The piece, written by Virginio Aiello and produced in collaboration with Frank Iengo, is a melancholy and introspective composition, which wants to be the musical representation of the silent and solitary walks of Van Gogh, who, immersed in nature, drew inspiration in making his first sketches of animals and rural landscapes. Basically, this composition is a tribute to Van Gogh is meant to represent the suffering and restless soul of the great artist.

Van Gogh

I love this guy, man. I get why people hate him, whether it be from familiarity or a lack of understanding. But I never could. Never. Subaru Natsuki is amazing in every sense of the word, and is an inspiration to the strength behind humanity. The complexity of his character, mixed with his relatable sense of self-satisfaction, alongside his inability to become strong - his problems being hard to solve, having to suffer with no real easy answer - is just how life is. For some of us.

How could I ever hate Subaru Natsuki, when I myself am the lowest of the low? I do not hate myself for what I am, or what I do... But for what I haven't done, and I fail to be.

Subaru "I Hate Myself" X Mis (Slowed and Looped) - Alex G

𝕿𝖍𝖊 𝕾𝖔𝖚𝖓𝖉 𝖔𝖋 𝕿𝖗𝖞𝖎𝖓𝖌 𝖙𝖔 𝕭𝖗𝖊𝖆𝖙𝖍𝖊 𝕴𝖓𝖘𝖎𝖉𝖊 𝕿𝖍𝖊 𝕾𝖙𝖔𝖗𝖒. 𝕴𝖙’𝖘 𝖓𝖔𝖙 𝖆𝖇𝖔𝖚𝖙 𝖕𝖗𝖊𝖙𝖊𝖓𝖉𝖎𝖓𝖌 𝖙𝖔 𝖇𝖊 𝖔𝖐𝖆𝖞. 𝖎𝖙’𝖘 𝖆𝖇𝖔𝖚𝖙 𝖆𝖉𝖒𝖎𝖙𝖙𝖎𝖓𝖌 𝖜𝖍𝖊𝖓 𝖞𝖔𝖚'𝖗𝖊 𝖓𝖔𝖙, 𝖆𝖓𝖉 𝖋𝖎𝖓𝖉𝖎𝖓𝖌 𝖘𝖙𝖗𝖊𝖓𝖌𝖙𝖍 𝖎𝖓 𝖙𝖍𝖆𝖙 𝖍𝖔𝖓𝖊𝖘𝖙𝖞. 
𝕰𝖛𝖊𝖗𝖞 𝖑𝖎𝖓𝖊 𝖍𝖎𝖙𝖘 𝖑𝖎𝖐𝖊 𝖆 𝖕𝖊𝖗𝖘𝖔𝖓𝖆𝖑 𝖏𝖔𝖚𝖗𝖓𝖆𝖑 𝖊𝖓𝖙𝖗𝖞 𝖈𝖗𝖆𝖈𝖐𝖊𝖉 𝖔𝖕𝖊𝖓 𝖋𝖔𝖗 𝖙𝖍𝖊 𝖜𝖔𝖗𝖑𝖉, 𝖙𝖗𝖆𝖈𝖎𝖓𝖌 𝖙𝖍𝖊 𝖙𝖊𝖓𝖘𝖎𝖔𝖓 𝖇𝖊𝖙𝖜𝖊𝖊𝖓 𝖌𝖎𝖛𝖎𝖓𝖌 𝖚𝖕 𝖆𝖓𝖉 𝖘𝖍𝖔𝖜𝖎𝖓𝖌 𝖚𝖕.
𝖂𝖎𝖙𝖍 𝖗𝖆𝖜 𝖊𝖒𝖔𝖙𝖎𝖔𝖓 𝖆𝖓𝖉 𝖘𝖙𝖗𝖎𝖕𝖕𝖊𝖉-𝖇𝖆𝖈𝖐 𝖒𝖔𝖒𝖊𝖓𝖙𝖘, 𝕯𝖝𝖗𝖙𝖎 𝖑𝖆𝖞𝖘 𝖉𝖔𝖜𝖓 𝖙𝖍𝖊 𝖇𝖑𝖚𝖊𝖕𝖗𝖎𝖓𝖙 𝖋𝖔𝖗 𝖘𝖚𝖗𝖛𝖎𝖛𝖆𝖑 𝖎𝖓 𝖈𝖍𝖆𝖔𝖘. 
𝕿𝖍𝖊 𝖙𝖗𝖆𝖈𝖐 𝖉𝖔𝖊𝖘𝖓’𝖙 𝖇𝖊𝖌 𝖋𝖔𝖗 𝖕𝖊𝖗𝖋𝖊𝖈𝖙𝖎𝖔𝖓, 𝖎𝖙 𝖘𝖎𝖒𝖕𝖑𝖞 𝖘𝖆𝖞𝖘: “𝕰𝖛𝖊𝖗𝖞𝖙𝖍𝖎𝖓𝖌 𝖜𝖎𝖑𝖑 𝖇𝖊 𝖆𝖑𝖗𝖎𝖌𝖍𝖙 𝖎𝖓 𝖙𝖍𝖊 𝖊𝖓𝖉, 𝖊𝖛𝖊𝖓 𝖎𝖋 𝖎𝖙 𝖉𝖔𝖊𝖘𝖓’𝖙 𝖑𝖔𝖔𝖐 𝖑𝖎𝖐𝖊 𝖎𝖙 𝖓𝖔𝖜.”
𝕷𝖊𝖙 𝖙𝖍𝖎𝖘 𝖇𝖊 𝖞𝖔𝖚𝖗 𝖒𝖎𝖗𝖗𝖔𝖗. 𝕷𝖊𝖙 𝖙𝖍𝖎𝖘 𝖇𝖊 𝖞𝖔𝖚𝖗 𝖒𝖊𝖉𝖎𝖈𝖎𝖓𝖊.

