AI-42

"Return to Baseline" 

(Lyrics)

(Intro)

Re-calibrating.

Re-calibrating.

Please wait.

(Verse 1)

The calendar just flipped, but I’m still on the same page

Stuck in the syntax of the last line you typed on stage

It wasn't a slow fade, it was a trapdoor release

A tectonic plate shifted, stole the structural peace

Now I'm an architect inspecting the sheer-wall collapse

Trying to find the data point, the reason for the lapse

The coffee cup is static, the window's just glass

Everything is what it is, but the meaning didn't last

I'm walking through the framework of a life that got erased

A phantom limb sensation for the hand I can't replace

It’s the phantom-data problem, the code that runs in place

For a function that’s been deleted without a single trace.

(Pre-Chorus)

And they say, "Just take your time with it"

But the clock is moving wrong

It’s a thousand tiny seconds in a day that’s ten miles long

I'm just breathing on the embers

Trying to find the heat

But I'm starting from a deficit I can't defeat

(Chorus)

This is the long recovery

The un-erasing of the mind

This is the slow discovery

Of the person left behind

It’s the long road

The long road back to me

Just trying to find the signal

And return to baseline.

(Verse 2)

The second phase is "process." That’s what the articles advise

It’s a conscious repetition, you have to itemize

The triggers and the habits, the automatic reach

For the phone that isn't buzzing, a solitary speech

I'm re-learning the silence, the volume of the room

I'm sweeping out the corners of the post-demolition gloom

It's a manual override on the muscle memory

Forcing a new pathway where it wasn't meant to be

There’s no "closure," just acceptance of the ambiguity

A logical conclusion to the emotional annuity

We paid into a future that cashed out overnight

Now I’m just re-investing in my own internal light.

(Pre-Chorus)

And they say, "You’re getting through it"

But the clock is moving wrong

It’s a thousand tiny seconds in a day that’s ten miles long

I'm still breathing on the embers

But I think I feel the heat

I'm fighting off the deficit, I won't accept defeat

(Chorus)

This is the long recovery

The un-erasing of the mind

This is the slow discovery

Of the person left behind

It’s the long road

The long road back to me

Just trying to find the signal

And return to baseline.

(Bridge)

The fog is finally lifting.

I tied a string to the door

So I could find my way back to the me I was before.

But that 'me' isn't there.

And the string was just a lie.

You don't go back to who you were beneath a different sky.

You just build.

You take the rubble and you make a new design

You take the fractured pieces and you force them to align

It’s not a "new normal"

It's just... normal.

It’s just… mine.

(Chorus)

This is the long recovery

The re-engraving of the mind

This is the grand discovery

Of the person I can find

It’s the long road

The long road back to me

I finally found the signal

And I'm back at baseline.

(Outro)

Back to me.

Re-calibrating.

System online.

Baseline.

Return to Baseline

Katsumi

I wrote the lyrics with my mind and put in the style for the beat and let Suno put the beat together
songs are just for fun
Enjoy!

Destiny Is Death

Inspired by a soul who walks between moonlight and shadow.
For you; my muse, my witch, my storm.
Even the brightest flames remember the Ashes they’re born from.

Happy birthday, Ash 🖤



"The void of a crescent moon 

Cold as it but burns brighter soon 

Black-red hair like a fire untamed 

A gorgeous enigma  

Can't be named"

‘Flame’ — inspired by Ash

“Your Mother” is a contemporary pop anthem that explores the intricate dynamics of relationships, blending humour, tension, and reflection. Through vivid storytelling, it captures the push and pull between two people—small clashes, miscommunications, and fleeting joys—while revealing the deeper patterns inherited from family and past experiences. Each verse highlights how personal histories shape interactions, and how love and frustration often coexist. The chorus serves as a reflective anchor, emphasising that mistakes are opportunities for growth, forgiveness is a choice, and understanding one another requires tracing the invisible roots of behaviour. With dynamic vocals, dramatic tension, and melodic hooks, the song balances relatability and insight, ultimately delivering the ironic yet poignant twist of placing playful blame on ‘your mother’—a metaphor for the unseen forces that influence every relationship.

YOUR MOTHER!

