KITTY and The QUALIA

Aujourd'hui il fait chaud sur la plage du camping. Trop chaud pour les esprits apaisés.

Une réalisation sonore de Laurine Attali effectuée lors du stage          « field recording et arts sonores », sous la direction de Gilles Aubry du 17 au 21 juillet 2022 à Dinard.

Par une chaude journée d'été

www.landschafftsound.org
Stanley und Florian über Field Recording, elektronische Musik und neue Erkenntnisse.

Picture and production by: Konrad Behr https://konrad-behr.de/

LAND.SCHAFFT.SOUND. - Folge 6 - Stanley & Florian

www.landschafftsound.org
Patrick über seine Arbeit als Feldbiologe, sein Herangehen, seine Eindrücke und Ansichten zum Thema Umweltschutz und worauf es beim Field Recording ankommt.

Picture and production by: Konrad Behr https://konrad-behr.de/

LAND.SCHFFT.SOUND. - Folge 7 - Patrick

Field recordings of Kozmické meadows bird reserve, Czech Republic, recorded on the night of March 25-26, 2022.

Kozmické louky I.

www.landschafftsound.org
Lena, Grit & Mirijam erzählen von Landschaft, Hörerlebnissen, Jagen und Sammeln und ihren Erfahrungen aus unserem zweiten Workshopwochenende.

Picture and production by: Konrad Behr https://konrad-behr.de/

Land.Schafft.Sound. - Folge 8 - Lena & Grit & Mirijam

www.landschafftsound.org
In Folge 5 sprechen Judith und Tillmann über ihre Ursprünge, den Dawn Chorus, den Vergleich zwischen visueller und auditiver Wirkung und Ihren Erlebnissen beim Workshop.

Picture and production by: Konrad Behr https://konrad-behr.de

LAND.SCHAFFT.SOUND. - Folge 5 - Judith & Tillmann

I created this story for Small Audio Art, a community created by Phoebe McIndoe with artists and audio makers "looking for togetherness in a scattered world".
This time the prompt was 'window'.
I recount a small but poignant moment that reflects my own regret over the way I reacted in a specific moment of our collective lives. A reflection on how easily fear can distort one's perception, making us forget what really matters: compassion and hope.
Small Audio Art welcome2myhome.squarespace.com/home-2
Release date:
29 November 2024

Small Audio Art https://welcome2myhome.squarespace.com/home-2

Window Of Contempt [for Small Audio Art 2024]

THIS IS AN EXCERPT OF AN HOUR-LONG 32.2 CHANNEL PIECE...

In the 200th anniversary year of the birth of the Czech composer Bedřich Smetana, who created one of the most famous pieces of music about a river in the 19th century with his symphonic poem “Vltava”, La Pesch embarks on a three-week journey from the sources to the mouth of the river. What does the river really sound like? What has changed since Smetana's time? Using various microphones, experimentation and accompanied by her dog, she exposes herself intensively to the river, explores its character, its landscapes, how she as a human being and her dog as an other-than-human being encounter the river and what states the sounds of the river put her in. She approaches Vltava with the template of Smetana's work in her head, becomes one with the river and splits up.

The outcome is an hour-long river experience in surround sound that gently washes over the ears, ripples along observingly, floods the senses, takes everything with it, tears the ground from under the feet. In part, La Pesch translates musical structures from the original into field recordings, such as the merging of two source rivers into the main theme of the composition. In part, she contrasts the historical state of Vltava depicted by Smetana with ecological changes, such as in the chapter “St. Johann Rapids”, which today have given way to the Štěchovice Dam. She challenges the naturalistic and nationalistic idyll invoked by Smetana with disturbances.

She rubs up against the original, questions, compares, traverses, overcomes, finds anew and knocks over, cuts her way through the thicket, swims, dives, perceives, also observes her dog approaching the river and takes inventory with extended field recordings. She expands her recording techniques for environmental sounds to include the recording of her rhythmic, narrative, vocal and physical performative approaches to the river. Because every human approach to the river inevitably does not escape the human perspective. It thus becomes part of her composition. Between naturalistic field recordings and artistic interpretations, a multi-layered portrait emerges – Of the river? Of her? Of a state? The audience is left to answer the questions themselves after surfacing from the raging river.

Vltava – A State of Recording (binaural mixdown, 1st chapter of 60min)

the primitive character of the voices and double bass enhanced by the electronic frequencies in a inspiring cluster of intensity and energy; and whne the energy was spent, the piece was finished.
Voice: Diana Miron
Double Bass: Laurentiu Cotac

all the ME pass before you

Originally soundtrack for a photo exhibition by Pablo Castilla, after the years a darker version for the dance performance 'Hands do not touch your precious Me' by Ultima Vez

O.W.L.

La Pesch does radio, acoustic narratives, sound and voice art.
She chooses a subjective approach, sets in scene encounters and creates contact points in dialogue. She relies on techniques of collage and a structure that reflects the core message. Her focus are boundaries, transcending and blurring them, the confrontation and meeting of different horizons of experience in a given environment.

Vltava – A State of Recording (binaural mixdown, 1st chapter of 60min)

La Pesch

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