Imaging package custom-produced for "Rock N Roll Classics Jukebox" Show based in Sydney, Australia by Brady McGraw.

Rock N Roll Jukebox Classics #2 Montage

ePUB  Swine in the Laboratory: Surgery, Anesthesia, Imaging, and Experimental Techniques, Third Edition 

Read here : https://centerofsound.blogspot.com/?oak=B017A311XO

For two decades, Swine in the Laboratory: Surgery, Anesthesia, and Experimental Techniques has been the most respected practical technical guide for medical and veterinary researchers using swine as experimental animals. Extensively updated and expanded since the publication of the second edition in 2007 and now sponsored by the American College of Laboratory Animal Medicine (ACLAM), it continues to be the most authoritative source of scientific and technical information on the use of domestic and miniature swine in research.Additions to the Third Edition Include:New chapters on toxicology, transgenics, cancer models, and necropsy techniquesAn overview of porcine models that were not included in the previous editionUpdates to chapters on the various body systemsContributions from 25 new coauthors, as well as a new coed

PDF READ Swine in the Laboratory: Surgery, Anesthesia, Imaging, and Experimental

FULL TEXT - https://www.drjjamesfrost.com/post/intrinsic-cellular-computation-far-reaching-implications-for-solving-the-cancer-problem

In my article Cancer’s Intelligence I conjectured that cancer is able to compute survival solutions to future environmental changes that it has not yet encountered. That is, that cancer can predict the future and ready itself to adapt to new, yet unseen environmental conditions, whether a change in oxygen tension or a chemotherapeutic drug.

A recent, exceedingly relevant paper entitled Trade-offs between cost and information in cellular prediction by Tjalma et al analyzes cellular adaptation and lays out the conditions for prediction of a survival response to an adverse environmental change. The cellular response is an intrinsically computed solution to future external events using the cell’s internal computational machinery. Historically, it has been thought that only higher organisms “can predict the future environment and initiate a response ahead of time”, but this is not the case.

At bottom, energy and time are two key computational limits. Energy (free energy) for computation, storing information, and the protein synthesis needed for future actions limits computation of the optimal solution for future survival moves.  Time is a factor in computing solutions and a in sensing and sampling the current and past environments sufficiently finely for accurate predictions. Optimal time averaging for the cell is key, which also has the advantage of filtering noise.

The Tjalma article elucidates the informational bounds a cell can possibly have about the future. The costs of a bit of informational sampling and processing are computed and compared.  As information-processing humans, we extract only the most useful information from the past environment as we plan future actions – the cell does the same. How and under what conditions a cell approaches the information bound for its internal computation is examined in detail by exploring Markovian and non-Markovian models and by examining the necessary fineness of temporal sampling of the environment and the cell’s computational speed. The information bottleneck theory is key in this analysis, as it dictates information compression for storage and its costs.

The article is a challenging, yet rewarding read and one that is intimately related to the vast computation ability of the cancer cell and more importantly, cancer cell networks. In a way, this article is the missing link between cancer’s computation from instantaneous, present environmental conditions – the constrained regime held by most cancer biologists – to the tracking and selective sampling of the past and the present to the response to yet-unseen future events – just as human and higher animal computation occurs.

For more information on the molecular imaging aspects of cancer characterization, treatment, and monitoring, please visit BioMolecular Imaging, LLC http://biomolecularimaging.com

Direct Contact

E-mail: DRJJAMESFROST@GMAIL.COM
Website: www.DrJJamesFrost.com
Twitter: www.twitter.com/drjjamesfrost
Facebook: www.facebook.com/drjjamesfrost
LinkedIn: https://www.linkedin.com/in/drjjamesfrost/
SoundCloud: www.soundcloud.com/drjjamesfrost
ORCHID ID: www.orchid.org/0000-0002-5148-6560

Intrinsic Cellular Computation: Far Reaching Implications for Solving the Cancer Problem

It’s likely that everyone reading this has used, or at the very least heard of Adobe’s ubiquitous piece of software called Photoshop. But are you familiar with the very first—and perhaps the most eccentric—of the evangelists working behind that magic curtain? 