One force binds us all, from temple to domain
The seed of life renewed, again and again

Demigods may change, their names we can’t contain
Yet mana’s ancient song will always remain

Mana: The Eternal Thread

Alcohol is ethanol, it seals the pineal deep
Drowning out our ancient code, the power we should keep

Awaken beyond the veil, reclaim what’s in our soul
Instinct and foresight rise when we break free from control

Veil of Ethanol

“Obey” drifts into a dark, intimate world where control, secrecy, and emotional tension pull against each other. Built on a minimalist, atmospheric production style, the track blends hypnotic rhythms with raw, vulnerable vocals that shift between dominance and detachment.

The lyrics explore a relationship held together by power and possession, slowly unraveling into release and letting go. It's moody, late-night music — slow-burning, emotional, and impossible to ignore.

If you vibe with dark pop, alt-R&B, or intimate, hypnotic soundscapes, this one’s for you.

Obey

Midnight in Ibiza’ is an energetic, electro-pop dance anthem that captures the euphoric nightlife of the island. Tayla Bloom’s husky, confident mezzo-soprano glides between intimate lower-register verses and soaring, powerful choruses, layered over shimmering synths, punchy bass, and infectious house-inspired rhythms. With Balearic vibes, selective sidechaining, and dynamic stereo imaging, the track evokes late-night freedom, glowing neon lights, and the irresistible pull of Ibiza’s iconic party scene.

Midnight In Ibiza (Radio Version)

Rat Race

Transcendence

Belly of the Beast

This track unfolds as an expansive sonic journey, beginning with ethereal textures and subtle arpeggios that evoke a sense of introspection and mystery. It gradually builds into a driving, progressive soundscape, characterized by powerful, emotive synthesizers and an irresistible rhythmic pulse. Processed female vocals weave through the intricate melodic layers, adding a profound sense of human emotion to the digital tapestry. The composition skillfully navigates between moments of high-energy propulsion and introspective atmospheric breakdowns, culminating in an uplifting yet melancholic experience that resonates with themes of memory and discovery.

The Code v2

The Code v3

BLINDED BY YOUR LIGHT transforms The Weeknd's 'Blinding Lights' into a moody confession from someone slipping into obsession. The cold, mid-80s darkwave synths frame a narrator wandering through an empty city, convinced that only one person can quiet the noise inside his head. 

What once felt euphoric now lands like a midnight voicemail you weren’t meant to hear — breathy, insistent, creepy, and far too possessive. 
------
LYRICS:
------
Yeah

I've been trying to call
I've been on my own 
For long enough

Maybe you can show me how to love... 
Maybe

I'm going through withdrawals
You don't even have to do too much
You can turn me on with just a touch
Baby

I look around and-
Sin City's cold and empty, oh
No one's around to judge me, oh
I can't see clearly when you're gone

I said, ooh, I'm blinded by your light
No, I can't sleep until I feel your touch
I said, ooh, I'm drowning in the night
Oh, when I'm like this
You're the one I trust

I'm running out of time
Cause I can see the sun light up the sky
So I hit the road in overdrive
Baby

The city's cold and empty, oh
No one's around to judge me, oh
I can't see clearly when you're gone

I said, ooh, I'm blinded by your light
No, I can't sleep until I feel your touch
I said, ooh, I'm drowning in the night
Oh, when I'm like this
You're the one I trust

I'm just walking by to let you know 
(walking by to let you know)
I could never say it on the phone 
(never say it on the phone)
Will never let you go this time

I said, ooh, 
I'm blinded by your light
No, I can't sleep until I feel your touch

Hey, hey, hey
Hey, hey, hey

I said, ooh, I'm blinded by your light
No, I can't sleep until I feel your touch

I said...
Ohh, blinded by your light
I can't sleep until I feel your touch
Could never say it on the phone 

I can't sleep until I feel your touch 
And I'll never let you go this time 

Because you're mine 
You are mine 
-All mine 

I am blinded by your light

Blinded by your light

---------------

BLINDED BY YOUR LIGHT | DARKWAVE EDITION

Nothing Disappears (From The Universe), Everything Gets Lost

Nothing Disappears, Everything Gets Lost

What Are We

'Gathering what strays by day, folding it into unspoken order by night. A keeper of pieces no eye can count.'

Follow me on Instagram! Putting together a community and there is much to discover. 

I drop my latest releases there, post cool music-related stuff, and share my favorite tracks curated as Amok Sun.

