Deep september

Hot on the heels of two wicked releases on Lobster Theremin and SITU Records, London based producer Kempston Hardwick readies 4 bubbling cuts of summer jams with all the zesty twists of an ice cold radler on Distant Horizons.

Whilst his last releases on LT took a more UK-centred sound approach, DISTANT005 has you jumping on the first plane out of London and onto a white, sandy beach somewhere in the South Pacific. The skippy, bright beats of ‘Step With Me’ raise the curtain before the sounds of thes streets of Chicago take over on ‘Roxy’s Party’ - a classic cut of contemporary house that lends from the past while keeping one eye firmly fixated on the future.

‘Leonila’ sees Kempston take on a more experimental aesthetic; tribal drum patterns and vocal samples blend with bending synthwork and and the inspired calm that can only come from the sound of wooden instruments.

Bowing us out is ‘Cascade’, the most quintessential Kempston track on there; his distinctive take on house shining across five minutes of late-night grooves.

https://lobstertheremin.com/album/step-with-me

@checan
https://soundcloud.com/lobster-theremin

PREMIERE: Kempston Hardwick - Cascade [Distant Horizons]

Written and Produced by Damon Wild and Tim Taylor.
Recorded at Northcott Productions Studios in New York in 1993.
Originally released as Catalogue # EX-19 on Experimental Records.
Now remastered and released for 1st time on digital via Missile Vintage.
Nitrous Oxide is from Experimental Records EX-03 by N2O aka Wild and Taylor again.

https://missile-records.bandcamp.com/album/missile-vintage-011-lazer-worshippers-lazer-worshippers-theme-1993-4-track-ep

LAZER WORSHIPPERS - LAZER WORSHIPPERS THEME - ORIGINAL VERSION_1993.

M.O.S. commemorate 4 years of Melody Of the Soul with warmth and lush composition on part 2 of 'Ask The Universe' EP. 

Read more: https://whenwedip.com/2024/06/premiere-mos-melody-of-the-soul-igako/

Follow: @mosmusique / @melodyofthesoul

Connect: When We Dip on Spotify - open.spotify.com/user/whenwedip

www.whenwedip.com
YT: youtube.com/user/whenwedip
FB: facebook.com/wwdofficial
IG: instagram.com/whenwedip/
TW: twitter.com/WhenWeDip

Premiere: M.O.S. - Igako [Melody Of the Soul]

I snapped on this one!!  A Remake of the classic track.

Li'l Louis-"How I Feel" (Tai Davis' Remake) Now available on Bandcamp!

https://www.beatport.com/release/one-on-one/1827995
http://www.traxsource.com/title/665309/one-on-one-ep
https://www.whatpeopleplay.com/albumdetails/and-ME-One-on-One-EP/id/133281

As &MEs last two EPs on Keinemusik have been hitting the bulls eye of public perception immediately, his KM034 for sure will meet high expectations from DJs and crowd alike. What should one do within this sort of spotlight? Boil up the same old formula? Milk the cow? Play it safe? Well, &ME is rather going for the dont overthink it and just do whatever you like-option. Which in case of this "One On One"-EP is a collaborative effort with English singer/songwriter-enigma Fink thats letting musicality rule over functionality.
The titletrack on A comes creeping over the floor like an ash cloud. Built up on a grainy beat-pattern, having all lightness dashed out by droning bass, before Finks vocals are exorcising the ghosts of a heavy comedown. "One On One" has shaken off the facility of peaktime-consensus, before the straight kick comes in, but even that unmistakeable floor-referral is invalidated by gloomy harmonies after just a few bars. An obvious move against leadsingle-standards, but considering its omnipresent dark narrative and ultimately condensed vibe, "One On One" is without a doubt one of the strongest &ME cuts ever.
The offering on B1 might be considered as a bit more handy, but still: "Cape Coast" is rather grooving along a serious jungle-delirium than delivering easygoing beach-pleasure. A lot of hissing and chirping and rattling going on in between dense synth- and bass-layers, while live-recorded percussions are escalating into frenzy. Tribalhouse of a rather demonic breed.
Finally, Fink is stripping down the original outline of "One On One" into a sinister and subtle Dub-interpretation on B2. Blurred delays, sparse synths and occasionally implemented kick-detonations, reminding of an alarmingly lowered RHR. Meaning even wider room for his charisma breathing croon.

