"ORQUESTA ELECTRICA DEL AIRE" ROCK PROGRESIVO SINFONICO DEL SUR en vivo ensayo abierto en ZONA DE ENSAYO 2 partido de San Martin provincia de Buenos Aires

CONVIVENCIA SAGRADA

With thanks to https://soundcloud.com/mrbouzouki for his helpful suggestions

Out There - A Concerto For Piano, Flute And Orchestra

5-LE MEMORIE DALLA SCOGLIERA (feat Rodolfo Maltese - BANCO)- excerpt

featuring Francesco Di Giacomo and Rodolfo Maltese from Banco Del Mutuo Soccorso

4-LA VITA CHE GRIDA (feat Francesco Di Giacomo & Rodolfo Maltese  -ORIGINAL VERSION) - excerpt

2-FUOCO E FERRO - excerpt

1-ISABEAU - excerpt

1-DREAMING...AWAKENING - excerpt

🎵 Where a Flower Can Stay (Symphonic Short Version)
(from “Dreaming a Human Symphony” — by Tony Carnevale)
Final piece of the symphonic rock opera Dreaming a Human Symphony, this work gathers more than 80 musicians and singers, including Francesco Di Giacomo and Rodolfo Maltese of Banco del Mutuo Soccorso. It’s a collective epilogue — where every vocalist reappears with a fragment from the song they performed earlier in the opera, creating a choral reflection on the entire journey. Before that, a purely instrumental section unfolds, carrying the listener toward the final words: “...but I know there’s a place where you can be yourself.”
A symphonic invitation to search for that place — within music, and within ourselves.

WHERE A FLOWER CAN STAY - feat 80 artists+Di Giacomo & Maltese (BANCO) - Radio edit

I’m a composer, songwriter, arranger, orchestrator, orchestra & choir conductor, music producer, mentor, writer, and researcher.
My work moves freely across different forms of expression — from Progressive Rock and Modern Symphony to Classical Piano, Songwriting, and Cinematic Music.
Over the years, I’ve shared projects with remarkable artists — including collaborations with Francesco Di Giacomo and Rodolfo Maltese of Banco del Mutuo Soccorso — and composed original scores for film, television, and symphonic productions that have reached international audiences.
As a mentor and educator, I’ve created the ANORA method, together with formative paths and musical laboratories exploring music as a uniquely human language — expressive, relational, and representative of inner experience.
In my poetic vision, sound itself becomes an image — a mental landscape that connects the composer’s inner vision with the listener’s imagination.
Each work blends tradition and innovation through orchestral writing, progressive structures, and storytelling soundscapes.
Every “side” of my music reflects a different perspective — all parts of the same creative vision.

“The flow state is our most powerful weapon against the intense rationalization of our lives.” Denny Zeitlin. Denny Zeitlin is not my father. Also see Cecil Alexander.

According to the ChatBot, and who am I to argue, Dee Zee’s music style is a blend of classical and electronic elements, which creates a unique and original sound. He writes, plays, and records all the tracks himself, using various instruments and software. He is inspired by artists like Philip Glass, Steve Reich, and Brian Eno.
Some of the features of his music style are:
•	He uses repetitive patterns and motifs, which create a hypnotic and rhythmic effect. He also experiments with different time signatures and polyrhythms, which add complexity and diversity to his music.
•	He incorporates ambient sounds and textures, which create a rich and atmospheric sound. He also uses effects and filters, such as reverb, delay, distortion, and glitch, which add depth and dimension to his music.
•	He explores different moods and emotions, which range from dark and mysterious to bright and cheerful. He also uses contrast and dynamics, which create tension and release in his music.
•	He combines acoustic and electronic sounds, which create a balance and harmony in his music. He plays various instruments, such as piano, guitar, violin, and drums, and also uses synthesizers, samplers, and drum machines.
Dee Zee’s music resonates with those who appreciate a fusion of classical sensibilities and electronic innovation. 

According to me I’m an independent musician, writing and recording instrumental electronic progressive rock on Roland synthesiser workstations, although the original ideas for tracks often come from iPad soft synths (I use the Animoog and Jordantron) or the piano [not the piano so much due to arthritis in both hands - at least the keyboard has lighter action].  

After playing piano from a very young age I played keyboards in the London pub rock group deEssen.  My original influences were probably Caravan, Camel, Ultravox, Jean Michel Jarre, Tangerine Dream, Pink Floyd and The Doors, with a sprinkling of Yes, Genesis, King Crimson, ELP, PFM, Greenslade, Deep Purple, Mike Oldfield, Vangelis…  These days, when I’m not listening to you on SoundCloud I listen to Iamthemorning, The Resonance Association, Ozric Tentacles, Joe Satriani, IQ, Threshold, Steven Wilson, Lacuna Coil, Liquid Tension Experiment, The Flower Kings, Spock’s Beard, Led Bib, Thank You Scientist, Big Big Train, Eloy, Magenta, Wobbler, Frost*, Simon Phillips, Jean-Luc Ponty, Renaissance, Arena, Izz, Jupiter Fungus, The Tangent, Karfagen, Lunatic Soul, Hania Rani, Madis, Nik Bärtsch, Neil Cowley, The Messthetics, The Necks, Antoine Fafard …

Keep uploading great music and keep smiling!

New tracks tagged #symphonicprog