room for something else IMHO (I also added some drive-filter to disconcert’s original, hope he doesn’t mind)

@disconcert_1
@disquiet

More on this 316th weekly Disquiet Junto project (El Segundo: Record the second third of a trio, adding to a pre-existing track.) at:

https://disquiet.com/0316/1

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0316-el-segundo/2


free download

From The Left Side Looking Right (disquiet0316)dd & disconcert

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

17 yo insomniac making something listenable :]
Favorite Styles/Genres: ambient, breakbeat, d&b, glitch, techno, idm, atmospheric house
_ _ _ _ _ _ _ 
Эй вы, господа. Цените саунд, кушайте хлебушек!

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