Well, you’re about to meet him today, in our latest podcast featuring pioneers of photography and imaging. As Adobe employee number 38, graphic designer Russell Preston Brown was in the room when brothers Thomas and John Knoll showed up to demonstrate a new piece of software, in 1988. Suitably impressed with what he saw, Russell made a beeline to Adobe co-founder John Warnock and uttered the imperative “Buy it! Now!” 

Thirty-five years later, Brown has not lost an ounce of passion for concocting magic with digital imaging tools, and for sharing his knowledge with other users during his outlandish workshops and events. 

Join us for a rollicking chat with this shapeshifting impresario in cowboy attire. From Brown’s earliest training in darkroom photography to his current digital workflow syncing a mobile phone with Profoto lighting gear, we cover a lot of ground. 

Throughout our discussion, we reflect on the revolutionary effects of technological advances, plus Brown’s uncanny luck to be there in the middle of the zeitgeist, which led him to a telling analogy: 

“Yes, I was in the right place at the right time. I made my fair share of contributions, but it all comes back to—what if the Knoll brothers had not decided to make Photoshop? I want to see that Jimmy Stewart episode of “A Wonderful Life,” where Photoshop didn’t appear. Would we be using Letrasets?...” 

Guest: Russell Preston Brown

For more information on our guests and the gear they use, see:
https://blogd7.bhphotovideo.com/explora/podcasts/photography/adobes-first-evangelist-russell-preston-brown

Above photograph © Russell Preston Brown


Guest Bio:

Russell Preston Brown is the Senior Creative Director at Adobe Systems Incorporated, as well as an Emmy Award-winning instructor. His ability to bring together the world of design and software development is a perfect match for Adobe products. In Brown 's 38 years of creative experience at Adobe, he has contributed to the evolution of Adobe Photoshop and Adobe Illustrator with feature enhancements, and advanced scripts. Most recently he has started to travel the world with a mobile phone camera to capture his adventures from a whole new creative perspective. This new age of mobile photography has sparked his creativity and has inspired a variety of new imaging directions. 

Brown also specializes in inspirational hands-on training at Adobe MAX, where he shows users how to work and play with Adobe software. He shares his delight in testing the creative limits of his tools as a prolific creator of an entertaining collection of Photoshop tips and tricks. His in-depth design knowledge and zany presentation style have won him a regular following among beginning, intermediate, and advanced Photoshop users alike. A live performance of the Russell Brown Show is not to be missed. 

Stay Connected:
Russell Preston Brown Website: https://russellbrown.com/

Russell Preston Brown on Instagram: https://www.instagram.com/dr_brown/

Russell Preston Brown on Facebook: https://www.facebook.com/russellprestonbrown/

Russell Preston Brown on Youtube: https://www.youtube.com/user/therussellbrownshow/videos

Russell Preston Brown on Vimeo: https://vimeo.com/user6594224

Russell Preston Brown at the Photoshop Hall of Fame: https://www.photoshophalloffame.com/russell-brown

Adobe Max: https://www.adobe.com/max.html

The B&H Photography Podcast

Adobe’s First Evangelist: Russell Preston Brown

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EVERT FERNANDEZ studio believes that each brand, each radio or TV station, deserves its own tailor-made image. A personal sound, which reflects the station's unique personality and core values. Radio imaging, Mixing, Remixing, Sound editing and Audio postproduction for television, Jingles, IDs, promos, Voice over, sweepers and More ...

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EVERT FERNANDEZ studio
Producción radial moderna, contemporánea acorde al formato de las principales radio estaciones del mundo. Producción y postproducción de audio con la imagen auditiva hecha a su medida.
Jingles, Produccion Radial, Cuñas Radiales, IDs, Promos y muchos más…

...............

EVERT FERNANDEZ studio believes that each brand, each radio or TV station, deserves its own tailor-made image. A personal sound, which reflects the station's unique personality and core values. Radio imaging, Mixing, Remixing, Sound editing and Audio postproduction for television, Jingles, IDs, promos, Voice over, sweepers and More ...

