Well...that's a big song... Of course, there was no DTM in the production process at that time, so I was surprised that you could write such an amazing song with just paper, a pen, and a keyboard.

いやぁ…大曲ですね…。この当時の作品の作り方って当然、DTMってなかったので、紙とペンと鍵盤だけでこんな凄い曲を書けるなんてびっくりですね。

Bedřich Smetana Má Vlast「Vltava」

O možnostech komunikace a vzájemném vlivu mezi literaturou a medialitou, literární a mediální vědou, hovoří Milena M. Marešová s badateli z ÚČL AV ČR Richardem Müllerem, Stanislavou Fedrovou a Tomášem Chudým (ČRo Vltava, Víkendová Příloha, natočeno v září 2021).

Setkání písma, fotografie a horniny. Co objevíme za obrysy média?

Hello guys,

I was crazy enough to remix of of Bedrich Smetana's most famous compsitions: The Moldau (or "Vltava" in Czech).
I admit though, I took a bit of inspiration from the famous big room house track "Tsunami", because I liked the idea of mixing the stylistical characteristics of this together with the beautiful main melody of "The Moldau".

Bedrich Smetana - The Moldau/Vltava (Burntano Bootleg) [Inspired By Tsunami]

I produced the hard techno remix to Bedrich Smetana's "Vltava" (Die Moldau) 16 years ago and have now uploaded it for the first time.

#Hardtechno
#Schranz
#Classic
#Smetana
#Vltava

Vltava die Moldai

Bedrich Smetana - Vltava - die Moldau (SeeBasS aka SBS Hard - Techno Remix)

Cube Boat WarmUp set by Will Kollmann

Composed by Bedrich Smetana (tempo:Allegro comodo non agitato).
Played on Meike MK 939,using "Cello" timbre.
Recorded through Zen Mozaic I-pod (low audio quality).
Head/ear-phones recommeded.
Downloadable for free,clicking the "More" button

"Vltava"/"The Moldau" main theme(Bedrich Smetana)_ArionAngel

THIS IS AN EXCERPT OF AN HOUR-LONG 32.2 CHANNEL PIECE...

In the 200th anniversary year of the birth of the Czech composer Bedřich Smetana, who created one of the most famous pieces of music about a river in the 19th century with his symphonic poem “Vltava”, La Pesch embarks on a three-week journey from the sources to the mouth of the river. What does the river really sound like? What has changed since Smetana's time? Using various microphones, experimentation and accompanied by her dog, she exposes herself intensively to the river, explores its character, its landscapes, how she as a human being and her dog as an other-than-human being encounter the river and what states the sounds of the river put her in. She approaches Vltava with the template of Smetana's work in her head, becomes one with the river and splits up.

The outcome is an hour-long river experience in surround sound that gently washes over the ears, ripples along observingly, floods the senses, takes everything with it, tears the ground from under the feet. In part, La Pesch translates musical structures from the original into field recordings, such as the merging of two source rivers into the main theme of the composition. In part, she contrasts the historical state of Vltava depicted by Smetana with ecological changes, such as in the chapter “St. Johann Rapids”, which today have given way to the Štěchovice Dam. She challenges the naturalistic and nationalistic idyll invoked by Smetana with disturbances.

She rubs up against the original, questions, compares, traverses, overcomes, finds anew and knocks over, cuts her way through the thicket, swims, dives, perceives, also observes her dog approaching the river and takes inventory with extended field recordings. She expands her recording techniques for environmental sounds to include the recording of her rhythmic, narrative, vocal and physical performative approaches to the river. Because every human approach to the river inevitably does not escape the human perspective. It thus becomes part of her composition. Between naturalistic field recordings and artistic interpretations, a multi-layered portrait emerges – Of the river? Of her? Of a state? The audience is left to answer the questions themselves after surfacing from the raging river.

Vltava – A State of Recording (binaural mixdown, 1st chapter of 66min)

Vltava

During the CENSE Beyond Listening Symposium in 2025 I presented "Vltava – The Talk". I compared two approaches to the river Vltava – one from 1824 and one from 2024, one by Bedřich Smetana and one by my dog and me, one in the shape of a programmatic score for a classical orchestra, one in the shape of an extended field recordings ambisonics composition. The talk explores what happened in music/ sound art and explores three turns: the experimental or performative turn in the 1950s, the other-than-human turn in the 1960s, and a suggested narrative turn to combine the two.

