Hi. :)

Another module this time. ;)
I've got something new for a game. Something like "hi-score music".
Short and looping, but i think it's fine.

Have fun!
Magnetic-Fox.

Full credits for this track:
* Bartłomiej "Magnetic-Fox" Węgrzyn - composition, setting up the instruments, whole music module programming, photo, artwork, production.

Used VST instruments (VSTi):
* MinimogueVA
* mda ePiano
* Drumatic 3

Used DirectX® effects:
* Echo
* ParamEq

Used software:
* OpenMPT 1.22.07.00 (a.k.a. ModPlug Tracker)
* Audacity 2.1.3
* GIMP 2.10

All rights reserved.

℗ + © 2021 Bartłomiej "Magnetic-Fox" Węgrzyn!

Evening Walk

play loud. a somewhat extended remaster of this: https://soundcloud.com/david-attic/waverset-ox-izo-audit

waver strategy (ext. remaster)

chopped up, minimal and hypnotic. 100% Sournois approved. remastered edit of the original coming soon. original version: https://soundcloud.com/david-attic/triangle-1

▲ (despiser dub)

Running Sun (Tribute to L. Kadenyuk)

This track is an homage to “GT” from the late Ryuichi Sakamoto’s album Futurista. Driving a My Lamborghini Gallardo and Urus along the highway at night,
the pulse of the road merged with the synth bass of this track,
and in that moment, inspiration struck.

It blends the digital computer-driven sounds of that era with the spirit of soul music.
The straight-ahead groove and the sharp attack of the LINNDRUM were simply outstanding.
A demo version of the composition can be found in this playlist, featuring AI-generated vocals.

Neu Frontier

No more fire

Bought Cherry Audio's excellent CR-78 drum machine plugin and just jamming along with a MiniMoog and AAS's Ultra Analog VA-3 synth.  Written in Logic Pro.

MAMann - Jamming with SeeAre70Eight

We Can Dance All The Night

Evolution

Denis Vachon - Circuit urbain (Mastered by PFL76)

By chance, I recently dove into Berlin School style music, something I had always loved and found intriguing, but never tried to make myself. The layered sequences and hypnotic flow inspired me to take a little trip of my own. This fun little project became an exploration of that sound world, while still keeping a personal twist on it.

IDEA – Sequenced Journey
I began by designing a few strong sounds, focusing on analog textures. Step by step, I built layers that would interweave in the spirit of Berlin School. Once I added some NASA recordings and sound fragments, a narrative started to take shape; emotions unfolding in waves. I tried to stay close to the essence of the style, which made this track quite different from what I usually create.

COMPO
The structure emerged naturally as I stacked sequences and chords. Repetition and gradual development were key elements. I wanted the music to develop, with space for atmospheres and simple melodies to interact. What started as an experiment slowly transformed into a more cohesive journey, balancing rhythm, harmony, and texture.

GEAR
DAW: Samplitude X7
VST: Stock plugins & Qsound
HARDWARE: 2xBehringer Model D, Yamaha DX7, Roland D50, Roland RD250s, PHONIC FIREFLY808, TASCAM US144

IMAGE
For the artwork, I asked ChatGPT to generate an image, which I then edited and refined in PhotoDemon -keeping in line with my usual process.

From Berlin to the Moon

Hello my friends. :)

Wow, it's been a while I posted something here, lol. :D
However, last time I did something I'm really proud of. This time I tried to make something from my old composition, but I've worked much more on the production rather than composition. Just wanted to have some fun. ;)

The composition is quite old, because the main part was composed yet in August 2014. Well, a while ago. ;)
The history of this track is a bit funny. That time (in 2014) I was bored, while playing with Schism Tracker (I have nothing new to track!), so I tried to click on various keys on the keyboard. I remember, that that time I was watching great old cartoon "Wile E. Coyote and Road Runner" (which I also used to watch from VHS when I was a child - yep, I still have that tape :D). However, I thought about it while playing and decided to try to play the "coyote" word on an instrument loaded into Schism Tracker. The result was really interesting (I'd never thought, I would hear something with any sense), so I decided to save it into a small module. It was really funny to do so, but that original version wasn't really enjoyable - it was rather rough. I decided to keep it in an archive and wait for a moment, when I will recompose it to something better and - I think, that this is just this moment. ;)

Well, maybe this (really) new version of this composition is still not really perfect, but I think it's nice to listen to it. :) Especially, since it's just a music joke. :D

However, I hope You like this track - have fun and nice day!

Magnetic-Fox.

