Made by W.D.C, Gent
Alias TRigg
Work in progress, unfinished

TRigg - work in progress, unfinished (2024)

Glitchy minimal/deep tech track I created experimenting with MiniMoog analog software for low-end rather than serum.. created a bassline & instruments, then added a bunch of glitchy percs that evolve with the track, transitioning into some spacey synths.  The vocal samples were found on splice.

128 bpm / Fminor / Free Download

2 the Beat (Vibe)

2 the Beat (Vibe) *FREE DL*

[Verse 1:]
We are mirrors in the night,
shattered glass of dreams.
A breath fades into the darkness,
a hue we no longer remember.
[Chorus:]
Float with me over the ruins,
a silence that echoes your name.
Let us fall like shadows in the wind,
for none of this was ever ours.
[Verse 2:]
On a path without footprints,
where light melts into the sea,
we stand with empty hands,
searching for what’s already lost.
[Bridge:]
And time, an eternal circle,
carries us back to the start.
We are voices in the mist,
vanished but never silenced.
[Outro]
Float with me over the ruins,
until the wind takes us home.
[Chorus:]
Float with me over the ruins,
a silence that echoes your name.
Let us fall like shadows in the wind,
for none of this was ever ours... 

None Of This [Was Ever Ours]

The lyrics are inspired by KSMB’s classic “Sex Noll Två”

I Wrote A Line

I Wrote A Line [Take Me Back]

Is it possible to make some music around the A-440 switch sound of the Minimoog synthesizer? I tried to figure it out, using mainly the Minimoog emulation plug-in from Synapse Audio, The Legend HZ.

Four Hundred Forty

Cover of the Maridia musical theme from the Super Metroid soundtrack, created using only Synapse Audio The Legend HZ (augmented emulation of the Moog Minimoog synthesizer) for a review. Original from Kenji Yamamoto.

Horizon Glass Door

My absolute 'dream team' at work here: Subharmonicon does the chord progression and sequences the note changes on DFAM (bells) and my DIY Minimoog clone (bass). As always everything was recorded simultaneously. 

In A Room

Embedded

Song created using the plug-in The Legend HZ from Synapse Audio with an attempt to make a Minimoog simulation sound like a Moog DFAM.

Drummer from another myth

 live stochastic experiment 
with four Mini Moog synthesisers, 
processed variously with Moog rack 
String Filters, Ring Modulators,  
and Vocoder, from @CherryAudiovst.

Thing Moodulation

Get Real (Your Soon) [Eighteen]
A song about how I felt when I was seventeen years old.

[Verse 1]
They say "these are your golden years,"
but all I see is rust and fear.
Built to follow, trained to crawl—
tell me, who stands tall?

[Verse 2]
They say "work hard, play it straight,"
but they don’t mention interest rates.
A future sold before it starts—
tell me, who takes part?

[Verse 3]
They say "be patient, wait your turn,"
but all I see are bridges burned.
They build the cage, then call it home—
tell me, who moves on?

[Chorus:]
Get real – Eighteen

[Outro:]
They say "you’ll understand someday,"
but I don’t wanna fade away.
So tell me now, tell me loud—
who wrote this script—and how?

[Chorus:]
Get real – Eighteen

Get Real [Eighteen]

"Sad Drive" is about the feeling of being caught in the middle – between two people, between two truths, between places that never truly feel like home. It’s about how I felt during my parents’ divorce, when I never really got to choose or reconnect with my father, because everything was overshadowed by their emotions.

This song is for everyone who, in one way or another, has been through the same. I’m sorry for your sorrow, and I truly hope you find happiness. 

Sad Drive

[Verse 1]
Streetlights blur, rain hits the glass
Dad keeps talking, the wheels spin fast
His voice is cracked, his hands too tight
Says he never saw it coming, says she never tried

[Pre-Chorus]
I don’t know what to say, don’t know what to do
I just watch the signs disappear from view
Bus stops pass, exits fade
I just want to go home, but he drives away

[Chorus]
I just want to step outside
But he keeps driving through the lights
Every stop, every turn
Like he’s running from the burn
I just want to breathe, to feel alive
But it’s just another sad drive

[Verse 2]
Radio hums, but he drowns it out
Says love’s a house that just burns down
I see his face in the mirror’s glow
Does he see me? Does he even know?

