Just got my hands on a new machine.
My friend—I’ve been looking for you.
A sea of samples, an endless sequencer, a swarm of inspiring effects, and uncompromising hardware.
Its synergy with the computer is surprisingly seamless. It breathes.
I finally have an instrument. A real one.

Here’s my very first live performance with it.

Let’s step into a new realm of sonic curiosity.
You ready?

loftsession#01_ digitakt2_20251419

We stepped out of the booth, the subs were still trembling… and this happened. Eight minutes of pure, off‑the‑cuff flow capturing the raw after‑glow that the Holy Bass rave left in the air. No script—just gritty grooves, crawling basslines, and sparks of melody still hanging over the floor.

Recorded in one take, zero edits—every bit as real as the sweat and smiles we shared that night. 🔥

Press play, let it pull you under, and tell me what these 480 seconds of instinct feel like. Endless love to the Cerberus Sound System family for inspiring every kick. 🔊🖤

--------------------------------------------------------------------------------------------------

Salimos de la cabina, aún temblaban los subs… y surgió esto. Ocho minutos de pura improvisación, capturando el after‑glow brutal que dejó la rave de Holy Bass. Sin guion: solo ritmos crudos, bajos que reptan y chispazos de melodías que todavía flotaban en el aire.

Grabado del tirón, sin cortes ni retoques—igual de real que el sudor y las sonrisas que compartimos esa noche. 🚨

Dale al play, déjate arrastrar y dime qué te transmiten estos 480 segundos de impulso creativo. Infinite love a la peña de Cerberus Sound System por inspirar cada golpe de bombo. 🔊🖤

#MiniMix #Improvisacion #HolyBass #CerberusSoundSystem #BassCulture #LiveJam

Outtro HachTek @ Live Holy Bass 2025

A nice chugging vibe to this one. Made with the OP-XY and Ableton Move. Watch the live performance on my YouTube channel here: Dirty Hands - Ableton Move and OP XY
https://youtu.be/cfWP3yO2564

Dirty Hands

Zweiter Take. Aufgenommen an einem Dienstag im April - kurz vor zwölf.

Uw3 · 2025

Gear: Elektron Digitakt, Elektron Digitone, Korg Volca Keys, Korg NTS-1

Video dazu auf YouTube: https://www.youtube.com/watch?v=so4NHNJ2-_U

WACH

Kein Kommerz.kein Plastik.nur roher ehrlicher Techno.Dieser Track gehört allen,die niemals aufhören zu Feiern.#FREETEKNO23

Tekkzone23-Wir Hören Nicht auf

Video Version: https://youtu.be/nB9DG_MknSE

Sunday afternoon improvised Jam. Warts and All. I kept it going as I wanted to keep experimenting and practicing. In a live situation, you'd have to keep going and figure out how to get out of you mistakes. Hopefully nobody really notices.

I did not alter the musical sequences at all, no new variations in melody or rhythm.... more just working on some sound design around Rings and bring parts in and out.

Gear Geek Production Stuff:
A short 2 bar loop off the Radio Music kicks things off filtered through the Ikarie Stereo filter with some minor modulation from Ochd. Not far behind, the TR-8S provides the steady backbone for everything with a steady 4 to the 4 kick for almost the entire piece. Hats and other percussive elements make their way in and out of the jam.  I introduce next the 8 Step 2hp Sine Bassline that just continues through pretty much through the entire track holding the groove in a clean simple way. 

A breakbeat loop comes in next coming off the Ectocore module where glitches of the loop and some bugged out delay fix do their chaotic business throughout.

Rings comes in with some trippy FM tones coming out of Typhoon for a simple quarter note rhythm and melody. Nothing to original with this, but it has its moments of sonic entertainment.

Braids with Sawtooth Triangle Oscillator Combo come in next with a little ominous entrance piped through the Intellijjel Sealegs Delay and Fog Reverb fx.

Two more parts to go!

The next element to make an entrance in this Jam is a. single Bassbot 303 line with a little knob twiddling in and out. Pairs well with the 2HP Sine Bassline.

