Recorded by @submission_live for The Memoir, 2021.
All tracks were written, produced, and mixed by @submission_live.
Artwork by Gabriella Holmström.
Curated by @Hypnus Records.

00:00: PureData - Intro (Jardin de Sons)
03:30  PureData - Excerpt from Reading SoundScapes*
06:40  PureData - Secobarbital (Methodical Records)
08:40  PureData - Colors from Les Bains Douches*
10:30  PureData - Mitochondrion (Methodical Records)
13:50  PureData - Interdisciplinary Context*
15:45  PureData - Haloperidol (Methodical Records)
20:50  PureData - Ring modeled in Orac*
21:55  PureData - Polvere (Sonntag Morgen Records)
27:40  PureData - Elementi di Tedio (Concrete Records)
28:22 PureData - Luce (Sonntag Morgen Records)
33:15  PureData - Binaural Birds (Orthogonal Devices)
34:58  PureData - Baron Cimitiere*
39:10  PureData - Singularity*
40:15  PureData - Reissner Nordström Metric*
43:44  PureData - Rythmica*
50:27  PureData - Harold Budd’s Death March (1936 -2020)*
57:20  PureData - Grand Tour*
61:00  PureData - New Commonwealth (Concrete Records)
64:10  PureData - Apartment Schultz*
68:10  PureData - TipTop Audio Z3000 Smart VCO MKII (One Instrument Records)
69:40  PureData - Reamping the Early years*
72:50  PureData - The Fox Jump Over The Lazy Dog (Sonntag Morgen)
74:00  PureData - Field Recording from personal archive*
75:35  PureData - Sironi in Colour*

* = Unreleased

Love and light

Artist's Soundcloud

Page 72: PureData

Out Now: https://www.beatport.com/release/perception-ep/3725048

Connect:
Discord - https://discord.gg/sEEZFtnBs8
Instagram - www.instagram.com/johnmonkman/
Twitter - twitter.com/johnmonkman
Facebook - www.facebook.com/JohnMonkmanLIVE/

John Monkman returns to Ellum Audio with a pair of well-crafted cosmic techno tracks.

London-based John Monkman is the founder of Beesemyer Music but also serves up his rich sounds on Kompakt, Last Night On Earth and Drumcode. He works across multiple styles and as much as making music for the club, he also cooks up richly atmospheric and emotive music. He has worked with Pete Tong, Bryan Ferry and Nile Rodgers and when on tour, he plays live in the world's best venues.
First up is the immediately arresting 'Perception' with its flashes of synth, whirring drones and textured drums. Spoken words bring a sense of paranoia as twitchy effects, icy percussion and swinging drums all work you into a frenzy. Monkman took inspiration from a Timothy Leary interview for the record envisioning “a phrase repeating with a synthesizer response, in essence a conversation between man & machine”.

Second cut 'Impulse' is a more groove-driven tune with kicks that rock back and forth under slapping hits. The synth designs are futuristic and the whole vibe is one of intergalactic exploration of the unknown.
Both of these hugely accomplished tracks will bring a scene of cinematic drama to any set.

Tracklist:

1. Perception
2. Impulse

Stream | Download

John Monkman - Impulse [Ellum Audio]

From Solvent's original OST: 
"New Ways: music from the documentary I Dream Of Wires"

Order DIGITAL (via Ghostly International): 
http://www.theghostlystore.com/products/solvent-new-ways

Order PHYSICAL (via Suction Records):
2CD: http://www.science-with-synthesizers.com/products/solvent-new-ways-2cd-deluxe
VINYL: http://www.science-with-synthesizers.com/products/solvent-new-ways-vinyl

Official Video: http://www.youtube.com/watch?v=WzKdTpZ3KFw

This is track#8, "Pattern Recognition". Every sound on this record was created from scratch using a variety of modular synthesizer systems.

Pattern Recognition

Purchase Richard Devine's Modular UI library here: 
http://soundmorph.com/index.php?page=products&spack=modular

This is a preview of Richard Devine's "Modular UI" soundpack with SoundMorph.com (Sounds by Richard Devine, music by SoundMorph Co-founder Jason Cushing)

Modular UI is an advanced user interface library designed by world renowned sound designer and musician Richard Devine.

Designed and sourced entirely from Richard Devine’s personal and exclusive Eurorack modular synths and processors collection, the Modular UI soundpack combines the retro, clean sound of analog with the futuristic tech of the new wave of advanced analog and digital synthesis from modular synths, evoking flashbacks of iconic sound design heard in both classic and modern sci-fi films.

The Modular UI soundpack gives you access to sounds created by one of the masters of modular synths and sound design, and is sourced from equipment that would take a lifetime to purchase and assemble, giving an incredible value to this soundpack both artistically and financially.

Utilizing many Eurorack modules that have not yet been released to the public and containing samples equally suited to sound designers and electronic musicians alike, Modular UI is in a class by itself!
 
