nina

An uplifting generative composition using Tidal Cycles + OP-Z to create ever changing arpeggi cut by high energy snare breaks.

Mariposas

Granular synthesis + some minimal rhythmic materials using the economical syntax of Tidal Cycles

w-29-3_g

464D

Este fue el track que toqué en la bohemia matemática. 25-10-2017

bohemia-mat

Meditaciones festivas sobre oficios cuasi-extintos en el Día Internacional del Trabajo!!

"El oficio cuasi-extinto del mohán"

Live Coding [excerpt], performed at Music, Humans and Machines (ODC 2019), Orpheus Institute, 22.05.2019

'Translation, traces and intervention'

Technical autonomy usually depends on abstraction or attempts to generalize behavior. Generalizing often involves a translation, a mapping between different modes of representations in order to simplify or combine. However, processes of abstraction can distantiate agency from its origin, sometimes introducing a by-product “a remainder, a set of discarded information—the différance, or the crucial distinction and deferral of meaning that goes on between the map and the territory. In ‘Translation, traces and intervention’ the idea is to explore the boundary of software abstractions and direct access to computer sound synthesis.

Live @ Music, Humans and Machines (ODC 2019)

Improvisation and composition in Tidal Cycles
in the advanced live coding workshop
Generative Cinema Training

Untitled - Adrian Menendez

Sound improvisation by Turning Torso & CNDSD > > UMBRAL 6th anniversary

Turning Torso & CNDSD  - Live @ Umbral

_c o l a t e r a l 2 0 0 3 /03

habitando el error digital
visual artist + live coder
all centered around techno

This is the Live coding project of Alejandro Albornoz, Chilean composer, who joined live coding scene firstly in Sheffield UK. Alejandro, now is based in Valdivia, southern Chile. He composes different types of electronic music, covering electroacoustic (acousmatic and live electronics), techno, idm or post-techno and sort of noise experimental. Within 'co(n)de Zero' the styles starts in techno and minimal to look for deconstruct and overlap rhythms and textures with the aim to create a kind of minimal-baroque...

Composer and programmer whose recent work involves machine listening, database-driven recomposition, real-time network algorithms, and parametric synthesis.

His music has been presented at ICMC, ICLC, SMC, and xCoAx, and performed at festivals including Tectonics, Sonar, Rewire, and Présences Électroniques. Releases include Cendres, Processes & Potentials, UPICS, and Safn 2006–2009, on labels such as SUPERPANG, 3LEAVES, and Tartaruga. 

He teaches algorithmic composition and computer music at the Institute of Sonology in The Hague. He studied computer science at the University of Reykjavík, composition at CCMIX with Gerard Pape, Trevor Wishart, and Curtis Roads, and completed his master’s at Sonology under Paul Berg, Kees Tazelaar, and Richard Barrett.

entonación justa, improvisación y código en vivo;
música con grabaciones de campo en @ruidoderio

CNDSD {* _ *} Creative Technologist, Audiovisual Artist and Electronic Music Producer from Mexico City, develops soundscapes with a post-cinematic approach. Her music immerses herself in the vast electronic universe, skillfully fusing a variety of subgenres to offer a unique listening experience.
From Deconstructed Club, Glitch, IDM, Footwork to Sound Collages, through composition and algorithmic execution, CNDSD challenges the limits of hearing and stimulates dance, creating profound audiovisual experiences that have left a trail in the live coding community.
With a career spanning international stages, CNDSD has presented live audiovisual performances at festivals such as Sonart Shanghai, MUTEK in Mexico, Japan, Argentina, Spain and Montreal, as well as at the International Symposium of Electronic Art (ISEA) in Korea and Montreal in 2019, Medialab Prado and Medialab Matadero,  Center for Art and Media | ZKM, the International Live Coding Conference, Aural Festival, Vorspiel and Transmediale in Berlin, ADAF in Athens, and more.

CNDSD's compositions are an amalgamation of organic and synthetic elements, creating a dynamic and expressive atmosphere that invites introspection and also explosion. With a master's degree in sound design for immersive experiences and video games and a propensity for experimentation with unusual rhythms and soundscapes, CNDSD embarks on technological eclecticism in the contemporary electronic music panorama.

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