The last element introduced is a somber guitar like Lead melody drenched in reverb wash coming off the super cool Plinky synth. I sequenced this part actually in Ableton, fed the MIDI out to one applet in the Plum Audio Ornaments and Crime MIDI app conversion from USB Midi to CV for Pitch and Gate into CV Pitch and Gate in on the Plinky. I haven't really dug in how to create original sequences on the built in sequencer on Plinky yet.

After all the parts have been introduced, I continue to go around the Befaco Eurorack case noodling with things, Bassbot 303 workout and TR-8S bringing Percussion parts in and out and one sub pattern change back and forth.

Basically, I'm just jamming out try to perform something interesting and evolving. I strip things down.. and then build attempt to build it all backup again.

#Roland #TR-8S #Ectocore #Marbles #RIngs #Typhoon #Braids #Sealegs #PlumAudio #Ornaments&Crime #Phaserville #Mosaic #Ikarie #Befaco #Maths #Plinky #Ochd #DivKid #WMD #ALM #PamsProWorkout #CycloneAnalogic #Bassbot #Touchable #Ableton

Chill Deep House Acid Breakbeat Techno Eurorack Jam

LiveJam
Tribe/ende bisl verkackt😅✌🏻

Tekkzone23-TreibenderSynht🧿

Deep. broody sort of track. Made with my current 2 favourite machines - OP-XY and Ableton Move. Hope you enjoy it! 
Watch the jam on my Youtube channel - https://youtu.be/UA-93RYTwpY

Set The Tone

LIVE JAM 25 5 5 ▶VIDEO

Episode 012
This episode features Fedo, a musician and producer based in Spain, whose deep-rooted connection to rhythm and love for raw, live energy shapes everything he creates. Blending the hypnotic space of minimal and deep house with a passion for live improvisation, Fedo’s music feels like a meditative dance — immersive, organic, and deeply human.

Each of his tracks unfolds slowly, guided by warm sub-bass, layered textures, and grooves that feel as natural as breathing. Crafted in Ableton Live, his process leans more toward live jams than traditional studio production, giving his sound a unique sense of spontaneity and soul. His live sets reflect this approach — a balance between form and freedom, designed to adapt and evolve in the moment.

At the core of Fedo’s sonic world is rhythm. With drums as his favorite instrument, he builds every composition from the inside out — with movement, with pulse, with intention. His music invites not just dance, but introspection.

“I write a track and release it into the Universe,” he says — and that spirit of openness is present in every note.

You can purchase Fedo’s original tracks on Bandcamp, including releases available on vinyl.

🎧 Explore more of Fedo’s work:

https://fedosound.bandcamp.com/
https://www.instagram.com/fedo.musica/
https://www.beatport.com/artist/fedo/16383/tracks

Bandcamp

012_PromoDJ show

“Hop and Step” is a feel-good instrumental groove born from a live jam. Featuring tight rhythmic interplay, funky basslines, and spontaneous melodic leads, this track brings the bounce and flow of live improvisation to life. Ideal for fans of jazz fusion, funk, and jam band energy, it's perfect for background vibes, live set inspiration, or just zoning into the pocket. Recorded live in studio.

Hop and Step

Kind of drifty, kind of tense. A little off-grid, but it breathes. Trying to not overthink it. Forgiving errors and letting go.

Forgiving Error

“05.16.2025 1630.2150” is a deep-listening instrumental for fans of bass-forward, meditative groove music. Built from a live jam, the track unfurls like a ritual — loose, syncopated, and richly textured. It invites you to sink into rhythm without needing to chase it.

You’ll hear the fingerprints of Thundercat’s virtuosic low-end, the reverb-drenched soul of Khruangbin, and the modular weirdness of early Flying Lotus, all blended into something looser — less produced, more lived-in.

Set at a steady 120 BPM in A major, it walks the line between clarity and haze. It grooves but never hurries. There’s no chorus, no climax — just the hypnotic pull of repetition, variation, and small decisions made in real time. Think: music for walking in fog, for driving nowhere, for cooking with your phone on Do Not Disturb.