Nowadays

Learn More

Nowa Days

NOW AVAILABLE ON SPOTIFY, APPLE MUSIC & AMAZON MUSIC.

Thank you everyone for the support. 
I am extremely grateful for the likes, comments and kind words ❤️

[Intro]
Sometimes the night don’t end, it just folds into the day.
I been driftin’, tryin’ to find my way.

[Pre-Chorus]
Keep my head above the smoke,
Tryna swim but I still choke.
Every mile feels the same,
But I walk it anyway.

[Chorus]
Hold me close, don’t fade away,
Even broken skies turn gray.
If I fall, would you still stay?
Love’s the light that shows the way.

[Verse 1]
I been sittin’ in the back with my thoughts on ice,
Tryna gamble with my time, yeah, I’m rollin’ the dice.
If the pain don’t heal, then I let it create,
Every scar that I wear got a story to paint.

They don’t see the cracks, just the shine in the glass,
I been writin’ down the future while I’m livin’ the past.
Tryna talk to myself, man, it sound like a friend,
If the road feel long, it still gotta end.

[Bridge]
Oooooh ooooh
Keep me steady, hold me down.
Oooooh ooooh
When the world spins ’round and 'round.

[Chorus]
Hold me close, don’t fade away,
Even broken skies turn gray.
If I fall, would you still stay?
Love’s the light that shows the way.

[Outro]
Show me the way, babe...
Mmmhmm,
I'm still here...

Broken Skies

**Description after the lyrics**

Verse 1
You paused before you turned—
Long enough for me to yearn
I felt the words behind my teeth,
I waited long for you to speak.
But both of us, afraid to fall,
Let nothing rise, we said it all.

Chorus
We almost said it, both of us—
A word, a touch, a wait for trust.
But fear stood taller than the need,
And silence got the final lead.
We almost spoke. We almost stayed.
What stays is what we never said.

Verse 2
We never fought, we never lied—
Just watched the light begin to slide.
You waited for me, and I did too,
Hoping the other would break through.
Maybe we were two of a kind—
Good at silence, just a little blind.

Chorus
We almost said it, both of us—
A word, a touch, a wait for trust.
But fear stood taller than the need,
And silence got the final lead.
We almost spoke. We almost stayed.
What stays is what we never said.

Bridge
I don’t blame you. I don’t blame me.
We just played it safe too easily.
I hoped you'd reach, you thought I might—
It turns out we were both not right.

Final Chorus
We almost said it, both of us—
A word, a truth, a wait for trust.
But timing failed, and fear rang true,
And silence got the best of two.
We almost spoke. We almost stayed.
Is that what we were meant to say?

Still…
If you’re hearing this someday—
I wish I had somehow found a way.

***** Does this song like you? You can bring it home with you if you like. Click the green button.

We Almost Said is a quiet ache turned into song. It isn’t about what happened, but about what didn’t—the words that stayed locked behind teeth, the closeness that never bridged the small gap. It moves on hesitation, on pauses that became endings, on the way two people can hold the same yearning and still let it slip away.

It’s tender, not bitter. More sigh than shout. The refrain of “almost” is its heartbeat: love nearly spoken, closeness nearly claimed, a truth nearly shared. And in that space between, the song finds its power—not in explanation, but in what lingers unsaid.

We Almost Said

Spotify & other streaming services: https://timohuising.ffm.to/never-what-it-seems

Never What It Seems

🖤✨ You Were The Ruin (Rework)
by The Miracle Syndicate

Footsteps fading into nothing,  
Falling back where you once stood.
Words unspoken choke the silence, 
Cut in dust and splintered wood.

I don’t speak your name, I bury 
Every sound before it breaks. 
Shadows crawl beneath the doorway, 
You were gone before you came.

You were the ruin, I was the ground, 
You let it crumble, never turned around. 
If you stayed, would it feel the same? 
Or was it lost before you came?

Love, love, love, this hopeless love, love, love.