TOP COLLECTION - VERANO | Jingles publicitarios, Comerciales, Promo radio, Locución, Cuñas

How did a space-age invention become ubiquitous in today’s digital imaging landscape? Learn all about it here in our latest podcast, featuring pioneers of photography and digital imaging. 

In 1993, noted physicist and engineer Eric Fossum led the invention of the CMOS active-pixel image sensor as part of his work for NASA’s Jet Propulsion Laboratory (JPL). Then, as part of JPL’s mandate to seek commercial and consumer applications for emerging technologies, he was active in the transfer of the CMOS sensor’s “camera-on-a-chip” technology to industry. 

In our informative conversation with Professor Fossum, he makes distinctions between solid state CCDs and his more efficient CMOS sensor that would come to dominate the marketplace. To transform high-level science into layman’s terms, he uses the analogy of a bucket brigade collecting rain on a football field.

In a similar down-to-earth fashion, we touch on metaphysical issues like wave particle duality, and how this is demonstrated every time light enters a camera and you take a picture with your phone.

Join us to marvel at the wonders of science amid fun food references—from the way deep space radiation degrades CCD chips so they start to act like Swiss cheese, to the synergies between high-level scientific measurements and delicatessen lunch meats, both marks of a creative scientist and visionary educator.

Guest: Eric Fossum

Above photograph © John Sherman Photography, https://jshermanphoto.com/

For more information on our guest, see:
https://blogd7.bhphotovideo.com/explora/podcasts/photography/camera-on-a-chip-eric-fossums-invention-of-the-cmos-image-sensor

Stay Connected:
Eric Fossum Website: https://ericfossum.com/
Eric Fossum Wikipedia page: https://en.wikipedia.org/wiki/Eric_Fossum
Eric Fossum at the National Inventor’s Hall of Fame: https://www.invent.org/inductees/eric-r-fossum
Eric Fossum at Dartmouth Engineering: https://engineering.dartmouth.edu/community/faculty/eric-fossum
Eric Fossum bio from the Queen Elizabeth Prize for Engineering: https://qeprize.org/winners/eric-fossum
Eric Fossum’s 2021 Emmy Award in Tech and Engineering https://www.nhbr.com/dartmouth-professor-wins-emmy-award-for-image-sensor-technology/

Subscribe here

Camera on a Chip: Eric Fossum's Invention of the CMOS Image Sensor

How much can you edit a photo before it stops becoming true? That’s the question CNET tech reporter Stephen Shankland recently asked in the opening lines of his story, How Close is that Photo to the Truth: What to Know in the Age of AI. 

The article examines digital photography and advanced smartphone image processing in the era of AI. It reaches beyond the polarizing visual minefield of generative AI by delving into aspects of this technology that’s been quietly pre-baked into most every camera on the market these days. 

The sophisticated processing under the hood of your digital camera is our jumping off point for a wide-ranging discussion with Shankland that touches on many aspects of the digital workflow, before scaling the slippery slopes of generative AI. 

A few of the many points we cover include: Comparing the three primary generative AI platforms and discussing their differences, an assessment of AI manipulations and deepfakes, the ways in which a proliferation of camera phones can serve as a buttress against fakery, and the social contract inherent in weighing the veracity of an image.

Today’s AI landscape seems to be morphing by the minute, a reality that’s reflected here with bonus content! Barely a week after our original discussion, Open AI’s new text-to-video application, Sora, was released to a tidal wave of interest, so we got Shankland back on mic. Stay to the end to hear our first impressions of this new technology and listen closely to discover how an AI bot got the last word in our chat.