[Pre-Chorus]
I don’t know what to say, don’t know what to do
I just watch the signs disappear from view
Bus stops pass, exits fade
I just want to go home, but he drives away

[Chorus]
I just want to step outside
But he keeps driving through the lights
Every stop, every turn
Like he’s running from the burn
I just want to breathe, to feel alive
But it’s just another sad drive

[Bridge]
Keys hit the table, mom shakes her head
Says, "He never thinks of you, only himself instead.”
I nod along, I play my part
But something pulls inside my heart

[Outro]
I hear his voice in the sound of the rain
I love him still, but I can’t explain
Maybe one day, when I’m not this small
I won’t have to choose at all

Sad Drive

Empezó llamándose Tik Tik, como un hipo/alarido contra el empuje de lamer la pantalla, en tono de burla. Empezó comop un martillo suavizado por pad celestial que se va de mambo. Volvió a empezar con una bata que lo abraza y a la mitad con un sinte que te va hacer  querer irte a bailar. Recomenzó con un alarido secreto que parece hundirse en la opacidad alegre del final de fiesta y con un verso incómodo que dice "descreimiento simultáneo". 

Secreto sonido

[Verse 1]
Took a punch to the gut –
but I didn’t cry.
Mirror stared back,
but I couldn’t try.

[Chorus]
La-la-la, I slip away.
In your eyes – always gray.
La-la-la, I want to stay
where wrong feels okay.

[Verse 2]
Only seventeen,
too many nights.
They touch like silence,
like I have no rights.

[Chorus]
La-la-la, I slip away.
In your eyes – always gray.
La-la-la, I want to stay
where wrong feels okay.

[Verse 3]
Say yes when I mean no.
Smile cracked, lips slow.
Name in ash,
on a stall that won’t last.

[Chorus]
La-la-la, I slip away.
In your eyes – always gray.
La-la-la, I want to stay
where wrong feels okay.

[Bridge]
If you hear me – someday,
I was never just the fade.
I was here.
I was brave.

[Chorus]
La-la-la, I slip away.
In your eyes – always gray.
La-la-la, I want to stay
where wrong feels okay. 
x2

La La La [I Slip Away]

waver strategy

“System 72” is a futuristic sonic transmission from a parallel dimension. Driven by deep analog basslines, shimmering synth arpeggios, and a pulse that feels both mechanical and alive, the track explores the intersection between man and machine. It’s cold, precise, yet strangely emotional—like the soundtrack to a forgotten AI’s memory. Ideal for late-night coding, deep focus, or drifting through neon-lit cityscapes.

SYSTEM 72

Oh-Oh-Oh
It's a warning
Oh-Oh-Oh
Crimes are calling
It's hard to let go
All that I wanted
And all that I needed
Was to find somebody
Somebody just like you
Like you
I was so in love
(Find somebody just like you)
All the things you do
Watching reruns in the morning
Things are going, it ain't going
This time, I feel there's no way home
This time, I feel there's no way out
Oh
It's a warning
Time was sorting out
Crimes are calling
You don't see it
And you feel them
them.
It's hard to let go
All that I wanted
And all that I needed
Was to find somebody
Somebody just like you
Like you
It's a warning
Time was sorting out
Crimes are calling
You don't see it
And you feel them

It's A Warning

It's a Warning

Giocava tutto, notte e giorno,
Promesse vuote,
Persa la casa, persa la fede,
La moglie piange, poi va via.
Un uomo solo, tra mille debiti,
Nel buio sogna una via.

Appare una luce tra le stelle,
Una fata dice: "Un solo desiderio."

Simplicissimo, la sorte gira,
Vince tutto, e lei ritorna.
Lusso e vino, baci e fiori,
La vita canta, dimentica dolori.

