Tack taken from the release "THE TWIST AND SCREAM NOISE ORCHESTRA".


TIMES OF BROTH

"THE HIDDEN HAND" is a dense and unsettling exploration of sound. It blends the improvisational spirit and harmonic language of jazz with the abrasive textures and unpredictable structures of noise music. Don't expect moments of fractured saxophone or other jazz instrumentation because they're buried deep within and are battling against layers of static, feedback, and electronic distortion. The track creates a claustrophobic and intense atmosphere, where familiar jazz elements are deconstructed and contorted by a raw, soft but often overwhelming sonic assault. It's a challenging listen that sits at the intersection of avant-garde jazz and noise, rewarding those seeking a truly unconventional and confrontational sonic experience. Although rooted deeply in doom music and drone metal, this track might not be for listeners that prefer traditional notions of these genres.

THE HIDDEN HAND

Battling depression, one synth at a time.
This recording is an attempt to convey the feeling of being sad, irritable, unfocused, empty, useless and hopeless.
It's an attempt at regaining interest in activities you once enjoyed. It's something to do instead of sleeping too little or too much.
It's a way to try and stop feeling guilty about not touching your instruments for what feels like months.
It's what you get when you start overdubbing layers of beeps and bleeps, hiss sounds, and just keep piling on and on.
"Echoed Sentiments II" is a 30 minute long track of semi-melodic, droning, synthesizer noise. While much more on the dark and ambient side than harsh noise, it's a wall of sound nonetheless. But it's also a heart on a sleeve.

https://haggarinakashe.bandcamp.com/album/echoed-sentiments-ii

Visit RZRecords for more Haggari Nakashe: https://rzrecords.blogspot.com/search/label/Haggari%20Nakashe

Echoed Sentiments II

Hear my offering, "EXPLORING NOISE TEXTURES",  a two-track album that delves too deep into the interplay between sound, imagination  and sadness, rethinking personal experiences that might resonate with the listener's emotional landscape via sounds. Each 25 minute track serves as an exploration of the self, where dissonant layers of synth noise weave together delicate ambient like textures, challenging the inner peace and further exploring notions of music and art in therapy. I feel that in the noise genre, the often-overlooked spaces of sadness and introspection are neglected as the genre tends to be sometimes be more anger driven, transforming raw emotional responses and angst into an auditory assault; where this is an attempt to turn negative emotions into something that serves the purpose of healing, venting and sharing, both haunting and profound, but not as aggressive as HNW tends to feel. I invite listeners to embrace the beauty of chaos and the significance of emotional vulnerability, hoping this could leave you pondering upon your own rich tapestry of sadness and sounds long after the final note fades.

All sounds by Haggari Nakashe (synths, samples, effects).

Distributed via RZRecords as release RZR25HNENT:
https://rzrecords.blogspot.com/2025/03/exploring-noise-textures-by-haggari.html

Please explore rzrecords.blogspot.com for more great music.

EXPLORING NOISE

TEXTURES

To accompany his interview in The Wire 495, Kolkata born Nilotpal Das, aka Bios Contrast, creates a special mix of his own tracks alongside music by influences including Aphex Twin, Madvillain, Deftones, AR Rahman, and My Bloody Valentine
https://www.thewire.co.uk/audio/tracks/wire-mix-bios-contrast-nilotpal-das

“The harmonium I use was gifted to my grandfather by his friend 45 years ago, and then he gave it to me,” says Kolkata musician Nilotpal Das. “I started playing when I was around 14. It’s really old and worn out, with an old sound to it. I wanted to experiment with how I can make drone sounds with it.”

The instrument appears in modified forms in his expansive, sometimes noisy, droning electroacoustic compositions. Another side of Das’s production is a collision-heavy club output that takes cues from “dubstep, noise, jungle, drum ’n’ bass” among numerous other sources of inspiration. Das works under his own name and the alias Bios Contrast, which “comes from the Greek word bios, meaning life, and contrast, which also means against life – I don’t really like the name but I’m stuck with it”.

As to how he decides which name suits each release, he leans into the confusion: “The stuff I put out is like a mixed bag, much like [Japanese video game designer] Hideo Kojima. I feel like now my stuff shouldn’t make sense all the time and that’s good, in a way I’ll have more artistic freedom.” His main tools are his laptop and Ableton, which he runs almost everything through. “My club tracks are mostly sample-based, and I also use harmonium samples,” he explains. Alongside soft-synths and samplers on his drone and ambient pieces he plays “guitar as well, but not as good as the harmonium. It’s been two years of playing the guitar – I used it with a bow like a string instrument. I also have a violin, but I play the guitar as a violin.”