Guest: Stephen Shankland

Above image: © Allan Weitz, https://www.allanweitzdesign.com

For more information on our guest and the gear he uses, see:
https://www.bhphotovideo.com/explora/podcasts/photography/photography-in-the-age-of-ai-with-stephen-shankland

Stay Connected:
Stephen Shankland’s Instagram: https://www.instagram.com/stshank/
Stephen Shankland’s Twitter: https://twitter.com/stshank/
Stephen Shankland’s Facebook: 
https://www.facebook.com/people/Stephen-Shankland/
Stephen Shankland’s Flickr: 
https://www.flickr.com/photos/shankrad/
Stephen Shankland’s MuckRack: 
https://muckrack.com/stshank
Stephen Shankland’s CNET profile:
https://www.cnet.com/profiles/shankland/
Stephen Shankland’s CNET article on AI: https://www.cnet.com/tech/mobile/features/how-close-is-that-photo-to-the-truth-what-to-know-in-the-age-of-ai/ 
Open AI’s Chat GPT: https://chat.openai.com/
Open AI’s Dall-E: https://openai.com/dall-e-2
Open AI’s Sora: https://openai.com/sora

Photography in the Age of AI, with Stephen Shankland

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Where does the medium of photography stand in an era where the latest mantra encourages people to “Skip the Photo Shoot?”

How can a viewer continue to trust photographs as evidence in a marketplace where AI is touted as a “revolution,” and “the new digital camera” that we need to embrace?

And what methods can a photographer use today to be considered a credible witness with a transparent code of ethics?

These are just a few of the points raised in our discussion with renowned writer, photo editor, and educator Fred Ritchin. For more than forty years, Ritchin has kept tabs on the progressive shift from using a camera to record the visible as truth to getting the world to look the way we want it to look.

Join us, as we wade through the swampy terrain separating photographic fact from synthetic creation, as part of a wider series tracing the effects of AI on today’s creative community.

Bonus invite: In preparation for an upcoming discussion between visual artists and AI instigators Boris Eldagsen and Miles Astray, we’re soliciting listener questions. To get your chance for an on-air shout out, please post a question for our guests to the comments section below or email it to: podcast@bhphoto.com.

Guest: Fred Ritchin

For more information on our guest and the gear he uses, see:
https://www.bhphotovideo.com/explora/podcasts/photography/photography-in-the-age-of-synthetic-imaging-with-fred-ritchin

Top shot: Synthetic image, not a photograph, generated by the artificial intelligence system DALL-E, in response to the text prompt by Fred Ritchin, “An iconic photograph from the year 1945,” 2023.

Stay Connected:

Fred Ritchin Wikipedia page: https://en.wikipedia.org/wiki/Fred_Ritchin

Fred Ritchin bio from ICP: https://www.icp.org/users/fredritchin

Four Corners Project: https://fourcornersproject.org/

The Fifth Corner https://thefifthcorner.org/

Writing with Light Campaign: https://wwlight.org/

The Synthetic Eye book: https://wwnorton.com/books/9780500297391

Photography in the Age of Synthetic Imaging, with Fred Ritchin

In today’s podcast, we chat with Boris Eldagsen, visual artist and AI pioneer, and Miles Astray, documentary photographer, on a plethora of issues surrounding AI-generated content. Boris and Miles share a ton of insight into the nature of AI-generated images, from the implications of it becoming more prevalent, the possibility and dangers of the spread of misinformation all the way to the need to rethink how we engage with social media.

These are just a few of the points raised in our discussion with them. If you haven’t already listened, This episode is part of a wider series tracing the effects of AI on today’s creative community.
Guests: Boris Eldagsen & Miles Astray
Top shot: TOP_SHOT_Eldagsen_Astray_bhpodcast
Photo caption: AI Generated Image “The Electrician” vs Authentic Photograph “Flamingone”
Photo credit: Collaged diptych: © Boris Eldagsen / © Miles Astray

