Made by W.D.C, Gent
Alias TRigg
Work in progress, unfinished

TRigg - work in progress, unfinished (2024)

“System 72” is a futuristic sonic transmission from a parallel dimension. Driven by deep analog basslines, shimmering synth arpeggios, and a pulse that feels both mechanical and alive, the track explores the intersection between man and machine. It’s cold, precise, yet strangely emotional—like the soundtrack to a forgotten AI’s memory. Ideal for late-night coding, deep focus, or drifting through neon-lit cityscapes.

SYSTEM 72

Oh-Oh-Oh
It's a warning
Oh-Oh-Oh
Crimes are calling
It's hard to let go
All that I wanted
And all that I needed
Was to find somebody
Somebody just like you
Like you
I was so in love
(Find somebody just like you)
All the things you do
Watching reruns in the morning
Things are going, it ain't going
This time, I feel there's no way home
This time, I feel there's no way out
Oh
It's a warning
Time was sorting out
Crimes are calling
You don't see it
And you feel them
them.
It's hard to let go
All that I wanted
And all that I needed
Was to find somebody
Somebody just like you
Like you
It's a warning
Time was sorting out
Crimes are calling
You don't see it
And you feel them

It's A Warning

It's a Warning

Giocava tutto, notte e giorno,
Promesse vuote,
Persa la casa, persa la fede,
La moglie piange, poi va via.
Un uomo solo, tra mille debiti,
Nel buio sogna una via.

Appare una luce tra le stelle,
Una fata dice: "Un solo desiderio."

Simplicissimo, la sorte gira,
Vince tutto, e lei ritorna.
Lusso e vino, baci e fiori,
La vita canta, dimentica dolori.

Ma il cuore trema, vuole di più,
Le mani sudano, torna il vizio.
Inganna tutti, gioca da re,
Poi perde tutto, anche sé.
Lei sparisce, lascia silenzio,
E lui cade, ancora più giù.

Ma una donna lo prende per mano,
Niente magie, solo amore umano.

Simplicissimo, senza oro e festa,
Ma con lei, la vita resta.
Niente più gioco, niente paura,
Ha trovato la sua cura.

Ha perso il mondo, vinto il cuore,
Ora lo sa: era dolore.

Simplicissimo, niente castelli,
Ma occhi veri, giorni belli.
Ha perso tutto, trovato il meglio,
Nel suo sguardo: il più grande premio.

Simplicissimo, vita nuova,
Con l’amore che non si gioca.
Senza fortuna, senza illusione,
Solo il cuore, vera canzone.

Merda Cerebrale

Semplice Amore

Little track with vintage synth sounds - enjoy!

Strange

Feet of Clay

I used what is sometimes referred to as the Andalusian cadence (i-VII-VI-V) as the A part on this song. The main melody line follows that. I had the melody in my head and played it and struggled with the timing and tried to quantize and adjust it. My wife and best friend helped me with it. After attempting to explain to me the nuances in timing that were off, she simply played it by feel to give me an example. Fortunately, I was recording the MIDI notes in Logic and I ended up using her “example” as the actual melody line. She has the musical groove built into her DNA. 

The bass is all from the Minimoog Model D. This includes the main bass track as well as the big filter/glide sweeps (processed through a couple Eventide plugins). The aforementioned gritty lead melody is from the Sequential Trigon-6. The Blade Runner-ish big pads on the B section are also from the Trigon. There are a few highly processed piano notes from Keyscape. And the mysterious sounding treble synth that is almost always in the background is U-He Diva (such a great synth).

The Curve

[Verse]
Some dig deep
just to stay afloat
Hands all blister
still no coat

Some rise slow
before the sun
Give and give
‘till nothing’s done

[Chorus]
Some people work to the bone –
and go home cold
Others glide
and still strike gold

[Verse]
You're told it counts
to do things right
But right don't pay
on Friday night

[Bridge]
It’s not about how much you give –
but who gets seen
and who gets to live

[Chorus]
Some people work to the bone –
just to survive
Some wear crowns
they never tried

[Verse]
Hands worn thin
Truth cuts stone
Some keep bleeding
Just to own

[Outro Chorus]
Some people work to the bone –
and go home cold
Others glide
and still strike gold


Work To The Bone

The OPUS VI Music for the Galaxy INTERSTELLAR LUNAR Go To Mars

The Black Orchid

Journeys

Make it Through

play loud. a somewhat extended remaster of this: https://soundcloud.com/david-attic/waverset-ox-izo-audit

waver strategy (ext. remaster)

Techno Trials

chopped up, minimal and hypnotic. 100% Sournois approved. remastered edit of the original coming soon. original version: https://soundcloud.com/david-attic/triangle-1

▲ (despiser dub)

Running Sun (Tribute to L. Kadenyuk)

I'm an French Musician creating for visual media.
The land of my ancestors is "USHANT (Ouessant)"
I live in Brittany near the "Pointe du Raz".

