4x15 Part 13

não faço rap, faço experimentos musicais.

Music and artwork crafted by squishy fleshy human beings.
Thanks a million for your listens, comments, likes and reposts 🖤🖤🖤
This music expresses the joy of weaving sounds, textures and rhythms together.
Some older artwork made by models, when they were still silly.

T.D.

A-laise is a Tuckey production solo project. “A-laise” is derived from the French word “alaise,” signifying comfort. A-laise, an accomplished artist and musician, delivers original tracks with a smooth, mellow, and upbeat sound. These tunes are designed to soothe and relax, providing a pleasant backdrop or more, tailored to your personal preferences.

At my follow limit right now, or email them directly
RunningWolf1989@gmail.com
Record Company President/Owner, BMI registered songwriter, composer, producer of music, film, TV, videos, radio station owner, DJ, promoter check out the LinkedIn account for full details, also on runningwolf1989.bandcamp.com 
At my follower limit right now, but I can see DM of links still
If ya not following me on Twitter as well @RunningWolf89, how will ya know if I give ya a tweet shoutout? Yeah, I do that wit out telling people on here lol
Open to collaborations 
If you don’t understand my music, it’s ok, it’s not for everyone

This music is based on the uncertainty principle. Music is sacred and so is nature. Sound design is a tool. Sound can be a sine, a tube, a saw or a noise wave. Less is more. Music to listen to. 
buckeyball181818@hotmail.com       
http://www.nasa.gov/mission_pages/station/main/index.

HOMEMADE GUITAR FLAVORED NOODLING.  PERFORMED AND PRODUCED BY PAUL HARTSHORN. 
THANKS FOR TAKING THE TIME OUT TO LISTEN... AND FOR ALL YOUR COMMENTS.

👉 https://elasticstage.com/esreleasesf06/releases/french-touch-album

Le vinyle est prêt, pressé à la demande.
Une descente en groove dans les coulisses de la French Touch.
Boîtes à rythmes poussiéreuses, synthés analogiques et fantômes du Rex Club.
💿 Pour ceux qui ont dansé tard, et écoutent encore.
🎧 Commande ici :
👉 https://elasticstage.com/esreleasesf06/releases/french-touch-album

🇬🇧
The vinyl is ready — pressed on demand.
A groove-soaked dive into the backrooms of French Touch.
Dusty drum machines, analog synths, and the ghosts of Parisian nights.
💿 For those who danced late, and still listen.
🎧 Order here:
👉 https://elasticstage.com/esreleasesf06/releases/french-touch-album

Booking our artists: hasrecordings@gmail.com

HS Recordings is a small label in the making, it was organized back in 1999, and behaved like a Phoenix bird. It soared with a musical opus, then fell to the ground. The label was organized by two friends Jan Slavov (Dj UNO) and Sergey Ptitsin (  ZARINE, S13, NIR300, PTITZYN ...) on the basis of the HAVANA CLUB institution in St. Petersburg. Life has been swept away by comrades around the world, but the idea of ​​the label is still alive and is being realized again. The label, as from the very beginning, is engaged in interesting projects  preferring electronic music. ZARINE was one of those who stood at the source in the 90s  Drum and bass in the culture, and today promotes broken rhythms in massy.Sozdav recording studio, has been mixed and the release material of other musicians of different napravleniy.Currently the label is looking for sponsorship to enter the market as the capable UNIT.

Dadaistic music since 1904! 
Somehow I wanted to post my old, "chaotic" or fallen out of style recordings here, but within the last year I got the taste again and produce new stuff as Dr. Zwakkus.

I don't see sense in nonsense but I see nonsense in things that a lot of people call sense.

I did a lot of music in my life. Did Hardrock, Metal, Psychedelic-Rock, Swing, Jazz, Latin, Dance Music, modern and so called post-modern classic, even playback gigs and did some little film scores also. Everything that either brought some money in the pocket or gave some fun.

I have not studied music, either the conservatories did not want me or, in the other case, I didn't wanted them.
The Zwakkus project was for a long time a kind of discharge of frustration or a valve to let "it" simply flow, without caring about what some client or bandleader will think about. 
It then took me a little time to realize that this project is really unique and true to me and that I can't be this free anywhere. So I'm giving more energy into it and I'm having really fun with it. Knowing that this can't be everyones style, I am extremely grateful for everyone who can get involved!
Also I am very thankful for finding so much really authentic, inspiring and original stuff here on SC.

AI? Can go home!

4x15 Part 13

Tamii Dimk