🌀 Perfect for:

Fans of psychedelic soul, ambient funk, lo-fi groove

Playlists like Brain Food, Pollen, Jazz Vibes, Late Night Drive

Background music that doesn’t fade into the background 

Looping while you sketch

Long walks in strange weather

Headphone-only late night listening

Fans of dusty synths, analog warmth, and subtle syncopation

✨ Similar Artists:
#Thundercat #Khruangbin #BADBADNOTGOOD #FloatingPoints #TameImpala #DâmFunk #MonoNeon #Mndsgn

🎧 Instrumental. No loops. Just groove, breath, and intuition.

💬 Drop a comment or DM if it hit you a certain way. Always curious what people hear in this.

🎚️ Recorded live, then lightly sculpted — imperfections intact. Let the groove breathe.

05.16.2025 1630.2150

“05.16.2025 1630.2150” and “05.16.2025 2150.30” are two parts of a continuous instrumental suite — a slow-burning, bass-led exploration of groove, memory, and musical intuition.

Recorded live in one take and split into two evolving halves, the suite flows at a steady 120 BPM but shifts key and mood over time:

Part 1 (A Major): grounded, meditative, hypnotic — like the start of a night drive.

Part 2 (D minor): airier, more abstract — the road opens up and things get cosmic.

No looping, no quantization — just raw improvisation. The bass leads, but textures drift in and out like thought fragments.

There are no loops, edits, or overdubs — just human hands working in real time with machine rhythm. It’s groove-led improvisation with the loose form of a jam and the intentionality of composition.

Recommended if you like:
Khruangbin, Thundercat, MonoNeon, BADBADNOTGOOD, Tortoise, Floating Points

Playlists it fits:
Jazztronica / Chillhop / Beats to Think To

Late Night Vibes / Brain Food / Psychedelic Soul

Lo-Fi Grooves / Ambient Funk / Modular Synth Spaces

Perfect for:
walking at night with nowhere to be

thinking without words

cooking slow food

healing from digital overload

"05.16.2025" is a two-part instrumental suite that drifts between ambient funk and psychedelic jazz.

Part 1 sets the foundation — a locked-in, live-recorded bass groove in A major. Part 2 expands the sonic space, shifting to G♯ with more ambient textures and off-axis rhythms.

Inspired by artists like Thundercat, Floating Points, and Khruangbin, this is music for headphone listening, deep thought, and subtle movement.

No loops. No overdubs. Just a real-time conversation between rhythm and intuition.

05.16.2025 2150.30 (May Sixteenth Part 2)

Las Olas Nocturna

A bouncy number using 3 pieces of hardware. Fun to play. I hope you enjoy it!
If you'd like to watch the jam it is on my YouTube channel here - https://youtu.be/Ea1NCl2_N8s

Techno Vibe 3

Modular patch I'm preparing for an ambient/idm live set. 
An evolving 16 min jam of textures, glitchy rhythms, and breakbeats
recorded live on my modular synth, no overdubs, with a light mixing in Ableton. 

Live Sketch_01

Acid/Tribcore/ Frenchcore/
Hardtek🎹🧌❤️

Spielzeug:
Korg em-1 / Korg es2 Sampler/
FL Studio 21✌🏻❤️TD-03

Wilde Bunker Atzen mukke💥                   Beginn:Anfang              
                                                                    Des Jahres Mit  
                                                                    Musik 🎧 Halbes
                                                                    Jahr 2025🔌🧿

Ich bin mit Musik groß geworden mein Vater hat mir den Vibe von echtem Sound gezeigt. Für mich ist Musik nicht nur ein Hobby, sondern pure Emotion. Jeder Track, den ich mache, steckt voller Leidenschaft und Gefühl. Ich will das weitertragen, was mich geprägt hat mit BassHerz und Seele.🧌

1 Free Rave Gab es auch schon 24.01.2025❗️⚠️
Nächste Party :14:06:2025.‼️⚠️
24.05.25-Mieste-M.H.C

Modular synths, hardware, and ableton live 12

MusicLab is a global community of creative minds—DJs, musicians, and producers from Europe, North America, and beyond—united by a deep passion for electronic music.

We're proud to launch the world's first open-format promotional DJ podcast, inviting talented DJs from anywhere in the world to share their art. Our mission? To bring you only the finest sounds that meet our uncompromising standards.

Every week, we deliver a fresh, exclusive set from a rising DJ hailing from a new corner of the globe. It's your gateway to the most cutting-edge electronic music.