All compositions - © John USHANT de KELLER

Canadian electronic music artist Arthur Oskan has established himself with releases on some of the industry's most revered labels. As a Juno Award nominee and celebrated international live performer, his sound is innovative; creating immersive, evocative soundscapes that continue to connect with fans worldwide. 

May 2023 saw the launch of his debut label, Endurance Asteroid. The sound of the imprint is guided by Arthur's curiosity, highlights a time beyond the present, with an orbit influenced by the gentle pull from spacetime’s possibility and past. Endurance Asteroid draws imagination into its wake, propelled by the momentum of new hope and awareness.

contact: info@arthuroskan.com

All things Modular and Analog Electronica . A Seamless blend of Classical / Industrial / Progressive and Techno With Hip Hop Beats

I like playing Guitar and vintage Synths, doing this just for fun. :-)

Just music, nothing more, nothing less...

Industrial Modular Techno & Rave
PM for Contact & Bookings

Note: In light of the recent AI breakthroughs, we feel it's important to clarify that we've been working with voice modulation since the mid-1990s – originally inspired by David Bowie's album Outside. Our approach predates AI-driven tools and is rooted in treating the voice as an instrument, shaped and sculpted through earlier technologies.

We fully understand that questioning authenticity may not be the intention – but it's worth remembering that all electronic music is, by nature, mediated and transformed. Even Nietzsche pointed out how modern tools shape us: inserting paper into a typewriter already creates a distance that handwriting does not. Perhaps birdsong is the only truly authentic sound. 🐦

Writes original song lyrics and takes custom lyric requests under the artist name Meo Wibe. This platform is also home to the creative collaborations of the Psychonaut Collective (Meo and The Psychonauts). Thank you for your support and appreciation.

Giorgio is a synth-driven music artist specializing in rich, analog soundscapes. Using a collection of classic synthesizers like Behringer, Moog, Oberheim, Roland Jupiter 4, xv88, Juno-106, Akai s1100/6000 sampler, dd1, 707, Arturia plug-ins, iPad kong Gadget and Korg Prologue, he crafts immersive sonic experiences that blend retro warmth with modern innovation. From deep, pulsating basslines to ethereal pads and sharp, cutting leads, Giorgio pushes the boundaries of electronic sound. 
#Synth #AnalogSynth #ModularSynth #Synthesizer #Moog #Behringer #Oberheim #RolandJupiter #Juno106 #KorgPrologue #VintageSynth #SoundDesign

love the dark, sad, experimental and hazy side of things, hypnotic loops and damaged sounds. massive horror geek. not without a sense of humour. partner in crime with Shelley and Loren.

if you're questioning why or how i'm able to upload on a frequent basis, simply put - i have A LOT of time on my hands at this point in my existence, a wealth of music/sounds to draw upon, and a decent collection of software to make things (e.g. both the synth and fx arturia vst collections). i'm not just auto-generating ai pieces ad nauseum, at the same time i have nothing against using ai in the creative process, but not as an outright replacement for creation. i really think the witch hunt over it all is a bit ridiculous, fueled by the greed pig corporate media companies mostly. 

one thing i've learned about making at least a little bit of money from streaming my music beyond measley penny scraps, i have to upload frequently and i've been experimenting with reuploading/reposting my tracks for better play counts (for now), if even it only results in cutting costs.

My first substantive memory involving music was playing vinyl records on my father’s Magnavox turntable through a Heathkit tube amp and speakers housed in handmade cabinets. It is a sepia-tinted, yet still vivid, recollection. My memory of a Tchaikovsky piano concerto, Mario Lanza’s soaring tenor, Danny Kaye’s infectious joy, and the Harmonikings’ rocking harmonica set some of the foundation for my attitude toward music.

In spite of my obvious talent at playing hip 70’s tunes on the turntable, my parents chose piano for me. I reluctantly took lessons and battled piano teachers for the next 10 years and learned almost nothing.

Eventually, things clicked and a desire to learn music emerged. Synthesizers made an appearance, the Beach Boys injected their tunes into the psyche, Electric Light Orchestra provided a magic carpet of escape, and Frank Mills released a song called “The Music Box Dancer”. Without the benefit of the Internet in 1979, I tracked down the name and composer of that piano-driven song, purchased the sheet music, and became enamored of melodic piano tunes.

The realization that radio songs could be played on the piano gave me a reason to practice music and find joy in it. All the while, the siren-call of the synthesizer, demonstrated by greats such as Kitaro, Wendy Carlos, Jean-Michel Jarre, Isao Tomita, and Vangelis, guided my musical tastes. The foundation of melody and strong lyrical content realized by synthesizers shaped my approach to writing and recording songs.

For business inquiries : ulkeremre35@gmail.com

New tracks tagged #minimoog