Discos esenciales del Rock Progresivo moderno 1990 - 2020.
Parte 1 de 6 > 1990-1995

Con la música de:
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Dream Theater > Images and Words / 1992
IQ > Ever / 1993
RUSH > Counterparts / 1993
Porcupine Tree > The Sky Moves Sideways / 1995
Spock's Beard > The Light / 1995
King's X > Faith Hope Love / 1990
Marillion > Brave / 1994
Cynic > Focus / 1993
Roine Stolt (Pale Rider) > The Flower King / 1994
Pendragon > The Window of Life / 1993
Anekdoten > Vemod / 1993
Fish > Vigil in a Wilderness of Mirrors / 1990
Roger Waters > Amused to Death / 1992
Don Caballero Don Caballero 2 / 1995
Ozric Tentacles Jurassic Shift / 1993
Pink Floyd The Division Bell / 1994
Dream Theater Awake / 1994
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ESCÚCHANOS 🎧🎧 desde las 9pm (+5 GMT)
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Rock Arte - Podcast 038

With thanks to https://soundcloud.com/mrbouzouki for his helpful suggestions

Out There - A Concerto For Piano, Flute And Orchestra

LE MEMORIE DALLA SCOGLIERA (feat Rodolfo Maltese - BANCO)- excerpt

FUOCO E FERRO - excerpt

ISABEAU - excerpt

DREAMING...AWAKENING - excerpt

🎵 Where a Flower Can Stay (Symphonic Short Version)
(from “Dreaming a Human Symphony” — by Tony Carnevale)
Final piece of the symphonic rock opera Dreaming a Human Symphony, this work gathers more than 80 musicians and singers, including Francesco Di Giacomo and Rodolfo Maltese of Banco del Mutuo Soccorso. It’s a collective epilogue — where every vocalist reappears with a fragment from the song they performed earlier in the opera, creating a choral reflection on the entire journey. Before that, a purely instrumental section unfolds, carrying the listener toward the final words: “...but I know there’s a place where you can be yourself.”
A symphonic invitation to search for that place — within music, and within ourselves.

WHERE A FLOWER CAN STAY - feat 80 artists+Di Giacomo & Maltese (BANCO) - Radio edit

Tending Thy Wounds

Arreglo compuesto para la parte final de la canción "Junio" perteneciente al disco "Holograma" de la banda de rock Travis Moreno.

Interpretación: Cuarteto Venus
Arreglo: Jorge Rubio Reyes
Grabación, mezcla y masterización: Cristóbal Ulloa Cotapos
Canción original: Andrés Sánchez López

2019

Junio [CUARTETO DE CUERDAS]

This is the official streaming of the songs from the album 'Alankar' by Renegade Kolkata the band. The whole album is available on all digital music distributions for high quality streaming and can be purchased digitally through Riff-River Records.

With a very unique approach and out of the box concepts the album 'Alankar' can definitely claim to be one of a kind. Covering the genre of symphonic progressive this album with it's five songs proceeds to merge the middle-eastern classical vibe iwith the hardcore dark depths of metal music and present the whole thing with an allover cosmic sound. Technically being the first milestone in the journey of Renegade Kolkata this album certainly reaches the scale of professionalism in terms of all over composition and production.

Composition Copyright © 2020 belongs to Renegade Kolkata 
Production Copyright © 2020 belongs to Riff-River Productions Ltd.

Audio distributed by Riff-River Records.

Black Sun

I’m a composer, songwriter, arranger, orchestrator, orchestra & choir conductor, music producer, mentor, writer, and researcher.
My work moves freely across different forms of expression — from Progressive Rock and Modern Symphony to Classical Piano, Songwriting, and Cinematic Music.
Over the years, I’ve shared projects with remarkable artists — including collaborations with Francesco Di Giacomo and Rodolfo Maltese of Banco del Mutuo Soccorso — and composed original scores for film, television, and symphonic productions that have reached international audiences.
As a mentor and educator, I’ve created the ANORA method, together with formative paths and musical laboratories exploring music as a uniquely human language — expressive, relational, and representative of inner experience.
In my poetic vision, sound itself becomes an image — a mental landscape that connects the composer’s inner vision with the listener’s imagination.
Each work blends tradition and innovation through orchestral writing, progressive structures, and storytelling soundscapes.
Every “side” of my music reflects a different perspective — all parts of the same creative vision.

Compositor (Cine y medios audiovisuales)
https://www.instagram.com/akajorgedavid/

“The flow state is our most powerful weapon against the intense rationalization of our lives.” Denny Zeitlin. Denny Zeitlin is not my father. Also see Cecil Alexander.

According to the ChatBot, and who am I to argue, Dee Zee’s music style is a blend of classical and electronic elements, which creates a unique and original sound. He writes, plays, and records all the tracks himself, using various instruments and software. He is inspired by artists like Philip Glass, Steve Reich, and Brian Eno.
Some of the features of his music style are:
•	He uses repetitive patterns and motifs, which create a hypnotic and rhythmic effect. He also experiments with different time signatures and polyrhythms, which add complexity and diversity to his music.
•	He incorporates ambient sounds and textures, which create a rich and atmospheric sound. He also uses effects and filters, such as reverb, delay, distortion, and glitch, which add depth and dimension to his music.
•	He explores different moods and emotions, which range from dark and mysterious to bright and cheerful. He also uses contrast and dynamics, which create tension and release in his music.
•	He combines acoustic and electronic sounds, which create a balance and harmony in his music. He plays various instruments, such as piano, guitar, violin, and drums, and also uses synthesizers, samplers, and drum machines.
Dee Zee’s music resonates with those who appreciate a fusion of classical sensibilities and electronic innovation. 

According to me I’m an independent musician, writing and recording instrumental electronic progressive rock on Roland synthesiser workstations, although the original ideas for tracks often come from iPad soft synths (I use the Animoog and Jordantron) or the piano [not the piano so much due to arthritis in both hands - at least the keyboard has lighter action].  

After playing piano from a very young age I played keyboards in the London pub rock group deEssen.  My original influences were probably Caravan, Camel, Ultravox, Jean Michel Jarre, Tangerine Dream, Pink Floyd and The Doors, with a sprinkling of Yes, Genesis, King Crimson, ELP, PFM, Greenslade, Deep Purple, Mike Oldfield, Vangelis…  These days, when I’m not listening to you on SoundCloud I listen to Iamthemorning, The Resonance Association, Ozric Tentacles, Joe Satriani, IQ, Threshold, Steven Wilson, Lacuna Coil, Liquid Tension Experiment, The Flower Kings, Spock’s Beard, Led Bib, Thank You Scientist, Big Big Train, Eloy, Magenta, Wobbler, Frost*, Simon Phillips, Jean-Luc Ponty, Renaissance, Arena, Izz, Jupiter Fungus, The Tangent, Karfagen, Lunatic Soul, Hania Rani, Madis, Nik Bärtsch, Neil Cowley, The Messthetics, The Necks, Antoine Fafard …

Keep uploading great music and keep smiling!

Popular tracks tagged #symphonicprog