Subscribe now and join us on this journey of discovery. Experience the freshest beats, the choicest vibes, and the pulse of electronic music—delivered to you weekly.

#MusicLab #ProgressiveSounds #GlobalBeats #djset #djmix #techno progressive house

Just two people becoming the persons we were meant to become.

✅  use a pea-sized amount of toothpaste.
✅  use up and down strokes.
✅  be gentle.
✅  take your time.
⬜  don't forget to floss.

FREQUENCIES DISSOLVING.
FORMLESS TO ABSTRACTION.
ENTANGLED. RESOLVED.

I like Underground Dance and Electronically Based Music, primarily. Located in Dobbs Ferry (prior, I lived NYC and Boston before that). I use a mix of Analog and Digital Hardware Devices from across the decades and of course anything I can load up inside of Ableton Live (whatever the current version is). 

Back in the 1990's I release a few track under the name Sedona (https://www.discogs.com/artist/16184-Sedona) with Dale Charles (https://soundcloud.com/compago) releasing work on Boston's OHM Recordings (https://www.discogs.com/label/36574-OHM-Recordings-2) and LA's Rampant Records (https://www.discogs.com/label/3435-Rampant).

Live DJ Sets Fridays 5-8 pm ET on twitch.tv/blancodisco

I'm called Cavetrax as I'm "escaping into my cave" when I put the headphones on and make tunes. Music is the soundtrack to my life. Doing it for the joy. Hoping others out there will enjoy a track or two I've created.

DnB in ❤️‍🔥
Jungle fever 🥵 
Neurofunk is life 🎧
Raggatek 💥

Instrumental music is my lifelong pursuit — a passion I explore on weekends from my home studio in Sakai, Osaka, Japan.
I blend sound design with hands-on electronics, often crafting my own effect pedals and audio cables to shape my tone.

Since 2025, my creative focus has shifted toward fusing Black music traditions with sampling-based drum sequencing, seeking that raw pocket where groove meets circuitry.

Genres:
Techno / Electronica / Ambient / Funk / Blues / Rock / Soul

Main Gear:
	•	Elektron Digitakt II
	•	Roland Jupiter-X
	•	Yamaha YC61
	•	Sadowsky Metroline MV-4 Jazz Bass (Tokyo-era)
	•	Fender American Elite Stratocaster
	•	Antelope Audio Discrete 8 Pro Synergy Core
	•	Avalon U5
	•	Marshall Origin20H
　　•      Tascam AV-P250LUV

Release
2017 1st Album "Haute Couture" On DOD TuneCore (under the name of The Pekingese)
2018 2nd Album "THE END" On DOD TuneCore (L.B.C name)
2019 3rd Album "Mix tape -03-" On Bandcamp (Eric "Little Bird" Luv)
2019 1st EP "BRiDGE" On Soundcloud
2020 4ht Album "My Flagships" On Bandcamp (The Tricera Project)
2020 5ht Album ”For example, if I call this Art Brut.” On DOD TuneCore (The Tricera Project)
2020 2nd EP "My musical instruments" On Soundcloud
2021 3rd EP "Treasure Sword" On SoundCloud
2022 6th Album "The Music UMA" On SoundCloud
2023 7th Album "おとだまの怪異"
2024 8th Album "MixTape'04"
2024 9th Album "pallet"
2024 10th Album "太陽の為の吟遊(Song for the Sun)"
2025 4th EP "What a wonderful night！"

Composer, Sound designer, Recording Artist
Electronic / Ambient / Soundscape
Original music from real synths.
© All rights reserved
PLEASE NO PROMOTERS . I DO MY OWN !
"Fear produces money while the absence of fear creates culture"
Vangelis Papathanassiou
AI music and voice production infects human creativity and inspiration.

CHRIS JUNOS, based in Alexandroupoli, Greece, is known for his DAWless, live-recorded electronic music with a Balkan/Mediterranean influence, as seen in his earlier work ΕΛΕΚΤΡΟ-ΝΙΚΑ (2022), which blends ambient, synth-pop, and ethnic Greek elements, suggesting GREEK DRAMA may continue this unique fusion.

New tracks tagged #livejam