Born and raised in the Bronx, NY, The Martinez Brothers are two of the most consistent and recognizable names in the world of house.  Stevie and Chris continue to push themselves creatively in the studio collaborating with global and Latinx artists such as Rauw Alejandro, Fuego, Rema and Tokischa. 

In 2023, we find The Martinez Brothers in a moment of creative renewal, kicking off an exciting new chapter in their illustrious career. They continue to cast a wide net with their collaborations, stepping into the studio with a new generation of artists like Eliza Rose, Tommy Genesis and Mochakk.  

The brothers are furthering their love affair with Ibiza in their second year residency at Hï Ibiza voted #1 Club in the World, after 10 years as residents at Circoloco, Ibiza. Paying homage to the isle that catapulted them to stardom, it was in Ibiza that they met Riccardo Tisci who brought them in to do the music design for his iconic years at Givenchy (2014-2015). 

Last year, the brothers headlined London’s hottest show of the year at Beams warehouse alongside Skepta, who debuted his first house music DJ set in his hometown.  Alongside this, they played the Met Gala afterparty hosted by Dua Lipa and at LOEWE’s Paula’s Ibiza pop up at the Sheats-Goldstein home in LA. 

In 2023 stage hosts include Kappa Futur Festival in Turin, Italy, Panorama Festival in Southern Italy, Eastern Electrics, London, Fabrik, Madrid, Audio Obscura at Amsterdam Dance Event and III Points Festival, Miami. 

The duo are avid sneaker collectors and vinyl record collectors, from all eras of Latin salsa, disco, funk, soul, jazz house and techno.

Run of AreaAudio for ISF
 https://soundcloud.com/isfinfestazionisoniche

Resident Of Fade Radio 
https://www.fade.radio/residents/r-a-s-h

https://soundcloud.com/faderadio
Resident  of 
https://www.fangoradio.com/shows/350
 
Biography
Empirical as a hard sip spilling from a discharged battery. There is always a nihilistic fetish in these youngsters dealing with technology. Stefano Martino, aka R A S H, is never hiding this darkest side in his composition. His machinery becomes a ritual object within which his human state becomes an algorithmic begging of change making its appearance at warm 50 hertz complacency.

His sound exploration is elaborated through decadent, post-industrial soundscapes inscribing the full failure of a consumer society which noise becomes an evidence whilst its awareness is modelled, reworked within a dystopian hexavalent chromium taste, blended into the future. Uncannily grainy, definitely remote. Until he stumbles upon a retrofuture device. Namely, a mono synth.Owner of  AreaAudio for Infestazioni Soniche Festival / R A S H lab

https://www.fade.radio/residents/r-a-s-h

Bookings - International/Rest of the World 
roman.trystram@caa.com

Queensland-born, now calling Adelaide home, Mark Maxwell has carved out a distinctive sonic identity that masterfully weaves disco, house, and tech house with Latin and Afro influences. His sets are a dynamic fusion of global rhythms, crafted through an innovative use of loops and acapellas that transform each performance into an unrepeatable moment of collective joy.

Drawing inspiration from genre-bending taste-makers like Barry Can't Swim, Folamour, and Honey Dijon, Mark's approach to DJing transcends conventional boundaries while maintaining an unwavering focus on what matters most – keeping the dancefloor moving and faces smiling. This distinctive style has earned him spots alongside industry titans including Sam Divine, Roger Sanchez, Nora En Pure, and Sandy Rivera, while gracing the decks at legendary venues like Revolver Upstairs, elsewhere, and Club Above.

In the studio, Mark channels the energy of production heavyweights like PAWSA, Chris Lake, and Jamie Jones into his own unique sound. His originals and remixes for Dillon Francis, Odd Mob, and Crooked Colours have caught the attention of global tastemakers, with support flowing from Idris Elba, Solardo, and Gene Farris. His original productions have made serious waves – from the soul-stirring 'Wade In The Water' (1.2M+ streams) to the chart-dominating 'Santorini' (#1 ARIA Club Chart, 1.3M+ streams) and the unstoppable 'Tracey In My Room' (#1 ARIA Club Chart, #2 Traxsource Overall Chart).

As his sound continues to evolve and reach new audiences across Australia, Mark remains committed to a simple yet powerful mission: creating music that feels good and spreads joy, one beat at a time.

DCE Records is an Adelaide South Australia based underground electronic music label that has been producing music since the early 1990’s and is still active to this day.

"The initial onslaught is high-compression rumbling, a primal, heartbeat bassline which seems to be absorbed by your chest cavity, rather than heard... Some sounds are muffled, it is as if their music has been fed in a thick, muddy stream through a rusted, iron filter. Gradually the listener becomes aware of a gossamer thread-like melody being woven around a subtle undulation in pitch. How long has that sound been tweaking at your subconscious? Instinctively, you know that it's been there all along, you just didn't realise until now. Without warning, DCE move up a gear and pour a rich riff of raw funky beats into the mixture. Sharp toothpicks of high-hat static stab the atmosphere. More and more layers reveal themselves, moving with the ominous fluidity of spiritual underworld messengers.".. Words - Remote

📍 28 y/o, Hamburg (DE)
🎮 Tribecore, Hardtechno, Hardcore
💿 Started DJing & producing in 2023
⚙️ into harder music since 2013 - (g)old hardstyle era

Tams is following