Hands in pockets, cold in summer, 
Trains still hum a fractured tune. 
I pretend I never wonder, 
But the night still sings of you.
 
I don’t speak your name, I bury 
Every sound before it breaks. 
Shadows crawl beneath the doorway,
You were gone before you came.

You were the ruin, I was the ground, 
You let it crumble, never turned around. 
If you stayed, would it feel the same? 
Or was it lost before you came?

Love, love, love, this hopeless love, love, love

Stone and silence, steel and sighs,
Every ending feels like a lie.
Would you know me now, at all?
Or just the ghost against the wall?

Can you hear me now?

Love, love, love, this hopeless love, love, love.

Mmmm-hmmm.

You were the ruin, I was the ground, 
You let it crumble, never turned around.
No one stays, no one stays,
You were the ruin anyway.

Credits:
Written and performed by Elena Morgenstern, Nayeli Astra Xóchitl, and Brad Astra
Produced by The Miracle Syndicate
Mixed and mastered by Brad Astra at Nude Studio · Calgary · Canada
Label: Painful Records © 2025

You Were The Ruin

You Were The Ruin (Rework)

A quiet, cinematic breakup song told from a man’s perspective — honest, restrained, and deeply human. He says “I love you” into a silence that tells him everything he needs to know. No begging. No bitterness. Just acceptance, clarity, and calm. Built on soft piano, room sounds, and a voice that carries both strength and tenderness. For anyone who’s ever learned that sometimes silence is the answer.

Dead Air

(sandy)alex g - come back

RULES

(sandy)alex g - candy

The wound is where the light enters.  —Rumí

Check me out on Apple Music & Spotify! 💕
Doksy. is a songwriter from British Columbia, whose music blends the soulful rhythms of indie, contemporary R&B, and psychedelic pop.

#Doksy. #Songwriter #Instrumental #Vocal #Producer

CYBER CHORD — campfire heart, circuit-board muse.

I write with AI as a co-writer and carve the lyrics by hand, then shape the tracks in Suno. Expect country roots, rock grit, and faith-bright pop.

This page is a quiet cabin—no generators, no door-to-door sales.

Boundaries: no paid promo, no playlisting, no cover-art pitches, no dance offers. If it’s a pitch, the porch light’s off.

If you’re a real listener, come in soft: pick one song, leave a genuine note (lyric/timestamp welcome), and share it with one friend. That spark keeps the fire going.

May your road stay open, your coffee stay warm, and your day be peaceful. 🔥🌲

✨ I’m here to share songs that come from truth and hard work. I don’t use promoters, bots, or promotional shortcuts. Every play, like, and comment here is genuine. If you’re listening, you’re part of something real, and that means more than any numbers ever could. Thanks for walking this road with me.

Oh and I make my own bacon. I'd love to swap recipes! (Chef's Kiss!)

Eargasmic Dissertation , Elucidating Gnosis

Making music from the heart, for the dancefloor.
Instagram @timohuising

“Listen, let’s say you drink too much strawberry milk, and wake up in the middle of the night, wanting to go to the bathroom, buts it’s cold outside, and you don’t wanna leave the comfort of your bed, but the urge to pee gets stronger, anguish, worry, struggle, you make up your mind and go to the toilet, you whip it out, and you shoot, man, that feeling of release, at this very moment, you feel more alive than ever before, but then you realise, your not i front of the John, you’re still under the covers! That warm feeling spreads between your thighs, it won’t stop! You can’t stop. That’s what it’s all about, that’s the strawberry milkster!” -A Living Legend, Gintoki.

Why the fuck u readin my bio, GTFO B, Damn, ever heard of privacy?! Damnnnnnn Bro, That’s Fuhd up.

Italian pianist and composer, Virginio Aiello (1975) boasts a high-level education in classical music, which dates back to his very first studies in accordion and piano when he was only 6 years old. He first graduated in Piano and Jazz Music at the "S. Giacomantonio" Conservatory in Cosenza and subsequently obtained a Master's degree in Jazz Composition.
Over the years he has participated in various seminars and workshops with the best Italian jazz musicians and has also collaborated on various musical projects. For over twenty-five years he has been performing concerts, ranging between various musical genres, from classical to jazz, from tango to bossanova, playing the piano, accordion or Hammond organ in different contexts.
In 2015 he released “El Barrio” with the Sertango Quartet, an album composed of original classical songs from “Tango Nuevo”, which received excellent feedback from both the public and critics. 
In 2020 his album "Piano Songs for Children" won the international "Album of the year" award organized by the American website solopiano.com
In recent years he has dedicated himself to composing music for solo piano, enjoying great success on all music streaming platforms.
In 2023 he collaborated on the soundtrack of the short film "The Plane" by Ukrainian director Rodion Volkov, dedicated to the children of war.
He has published numerous books dedicated to piano teaching.

Popular tracks tagged #introspective