Modular UI features 1,000+ sounds and 5.99Gb of 24bit/96khz .WAV files, all meticulously embedded with Soundminer & Bashead metadata, including:
- Calculations and Text
- Data Crunching
- Data Micro Calculations
- FM Confirm Tones
- FM Hybrid Gestures
- FM Solo Bleeps
- Hologram Pad
- Micro Gestures
- Modular random generations
- Solo Beeps
- Subtle Hi Tech Modular
- Text Typing
- 5Gb of Modular Source Recordings

Richard Devine's Modular UI - Soundpack Preview

Four techno tracks representing different twisted moods, recorded during the summer of 2025.
Gear used: https://modulargrid.net/e/racks/view/1748490

Mono Blues

Brisk / Breeze delivers two techno tracks from the deeper end of the spectrum, ranging from moments of sinister cacophony to liberating, drowsy moods.

Recorded as one takes at D&K studio 13.9.2025

Gear used: https://modulargrid.net/e/racks/view/1748490

Brisk / Breeze

Breeze

ꌗꀤꈤꁅꀎ꒒ꍏꋪꀤ꓄ꌩ ꒒ꂦꂦꉣꌗ
Electronic piece for acousmonium (stereo audio file)

Year — 2025
Duration — 09'10''
Première — tbd

Based on chaotic models, ꌗꀤꈤꁅꀎ꒒ꍏꋪꀤ꓄ꌩ ꒒ꂦꂦꉣꌗ oscillates between states of equilibrium and non-periodic phases, repetitions and sudden bifurcations. The result is a very organic, fluid, abstract and aggressive composition — a dystopian soundscape with maximalist textures fighting against each other, staggering from explosive bursts of percussive impacts to static but recurrent drones. Composed alongside ꋪꍟꉣꍟ꒒꒒ꀤꈤꁅ ꍏ꓄꓄ꋪꍏꉓ꓄ꂦꋪꌗ and ꂵꍏꁅꈤꍟ꓄ꀤꉓ ꃴꍟꉓ꓄ꂦꋪꌗ, ꌗꀤꈤꁅꀎ꒒ꍏꋪꀤ꓄ꌩ ꒒ꂦꂦꉣꌗ shares common musical elements but stands out as a downtempo composition, centered on different loops and spare but harsh cutting beats.

ꌗꀤꈤꁅꀎ꒒ꍏꋪꀤ꓄ꌩ ꒒ꂦꂦꉣꌗ

Performed on a  modular synthesizer,  home recording at 20251210.

251210NightJam

Going to do some basic patch notes for this one for anyone interested..

This track is a recording of a stereo mix of 4 inputs coming from my eurorack modular synth going into a mixer, being played live as it recorded.

There are 3 voices:

~One stereo voice which is Rings, the resonator module going into the Dual Looping Delay by 4ms. The DLD left and right outputs are going to the mixer.  Rings is being fed a white noise source on the 2nd polyphony setting and in the Modulated/inharmonic strings setting.  Rings is being sequenced by Rene with the quantized voltage output. This is making the main melodic flute/string sounds, as well as the occasional jitters, stereo spreading, and plucks.

~The second voice is a Mangrove oscillator running on a 4 step sequence by Pressure Points.  It is un-quantized and playing 3 notes very low in the mix, and the occasional detuning sounds are from those notes.

~The third voice is the bass, a Verbos Harmonic Oscillator, with the 4th, 5th, 6th, and 8th harmonics being modulated by Just Friends.  This creates the pulsing drone effect.  That is going through the Three Sisters filter, which I start to open wide and make self oscillate towards the end of the piece.

At the end of the piece I am mainly interacting with the Three SIsters,  the DLD (to loop the glitchy static like sounds), and giving the Mangrove some FM from one band of the 4ms SMR.

I'm Calm Are You Calm?

this is a preview of my new record with Rachel Row on Rush Hour, it`s inspired by one of my youtube live jams, so don`t forget to check the "making" video as well :)  

http://www.youtube.com/watch?v=dYQs9PWYjGo

buy KiNK feat. Rachel Row - Hand Made / Express on vinyl here

KiNK - Handmade preview

A mix series where electronic music artists are invited to record a journey through their own productions.

Curated by @hypnus under the moon since 2014.

John Monkman

Beesemyer | Siamese | Kompakt | Ellum | Anjunadeep 

All Inquiries - Claire @ beesemyermusic.com

John Monkman stands at the forefront of the global electronic music scene. Known for his dynamic performances and cutting-edge studio productions, Monkman has earned a reputation as both a live music pioneer and a master of sound design.

Affiliated with some of the most prestigious labels in electronic music, including Kompakt, Ellum, Beesemyer Music, Siamese, and Anjunadeep, Monkman delivered the spellbinding track Siren for Kompakt and collaborated with Pete Tong on Ecstasis for Maceo Plex's Ellum Audio. His releases, such as the Komplex EP on Anjunadeep and the versatile Tune In Turn On EP for Ellum, highlight his remarkable range. With two Beatport number ones—his remix of Solomon Grey's Twilight and his single Don’t Have to Be Beautiful—Monkman has further cemented his influence on the global electronic music scene.

