Live Coding Session for the Noox February 2024

Live @ Algolia for the Latin Heritage Party 🎈
Tracklist:
- El Mundo Interior
- Eh ouais je funk (unreleased)
- Fabuleux ✨
- Contre Visite 🛖🌠
- Jeudi Drill
- La nuit je funk (unreleased)
- WIP WAP ☔️
- Sunny Side Up🍳
- Premier Septembre 🌆
- Soleil d'Été 🌻

Live@algolia: Latin Heritage Party 🎈

For their first collaborative project, Hanil Jeong and Charlie Waridel performed an audiovisual live set. Charlie’s live generated images, charged with the political question surrounding live coding that’s central in her artistic practice, are visual in essence. Hanil uses Ableton as a framework to develop self-generating algorithms, setting rules to guide the creation of sound. Their performance wanders between uncontrolled randomness and subtle structure, exploring the tension between chance, imagery and music generated by non-human systems.

Charlie Waridel is an artist passionate about new technologies and the political issues surrounding them. With a background in photography, she pays particular attention to her compositions and enjoys working with overlays. Live coding has a strong political aspect that she has been questioning.
Hanil Jeong is a multidisciplinary artist with a background in game design. He’s fascinated by gaming technologies as a medium to explore creative possibilities across different domains.

https://soundcloud.com/haniljeong
https://www.instagram.com/hanil.jeong_/
https://www.instagram.com/charliewaridel/

Hanil Jeong & Charlie Waridel – Sonospheres Performance Day @ Rote Fabrik, 27/7/2025

Johannes Lucian Reck is a transdisciplinary artist with a diverse background in engineering, design, art, and sound. His work spans a broad spectrum of outputs, including installations, visual media, sound compositions, and immersive experiences.
He is driven by a desire to merge these fields into cohesive emotional environments, often exploring the complexities of human perception. Central to his practice is an inquiry into how the perceived contrasts with objective reality, and how individuals interpret sensory stimuli in diverse ways. His work is a means of expressing personal interpretations of the present moment and human experience.
Currently, he teaches in the Interaction Design Department and works as a research associate in the Game Design program at Zurich University of the Arts.

johannesreck.ch
https://www.instagram.com/lucian_reck/

Stefan Kraft works as a research assistant in the field of game design. After beginning a degree in philosophy at the University of Zurich, he completed his bachelor's degree in game design at the Zurich University of the Arts (ZHdK) in 2021.
In his practice and research, Stefan Kraft takes a multidisciplinary approach to topics such as perception, digitality, and interaction. His projects include games, installations, animations, and web projects.

https://quadrilateral.party/?fbclid=PAZXh0bgNhZW0CMTEAAafw5TuXMlAXebcOkjkvsZLsu12S-gHM4dXCzqd9FSe6yKSS5SE68whLfLxRIg_aem_qgurD9GN28vPugMFh3riTQ

Johannes Lucian Reck & Stefan Kraft – Sonospheres Performance Day @ Rote Fabrik, 27/7/2025

LIVE: A live-only electronics podcast by Beautiful Machines

LIVE007 features Dan Gorelick, recorded at the BM showcase at Public Records, Brooklyn on 09.29.24.

Dan Gorelick blends classical cello and live coding to create immersive experiences and improvisational performances. He explores how to make the computer as expressive as the cello, embracing broader definitions of technology. In the set Dan blends analog synthesizers, live-coding (audio and visual), electric cello to create loops that emergent harmony and dissonance. 

Setup: NS Cello, Prophet 6 module, SuperCollider, TidalCycles, Hydra (visuals)

Dan Gorelick
@dqgorelick
www.instagram.com/dqgorelick/

Beautiful Machines:
instagram.com/beautiful.machines_/

LIVE007: Dan Gorelick

excerpt from my live coding set at werkstatthaus,
using recordings of gast's live set and 909 samples in supercollider

2025

grainn – 40jahrewerkstatthaus_livecoding_excerpt

Made on TidalCycles
Track for TUT Media Art Club

20251013_computer-being

A live coded remix of fame is a gun by addison rae!

FAME IS A G*N LIVE CODING REMIX - JAKE SONDY

SawToothNoise

Blogpost: https://blog.illestpreacha.com/mathober2025minorsawtooth

For my 16th sketch of Mathober2025 coded in SonicPi, SawToothNoise takes the 21st Prompt of “Sawtooth” & 30th Prompt of “Minor” and uses it to code and manipulate the audio through a minor scale and having sawtooth adjust the rate.

#poetry

Even Though the sound is in stereo
The relationship of the lines go
From most to least
But doesnt mean
That this scene
Ends with an ease

 
#newmedia #scifi #sounddesign #mathematical #math #Mathmusic #sounddesign #worldbuilding #soundscape #noise

SawToothNoise

Lucid Dream

var grainn = ["sound art", "live coding", "noise", "deconstructed club", "glitch"]

FLINTA* sound collective based in Zürich, Switzerland

Pauline Oliveros’s concept of the Sonosphere refers to the sonic or sonorous envelope of the Earth, encompassing all vibrations, natural or technological, that travel through the planet and beyond. It’s not just about sound as humans perceive it, but also encompasses a wider range of energies and vibrations, including electromagnetic and geomagnetic fields. Oliveros’s Sonosphere also incorporates the idea of a „listening body,“ where the human organism is seen as a receiver and resonator of these vibrations, both consciously and unconsciously.

Tommy Value is a techno artist and founder of Beautiful Machines: an event series, label, and podcast promoting live electronic music

Here, I post mainly my experiments in algorithmic/electronic music with programming languages, mainly strudel and sonic pi (check Radio Dulu on YouTube for the live coding). In reposts and likes, 4 main areas of interest: 1) Afro-tropical rhythms, afrobeat; 2) retro 80s pop; 3) electronic, retro videogame music, chiptunes; 4) Turkish psychedelic, Balkan folk. 💛

Electronic acoustic artist. Dm me for whatever reason I love to talk.

ParVagues, c'est des ondes qui naissent dans un océan binaire pour parfois s'échouer sur vos plages sonores.

Codé avec TidalCycles, chaque enregistrement est issu d'une structure algorithmique, au code source libre et réutilisable. 

En particulier, ParVagues existe grâce :
- à Yaxu et la communauté TidalCycles
- à SuperCollider et les SC3-Plugins
- à SuperDirt et ses samples 
- au Santa Clara Laptop Orchestra (https://www.scu.edu/cas/music/ensembles/sclork/)
- aux projets BloodSport Samples (https://pickleddiscs.bandcamp.com/album/blood-sport-sample-pack) et Hydrogen (http://hydrogen-music.org/)
 
Le résultat final est publié sous license CC-BY-SA : vous êtes libres de les récupérer, modifier et repartager, tant que vous mentionnez leur origine.

Le code source final de chaque partition est disponible sur nech.pl/parvagues. Les enregistrements originaux sont disponibles sur demande.

New tracks tagged #livecoding