Little bit of U2's The Edge coming through here…

@429029601: Lovely feedback, my friend, I am very glad you liked it!

Interesting percussive section done with guitar.

Very lovely arrangement. Nice thoughtful use of the reverb in sections as opposed to blanketing the whole thing in it. Highlights the effect very nicely. Way to go with this man. Fine production 👌🏻🔆🫡

Cool catchy new beats & guitars.. smooth as!

Nice q&a attack statements, joyful bursts of energy!

A sensational piece of music Dave, and i must say a most enjoyful escape from my hellish experiences lately, well done, lov it!

OtisPacific Music and La Marini Poetry Original re-worked

Guides (re-mastered)

This track began taking shape back in February 2025, during a period of experimenting with different guitars and hardware pedals—especially lots of echo effects. From the outset, I decided to abandon any formal plan or structure. My approach was simple: plug in a guitar, play whatever came to mind, and keep whatever felt promising. I just wanted to create something organic, hand-played, with some kind of consistent flow... 

Over time, ideas started to accumulate, and it felt generally fun to just keep recording. 

I’ll admit, part of the inspiration came from a beautiful trip to a magical northern spot, home to a stunning waterfall (see my art cover). Whether that feeling made it into the music—well, I’m honestly not sure.

The final result is this 7-minute progressive guitar journey, featuring two electric guitars, two steel-strings, and one classical guitar. 

Feel free to take a listen and let me know what it brings to mind!

WATERFALL SESSIONS

THE WATERFALL :: DS 2025

Written and performed by David Cooper.

Lyrics by David Cooper:

Someone told me the other day
Couldn’t believe what they say
Said the monsters were on their way

Watching TV, the Twilight Zone
Said of things that were to come
Said the monsters were on their way

Bridge

Take me back to childhood days
Oh the stories we believed
Watch the shows on the silver screen
Know that things ain’t what they seem
It’s a dream

Music break

Bridge

Take me back to childhood days
Oh the stories we believed
Watch the shows on the silver screen
Know that things ain’t what they seem
It’s a dream

Stand in line outside the cinema
Saturday morning ready to go
To see the monsters in the picture show

Climb aboard a rocket ship
Oh get ready to take a trip
Head towards a distant world out there


To see the monsters in the picture show
To see the monsters in the picture show

Monsters

Jimi Hendrix asked, "Are You Experienced?"  Tina Turner asked, "What's Love Got To Do with it?"  And now folks, you are presented with perhaps the penultimate conundrum, of which the answer will undoubtedly separate the mortal men from the metamorphosized brain-gorilla übermensch race.  The question is, "Do you have what it takes?"  

Do You Have What It Takes To Smell The Farts Of Stone Cold?

Exploring the Blue (Rehearsal)

Every Now & Then

never too old for love

Song from the rock opera Five Thousand Sasquatch

Jewelry Box With A Rock

Space In Between

Per concludere ho scambiato fra loro le parti iniziali della mano sinistra e della mano destra.

To conclude I swapped the initial parts of the left hand and the right hand.

Ho cambiato il titolo iniziale in:
"Toccata pantonale senza respiro"
da  "Toccata pantonale senza sosta".

I changed the original title to:
"Pantonal Toccata without breath"
from "Pantonal Toccata without pause".

Toccata pantonale senza sosta

"Toccata" pantonale senza respiro (Pantonal "Toccata" without breath)

Overland

Composer of multi-instrumental music, with a preference for longer, progressive and complexly arranged pieces.   

Have played guitar for many years, but I am probably a slightly odd type of guitarist. Not particularily interested in the guitar genre, not too keen on listening to long solos, etc. I don't enjoy playing for people - a party-killer, in short. However, leave me alone with this wonderful tool (or the keyboard, which I play too), and I will start experimenting with it, searching for something to develop. 

Strongly interested in classical music and anything remotely related to that. I want to construct music with a similar structure and complexity, although with other instruments, and in my own way...  
___________________________________________________________

During 2010-2013, I worked on a suite of related pieces, GUITARS PLAYED BY DS, with every sound played on the electric guitar. A major undertaking, and (all-in-all) 45+ minutes long, all complexly related and released in five segments.

During 2014-2015, the main focus was on the full-format 'LONG INSTRUMENTAL', a progressive work with lots of different instruments and sounds, restless and complex. Some sections stand on their own feet: MYSTERY, and FANFARE. 

The 2014-2015 recordings also resulted in two shorter pieces: CAMBRIAN EXPLOSION and CLUSTER OF WARNINGS.

During 2015 I initiated a suite played on classical guitars - GUITAR STRUCTURES. It is a series of slowly changing ideas, a weave of melodies and harmony, the first section out in April 2015 (the 2nd came 2 years later).  

I played guitars on Tolubai's wonderful ambient piece 'MEMORIES' (August 2015).

EARTHSHINE came out in January 2016; a darker and slightly dissonant progressive piece, and one of my personal favorites. So is SILENCE, out 1st July 2016. September 2016: IGNITION  with TOLUBAI and LET THERE BE LIGHT 22th Sept 2016 with PuppyWolf. 

20/11-2016: The OORT CLOUD PROJECT I-IX. An 18+ minutes long progressive synth-based instrumental, with lots of short guitar phrases integrated. Also, the spin-off PASSAGE was released. 

GROTESQUE released too in the end of 2016. The 19th January 2017, I released the sketch OMMA CONTRAPUNCTUS PROJECT. The 4th February 2017, the track '3 WORLDS COLLIDE' was released.

'Guitar Structure No. 2' out in March 2017, took 2 years to complete.

BEST OF 2 WORLDS was released in November 2017, another personal favorite composition.

APPROACHING: an unfinished sketch released 1st April 2018. TAURUS IV released 8th April 2018.

New Years evening 2019, quickly improvising a track: DECADE. Uploaded 23:58 local time. It was a very fun way of ending the year and I used a symbolic art cover with red sweeping in, but I wouldn't have dreamed of what was to come soon.

One main project this year is the SNOWFLAKES VARIATIONS suite; the Prelude was released in January 2020.

8th April 2020: CREATURES RISING was released. CREATURES OF THE RAINFOREST also a spinoff track (released 2021).

In the Lockdown March-April 2020, I recorded 'Era', out of frustration...

5th June 2020: REPORT FROM PLANET THREE, which was initiated 31st May 2019. 

31st July 2020: FORECAST was released. April 2021: SUMMER SNOWFLAKES, a 25 minute long track and perhaps my most ambitious ever. 

OCTOBER 22, 2021: OUTPOST. Was hell of a lot work behind this, which started out as the "Conquerer" project already in 2017. 

APRIL 28, 2022: The Disclosure (Part I).
SEPTEMBER 23, 2022: PEACE GUITARS. A track very dear to me, much of it written outdoors at the shores with my lovely dog with me. 

OCTOBER 6, 2023: SHAMBOLIC GUITARS.  Intensive recordings!

DECEMBER 7, 2024: TABOOOO released. (Oldfield Tribute)

SEPTEMBER 6, 2025: WATERFALL (part 1). Another part will follow in 2026!
 ___________________________________________________________
Many thanks for visiting here, and for the comments, 'Likes' & reposts.

D. Svensson Sept. 2022

*********************************************
All rights to the audio/tracks, and album photography are reserved, and respectfully belong to the owner. 

© DavidSvensson.

THE WATERFALL :: DS 2025

DavidSvensson

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