One on One

&ME - One on One feat. Fink

www.beatport.com/release/one-on-one/1827995
www.traxsource.com/title/665309/one-on-one-ep
www.whatpeopleplay.com/albumdetails/…-EP/id/133281

As &MEs last two EPs on Keinemusik have been hitting the bulls eye of public perception immediately, his KM034 for sure will meet high expectations from DJs and crowd alike. What should one do within this sort of spotlight? Boil up the same old formula? Milk the cow? Play it safe? Well, &ME is rather going for the dont overthink it and just do whatever you like-option. Which in case of this "One On One"-EP is a collaborative effort with English singer/songwriter-enigma Fink thats letting musicality rule over functionality.
The titletrack on A comes creeping over the floor like an ash cloud. Built up on a grainy beat-pattern, having all lightness dashed out by droning bass, before Finks vocals are exorcising the ghosts of a heavy comedown. "One On One" has shaken off the facility of peaktime-consensus, before the straight kick comes in, but even that unmistakeable floor-referral is invalidated by gloomy harmonies after just a few bars. An obvious move against leadsingle-standards, but considering its omnipresent dark narrative and ultimately condensed vibe, "One On One" is without a doubt one of the strongest &ME cuts ever.
The offering on B1 might be considered as a bit more handy, but still: "Cape Coast" is rather grooving along a serious jungle-delirium than delivering easygoing beach-pleasure. A lot of hissing and chirping and rattling going on in between dense synth- and bass-layers, while live-recorded percussions are escalating into frenzy. Tribalhouse of a rather demonic breed.
Finally, Fink is stripping down the original outline of "One On One" into a sinister and subtle Dub-interpretation on B2. Blurred delays, sparse synths and occasionally implemented kick-detonations, reminding of an alarmingly lowered RHR. Meaning even wider room for his charisma breathing croon.

&ME - One on One feat. Fink (Fink Mix)

Vince Watson has now spent 20 years in the electronic music world. He's produced a pretty inconceivable total of 8 albums, released over 80 remixes and his music has also featured in TV series and adverts. To celebrate this milestone, Vince is releasing a 36-track boxset featuring beatless versions, reworks and remasters on his own label "Everysoul".

"Moments in Time", originally released in 2002 on Vince's second album has now been retouched, remastered and is an ethereal house masterpiece. We've fortunately managed to twist a few arms to let us host the premiere. Here's to another 20 years!

Release Date: 29/08/2016

Check: 
https://soundcloud.com/vincewatson
https://vw20.bandcamp.com/
https://www.facebook.com/vincewatsonmusic


First Play: Vince Watson - Moments in Time (VW20 Mix)[Everysoul]

The Martinez Brothers are absolute kings when it comes to bumping house music that possesses groove in abundance. Whether it's their own productions or their high-octane DJ sets, the siblings from the Bronx never disappoint.

Their imprint, Cuttin Headz, is the perfect outlet for this strain of rugged house that's brimming with attitude and we've already been treated to amazing EPs from Jesse Calosso, Basement Jaxx and of course Chris and Steve themselves.

Now though it's tome to see what Phil Moffa has in store for us as he adopts his Butcha alias for the '1001' EP. This one's had a lot of love across the board from esteemed selectors like Truss, DJ Spider, Leftfield, DJ Deep and Gunnar Haslam, so now we bring you the first spin of '6 Hubert Street'.

1001 EP

Premiere: The Butcha '6 Hubert St.'

