Demo casi terminao pero nah c: Chance le cambio el nombre

Que quede claro (?)

Lots of acoustic guitars blended with syncopated rhythms and a bit of my silly voice have shaped the new album. Broken rhythmical patterns with powerful distortions here and there give a continuous feeling of emotional and physical change. Dark but hopeful, straightforward yet sudden, tight but relaxed - this is Smear. Composed, recorded, produced, mixed and mastered by myself.
#musicproducer #newalbum #musicproduction #logicpro #logicprox #homestudio #mixing #mixingengineer #mastering #masteringengineer #fender #casio #gibson #fendertelecaster #gibsonsg #takamine #newrockmusic #newalternative #recordingstudio

Dkey

Accept the Fate

Letter

Do Not Wake the Atlas Up

Dead Rabbit

Please Put Them On, Takamine-san Opening OP (sped up)

https://www.youtube.com/watch?v=Ne3zqiWxMCM

Zanim przyjdziesz do mnie

This track began taking shape back in February 2025, during a period of experimenting with different guitars and hardware pedals—especially lots of echo effects. From the outset, I decided to abandon any formal plan or structure. My approach was simple: plug in a guitar, play whatever came to mind, and keep whatever felt promising. I just wanted to create something organic, hand-played, with some kind of consistent flow... 

Over time, ideas started to accumulate, and it felt generally fun to just keep recording. 

I’ll admit, part of the inspiration came from a beautiful trip to a magical northern spot, home to a stunning waterfall (see my art cover). Whether that feeling made it into the music—well, I’m honestly not sure.

The final result is this 7-minute progressive guitar journey, featuring two electric guitars, two steel-strings, and one classical guitar. 

Feel free to take a listen and let me know what it brings to mind!

WATERFALL SESSIONS

THE WATERFALL :: DS 2025

Spiralling Rose

Composer of multi-instrumental music, with a preference for longer, progressive and complexly arranged pieces.   

Have played guitar for many years, but I am probably a slightly odd type of guitarist. Not particularily interested in the guitar genre, not too keen on listening to long solos, etc. I don't enjoy playing for people - a party-killer, in short. However, leave me alone with this wonderful tool (or the keyboard, which I play too), and I will start experimenting with it, searching for something to develop. 

Strongly interested in classical music and anything remotely related to that. I want to construct music with a similar structure and complexity, although with other instruments, and in my own way...  
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During 2010-2013, I worked on a suite of related pieces, GUITARS PLAYED BY DS, with every sound played on the electric guitar. A major undertaking, and (all-in-all) 45+ minutes long, all complexly related and released in five segments.

During 2014-2015, the main focus was on the full-format 'LONG INSTRUMENTAL', a progressive work with lots of different instruments and sounds, restless and complex. Some sections stand on their own feet: MYSTERY, and FANFARE. 

The 2014-2015 recordings also resulted in two shorter pieces: CAMBRIAN EXPLOSION and CLUSTER OF WARNINGS.

During 2015 I initiated a suite played on classical guitars - GUITAR STRUCTURES. It is a series of slowly changing ideas, a weave of melodies and harmony, the first section out in April 2015 (the 2nd came 2 years later).  

I played guitars on Tolubai's wonderful ambient piece 'MEMORIES' (August 2015).

EARTHSHINE came out in January 2016; a darker and slightly dissonant progressive piece, and one of my personal favorites. So is SILENCE, out 1st July 2016. September 2016: IGNITION  with TOLUBAI and LET THERE BE LIGHT 22th Sept 2016 with PuppyWolf. 

20/11-2016: The OORT CLOUD PROJECT I-IX. An 18+ minutes long progressive synth-based instrumental, with lots of short guitar phrases integrated. Also, the spin-off PASSAGE was released. 

GROTESQUE released too in the end of 2016. The 19th January 2017, I released the sketch OMMA CONTRAPUNCTUS PROJECT. The 4th February 2017, the track '3 WORLDS COLLIDE' was released.

'Guitar Structure No. 2' out in March 2017, took 2 years to complete.

BEST OF 2 WORLDS was released in November 2017, another personal favorite composition.

APPROACHING: an unfinished sketch released 1st April 2018. TAURUS IV released 8th April 2018.

New Years evening 2019, quickly improvising a track: DECADE. Uploaded 23:58 local time. It was a very fun way of ending the year and I used a symbolic art cover with red sweeping in, but I wouldn't have dreamed of what was to come soon.

One main project this year is the SNOWFLAKES VARIATIONS suite; the Prelude was released in January 2020.

8th April 2020: CREATURES RISING was released. CREATURES OF THE RAINFOREST also a spinoff track (released 2021).

In the Lockdown March-April 2020, I recorded 'Era', out of frustration...

5th June 2020: REPORT FROM PLANET THREE, which was initiated 31st May 2019. 

31st July 2020: FORECAST was released. April 2021: SUMMER SNOWFLAKES, a 25 minute long track and perhaps my most ambitious ever. 

OCTOBER 22, 2021: OUTPOST. Was hell of a lot work behind this, which started out as the "Conquerer" project already in 2017. 

APRIL 28, 2022: The Disclosure (Part I).
SEPTEMBER 23, 2022: PEACE GUITARS. A track very dear to me, much of it written outdoors at the shores with my lovely dog with me. 

OCTOBER 6, 2023: SHAMBOLIC GUITARS.  Intensive recordings!

DECEMBER 7, 2024: TABOOOO released. (Oldfield Tribute)

SEPTEMBER 6, 2025: WATERFALL (part 1). Another part will follow in 2026!
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Many thanks for visiting here, and for the comments, 'Likes' & reposts.

D. Svensson Sept. 2022

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All rights to the audio/tracks, and album photography are reserved, and respectfully belong to the owner. 

© DavidSvensson.

This artist likes to mix genres. His influences range from metal, classical, idm to world.

New tracks tagged #takamine