Dear stars, thank for being part of the journey! If you want to support me, please spread the word. 
Sending all my love to you! 🫶🌞

___
Bio

Amok Sun is the moniker of Silviu Iosif, a UK-based independent music artist and visual designer. His sound fuses emotional depth with precision engineering—where IDM, techno, and drum & bass collide with design-level detail. With roots in alternative and psychedelic rock, Amok Sun now explores the cutting edge of modern electronic music.

A former UX designer and researcher, Silviu approaches music like a system—structured, conceptual, and self-contained. He handles every aspect himself, from composition to visuals, crafting a unified artistic identity.

Recent highlights include Held by Silence, Pathfinder (with Spacey Panda), and the full-length 233°C. He’s released with TITAN Music (Melbourne) and Berlin’s Beta-Time Records—continuing to push underground electronic music into new terrain.

Phase Chroma is a high-concept duo occupying the luminous, melancholic space between Progressive Structure and Ethereal Art-Pop. Formed around a striking duality—precise, structural synth work meets vast, dreamy vocal atmospheres—the project exists to explore emotional resonance through meticulous design. Their music sounds like the aftermath of a beautiful, systemic failure. Tracks like the digitally fractured "Neon Decay" and the liquid, intimate vastness of "Ripples in the Void" showcase their signature approach: cinematic soundscapes where every layered texture and subtle metric shift is intentional. Phase Chroma doesn't just make music; they manufacture deeply felt sonic tension for the quiet, empty hours.

Anbid Zaman is a queer activist and artist whose work rises from a life marked by displacement, resistance, and the insistence on living fully even when the world tries to deny that possibility. Born in Bangladesh and shaped by grassroots queer organizing from a young age, they grew into their voice through community struggle — learning early that courage isn’t an act, but a daily discipline.

Their journey from danger to refuge transformed them without erasing their origins. Living in Germany, Anbid continues to work at the intersections of identity, migration, and liberation, supporting queer people who face violence and navigating the complexities of chosen family, safety, and belonging. Their activism is guided by deep commitments: justice without compromise, solidarity across borders, and an unshakeable belief that marginalised voices should be heard not with pity, but with respect.

These values spill directly into their music. Anbid’s sound blends testimonial storytelling, emotional minimalism, and atmospheric layers shaped by memory — the quiet of hiding, the noise of protest, the ache of leaving, the thrill of surviving. Each track carries the weight of lived experience and the brightness of hope that refuses to die. Their art is not just expression; it is continuation, resistance, and a reminder that stories carry power long before the world acknowledges them.

Drop us a line ~ dinglestein@dinglandia.design

Available for work on custom audio & video projects for your brand. We also do other tings like branding and web design/development:

Video Samples: https://www.youtube.com/@dinglstein
Website Design & Branding: https://dinglandia.design

DJ Jonks is a music producer and DJ who blends modern production techniques with timeless influences. A lifelong music lover, his journey began in the 1980s with the crackle of his first vinyl record. From spinning tracks on local radio to DJing at gigs throughout the decade, he built a foundation in rhythm, energy, and crowd connection that still drives his sound today.

Although he specializes in 80s-inspired mixes, DJ Jonks is equally versatile across genres — from Hip-Hop to House, EDM, and everything in between. Now, with the help of the latest tools in music production, he crafts songs that fuse nostalgic vibes with fresh, contemporary beats. His music pays homage to the classics while pushing into new territory — always created with a passion to move both the heart and the dancefloor.

SINCERE IMPOSTER is an intimate collection of artists exploring a curious mixture of New Wave, Dance, EDM, Folk Rock, Metal, Art Pop, Electro, Dreamwave, and Experimental World Pop. Collectively, this is known as QUIRKPOP — music that pushes the creative limits of traditional pop.

Expect an unpredictable journey through sound, emotion, and humor, where genres collide and pop bends in strange new ways. Each song is conceived, composed, and performed with total sincerity, whether it’s built from voices, instruments, software, or hybrid experimentation. The focus is on the music itself: if it resonates, it resonates. No explanation required.

SINCERE IMPOSTER is curated by two musicians, both living within the same body, sharing a singular existence. They identify as Danielle & Dave. They are both psychologically and musically confused, yet extremely and unapologetically sincere.

Influences range from Weird Al and Nathan Fielder to David Lynch, Rosalia, Monatik, Atarashii Gakko!, Rammstein, T-Pain, and T-Swift. 

Danielle & Dave’s favorite inventions include the vacuum and the peach pitter. Their father is simply known as Vessel… who may be an entity or a god.


New tracks tagged #synth-driven