Full Premiere: http://www.wearesoundspace.com/premiere-vincent-vedat-sweet-agony/
Submit Your Repost: http://www.wearesoundspace.com/submit-your-repost/

Spotify: goo.gl/phNY5q
YouTube: goo.gl/MlPo8d
Facebook: goo.gl/WGjgHO
Twitter: goo.gl/QJgbtz
SoundCloud: @wearesoundspace

Vincent Vedat
https://soundcloud.com/vincent-vedat
https://www.facebook.com/VincentVedat

S.G.O.L Recordings
https://soundcloud.com/s-g-o-l
https://www.facebook.com/SGOLRecordings

Get the full premiere!

Premiere: Vincent Vedat - Sweet Agony

Promotional edits label La Bestiole are back after their first sell-out release! https://soundcloud.com/baerlz serves up a deep boogie edit on the B1. Cold cut killer!

~ PRE-ORDER AVAILABLE NOW ~

https://www.coldcutshotwax.uk/products/baerlz-best002

IN STOCK

HOTWAX // Baerlz - Share Your Dreams

Alton Miller Progressions

MR INTL-THE GROOVE

Carl Craig - No More Words

NYC photographer Ed Marshall produced these meditative club tunes as Dreamscape in '94 & '95. Originally released on his own New Age House Records label, they've become quite hard to find & mega in-demand.
"Welcome To Our New Age House" includes the best of those two releases. Remastered from the original ADATs & pressed as a 2x12" for LOUD playback. Pumpin', passionate & positive music! Motivational deepness for your mind, body & soul. 
Very proud to have this heavenly Dreamscape album join the World Building catalog. Let the rhythms guide.....

SIDE A
1.    New Age (4:40)
2.    Forevermore (6:07)

SIDE B
1.    We Are (4:33)
2.    Born (5:54)

SIDE C
1.    Jasmine's Dream (5:38)
2.    New Day (5:14)

SIDE D
1.    To Think We Met Just Yesterday (4:57)

Written, Produced, And Arranged by Ed Marshall
Dreamscape appears courtesy of New Age House Records /
S.T.A.T.-M. Productions
Digital ADAT Transfer by Chris Tsantilis
Mastered by Dietrich Schoenemann @ Complete Mastering

LABEL: WORLD BUILDING
CATALOG: WB 006
ARTIST: DREAMSCAPE
TITLE: WELCOME TO OUR NEW AGE HOUSE
PUBLISHER: PART MAN PART MACHINE PUBLISHING (B.M.I.); WORLD BUILDING MUSIC PUBLISHING (ASCAP)
COPYRIGHT: NEW AGE HOUSE RECORDS; WORLD BUILDING, INC. (2018)

DREAMSCAPE - Jasmine's Dream

For our 9th De La Groove Selection, Xxxy is taking us in his space shuttle for 1h drive amidst a spacial travel of kind. Wether it is disco teinted, wether it is getting towards the deeper side of the groove or streaming at the speed of garage vibey, Xxxy delivers here a delicious one hour podcast you can serve warm about the whole day.

Xxxy is to come and play at Djoon for his premiere on Saturday 14th December 2019.
->> https://www.facebook.com/events/485054678884837/

If you can surely check his already long and well-build-over-time discography, beware of his upcoming releases. After the shortly released Tom Jay EP on his own label Sour Edits, he his planning to release his own by 2020 and an EP out on a new project he's cooking for 2020 as well.

Keep an eye on him for sure, and come get loose at Djoon

De La Groove Selection - Xxxy

One of a Kind

Often called one of Chicago's talented hidden gems, singer/songwriter/DJ/producer Tai Davis means House in almost every sense. His tracks appear on labels such as Dizzy Tunes, DanceMania, Vibraphone, House Of Jack, Top Billin', Monster Disco, Beatality, Rhythm Life,  AfterMoon, and Velcro City.   He's dropped vocals for established producers such as Paul Johnson, Stacy Kidd, and also Galactik Knights, Nate Caswell, DJ Sound and Yakka. Preferring to use vintage analog gear and not a computer of any kind, his new but classic house sound consistently and increasingly packs dance floors all across the globe!

Li'l Louis-"How I Feel" (Tai Davis' Remake) Now available on Bandcamp!

Tai Davis

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