Inspiration:
* Coyotes :P (just because the Coyote word and original inspiration from 2014 year)
* Electro music
* Techno music
* Funk music
* Hope, that somebody will ever like this simple tune ;)
* Musical experiments
* Pentatonic scale
* Old times
* Dreaming of a (PC or Amiga) demo with this music :)
* Walkman - Fast Funk [1998]
* Lady Pank - Tacy sami [1988]
* Franek Kimono - Pożegnanie Franka [1984]
* Oddział Zamknięty - Pokusy [1984]
* Andrzej Korzyński's music
* Kombi's music
* Parties
* AceMan's music
* Lamers group ;)

Full credits for this track:
* Bartłomiej "Magnetic-Fox" Węgrzyn - composition, setting up the instruments, sampling the guitar (yet in 2012 - yeah, I know, the samples aren't really good), recording the live effects changes (did You know I've controlled the Coyote Wah effect live and recorded parameter changes to the module? :)), drawing parts of the artwork, creating artwork, whole music module programming, exporting the module, production

Used real instruments:
* My brother's Greg Bennett's acoustic guitar :P

Used VST instruments (VSTi):
* MinimogueVA - great MiniMoog emulator
* Drumatic 3 - great drum kits emulator

Used VST effects:
* Coyote Wah

Used DirectX® effects:
* ParamEq
* Echo

Used software:
* OpenMPT 1.22.07.00 (a.k.a. ModPlug Tracker)
* GIMP 2.6
* Audacity 2.1.3

DirectX® is registered trademark of Microsoft Corporation.
Coyote Wah is registered trademark of Coyote Electronics.

All rights reserved.

℗ 2020 Bartłomiej "Magnetic-Fox" Węgrzyn!

© 2014-2020 Bartłomiej "Magnetic-Fox" Węgrzyn!

Wild By Nature

Hello everybody! :)

This time something for a game project. :)
I don't know if this is good enough, but I hope it's nice to listen to it. ;)

I thought about "how it would sound, if Kombi, Kayah and Reni Jusis will record a track together?" and I tried to compose a music module in such a weird style. ;)

Anyway, because of so much effects and VST instruments, the final track was difficult to play live (as a module) on my Pentium 4, which decided that "it's too much for me, guy", and occasionally failed to play it properly (glitches were common). :D
So, I'm happy that exporting this module (just because it's something like "rendering") was 100% successful. :)

So, have fun and see you!
Magnetic-Fox.

Full credits for this track:
* Bartłomiej "Magnetic-Fox" Węgrzyn - composition, setting up the instruments, setting up the effects, recording live effect changes (yep, really :P), creating the artwork, exporting and preparing the track, production

Inspiration:
* Fender's character (a Ferrox)
* Kalinowszczyzna (Lublin's district)
* Zadębie (Lublin's district)
* Commodore 64
* Amiga 500
* Mario DJ's mixes
* Owen Crowley's SID tunes (he's also known as Conrad)
* JazzCat's music
* AceMan's music
* Pink's music
* Electronic music
* Our Amiga Discord channel :P
* Norfair - Chill (it's perfect music module - I love it!)
* Brixout XP's music by The SandS [2002/2003]
* Music by the SandS :)
* Kayah - Supermenka [1997]
* Kayah - Cogito ergo non sum [1997]
* Kayah - Im więcej tym mniej [1997]
* Kayah's music :)
* Reni Jusis - Wiem swoje [1998]
* Reni Jusis - Kombinacje [1999]
* Reni Jusis - Dla ciebie wyjdę z siebie [2001]
* Reni Jusis - Pozwól, że zabiorę cię do domu [2001]
* Reni Jusis - A nie mówiłam [2001]
* Reni Jusis's music :)
* Kombi - Kombirock [1979]
* Kombi - Piękna, szalona [1979]
* Kombi - Jak ja to wytrzymam? [1979]
* Kombi - Hotel twoich snów [1979]
* Kombi - Bez ograniczeń energii [1981]
* Kombi - Ostatnie Safari [1981]
* Kombi music... :)
* ...and, mainly, Sławomir Łosowski's music! :)
* Papa Dance - Bez dopingu [1986]
* (a little) Ghost Ship Soundtrack - My Little Box [2002] :)
* Wild Cherry - Play That Funky Music [1976]
* Fuel - Quarter [2003] (a bit at the end)
* Gary Numan - Are 'Friends' Electric? [1979]
* Need For Speed Carbon [2006]
* Our great Polish music producers from old times: Sławomir Wesołowski, Mariusz Zabrodzki and Michał Przytuła - thank You for all the work from those years! :)
* Fender Rhodes
* Moog
* Good old times ;)
* My 2016 year :)
* Dreaming of recording an album (in good old style!) someday :)
...

Okay, and much more, I think... ;)

Used software:
* OpenMPT 1.22.07.00
* GIMP 2.6
* Audacity 2.1.3

Used VST instruments (VSTi):
* MinimogueVA (MiniMoog emulator)
* mda ePiano (Fender Rhodes emulator)
* Drumatic 3 (drum kits emulator)

Used DirectX® effects:
* Chorus
* Flanger
* Echo
* ParamEq

DirectX® is a registered trademark of Microsoft Corporation.

Unauthorized use, copying or performance of this track prohibited. Please respect - thank You.

℗ + © 2020 Bartłomiej "Magnetic-Fox" Węgrzyn!

Welcome To My Magical World

This track is my tribute to music by russian demoscene group The SandS - greetings to You guys! Thank You for Your music! :)

Hello. :)

It's another track from me for a game.
This time it's a gameplay one.

Have fun!
Magnetic-Fox.