Here, he curates a special Wire mix in advance of his new album SSAC42, which will be released on 27 June by Infinite Machine.
https://infinitemachine.bandcamp.com/album/ssac42

Tracklist:

Aphex Twin “Nightmail [London 14.09.2019]”
Deftones “Engine No 9”
Madvillain featuring Quasimoto “Shadows Of Tomorrow”
Wadaiko Matsuriza “Oni-mo-naku (Even A Demon Cries)”
Baatarjav “Tsuur”
Bios Contrast & Nilotpal Das “Crossing The River”
Caterina Barbieri “Math Of You”
Bios Contrast “Silence”
Death Grips “Lost Boys”
Bios Contrast & Nilotpal Das “Gondho Jhaater Chule”
Bios Contrast & Nilotpal Das “Club Warfare”
Bios Contrast & Nilotpal Das “everyth1ng 1n l1fe (feat K_anti)”
Bios Contrast & Nilotpal Das “ap0calypse 42”
Lucky Ali “Ek Pal Ka Jeena”
AR Rahman/Lata Mangeshkar/MG Sreekumar “Jiya Jale”
My Bloody Valentine “Soon”

Wire mix: Bios Contrast & Nilotpal Das

entropy

Brand new stuff from Rabbit Hole 7 coming out this month!

TRUST Pt. 1

rec jul-aug 2021, for "flesh.tv vol 1" compilation usb-stik & book & object released by flesh tv, france https://fleshtv.world/

listen & buy

we are our relationships - xcerpt

Guitar and synth tracks played and recorded through a homemade Gong Amplifier (résonateur métallique)

Ombres Concrètes

TRANSMISSION 01

In a dream where shadows sigh,
Waves like wings drift through the sky.
Liminal light, a world unsure,
Beauty edged with something pure.

But danger hums in softest tone,
Fear walks gently, not alone.
The sky may sing, the stars may motion—
Beware the flying ocean.

.

SEE YOU NEXT TIME

.

001

Transmission 01

Some days everything just turns into noise.
This track was born from those moments, where nothing makes much sense, but something still pulses, insists, screams.

I don't know if it's anger, fear, or just that urge to break everything and dance on the shards.
It's dirty, distorted, and fast... and somehow, that calms me down.

WHAT YOU SEE?

L'Amour - Plaisir de nuire

L'amour - Kopač radosti

Guitar, Production, Mixing, and Mastering by Blueberry Cupcake.
Guitar and Production by TITANBOSS.
Written by Blueberry Cupcake and TITANBOSS.

Samples used:

1. Fluttershy’s speech in the bridge was generated by a user I encountered on the 15.dev Discord server using 15.ai.
2. Warped snare sample at the end by Kroova (link to their YouTube):

https://www.youtube.com/@sovereignkroova/featured

Cover image was created using Luma AI via images of my own art and prompts. The image was then further edited using this AI editor:

https://pixlr.com/express/

Please give due credit to us if used.

BRO We Gone

sound as communication in direct and primal form, a tool of metaphysics, a conscience and a consciousness, unrestrained language, vibration. sound as a means to activate primordial shared emotions otherwise hidden under the debris of civilisation. works that oppose the omnipresent restriction and reduction of life and living. inviting rumination, encouraging intervention, endorsing catharsis & environmental e/quality, touching sentience, cleansing. dp re/searches and ponders existences and behaviourisms via audio de/construction, psycho-acoustics and sound rituals. sonic activism, ritual protest music, humanimalism.

solo works since 1987. 
part of SCHIMPFLUCH-GRUPPE (with Rudolf Eb.er, Joke Lanz, Marc Zeier, Daniel Löwenbrück etc.) since 1991.

projects present and past include OHNE, dead peni, perverts in white shirts, PK, ketsu no ana, fear of god & more;  collaborations with G*Park, Francisco Meirino, Randy Yau, Hiroshi Hasegawa, GX Jupitter-Larsen, Chris Galarreta, Masonna & more; ScHimpfluch Associates label with Rudolf Eb.er etc blablabla

contact/booking dp@tochnit-aleph.com

⑦⑥ⓅⓇⓄⓅⒶⒼⒶⓃⒹⒺ

-·=»‡«=·- ˙snoN ʇsǝ,ɔ ǝxopɐɹɐd ǝ˥ -·=»‡«=·-

L'Amour (Harsh Noise/Powerelectronics)

Nos Aubes Perdues (Hopecore/Witchphonk)

✿︎📫︎✿︎🗐︎☹︎☞︎♉︎✿︎📫︎✿︎🕿︎✆︎⅃⅃🕿︎✆︎ॐ︎📭︎ॐ︎📭︎ (Abstract/Experimental)

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Sound engineer based in Edmonton, AB.
Mixing|Composing|Experimenting - I like making things sound cool

electric guitars, overdubs, loops, live electronics, amplifier and microphone

WE ARE THE BEST ARTIST/GROUP THAT EXISTS.

I'm a night wanderer, a stalker of dreams. 
I collect tears, colors and shadows. 
And through the beats of my heart I share it. 
Because life is an eternal collage.

An experimental musician and sound artist blending noise, jazz, electronics and avant-garde improvisation. 

Usually: exploring and pushing the boundaries of sonic textures and dissonance. Sculpting soundscapes that challenge conventional notions of melody and harmony. 

Sometimes: a member of noise rock, drone, doom and powerviolence groups.

Haggari Nakashe is your everyday depressed maverick sound artist, but also the co-owner of RZRecords!

Meditation, Medicine, & Strange and Psychedelic Music

Contact & Bookings: bioscontrast@gmail.com
https://linktr.ee/bios.contrast

New tracks tagged #noise Music