My remix of Me & U by Cassie made using Sonic Pi

Me & U - DJ_Dave Edit

My coded edit of Crimewave by Crystal Castles <33

Crimewave - DJ_Dave Code Edit

DJ_Dave - Castles (Justin Swirbul Remix) [02_16_23]

DJ_Dave - Castles (HARDCORE SOFTWARE Remix) [02_16_23]

My opening set for JPEGMAFIA + Danny Brown's SCARING THE HOES 2023 Tour

Original songs performed live with Sonic Pi

TRACKLIST:
Untitled - DJ_Dave
BIG NUMBERS - Ca$h Bandicoot
Lesser - DJ_Dave
Bangin On (feat. Apoc Krysis) - Mutant Joe
[NEXX1] Whole Lotta Money - NKK
Trisexual - DJ_Dave
9mm [rr.xls.003] - Huna
Starstruck [Edit] - DJ_Dave
World's Hardest Game - DJ_Dave

SCARING THE HOES TOUR [Opening Live Set] - DJ_Dave

For their first collaborative project, Hanil Jeong and Charlie Waridel performed an audiovisual live set. Charlie’s live generated images, charged with the political question surrounding live coding that’s central in her artistic practice, are visual in essence. Hanil uses Ableton as a framework to develop self-generating algorithms, setting rules to guide the creation of sound. Their performance wanders between uncontrolled randomness and subtle structure, exploring the tension between chance, imagery and music generated by non-human systems.

Charlie Waridel is an artist passionate about new technologies and the political issues surrounding them. With a background in photography, she pays particular attention to her compositions and enjoys working with overlays. Live coding has a strong political aspect that she has been questioning.
Hanil Jeong is a multidisciplinary artist with a background in game design. He’s fascinated by gaming technologies as a medium to explore creative possibilities across different domains.

https://soundcloud.com/haniljeong
https://www.instagram.com/hanil.jeong_/
https://www.instagram.com/charliewaridel/

Hanil Jeong & Charlie Waridel – Sonospheres Performance Day @ Rote Fabrik, 27/7/2025

LIVE: A live-only electronics podcast by Beautiful Machines

LIVE007 features Dan Gorelick, recorded at the BM showcase at Public Records, Brooklyn on 09.29.24.

Dan Gorelick blends classical cello and live coding to create immersive experiences and improvisational performances. He explores how to make the computer as expressive as the cello, embracing broader definitions of technology. In the set Dan blends analog synthesizers, live-coding (audio and visual), electric cello to create loops that emergent harmony and dissonance. 

Setup: NS Cello, Prophet 6 module, SuperCollider, TidalCycles, Hydra (visuals)

Dan Gorelick
@dqgorelick
www.instagram.com/dqgorelick/

Beautiful Machines:
instagram.com/beautiful.machines_/

LIVE007: Dan Gorelick

excerpt from my live coding set at werkstatthaus,
using recordings of gast's live set and 909 samples in supercollider

2025

grainn – 40jahrewerkstatthaus_livecoding_excerpt

A live coded remix of fame is a gun by addison rae!

FAME IS A G*N LIVE CODING REMIX - JAKE SONDY

Live coding video: https://www.youtube.com/watch?v=sNj-I2pZwX8
Code and samples: https://github.com/lil-data/vroomvroom

LD 🖤

```
do
  let t = "cxvv"
  let build = loopAt 2 $ n "0" # s "cutcxvv"
      drive = loopAt 1 $ n "1" # s "cutcxvv"   
  bpm 180
  let mx = [0,0,0,0]
  p (t++"vx")
    -- . fa 2
    $ drive # glo' (mx!!0) 1 0 # shape 0.4
    -- # ac (-1)
  p (t++"syn") . jux (# ac 0.03)
    $ build # glo' (mx!!1) 1 1
  p (t++"pc") . fa 1
    $ stack [
       -- struct "[t ~] [~ t _ [t? ~]]" $ n 2 # s "bddnb",
       -- jux (# ac 0.2) . struct "[~ t]*4" $ n 20 # s "ch2hh" # shape 0.5,
       -- fa "<1 [1 [1 4]]>" . struct "[~ t]*2" $ n 13 # s "pcmsn",
       -- struct "t*4" $ n 13 # s "pcmcp"
      ] # glo' (mx!!2) 1 2
  p (t++"bs")
    -- . struct "[t ~] [~ t _ [t? ~]]"
    . struct "t*4"
    $ n (sl 4 $ "[0 2]" + 2)
    -- $ n (sl 16 $ "[0 2]!2 [0 1 4 [3 2 1]] [2 2 2 [3 2 1]*2]" + 2)
    # s "cutcxvv" # glo' (mx!!3) 1 3 # rvb "0.3:0.3"
```

Charli XCX - Vroom Vroom (Lil Data TidalCycles live coding edit)

GitHub Universe 2020 - DJ_Dave Mix

var grainn = ["sound art", "live coding", "noise", "deconstructed club", "glitch"]

FLINTA* sound collective based in Zürich, Switzerland

Pauline Oliveros’s concept of the Sonosphere refers to the sonic or sonorous envelope of the Earth, encompassing all vibrations, natural or technological, that travel through the planet and beyond. It’s not just about sound as humans perceive it, but also encompasses a wider range of energies and vibrations, including electromagnetic and geomagnetic fields. Oliveros’s Sonosphere also incorporates the idea of a „listening body,“ where the human organism is seen as a receiver and resonator of these vibrations, both consciously and unconsciously.

Tommy Value is a techno artist and founder of Beautiful Machines: an event series, label, and podcast promoting live electronic music

'Datalord' 10 min mix for @pcmus https://soundcloud.com/pcmus/ten

'Burnnn' Single Out Now On @pcmus http://smarturl.it/lil-data-burnnn 

'Folder Dot Zip' Album Unarchiving Feb 15: http://zip.pcmusic.info 

Limited Edition FDZ T-Shirts & USB Album: http://merch.pcmusic.info

Burnnn Video by SCOTTY2HOTTY69 https://www.youtube.com/watch?v=qrTMkgpBia8

Contact data@lildata.co.uk

Electronic acoustic artist. Dm me for whatever reason I love to talk.

Popular tracks tagged #livecoding