Inspiration:
* Fender's character (a Ferrox)
* The SandS' music, which I love! :)
* Gray and rainy days
* Autumn

Full credits for this track:
* Bartłomiej "Magnetic-Fox" Węgrzyn - composition, setting up the instruments and effects, creating the artwork, production.

Used software:
* OpenMPT 1.22.07.00 (a.k.a. ModPlug Tracker)
* GIMP 2.6
* Audacity 2.1.3

Used VST instruments (VSTi):
* MinimogueVA
* Drumatic 3

Used DirectX® effects:
* Chorus
* Echo
* Flanger
* WavesReverb
* ParamEq

DirectX® is a registered trademark of Microsoft Corporation.

All rights reserved.

Unauthorized use, copying or performance of this track prohibited. Please respect - thank You.

℗ + © 2020 Bartłomiej "Magnetic-Fox" Węgrzyn!

Just a Mission

Hello again! :)

It's me again with new track for game. This time something "level complete"-like. ;)

Hope it's fine. :)

Have a nice day!
Magnetic-Fox.

Full credits for this track:
* Bartłomiej "Magnetic-Fox" Węgrzyn - composition, setting up the instruments and effects, creating the simple artwork, production.

Inspiration:
well, who cares...

Used software:
* OpenMPT 1.22.07.00 (a.k.a. ModPlug Tracker)
* Audacity 2.1.3
* GIMP 2.6

Used VST instruments:
* MinimogueVA
* Drumatic 3

Used DirectX® effects:
* ParamEq
* Flanger

DirectX® is registered trademark of Microsoft Corporation.

℗ + © 2020-2021 Bartłomiej "Magnetic-Fox" Węgrzyn!

Warm Night

PHAT FLAVOUR CREW is a collective of young Hip Hop / R&B musicians and
singers based in London UK. Our influences are mainly Oldskool and 70's
Soul and Funk.
 
 We only use Oldskool gear - Minimoog, Prophet and Oberheim Synthesizers,
Akai Samplers and Roland D50 to keep the flavour REAL. We record with Logic.

We are always looking for new vocalists / singers to work with.

 At the moment we are looking for a record or production company to give
us studio time to complete our first CD. 

Listen to more of our tracks here : 

https://open.spotify.com/artist/33BS4086W4VgWJR5NVclq4

 http://www.youtube.com/user/PHATFLAVOURCREW

Music is my real love. I love composing and producing it. In fact, it's my greatest hobby. I'm doing it since ca. 2000 year.
Since 2003/2004 I'm using lot of music software. Since 2007 I'm writing music modules (Amiga, PC and Mac).
And, since 2020, I'm also using GarageBand on my Mac Mini.
Since 2016 I'm also partially active in the Amiga scene.

I'm a furry since June 2010

Composer, arranger, keyboardist sound designer and programmer.

treast is instrumental atmospheric electronica, featuring synths, guitars and bass, virtual instruments, sounds and noises. No loops or samples.

love the dark, sad, experimental and hazy side of things, hypnotic loops and damaged sounds. massive horror geek. not without a sense of humour. partner in crime with Shelley and Loren.

if you're questioning why or how i'm able to upload on a frequent basis, simply put - i have A LOT of time on my hands at this point in my existence, a wealth of music/sounds to draw upon, and a decent collection of software to make things (e.g. both the synth and fx arturia vst collections). i'm not just auto-generating ai pieces ad nauseum, at the same time i have nothing against using ai in the creative process, but not as an outright replacement for creation. i really think the witch hunt over it all is a bit ridiculous, fueled by the greed pig corporate media companies mostly. 

one thing i've learned about making at least a little bit of money from streaming my music beyond measley penny scraps, i have to upload frequently and i've been experimenting with reuploading/reposting my tracks for better play counts (for now), if even it only results in cutting costs.

I'm a retired Sailor, a dad, a granddad, an audio engineer, a foley artist, a sound designer, a voiceover actor, and a composer working for a Christian audio theater.  I hope to eventually compose for film, TV and games.  It could happen!

I am compiling the songs I have created as an artist since my younger days. 
I have retired from work,
and now I spend each day embraced by the light and breeze of the tropics.
Far from the noise of the city, I wake to the scent of the sea and the songs of birds.
Time flows gently here, as if the past and present versions of myself are quietly in conversation.

My main focus is on composing and arranging. 
I began my career as a game sound creator in the early days of the internet, credited under the name djnagureo.
I was also involved in planning games and apps, and even managed to successfully run a facility for children.
Those experiences earned me recognition from many people, and I am deeply grateful for them.

Now, as an artist, I want to create the music I truly desire.
To begin this journey, I started by recreating the kind of music I longed to make in my younger days.

I knew that in order to create the music I truly wanted—freely, without compromise, and untouched by outside influence—I had to achieve complete financial independence.
It took decades of persistence, and now, at 52, I have finally reached that point.
At last, I can devote myself entirely to making music for myself alone, without reliance on anyone.

Throughout my career, I have always delivered professionally in every project.
But to say I was creating 100% for myself would be a lie.
Now, however, I stand determined: every note I write belongs solely to me.

The works I have produced JPOP professionally have been released under a different name.

Please search for Nozomi Yoko.

New tracks tagged #minimoog