Authentic Photographs vs AI Generated Images, with Boris Eldagsen & Miles Astray

Allan Weitz had little idea of the grand photographic adventures in store when he signed on as host of the B&H Photography Podcast shortly before the show’s debut in October 2015. As a self-described big mouth, and with more than 40 years as a working pro fueling his curiosity about all things photographic, Allan quickly honed his chops to become the voice of the show.
Today’s episode marks a crossroads, as Allan passes his hosting mic to the show’s incoming host, Derek Fahsbender, producer and host of the B&H Event Space. During a lively chat, we celebrate Allan’s long and successful career, both on assignment and at the helm of the podcast, with some never before told stories and audio clips from memorable interactions with guests.
A few of the many topics we cover include, how a kid from Sheepshead Bay made a name for himself photographing classic yachts, the ways in which Allan’s time behind a New Jersey deli counter enhanced his ability to engage with people on a human level—among other benefits to career reinvention—and how his shift into podcasting taught him to use his voice as an instrument.
As Allan aptly summarized for attendees of the podcast team’s 2018 presentation of Podcasting 101: “It’s not always what you say, but how you say it.”

Guest: Allan Weitz

Guest Bio:

Allan Weitz started taking pictures when digital meant doing something with your fingers. A graduate of New York City’s High School of Art and Design and the School of Visual Arts, Allan is the founding host of the B&H Photography Podcast, one of the highest-rated photography podcasts in Apple's Creative Arts category. 

For more than 50 years, Allan’s photographs have graced the covers and inside pages of dozens of publications, including New York magazine, Esquire, GQ, Yachting, and Nautical Quarterly. Many of these images have won him awards from the New York, Philadelphia, and New Jersey Art Directors Clubs, the Graphic Artists Guild, Art Direction Magazine, Print, and Graphis, among others. 

More recently, Allan has had great success exhibiting—and winning awards for—his photos as fine art prints, as well as dabbling with artificial intelligence using the traditional photos from his vast image library as source material. 


Stay Connected:
Allan Weitz Website: https://www.allanweitz.com/
Allan Weitz Instagram: https://www.instagram.com/allanweitz/
Allan Weitz articles on the B&H Explora Blog: https://www.bhphotovideo.com/explora/users/allan-weitz
Podcasting 101 with the B&H Photography Podcast Team: https://www.youtube.com/watch?v=Yd2KDaNSjGI
Steve Sasson Podcast Episode: https://www.bhphotovideo.com/explora/podcasts/photography/invention-of-digital-camera
Japan Camera Hunter Podcast Episode: https://www.bhphotovideo.com/explora/podcasts/photography/podcast-the-japan-camera-hunter
Graham Nash Podcast Episode: https://www.bhphotovideo.com/explora/podcasts/photography/graham-nash-ace-photographer-digital-printing-pioneer-music-legend-the-bh
Bruce Gilden Podcast Episode: https://www.bhphotovideo.com/explora/podcasts/photography/closer-look-bruce-gilden

End Credits:
Founding Host: Allan Weitz

Incoming Host: Derek Fahsbender

Senior Creative Producer: Jill Waterman

Senior Technical Producer: Mike Weinstein

Executive Producer: Richard Stevens

Passing the Podcast Keys, with Derek Fahsbender & Allan Weitz

A breezy, uplifting indie-pop track that blends airy synth textures with gentle acoustic guitar layers. Evokes the warmth of a sunrise over the ocean and the emotional release of leaving the past behind.

Sun on the Water

Hailing from Douglas, Isle of Man, Nova Bloom is a rising force in the modern music scene, blending cinematic soundscapes, infectious hooks, and an unmistakable emotional core. With a style that effortlessly fuses pop, synthwave, and indie-electronic elements, Nova’s music feels both nostalgic and futuristic—an electric pulse for late-night drives and neon-lit dance floors.

Discovered and produced in collaboration with R, Nova Bloom is already turning heads with her lush vocal textures, vivid storytelling, and immersive production. Each track feels like a window into a vibrant, hyper-colored world where vulnerability meets empowerment.

Driven by a desire to create songs that connect deeply and resonate widely, Nova Bloom is only at the beginning of her journey—but her sound, vision, and energy promise a future as bold and unforgettable as her name.

The B&H Photography Podcast: Join us every other week for a conversation with insightful and entertaining guests. From gear and technique to history, science and art, we discuss the issues most important to the contemporary photographer.

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