Originally written by Andrew Eldritch and Jim Steinman, More was released by The Sisters of Mercy in 1990. Pulse Meridian reimagines the gothic rock anthem as a progressive house track with a dark, hypnotic energy.

This version blends a pulsing synth bass, atmospheric pads, and driving drum machine rhythms with smooth baritone vocals drenched in reverb and delay. The result is a polished, melancholic, and dance-ready reinterpretation that carries the original’s intensity into modern electronic form.

Pulse Meridian - More (So Out of Control Club Cover)

Written by Martin L. Gore and originally performed by Depeche Mode, Behind the Wheel is transformed by Pulse Meridian into a deep progressive house experience.

Built around a pulsing groove and a powerful synth bass, this version unfolds with a dark, hypnotic energy. Deep, resonant vocals glide over layered percussion, atmospheric pads, and subtle reverb, creating a lush and emotionally raw soundscape. The result is a moody, modern reimagining that captures the spirit of the original while steering it firmly onto the dancefloor.

Pulse Meridian - Behind the Wheel (Watch Me Move Club Cover)

Originally written and performed by Barry Manilow on his 1981 album If I Should Love Again, Break Down the Door gets a full reimagining here. Pulse Meridian transforms the song into a high-energy electronic dance track built for the club.

This version features a driving four-on-the-floor beat, a powerful bassline, soaring synth layers, and passionate vocals that push the track into an urgent, uplifting space. With its polished production and pounding rhythm, it’s designed to make you move while paying tribute to the original.

Pulse Meridian - Break Down the Door (Lose Control Club Cover)

Written by Cy Curnin, Adam Woods, Jamie West-Oram, and Rupert Greenall, and originally performed by The Fixx, One Thing Leads To Another gets a full-throttle electronic transformation from Pulse Meridian.

This version hits hard with a pounding progressive house groove, deep low-end resonance, and layered synth bass that drives the rhythm forward. The mix is clean and powerful, blending lush, dark textures with a nocturnal atmosphere. A classic reborn for the dancefloor.

Pulse Meridian - One Thing Leads To Another (Pull Out Your Party Club Cover)

Originally written by Perry Farrell and Eric Avery, Mountain Song appeared on Jane’s Addiction’s 1988 album Nothing’s Shocking. Pulse Meridian reimagines the alternative rock classic as a dark, high-energy electronic dance track built for the late-night floor.

This version drives forward with a pounding four-on-the-floor beat, heavy synth bass, and layers of atmospheric percussion. Vocals with a slightly distorted edge add intensity, while evolving synth pads and textures create a brooding, urgent energy. The result is a powerful club reinterpretation that honours the raw spirit of the original in a new form.

Pulse Meridian - Mountain Song (Cash-In Club Cover)

Originally written and performed by Kate Bush in 1985, Running Up That Hill has remained one of the most iconic songs of the era. Pulse Meridian reimagines the track as an energetic electronic pop production with a driving beat and a fresh delivery.

This version layers synth bass, pads, and arpeggios around a clear vocal line, creating a wide, atmospheric sound that feels both powerful and uplifting. With its clean production and pulsing rhythm, the cover transforms a timeless classic into a modern club-ready anthem.

Pulse Meridian - Running Up That Hill (Tearing You a Club Cover)

Originally written by Ian McNabb and first performed by The Icicle Works, Birds Fly (Whisper to a Scream) gets a new life on the dancefloor. Pulse Meridian reimagines the 80s classic as a deep, uplifting progressive house track with a steady drive and soaring energy.

This version layers a powerful synth bass, shimmering arpeggiated lines, and a tight drum machine rhythm to create a hypnotic, modern electronic sound. Both nostalgic and forward-looking, it transforms the anthemic spirit of the original into a late-night club-ready experience.

Pulse Meridian - Birds Fly (A New Nirvana Club Cover)

Originally written by Dougy Mandagi and Lorenzo Sillitto, Sweet Disposition by The Temper Trap became an indie anthem in 2008. Pulse Meridian reimagines the track as a synth-pop journey with a driving beat and a haunting, melancholic atmosphere.

This version layers arpeggiated synths, a deep bass foundation, and steady electronic drums beneath smooth, breathy vocals. Spacious production with reverb and delay creates a wide, introspective soundscape that captures the spirit of the original while shaping it into a modern club-ready experience.

This one is for Dorothy.

Pulse Meridian - Sweet Disposition (Reckless Abandon Club Cover)

Originally written by Ric Ocasek and Greg Hawkes, Moving in Stereo first appeared on The Cars’ 1978 self-titled debut album. This cover is a deep, dark progressive house reimagining that transforms the new wave classic into a driving late-night club experience.
Pulse Meridian layers hypnotic textures, pulsing basslines, and a pounding groove that makes the track both cinematic and highly danceable. Built with respect for the original, it captures the timeless spirit of The Cars while pushing it into modern underground territory.
Best experienced with volume up and lights down.

Pulse Meridian - Moving in Stereo (Fool with the Sound Cover)

Written by U2, Hawkmoon 269 has long been a fan-favourite deep cut. Pulse Meridian transforms it into a driving electronic dance track set in E minor at 120 BPM, reshaping the song for the club while keeping its emotional weight intact.

This version features a pounding electronic drum beat, deep synth bass, and atmospheric pads, with arpeggiated synth melodies adding movement and urgency. Smooth, slightly melancholic vocals ride over a wide, spacious mix where the bass and drums drive the energy forward. The result is a dark, hypnotic reinterpretation built for the dancefloor.

Pulse Meridian - Hawkmoon 269 (Drums in the Night Club Cover)

Pulse Meridian is a Canadian electronic music project that reimagines classic songs through the lens of modern progressive house. Each track blends deep, cinematic production with moody synth textures and driving rhythms. The sound is dark, melodic, and emotional, balancing nostalgia with a forward-thinking edge. Created by video editor and producer Tyler Ward, Pulse Meridian explores the space between memory and motion, where timeless melodies pulse with new life.

New tracks tagged #retro modern