Ma il cuore trema, vuole di più,
Le mani sudano, torna il vizio.
Inganna tutti, gioca da re,
Poi perde tutto, anche sé.
Lei sparisce, lascia silenzio,
E lui cade, ancora più giù.

Ma una donna lo prende per mano,
Niente magie, solo amore umano.

Simplicissimo, senza oro e festa,
Ma con lei, la vita resta.
Niente più gioco, niente paura,
Ha trovato la sua cura.

Ha perso il mondo, vinto il cuore,
Ora lo sa: era dolore.

Simplicissimo, niente castelli,
Ma occhi veri, giorni belli.
Ha perso tutto, trovato il meglio,
Nel suo sguardo: il più grande premio.

Simplicissimo, vita nuova,
Con l’amore che non si gioca.
Senza fortuna, senza illusione,
Solo il cuore, vera canzone.

Merda Cerebrale

Semplice Amore

Just music, nothing more, nothing less...

Industrial Modular Techno & Rave
PM for Contact & Bookings

Note: In light of the recent AI breakthroughs, we feel it's important to clarify that we've been working with voice modulation since the mid-1990s – originally inspired by David Bowie's album Outside. Our approach predates AI-driven tools and is rooted in treating the voice as an instrument, shaped and sculpted through earlier technologies.

We fully understand that questioning authenticity may not be the intention – but it's worth remembering that all electronic music is, by nature, mediated and transformed. Even Nietzsche pointed out how modern tools shape us: inserting paper into a typewriter already creates a distance that handwriting does not. Perhaps birdsong is the only truly authentic sound. 🐦

Writes original song lyrics and takes custom lyric requests under the artist name Meo Wibe. This platform is also home to the creative collaborations of the Psychonaut Collective (Meo and The Psychonauts). Thank you for your support and appreciation.

Giorgio is a synth-driven music artist specializing in rich, analog soundscapes. Using a collection of classic synthesizers like Behringer, Moog, Oberheim, Roland Jupiter 4, xv88, Juno-106, Akai sampler, dd1, 707, 808, 909 and Korg Prologue, he crafts immersive sonic experiences that blend retro warmth with modern innovation. From deep, pulsating basslines to ethereal pads and sharp, cutting leads, Giorgio pushes the boundaries of electronic sound. 
#Synth #AnalogSynth #ModularSynth #Synthesizer #Moog #Behringer #Oberheim #RolandJupiter #Juno106 #KorgPrologue #VintageSynth #SoundDesign

Жаба любить вас,
Кальмар любить вас.
Жаба люблю тебе,
Кальмар люблю тебе.

Anyone proposing 
to work with me 
as a promoter, or other, 
needs to be fluent in :

Ukrainian, Polish, Russian, 
Egyptian Arabic, French, 
and German languages. 

https://ayamikhan.link/

love the dark, sad, experimental and hazy side of things, hypnotic loops and damaged sounds. massive horror geek. not without a sense of humour. partner in crime with Shelley and Loren. all our music on BC is free/pwyc. **if you want to download one of our tracks that isn't on BC just let us know**

if you're questioning why or how i'm able to upload on almost a daily basis, simply put - i have A LOT of time on my hands at this point in my existence, a wealth of music/sounds to draw upon, and a decent collection of software to make things (e.g. both the synth and fx arturia vst collections). i'm not just auto-generating ai pieces ad nauseum, at the same time i have nothing against using ai in the creative process.

one thing i've learned about making at least a little bit of money from streaming my music beyond measley penny scraps, i have to upload frequently and i've been experimenting with reuploading/reposting my tracks for better play counts (for now), if even it only results in cutting costs. and if you're reading this far you're probably checking to see if there's a little human behind the machine, a little soul in the technology... no seriously, i'm only 5ft1, i am NOT tall. 🤣

On my way down the endless rabbit hole into sonic wonderland...

I went to Skyline festival in 2023 for the first time and fell in love with electronic/house/techno music.. I started learning Ableton, producing, then picked up a DJ controller and started using Rekordbox to better translate and improve my music.
This is my electronic music hobby/project.

New tracks tagged #minimoog