Equally compelling is Monkman’s remix portfolio. His remix of U Love for Sasha’s LNOE 100th release, supported by Patrice Bäumel and Sasha, showcases his creative versatility. His rework of Space Date by Adam Beyer and Green Velvet for Drumcode demonstrates the respect he commands within the industry. Monkman has also been remixed by Moby. In 2023, he reunited with Pete Tong for an official remix of Duran Duran's Give It Up, marking another standout moment in his career.

On the live stage, Monkman’s impact is undeniable. He has headlined festivals like the UK’s Noisily Festival, brought his live set to the Ozora Festival in Hungary, and performed at the Anjunadeep Festival in Albania. His recent achievements include headlining Rainbow Serpent 2021. The debut of John Monkman: Live at Coachella 2018 with The DoLab was a pivotal moment, revealing his innovative approach to live performance.

The year 2024 has been a defining chapter for Monkman. His latest live show, Pulse, premiered in Paris through a collaboration with Collectif Scale, breaking new ground with its kinetic light art installation. Filmed in a Paris warehouse on July 6th, this show delivers an immersive audiovisual experience that pushes creative boundaries. In the same year, Monkman released Khord on Anjunadeep, followed by three singles—Vader, Roller Vox, and MAYA—on Beesemyer Music.

Continuously evolving as both a performer and a producer, John Monkman remains a driving force in the electronic music landscape, with his innovative studio work and electrifying live shows securing his position as a leading figure in the scene.

www.soundmorph.com
SoundMorph is a leading creator of sound libraries + software, with a focus on computer-based audio production for sound designers and musicians.

Founded in 2013 with headquarters in Montreal, Canada, SoundMorph was conceived on the idea of creating audio products that embrace the evolution of sound. We believe, like any medium, sound evolves with time, and therefore new sounds are needed for new times. We strive to create products that push the boundaries of audio production and open up new sonic horizons, while still striking a perfect balance between usability and design.

www.soundmorph.com

Modular synthesizer compositions and sound design.

~ mlesprg@gmail.com ~
mlesprg.info
mlesprg.bandcamp.com

JMGZMO is an electronic music producer hailing from Helsinki, known for his dynamic range of styles, from groovy tracks to experimental live performances. With over a decade spent exploring diverse genres and creative phenomena, JMGZMO has, since 2018, focused exclusively on using his modular performance synthesizer. This approach captures raw, unrepeatable moments of expression, embodying a deeply authentic and spontaneous sound. He is also one half of the Helsinki-based electronic improvisation duo, Dunning & Kruger.

contact: jamgizmoofficial[at]gmail.com

2025:

27/09 - Pulse II, Kaista UG, Tampere
29/07 - Soundscapes for GAZA, Ambient live / Helsinki
30/05 - Kaiku Kammari / Nasha presents: Dream Sequence II
05/04 - Tampere UG
01/02 - Helsinki UG

http://solventcity.com

http://facebook.com/solvent

http://discogs.com/artist/Solvent

For over a decade, Jason Amm’s work as Solvent has neatly defied categorization. His music is too sweetly melodic for techno or acid, his compositions too fiendishly detailed for synth-pop. He was too steeped in the sounds of the ‘80s to participate in the incipient IDM scene; he was briefly lumped in with the short-lived electroclash movement, only to outlive it; he’s played “minimal wave” parties and goth clubs, indie-rock shows and techno all-nighters. But even as words fail in the face of Solvent’s music, its pleasures are anything but elusive.

Today, Zimbabwe-born Jason Amm lives in Toronto, ON, where he spends his time obsessively grappling with an outsized collection of vintage analog synthesizers, samplers, and sequencers. Solvent first materialized in 1997 with a string of singles and full-lengths (1998’s Solvent, 1999’s Solvently One Listens) on Amm’s own Suction Records, the Toronto-based label he founded with Lowfish’s Gregory DeRocher. The watershed release Solvent City (2001) on Berlin-based Morr Music introduced Amm’s sound to a wider audience, and Apples &amp; Synthesizers (2004) marked Solvent’s move to Ghostly International. Along with notable remixes of artists including Soft Cell, Alter Ego, and Adult., Solvent tracks have appeared on high-profile DJ mixes and seminal compilations.

Solvent’s most recent record on Ghostly International, 2010?s Subject to Shift, marks a turn for the darker as Amm embraces his love of the abrasive sounds of acid and industrial. And while a sinister tone or two now dances among Solvent’s sparkling hooks and bright streaks of synthesizer, and while Amm’s music drifts even further from accepted genre-specific reference points, Solvent’s sound has only deepened. After more than ten years of composing love songs for robots, Amm sounds like nothing more than himself.



raphaël languillat
• composer / electronic artist
• curator Naxos Hallenkonzerte
• based in Offenbach/Main (DE)
• part of Studio Wäscherei

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