Carina Pesch (La Pesch): Vltava
paper
Wednesday, 24 Sept,2025 14.00
Cukrarna, conference room
recordings by CONA

Vltava – The Talk

I play marimba and DTM

YouTube・Instagram

La Pesch does radio, acoustic narratives, sound and voice art.
She chooses a subjective approach, sets in scene encounters and creates contact points in dialogue. She relies on techniques of collage and a structure that reflects the core message. Her focus are boundaries, transcending and blurring them, the confrontation and meeting of different horizons of experience in a given environment.

ig: @crystaldemyan 
tg: @crystaldemyan 
4REAL13

**DJ & Producer**  
**Techno & Tech House**  

Since the nineties, I have been immersed in the world of music, using dance as my pathway to mastering the rhythm and energy that captivate audiences. My passion for entertaining took a significant turn when I embraced the art of DJing. This commitment was further solidified through rigorous professional training at the prestigious Musartedo school in Prague, where I honed my skills in both production and DJing.

Since 2021, I have actively performed at musical events across the Czech Republic, showcasing my talent and engaging diverse audiences. My dedication to my craft earned me first place in a DJ contest organized by @blackoutevents in the techno genre, which led to my membership with them. I regularly electrify the decks at clubs throughout the Czech Republic, particularly within the vibrant Prague scene.

In 2023, I made history as the first Czech DJ to graduate from @pointblankmusicschool in Ibiza, specializing in music production and DJing. My preferred genres—tech house and techno—reflect my commitment to pushing musical boundaries and crafting unforgettable experiences for my audience. 

Join me on this exhilarating journey; together, we’ll transform every moment into a powerful celebration of sound and rhythm! I am also honored to be a proud member of the collective 303. As part of this incredible assembly, I will always strive to deliver the best track selection and a positive vibe.

In 2000,Anna (03.15.1987) "opened" her mind to Music,since the 1st listening of Boyzone's songs.
The passion for their Music led Anna to listen to other artists & different genres.
She learnt to sing & started playing her Polish Mom's very old,lately not tuned piano,as autodidact - with her advices,as her Mom got a piano diploma at the conservatory in Krakòw - cutting time out in her days.
She owns 2 electronic keyboards.
Anna practices also on some Classical Music.She loves F. Chopin.
She looks for a band in Foggia,to sing on Saturday evenings (Beatles,Boyzone,Ronan Keating,Savage Garden,Darren Hayes,EMF,Den Harrow,Pet Shop Boys,Alphaville,Europe,Spandau Ballet,Roxette,Johnny hates jazz,Simple Minds,Duran Duran,Icehouse's songs for instance);write a message,if u r interested.
Use ear/head-phones,while listening to these (recorded through I-pod).
Some of them r downloadable for free,clicking the "More" button

Since 2001, SeeBasS (aka SBS) has been igniting dance floors across Germany with his electrifying sets. Known for his diverse range, SBS prefers to weave through various electronic styles including Minimal, Tech-House, Techno, Hardtechno, Stomping-Techno, and Hypertechno. Whether spinning the good old analog records (vinyl) or exploring the latest digital systems, SBS' passion for music knows no bounds. After a stint in the United Arab Emirates from 2011 to 2017, SBS has returned to his homeland, Germany, bringing with him a wealth of international experience and musical inspiration.

2001 - first Dj steps 
2002 - first gigs (Musicpark Gera)
2004/05 - paused 
2006/07 - second start, producing first tracks 
2008 - founding Klangacrobatique, starting first own partys 
2009/10 - more and more gigs all over Germany (Berlin, Leipzig, Reichenfels, Weißenfels, Chemnitz, Erfurt, Jena, Gera)
2011 - moving to UAE 
2012 - first gigs in UAE (Dubai, Ras Al Khaimah)
2013-16 - some more tracks and sets
2016/17- last tracks before ...
2017-23 - family break
2024 - new productions

Karolinum, nakladatelství Univerzity Karlovy, se zaměřuje na vydávání učebních textů, vědeckých monografií, odborných časopisů a vědeckých sborníků všech oborů univerzity. Vydáváme také beletrii a díla Karla Šiktance.

Hi, I'm D/K a.k.a Burntano and I'm a producer from Austria (Europe). I love producing music, but just for fun. I don't intend to earn money with it.

New tracks tagged #vltava