The first instalment (V 1.0) of swashbuckling tunes from Voltz Supreme's brand new project, The Krispy Kraken.

The Krispy Kraken is a multi-layered project consisting of an audio adventure podcast, multiple soundtracks and a huge collection of royalty-free music, ambience and SFX tracks made available to game developers and film producers.

All new original material (sounds and music) used for podcast episodes will be added to the music pack with future updates, so stay tuned and check it out!

Visit https://www.voltzsupreme.com for more details

Tropical Beach

An original song inspired by the story behind 'The Great Gatsby'.

Written and produced by Eloise Keating.

Lyrics:

Watch me, haunt me, be my ghost
never get too close, never get too close
Fix your eyes upon me from a far
you've got the world but lonely's what you are

When you're watching, forever watching
watching, forever watching

And the green light won't go out
cause you're watching, forever watching
being within and without 

And the green light won't go out
cause you're watching, forever watching
being within and without

Hold me, stay here, make it last
can you relive the past, can you relive the past
take me, make me feel alive 
but you're dream ended with a late night drive

He said he likes the big parties for the intimacy 
because the small ones they don't have no privacy
and she's always been his american dream
but everything is not always what it seems
and he's reaching out, but she's in-between 
is it love or is it curiosity
too many cocktails sipped between the sheets
him and his cold green eyes they walk the streets

And the green light won't go out
cause you're watching, forever watching
being within and without

And the green light won't go out
cause you're watching, forever watching
being within and without

Watch me, haunt me, be my ghost
never get too close, never get too close
Eloise Keating 2013 ©‎

ELOISE KEATING - Be My Ghost (The Green Light)

It means "Friends from Puerto Rico". Composed and arranged by John Wooton. Performed by the Southern Miss Steel Pan Orchestra. Soloists are Daron Roberts on lead pan and John Wooton on double seconds.

Amigos de Borinquen

Pump Me Up

Jonathan Scales Fourchestra
October 2, 2022
Indianapolis, IN @ MacAllister Amphitheater - Indy Jazz Fest - 3pm

01. Introduction
02. ???
03. ???
04. ???
05. ???
06. The Trap
07. Better Days (E'Lon solo)
08. ???
09. Kiss From A Rose [Seal] (with Harrison)
10. Desert

Jonathan Scales - Steel Pan Drums
E'Lon Jordan-Dunlap - Bass
Maison Guidry - Drums

Guests:
Harrison (tour manager) - vocals (on Kiss From A Rose)

Notes: Robert Glasper was the headliner, after Ghost-Note, Rebirth Brass Band, Butcher Brown, Jonathan Scales Fourchestra & The Indiana All-State High School Jazz Combo featuring Derrick Gardner. All were recorded except the High School Jazz Combo. 

Shure MV88 > iPhone 7 > Motiv Audio App > WAV (24/48) > CD Wave Editor (tracking) > FLAC
Recorded by Funk It Blog

Jonathan Scales Fourchestra 10/2/22 Indy Jazz Festival, Indianapolis, IN

Dont Wanna Be Lonely Pan 1

Set You Free

This is the Campbell Hall 18-member high school steel drum orchestra's studio recording of "Coconut Champaign", which was recorded, edited, mixed, and mastered at the Campbell Hall recording studio by students of the school's Recording Rrts program.  The group is founded and directed by Los Angeles percussionist and producer Jason Lee Bruns.

Coconut Champaign by Campbell Hall High School Steel Orchestra

Recorded May 7, 2016 at Rob's Open Mics, Teavolve Cafe & Lounge, Baltimore, MD.

One of my favorite jam experiences of all time. I had just seen the other three musicians perform as part of the featured artist band "50 Man Machine", and loved the sounds they produced. Thank goodness they accepted my invitation to jam with me. I asked Kristen to lay down a groove in G minor, medium tempo... and we were off!

Dave Benham - Native American Flute
Kristen Jones - Steel Pans
Trevor Specht - Tenor Saxaphone
Mosno Al-Moseeki - Djembe

As always, a special thanks to Rob Hinkal, open mic host, and founding member of the band ilyAIMY (where Kristen normally plays cello!) Rob recorded and mixed down an HD video of the piece https://www.youtube.com/watch?v=dizgscOoOv8&list=PLaL1NtKJqn1zFMzuGAVVQFkrScpsB2hHq&index=7, from which this mp3 was extracted. He also provided the photograph.

Improvised Jam - Native Flute, Steel Pans, Tenor Sax, Djembe

Very Much (A Lot) combines elements of medium-tempo mambo as well as straight-ahead rock creating a haunting, mysterioso effect. Scored for tenor pan, double tenor, double seconds, triple cello (or guitars), bass, and drumset, this piece features an unusual melody and a few challenging rhythms. The introduction and main theme was inspired by the bass guitar line of “Crush” by the Dave Matthews Band. It is composed in C Minor and explores different relative keys, such as A-flat major and F major. This medium-advanced selection is written to provide a unique and satisfying musical experience for both the performers and audience members.

Sheet music available at http://www.tapspace.com

Very Much (A Lot) (Joshua Garrett)

F.L.A.V.A (FUN LOVING AND VERY ARTISTIC) THATS WHAT F.L.A.V.A STANDS FOR 

“live audio, live video, always funky”

Funk It is a blog dedicated to live funk recordings, past and present.
Audio, video, downloads, and streaming.

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Exploring the moods and sounds of Native American and Native American style flutes. My favorite musical experiences are unrehearsed jams with other eclectic instruments.

Singer/songwriter/producer from Portsmouth, Hampshire.

"It’s a strong debut that showcases the young songwriter’s vocal and musical ability, as well as her burgeoning understanding of true composition. " - The Line Of Best Fit.


This account feature recordings made by the Campbell Hall high school Recording Arts Program which showcase some of the school's unique and diverse musical ensembles and student artist.

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